Page 1 r®...
Page 2: Important Safety Instructions
Do not dispose of in household waste bin. The technology used in the E-80 is covered by patents pending in certain countries throughout the world. The lightning flash with arrowhead symbol, within an equilateral tri- angle, is intended to alert the user to the presence of uninsulated “dangerous voltage”...
Page 4 Features...
Page 5 Features...
Page 6 Using the unit safely Using the unit safely Used for instructions intended to alert the user to the risk of death or severe injury should improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
Page 7 Using the unit safely...
Page 8 Contents...
Page 9 Contents...
Page 10 Contents...
Page 12: Important Notes
Important notes Rear side of the disk WRITE (you can save data to the disk) Protect tab PROTECT (you cannot save data)
Page 13: Front Panel
Front panel...
Page 14 Panel descriptions...
Page 15 Front panel...
Page 16 Panel descriptions...
Page 17 Front panel...
Page 18 Panel descriptions (left side) (right side)
Page 19 Front panel...
Page 20 Setting up and demo songs Mixing console, keyboard ampliﬁer, active speakers To wall outlet MAIN R, L/MONO Dynamic microphone (select “MIC”) Other signal source (select “LINE”) [Microphone: DR-10 or DR-20] *Connect the microphone using an Expression pedal unbalanced mono 1/4” or a bal- (EV-5, EV-7) anced XLR jack.
Page 21 Switching the E-80 on/off After connecting the E-80 to the other devices, proceed as follows: Internal Memory Protect Switching on the E-80 [POWER¥ON] [VOLUME] Setting the display contrast [LCD¥CONTRAST] Switching off the E-80 [POWER≈ON] Note: Note: Front panel VOLUME...
Page 22 Setting up and demo songs PLAY NEXT MINUS LIST SONG EXIT DEMO VOLUME...
Page 23 Front panel...
Page 24: Quick Start
Quick Start Left hand: Right hand: melody Arranger control (Keyboard parts)
Page 25: Style Control
Playing to an automatic accompaniment STYLE CONTROL BASS SYNC INVERSION INTRO MAIN END/RIT START STOP AUTO VARIATION START FILL IN STOP START STOP ORGAN SYNC START STOP VOLUME...
Page 26 Quick Start C major C minor Only the key that corresponds to Root note + third key to the the chord's name. right. Root note + second key to the left. STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION VARIATION AUTO FILL IN INTRO MAIN...
Page 27 STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION START VARIATION AUTO FILL IN STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION START AUTO VARIATION FILL IN SYNC STOP START STOP 8 BEAT 16 BEAT BALL JAZZ ROOM BLUES 50's & 60's SYNC STOP START STOP...
Page 28: Keyboard Part
Quick Start EXIT √SLOW FAST® KEYBOARD PART TONE ASSIGN DEFAULT MBS LW 2 LW 1 UP 3 UP 2 UP 1 PART ON/OFF SPLIT VOLUME BALANCE ACCOMP KEYBOARD...
Page 29 Using the Keyboard parts KEYBOARD PART TONE ASSIGN MBS LW 2 LW 1 UP 3 UP 2 UP 1 PART ON/OFF...
Page 30 Quick Start EXIT MENU...
Page 31 Using the Keyboard parts (this is only an example) EXIT...
Page 32 Quick Start KEYBOARD PART TONE ASSIGN MBS LW 2 LW 1 UP 3 UP 2 UP 1 PART ON/OFF...
Page 33 Using the Harmonic Bars EXIT ORGAN Left hand: Right hand: LOWER 1 UPPER 1...
Page 34 Quick Start WHOLE LW 1...
Page 35 Using the Harmonic Bars START STOP EXIT...
Page 36 Quick Start ORGAN GUITAR Play chords here Low E string A string D string High E string B string G string...
Page 37 Lowest chord note Strum down slow (6 strings) Strum down slow (4 strings) Root of the chord Fifth of the chord Lowest chord note Playing realistic guitar parts (Guitar mode) 01: Jazz Man 02: OpenHard 1 03: Dist FX 04: OpenHard 2 05: Overd FX 06: Strat Clean 07: CleanHalf...
Page 38 Quick Start Play chords here Select strumming patterns here...
Page 39 Playing realistic guitar parts (Guitar mode) KEYBOARD PART TONE ASSIGN MBS LW 2 LW 1 UP 3 UP 2 UP 1 PART ON/OFF...
Page 40 Quick Start MUSIC ASSISTANT...
