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MIDI Implementation
● 0128: 2Band Flanger
A flanger that lets you apply an effect independently to the low-frequency and high-frequency
ranges.
No
Parameter
Value
1
Split Freq
0–16
200–8000 Hz
2
Low Pre Delay
0–125
0.0–100.0 ms
3
Low Rate Mode
0–1
Hz, note
4
Low Rate #1
1–127
0.05–10.00 Hz
5
Low Rate
0–21
note
6
Low Depth
0–127
0–127
7
Low Phase
0–90
0–180 deg
8
Low Feedback
0–98
-98–+98%
9
High Pre Delay
0–125
0.0–100.0 ms
10
High Rate Mode
0–1
Hz, note
11
High Rate #2
1–127
0.05–10.00 Hz
12
High Rate
0–21
note
13
High Depth
0–127
0–127
14
High Phase
0–90
0–180 deg
15
High Feedback
0–98
-98–+98%
D100:0W–
16
Balance
0–100
D0:100W
17
Level
0–127
0–127
● 0121: Auto Wah
Cyclically controls a filter to create cyclic change in timbre.
No
Parameter
Value
1
Filter Type
0–1
Lpf, Bpf
2
Manual #2
0–127
0–127
3
Peak
0–127
0–127
4
Sens
0–127
0–127
5
Polarity
0–1
Up, Down
6
Rate Mode
0–1
Hz, note
7
Rate #1
1–127
0.05–10.00 Hz
8
Rate
0–21
note
9
Depth
0–127
0–127
10
Phase
0–90
0-180 deg
11
Low Gain
0–30
-15–+15 dB
12
High Gain
0–30
-15–+15 dB
13
Level
0–127
0–127
20
Description
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-range
flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the low-range flanger
sound is modulated (Hz)
Rate at which the low-range flanger
sound is modulated (note)
Modulation depth for the low-range
flanger sound
Spaciousness of the low-range flanger
sound
Proportion of the low-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
Delay time from when the original
sound is heard to when the high-range
flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the high-range flanger
sound is modulated (Hz)
Rate at which the high-range flanger
sound is modulated (note)
Modulation depth for the high-range
flanger sound
Spaciousness of the high-range flanger
sound
Proportion of the high-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
Volume balance of the original sound
(D) and flanger sound (W)
Output volume
Description
Type of filter
Lpf: The wah effect will be applied over
a wide frequency range.
Bpf: The wah effect will be applied over
a narrow frequency range.
Adjusts the center frequency at which
the effect is applied.
Adjusts the amount of the wah effect
that will occur in the range of the
center frequency.
Set a higher value for Q to narrow the
range to be affected.
Adjusts the sensitivity with which the
filter is controlled.
Sets the direction in which the
frequency will change when the auto-
wah filter is modulated.
Up: The filter will change toward a
higher frequency.
Down: The filter will change toward a
lower frequency.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Adjusts the degree of phase shift of the
left and right sounds when the wah
effect is applied.
Gain of the low range
Gain of the high range
Output Level
● 0103: Humanizer
Adds a vowel character to the sound, making it similar to a human voice.
No
Parameter
Value
1
Drive Sw
0–1
Off, On
2
Drive #2
0–127
0–127
3
Vowel1
0–4
a, e, i, o, u
4
Vowel2
0–4
a, e, i, o, u
5
Rate Mode
0–1
Hz, note
6
Rate
1–127
0.05–10.00 Hz
7
Rate #1
0–21
note
8
Depth
0–127
0–127
9
Input Sync Sw
0–1
Off, On
Input Sync
10
0–127
0–127
Threshold
11
Manual
0–100
0–100
12
Low Gain
0–30
-15–+15 dB
13
High Gain
0–30
-15–+15 dB
14
Pan
0–127
L64–63R
15
Level
0–127
0–127
● 012b: Ring Modulator
This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like
sounds. You can also change the modulation frequency in response to changes in the volume of
the sound sent into the effect.
No
Parameter
Value
1
Frequency #1
0–127
0–127
2
Sens
0–127
0–127
3
Polarity
0–1
Up, Down
4
Low Gain
0–30
-15–+15 dB
5
High Gain
0–30
-15–+15 dB
D100:0W–
6
Balance #2
0–100
D0:100W
7
Level
0–127
0–127
● 0125: Tremolo
Cyclically modulates the volume to add tremolo effect to the sound.
No
Parameter
Value
Tri, Sqr, Sin,
1
Mod Wave
0–4
Saw1, Saw2
2
Rate Mode
0–1
Hz, note
3
Rate #1
1–127
0.05–10.00 Hz
4
Rate
0–21
note
5
Depth #2
0–127
0–127
6
Low Gain
0–30
-15– +15 dB
7
High Gain
0–30
-15– +15 dB
8
Level
0–127
0–127
Description
Turns Drive on/off.
Degree of distortion
Also changes the volume.
Selects the vowel.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency at which the two vowels
switch (Hz)
Frequency at which the two vowels
switch (note)
Effect depth
Determines whether the LFO for
switching the vowels is reset by the
input signal (ON) or not (OFF).
Volume level at which reset is applied
Point at which Vowel 1/2 switch
49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal
duration.
51 or more: Vowel 2 will have a longer
duration.
Gain of the low frequency range
Gain of the high frequency range
Stereo location of the output
Output level
Description
Adjusts the frequency at which
modulation is applied.
Adjusts the amount of frequency
modulation applied.
Determines whether the frequency
modulation moves towards higher
frequencies (Up) or lower frequencies
(Down).
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
Description
Modulation Wave
Tri: Triangle wave
Sqr: Square wave
Sin: Sine wave
Saw1/2: Sawtooth wave
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of the change (Hz)
Frequency of the change (note)
Depth to which the effect is applied
Gain of the low range
Gain of the high range
Output Level
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