Overhead; Send - Roland VAD506 Data List

KIT EDIT

OVERHEAD

Parameter
TEMPLATE
Level
Mic Type *1
Mic Width *1
[F1] button (OFF, OVHEAD ON)
*1: This can also be edited from the MIC SETTING items.
*2: These Overhead Template values (OTHER 5–OTHER 9) and Mic Type values (TYPE 5–10) are supported starting with program version 1.10.
Refer to the Roland website for the latest information. https://www.roland.com/global/support/

SEND

OVERHEAD SEND screen
Parameter
[F2] button (SEND tab)
OVERHEAD SEND
[F5] button (H & R)
[F3] button (ASSIGN tab)
OVERHEAD FILTER ASSIGN
[F5] button (H & R)
[F4] button (FILTER tab)
Type
Q *1
Freq *2
Gain *3
*1: This can be set only when Type is LO CUT, HI CUT, or PEAKING.
*2: This cannot be set when Type is THRU.
*3: This can be set only when Type is LO SHELV, HI SHELV, or PEAKING.
10
Value
CLEAR, WARM, DRY, MILD, BRIGHT,
*2
OTHER1–9
-INF–+12.0dB
*2
TYPE1–10
0–4
OFF, OVHEAD ON
OVERHEAD FILTER ASSIGN screen
Value
-INF–+6.0dB
H&R OFF, H&R ON
BYPASS, 1–4
H&R OFF, H&R ON
THRU, LO CUT, HI CUT, LO SHELV, HI
SHELV, PEAKING
0.5–8.0
20Hz–16kHz
-40.0–15.0dB
Explanation
When you edit this parameter, all of the overhead settings (except for Level) and each pad's input
filter selection and send amount will change to the optimal settings.
To quickly obtain the sound you want, select the desired template and then edit the settings.
* Depending on the settings of each parameter, the template name might not match the effect.
Also, if the default settings of the template do not match the current values, an "*" is shown for the
template setting.
If you attempt to change the template when the "*" is shown, a message indicates that the current
values will be discarded in order to apply the values of the template. If you want to discard the
current values and apply the values of the template, choose "OK" and press the [ENTER] button.
Volume of overhead
Type of mic
Distance between mics
Turns the overhead effect on/off.
Explanation
Depth of overhead for each pad
Specifies whether head and rim of instruments are selected as a set (ON) or independently (OFF).
Overhead input filter selection for each pad
BYPASS The input filter is not used; the sound is sent directly to the overheads.
1–4 The sound is sent to the specified input filter.
Specifies whether head and rim of instruments are selected as a set (ON) or independently (OFF).
Overhead input filter type
The sound sent to the overheads can be passed through a filter. You can choose from one through
four. By using a filter, you can input the kick, snare, toms, and cymbals into the overhead mics with
the low-frequency and high-frequency regions adjusted individually for each instrument.
THRU Sends the input sound directly to the overheads.
Cuts the frequency region below the cutoff frequency and sends the sound to
LO CUT
the overheads.
Cuts the frequency region above the cutoff frequency and sends the sound to
HI CUT
the overheads.
Boosts or attenuates the frequency region below the cutoff frequency and
LO SHELV
sends the sound to the overheads.
Boosts or attenuates the frequency region above the cutoff frequency and
HI SHELV
sends the sound to the overheads.
Boosts or attenuates the region centered on the cutoff frequency and sends
PEAKING
the sound to the overheads.
Width of the frequency range
A higher Q narrows the affected area.
Center frequency
Amount of boost/cut
OVERHEAD INPUT FILTER SETTING screen