Page 41 Playing back songs (Standard MIDI Files) SONG...
Page 42 Quick Start...
Page 43 Playing back songs (Standard MIDI Files) PLAY/STOP VOLUME NEXT SONG...
Page 44 Quick Start MENU...
Page 45 Playing back songs (Standard MIDI Files) MINUS MINUS...
Page 46: Input Gain
Quick Start Set to “MIC” Examples: Roland DR-10 or DR-20 Set to “LINE” L/MONO SPLIT DUAL X-DUAL ON/OFF PALETTE TRANSPOSE EDIT UTILITY SEQ CTRL SELECT VOLUME PALETTE COMBINATION KEYBOARD MODE ARPEGGIO EXIT CANCEL 1>Piano 1 PART PERFORM TONE Preset:001 / TONE...
Page 47 Vocal Harmonist function SMALL EXIT...
Page 48 Quick Start...
Page 49: Vocal Harmonist Function
Vocal Harmonist function AUTO PITCH VOICE EXIT...
Page 50 Quick Start VOCODER [Portamento Time= 0] “Rough” pitch changes in semitone steps (normal) [Portamento Time= 1~127] Pitch glides from one note to the next...
Page 51 Vocal Harmonist function MENU TALK...
Page 52 Quick Start...
Page 53 Displaying Lyrics and chord information LYRICS & SCORE...
Page 54 Quick Start EXIT LYRICS & SCORE LYRICS & SCORE...
Page 55: Displaying Lyrics And Chord Information
Displaying Lyrics and chord information...
Page 56 Quick Start LYRICS & SCORE...
Page 57 Using the VIEWER function...
Page 58 Quick Start EXIT LYRICS & SCORE...
Page 59 Using the VIEWER function EXIT...
Page 60 Quick Start START STOP ORGAN...
Page 61 Recording your music GUITAR PIANO PLAY/STOP 16-TRK SEQ.
Page 62 Quick Start PLAY/STOP...
Page 63 Recording your music...
Page 64: About The Keyboard Modes
About the Keyboard modes SPLIT Upper 1 (UP1) using a piano sound Arranger control Arranger control + LW1...
Page 65: Keyboard Part
LW1, LW2, MBS UP1, UP2, UP3 SPLIT Arranger control UP1, UP2, UP3 SPLIT —OR— Split and Whole modes WHOLE KEYBOARD PART TONE ASSIGN MBS LW 2 LW 1 UP 3 UP 2 UP 1 PART ON/OFF...
Page 66 Using the performance functions MODULATION Lowers the pitch BENDER Raises the pitch...
Page 67 Octave MENU EXIT...
Page 68 Using the performance functions OCTAVE= 0 OCTAVE= –1 KEYBOARD PART TONE ASSIGN MBS LW 2 LW 1 UP 3 UP 2 UP 1 MENU...
Page 69 Master Tune MENU EXIT...
Page 70 Using the performance functions MENU...
Page 71 EXIT ASSIGN SW buttons...
Page 72 Using the performance functions EXIT...
Page 73 Using the D Beam Controller...
Page 74 Using the performance functions...
Page 75: Using Optional Footswitches
Using optional footswitches FC-7 PEDAL PEDAL HOLD SWITCH EXPRESSION MENU...
Page 76 Using the performance functions MENU...
Page 77 Using optional footswitches EXIT MENU...
Page 78 Using the performance functions MENU EXIT...
Page 79 Scale Tuning MENU EXIT...
Page 80 Using the performance functions...
Page 81 METRO NOME EXIT Metronome...
Page 82: Style Control
Additional Arranger/Style functions STYLE CONTROL BASS SYNC INTRO MAIN END/RIT INVERSION START STOP VARIATION AUTO START FILL IN STOP START STOP...
Page 83 STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION START AUTO VARIATION FILL IN STYLE CONTROL INTRO MAIN VARIATION SYNC STOP START STOP Selecting other Style divisions BASS SYNC END/RIT INVERSION START STOP AUTO START FILL IN STOP...
Page 84 Additional Arranger/Style functions STYLE CONTROL BASS SYNC INVERSION INTRO MAIN END/RIT START STOP VARIATION AUTO START FILL IN STOP MELODY INTELL...
Page 85 Using the Style Cover function MENU...
Page 86 Additional Arranger/Style functions...
Page 87 One Touch EXIT...
Page 88 Additional Arranger/Style functions...
Page 89: More Refined Arranger Settings
More reﬁned Arranger settings...
