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10
SELECTING EFFECT AND INPUT / OUTPUT CONFIGURATIONS
The Quad 4's ability to accommodate a number of different input and output routing configurations makes it an
extremely useful and flexible tool for many different applications.
The Quad 4 gives you the ability to select any one of the 16 different effect configurations within any program by
performing the following procedure:
1. From Program mode, press the <Edit> button until the display appears something like this:
2. Now use the <Data> wheel to select any one of the sixteen different effect configurations available. A com-
plete list of the effect configurations is located on page 37.
Next, select the input/output configuration you want to use:
1. Press the FX Edit button until the input section of the Effect Routing Matrix begins flashing and the informa-
tion line reads:
2. Use the <Data> wheel to scroll through the nine available input configurations.
3. Press the FX Edit button one more time. The output section of the Effect Routing Matrix begins flashing and
the the information line reads:
4. Press the parameter button <1>, then use the <Data> wheel to scroll through the nine available output
configurations.
5. Press the parameter button <4>, then use the <Data> wheel to to set the output level for the program.
NOTE: Make sure you store any changes you want to save before exiting the edit mode. See pg.13 for more
information.
USING MODIFIERS
Modifiers are unique tools that can be used to dramatically alter your sound based on information from signal amplitude,
the settings of a Low Frequency Oscillator (LFO) or MIDI Continuous Controller information.
Every Program in the Quad 4 has a set of Modifiers. Up to eight Modifier links can be assigned to control parame-
ters. There are three types of Modifiers that can be linked to a parameter: MIDI CCs, LFOs, and Dynamic (signal
level dependent).
MIDI CCs - When you use MIDI CCs, the Quad 4 responds to CC numbers 0-127 and CHP (channel pressure or
aftertouch). This means that you could assign your keyboard's modulation or pitch bend wheel (or any other MIDI
CC device) to control effect parameters.
For example, you can have a synth's modulation wheel (usually MIDI CC#1) control the in level of a reverb and cho-
rus in one program while the delay feedback is controlled in another.
LFOs - When you use LFOs, parameter values can be controlled automatically between a defined minimum and
maximum setting at a rate set by the user. The Quad 4 has two user definable LFOs in each program that can be
assigned to any parameter.
Section 2 - Basic Function of the Studio Quad 4
99
Parallel
4,4,4,4
C C
C C
14
888
%kHz
%kHz
1
2
m
Sec
m
Sec
CHANGED
CHANGED
MIDI
CLIP
LEVEL 1
FACTORY PRG
- CHANGED
S-DISC
™
CLIP
P
USER PRG
- CHANGED
ROCESSING
LEVEL 2
CLIP
UTILITY PAGE
UTILITY PAGE
FX EDIT PAGE
LEVEL 3
3 4
5 6 7 8 9 10
1
2
CLIP
LEVEL 4
Input Mode: Quad Mono
Output Mode: Quad Mono
Quad 4 User's Manual
C C
C C
888
888
%kHz
%kHz
3
4
m
Sec
m
Sec
CHANGED
CHANGED
IN 1
OUT 1
IN 2
OUT 2
IN 3
OUT 3
IN 4
OUT 4
DIGITAL CLIP
MODIFIERS
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