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E-60/E-50 Music Workstation
Appendix
G Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that's fed back into the effect. Negative (–)
settings invert the phase.
G Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don't want to filter out any high frequencies, set
this parameter to BYPASS.
G Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
G Level (0~127)—Output level.
36. Chorus‰ DLY
This effect connects a chorus and a delay in series.
G Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
G Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
G Chorus Depth (0~127)—Modulation intensity.
G Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
G Delay Time (0.0~500.0ms)—Adjusts the time until the
delay is heard.
G Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that's fed back into the effect. Negative (–)
settings invert the phase.
G Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don't want to filter out any high frequencies, set
this parameter to BYPASS.
G Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
G Level (0~127)—Output level.
37. Flanger‰ DLY
This effect connects a flanger and a delay in series.
G Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
G Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
G Flanger Depth (0~127)—Modulation intensity.
G Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
G Flanger Balance (D100:0W, D50:50W, D0:100W)—
Volume balance between the direct sound (D) and the
flanger sound (W).
G Delay Time (0.0~500.0ms)—Adjusts the time until the
delay is heard.
G Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that's fed back into the effect. Negative (–)
settings invert the phase.
G Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don't want to filter out any high frequencies, set
this parameter to BYPASS.
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G Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
G Level (0~127)—Output level.
38. CHO‰ Flanger
This effect connects a chorus and a flanger in series.
G Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
G Chorus Rate (0.05~10.0Hz)—Modulation frequency of the
G Chorus Depth (0~127)—Modulation intensity of the cho-
G Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
G Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
G Flanger Rate (0.05~10.0Hz)—Modulation frequency of
G Flanger Depth (0~127)—Modulation intensity of the
G Flanger Feedback (–98%~0~98%)—Adjusts the propor-
G Flanger Balance (D100:0W, D50:50W, D0:100W)—
G Level (0~127)—Output level.
39. CHO/Delay
This effect connects a chorus and a delay in parallel. ("Paral-
lel" means that the input signal is processed by two effects
that do not interact.)
G Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
G Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
G Chorus Depth (0~127)—Modulation intensity.
G Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
G Delay Time (0.0~500.0ms)—Adjusts the time until the
G Delay Feedback (–98%~0~98%)—Adjusts the amount of
G Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
G Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
G Level (0~127)—Output level.
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
between the incoming direct signal and the moment when
the chorus starts working.
chorus effect.
rus effect.
ume balance between the direct sound (D) and the chorus
sound (W).
from when the direct sound begins until the flanger sound
is heard.
the flanger effect.
flanger effect.
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
Volume balance between the direct sound (D) and the
flanger sound (W).
between the incoming direct signal and the moment when
the chorus starts working.
speed.
ume balance between the direct sound (D) and the chorus
sound (W).
delay is heard.
the delay sound that's fed back into the effect. Negative (–)
settings invert the phase.
quency above which sound fed back to the effect is filtered
out. If you don't want to filter out any high frequencies, set
this parameter to BYPASS.
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
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