Page 90 Additional Arranger/Style functions MENU...
Page 91 Tempo-related settings (Arranger Options) STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION VARIATION AUTO FILL IN STYLE CONTROL BASS INTRO MAIN END/RIT INVERSION AUTO VARIATION FILL IN MENU SYNC START STOP START STOP SYNC START STOP START STOP...
Page 92 PAGE 1 CUSTOM You select a CUSTOM memory. Music Style DATA The E-80 looks up the name of the referenced Style The data are loaded from card or the internal memory. This memory contains the The Style can be played back.
Page 93 Working with ‘external’ Styles STYLE LIVE DISCO BAND DANCE 8 BEAT 16 BEAT ROCK CONTEMP BALL JAZZ BOSSA ROOM BLUES 50's & 60's SAMBA LATIN WORLD STYLE LIVE DISCO 8 BEAT 16 BEAT BAND ROCK DANCE CONTEMP BALL JAZZ BOSSA ROOM BLUES 50's &...
Page 94 Additional Arranger/Style functions...
Page 95 Style Finder: quickly locating Styles STYLE “FOUND”: found entries. “GLOBAL”: total number of Styles in that memory area.
Page 96 Additional Arranger/Style functions...
Page 97 Style Finder: quickly locating Styles...
Page 98 Additional Arranger/Style functions...
Page 99: Advanced Keyboard Part Functions
(or lowest) note is sounded by the UP1 part, while the other notes are sounded by any other available Keyboard part(s). [MENU] (1) Press the [MENU] button. (2) Press the [SPLIT&TOUCH] field, followed by the [KEYBOARD¥OPTIONS] field. E-80 Music Workstation Upper 3 Split...
Page 100 Advanced Keyboard part functions Played by the UP1 part Played by the UP2 part (for example) Played by the UP2 part (for example) Played by the UP1 part EXIT MENU...
Page 101 Portamento for UP1 and UP2 [Portamento Time= 0] “Rough” pitch changes in semitone steps (normal) [Portamento Time= 1~127] Pitch glides from one note to the next...
Page 102 Advanced Keyboard part functions EXIT MENU...
Page 103 Tone Edit: editing Keyboard parts...
Page 104 Advanced Keyboard part functions Characteristics of a low-pass ﬁlter Setting Frequency Cutoff frequency EXIT...
Page 105 SONG Drums Kick EQ Global EQ Snare EQ HH EQ Instr. 1 Inst.X Instr. 1 etc. EQ STYLE Drums Kick EQ Global EQ Snare EQ HH EQ Inst.X etc. EQ MFX A MFX B MFX C Gray lines: MIDI data Black &...
Page 106: Using The Mixer Functions & Effects
Using the mixer functions & effects Keyboard Effects Reverb, Chorus Separate, editable processors. One processor for all Keyboard parts. Separate for each Keyboard part Mastering Tools Equalizer and compressor com- mon to all Keyboard parts Style/Song Effects Reverb, Chorus Shared by these two sections, but separate from Keyboard effects.
Page 107 Volume and status of the Style parts...
Page 108 Using the mixer functions & effects...
Page 109 Editing the Keyboard effects processors EXIT...
Page 110 Using the mixer functions & effects...
Page 111 Using the multi-effects processor of the Keyboard parts (MULTI FX) UP 1 MULTI EXIT...
Page 112 Using the mixer functions & effects → MENU...
Page 113 Equalizers for the Keyboard parts UP 1...
Page 114 Using the mixer functions & effects...
Page 115 Using the Keyboard Mastering Tools...
Page 116 Using the mixer functions & effects...
Page 117 Effects for Songs and Styles...
Page 118 Using the mixer functions & effects...
Page 119 Using the audio inputs EXTERNAL SOURCE AUDIO IN...
Page 120 [EXIT] Using the Speaker Modeling settings The E-80 provides a function that can change the over- all sound in such a way that you get the same impres- sion as when listening through the speakers whose sound is being emulated.
Page 121: Mixing Vocal Harmonist Signals
Note: Mixing Vocal Harmonist signals Mixing Vocal Harmonist signals Your E-80 provides three knobs ([VOICE], [HARMONY] and [EFFECTS]) that you can use without even bother- ing about the MIXER environment. That is why there are no MIXER functions for this section. But the Vocal Harmonist does have separate effects processors…...
Page 122 Using the mixer functions & effects MENU...
Page 123 VOICE VOICE TALK HARMONY AUTO PITCH SINGER VOCODER SMALL ENSEMBLE Mixing Vocal Harmonist signals...
