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● 0120: Phaser
This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated.
No
Parameter
Value
4-Stage,
1
Mode
0–2
8-Stage,
12-Stage
2
Manual #2
0–127
0–127
3
Rate Mode
0–1
Hz, note
4
Rate #1
1–127
0.05–10.00 Hz
5
Rate
0–21
note
6
Depth
0–127
0–127
Inverse,
7
Polarity
0–1
Synchro
8
Resonance
0–127
0–127
9
Cross Feedback
0–98
-98–+98%
10
Mix
0–127
0–127
11
Low Gain
0–30
-15–+15 dB
12
High Gain
0–30
-15–+15 dB
13
Level
0–127
0–127
● 0129: Multi Stage Phaser
Extremely high settings of the phase difference produce a deep phaser effect.
No
Parameter
Value
4-Stage,
8-Stage,
12-Stage,
1
Mode
0–5
16-Stage,
20-Stage,
24-Stage
2
Manual #2
0–127
0–127
3
Rate Mode
0–1
Hz, note
4
Rate #1
1–127
0.05–10.00 Hz
5
Rate
0–21
note
6
Depth
0–127
0–127
7
Resonance
0–127
0–127
8
Mix
0–127
0–127
9
Pan
0–127
L64–63R
10
Low Gain
0–30
-15–+15 dB
11
High Gain
0–30
-15–+15 dB
12
Level
0–127
0–127
● 012a: Infinite Phaser
A phaser that continues raising/lowering the frequency at which the sound is modulated.
No
Parameter
Value
1
Mode
0–3
1, 2, 3, 4
2
Speed #1
0–127
-100–+100
3
Resonance #2
0–127
0–127
4
Mix
0–127
0–127
5
Pan
0–127
L64–63R
6
Low Gain
0–30
-15–+15 dB
7
High Gain
0–30
-15–+15 dB
8
Level
0–127
0–127
Description
Number of stages in the phaser
Adjusts the basic frequency from which
the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
Inverse: The left and right phase will be
opposite. When using a mono source,
this spreads the sound.
Synchro: The left and right phase will
be the same. Select this when inputting
a stereo source.
Amount of feedback
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Level of the phase-shifted sound
Gain of the low range
Gain of the high range
Output Level
Description
Number of phaser stages
Adjusts the basic frequency from which
the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Stereo location of the output sound
Gain of the low range
Gain of the high range
Output Level
Description
Higher values will produce a deeper
phaser effect.
Speed at which to raise or lower the
frequency at which the sound is
modulated
(+: upward / -: downward)
Amount of feedback
Volume of the phase-shifted sound
Panning of the output sound
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Output volume
● 0123: Stereo Flanger
This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic
resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you
can adjust the timbre of the flanged sound.
No
Parameter
Value
1
Filter Type
0–2
Off, Lpf, Hpf
2
Cutoff Freq
0–16
200–8000 Hz
3
Pre Delay
0–125
0.0–100.0 ms
4
Rate Mode
0–1
Hz, note
5
Rate #1
1–127
0.05–10.00 Hz
6
Rate
0–21
note
7
Depth #2
0–127
0–127
8
Phase
0–90
0–180 deg
9
Feedback
0–98
-98–+98%
10
Low Gain
0–30
-15–+15 dB
11
High Gain
0–30
-15–+15 dB
D100:0W–
12
Balance
0–100
D0:100W
13
Level
0–127
0–127
● 0127: 3D Flanger
This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left
and 90 degrees right.
No
Parameter
Value
1
Filter Type
0–2
Off, Lpf, Hpf
2
Cutoff Freq
0–16
200–8000 Hz
3
Pre Delay
0–125
0.0–100.0 ms
4
Rate Mode
0–1
Hz, note
5
Rate #1
1–127
0.05–10.00 Hz
6
Rate
0–21
note
7
Depth #2
0–127
0–127
8
Phase
0–90
0–180 deg
9
Feedback
0–98
-98–+98%
Speaker,
10
Output Mode
0–1
Phones
11
Low Gain
0–30
-15–+15 dB
12
High Gain
0–30
-15–+15 dB
D100:0W-
13
Balance
0–100
D0:100W
14
Level
0–127
0-127
MIDI Implementation
Description
Type of filter
Off: No filter is used
Lpf: Cuts the frequency range above
the Cutoff Freq
Hpf: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
Description
Type of filter
Off: No filter is used
Lpf: Cuts the frequency range above
the Cutoff Freq
Hpf: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select Speaker
when using speakers, or Phones when
using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
19
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