Page 124 Using the mixer functions & effects ® ® ®...
Page 125 User Program list= 8 references x 18 pages PAGE 18 The referenced User Programs are saved separately. PAGE 2 PAGE 1 Data File Data File Same system for Data File pages 2~18. Data File Data File Data File Data File Data File Internal memory or...
Page 126 Working with User Programs DOWN DEFAULT...
Page 127 Selecting User Programs LIST DOWN DEFAULT...
Page 128 Working with User Programs USER PRG...
Page 129 Selecting User Programs HOLD...
Page 130: Working With User Programs
Working with User Programs Current setting on the front panel INTRO MAIN END/RIT INTRO MAIN VARIATION AUTO VARIATION FILL IN FILL IN ON USER PROGRAM CHANGE Direct change First plays a ﬁll INTRO MAIN END/RIT INTRO VARIATION VARIATION Setting stored in the User Program END/RIT AUTO FILL IN...
Page 131 Automatic functions for User Programs LIST...
Page 132 Working with User Programs LIST...
Page 133 Editing User Program Finder information MENU USER PRG...
Page 134 Working with User Programs...
Page 135 Editing User Program Finder information USER PRG...
Page 136 Working with User Programs...
Page 137 Music Assistant functions USER PRG...
Page 138 Working with User Programs MUSIC ASSISTANT...
Page 139 Music Assistant functions...
Page 140 Song and Style Makeup Tools...
Page 141 Using the Makeup Tools STYLE LIVE DISCO BAND DANCE 8 BEAT 16 BEAT ROCK CONTEMP BALL JAZZ BOSSA ROOM BLUES 50's & 60's SAMBA LATIN WORLD MAKEUP TOOLS SONG SONG STYLE...
Page 142 Song and Style Makeup Tools...
Page 143 Using the Makeup Tools...
Page 144 Song and Style Makeup Tools...
Page 145 Using the Makeup Tools...
Page 146 Song and Style Makeup Tools...
Page 147 Using the Makeup Tools...
Page 148 Song and Style Makeup Tools...
Page 149 Saving your modiﬁed song or Style...
Page 150 Editing the Vocal Harmonist parts MENU...
Page 151 Voice-FX settings...
Page 152 Editing the Vocal Harmonist parts...
Page 153: Vocoder Settings
Vocoder settings...
Page 154 Editing the Vocal Harmonist parts...
Page 155 Ensemble settings...
Page 156 Editing the Vocal Harmonist parts...
Page 157 Using the Fade-In/Out function MENU...
Page 158 More reﬁned song functions...
Page 159 Working with the Song Finder “FOUND”: found entries. “GLOBAL”: total number of songs in that memory area. SONG...
Page 160 More reﬁned song functions...
Page 161 Working with the Song Finder...
Page 162 More reﬁned song functions SONG...
Page 163 Working with the Song Finder...
Page 164 More reﬁned song functions PLAY LIST...
Page 165 Play List function...
Page 166 More reﬁned song functions...
Page 167 Play List function PLAY LIST EXIT PLAY/STOP...
Page 168 More reﬁned song functions...
Page 169 Adding Lyrics to a song LYRICS & SCORE...
Page 170 Editing Lyrics PLAY/STOP ® √ ® √...
Page 171 Exporting Lyrics data as text ﬁle EXIT DISK & MEDIA LYRICS & SCORE...
Page 172 Editing Lyrics...
Page 173 About the sequencer’s main page 16-TRK SEQ.
Page 174 Using the 16-track Sequencer 16-TRK SEQ.
Page 175 Example 1: Recording a song from scratch Sound (and tone generator) of the selected part. Song parts KEYBOARD PART/ Track Track If you select “GS” (or if If you select the corre- there is no sponding part. alternative). MELODY INTELL...
Page 176: Using The 16-Track Sequencer
Using the 16-track Sequencer 01: Jazz Man 01: Nylon 02: OpenHard 1 02: Steel 2 03: Dist Guitar 03: Steel 3 04: OpenHard 2 04: Steel 4 05: Warm Drv 05: Steel 5 06: Strat Clean 06: 12 Strings 07: CleanHalf 07: Nyl + Steel 08: Distorsion 08: Nyl + Steel 2...
Page 177 Example 2: Adding tracks 16-TRK SEQ. PLAY/STOP...
Page 178 Using the 16-track Sequencer PLAY/STOP...
Page 179 Editing 16-track songs...
Page 180 Using the 16-track Sequencer...
Page 181 TO NOTE: 69 (A4) Original phrase TO NOTE: 69 (A4) FROM NOTE: 72 (C5) TO NOTE: 76 (E5) THAN NOTE: 72 (C5) FROM NOTE: 72 (C5) TO NOTE: 76 (E5) THAN NOTE: 72 (C5) & c q q ” ” Erase NOTE From 2.1.0 To 4.1.0 Editing 16-track songs...
Page 182 Using the 16-track Sequencer Delete From 2.1.0 To 4.1.0...
Page 183 Editing 16-track songs Copy From 2.1.0 To 3.1.0 Into 4.1.0 SRC TRACK= 1/DST TRACK= 1 REPLACE...
Page 184 Using the 16-track Sequencer...
Page 185 Editing 16-track songs...
Page 186 Using the 16-track Sequencer...
Page 187 Editing 16-track songs...
Page 188 Using the 16-track Sequencer Original positions (slow attack, tim- Shift= –5 ing seems off) (timing sounds OK)
Page 189 Editing 16-track songs 16-TRK SEQ.
Page 190 Using the 16-track Sequencer...
Page 191 Editing 16-track songs...
Page 192 Using the 16-track Sequencer...
Page 193 Editing song data using Microscope Edit 16-TRK SEQ.
Page 194 Using the 16-track Sequencer...
Page 195 Editing song data using Microscope Edit...
Page 196 Using the 16-track Sequencer...
Page 197 Style Converter...
Page 198 Using the 16-track Sequencer 16-TRK SEQ.
Page 199 Style Converter...
Page 200 Using the 16-track Sequencer DISK & MEDIA EXIT...
Page 201 Concept...
Page 202 Programming Styles (Style Composer) MENU...
Page 203 Recording Styles from scratch 8 possibilities Can be set for all 8 tracks...
Page 204 Programming Styles (Style Composer)
Page 205 01: Jazz Man 01: Nylon 02: OpenHard 1 02: Steel 2 03: Dist Guitar 03: Steel 3 04: OpenHard 2 04: Steel 4 05: Warm Drv 05: Steel 5 06: Strat Clean 06: 12 Strings 07: CleanHalf 07: Nyl + Steel 08: Distorsion 08: Nyl + Steel 2 09: Overdrive...
Page 206 Programming Styles (Style Composer)
Page 207 Auditioning your Style and adding more tracks...
Page 208 Programming Styles (Style Composer) MENU...
Page 209 Using existing Styles...
Page 210 Programming Styles (Style Composer)
Page 211 Editing Styles on the ﬂy via additional recordings...
Page 212 Programming Styles (Style Composer)
Page 213 Style Track Edit functions...
Page 214 Programming Styles (Style Composer)
Page 215 Style Track Edit functions...
Page 216 Programming Styles (Style Composer)
Page 217 Style Track Edit functions...
Page 218 Programming Styles (Style Composer)
Page 219 Style Track Edit functions...
Page 220 Programming Styles (Style Composer) MENU...
Page 221 Editing individual Style events (Style Micro Edit)
Page 222: Programming Styles (Style Composer)
Programming Styles (Style Composer) Recorded strings track Result with “Degree” Result with “Nearest” Chords played in the recognition area.
Page 223 Editing individual Style events (Style Micro Edit)
Page 224 Programming Styles (Style Composer)
Page 225 The how-to’s EXIT DISK & MEDIA...
Page 226 Disk/Media functions...
Page 227 Saving data...
Page 228 Disk/Media functions...
Page 229 Delete...
Page 230 Disk/Media functions...
Page 231 Format...
Page 232: Disk/Media Functions
Disk/Media functions - Do not delete nor edit this File - ---- G70 User Program conversion number 01 from VA/VA7 Set (VA7upg.UVA) ---- - Free_Pnl --> Free_Pnl_01-001.upg - Free_Pnl --> Free_Pnl_01-002.upg - Free_Pnl --> Free_Pnl_01-003.upg - Free_Pnl --> Free_Pnl_01-004.upg - :: - Free_Pnl -->...
Page 233 Import User Program function...
Page 234 Archiving data using a computer (USB) MIDI THRU To the/a USB port of your computer MENU...
Page 235 Only to computer (and only copy) Please ignore. Please ignore. Please ignore. To and from computer. To and from computer. To and from computer. To and from computer. Please ignore. Only to computer (and only copy) Only to computer (and only copy) To and from computer.
Page 236 Archiving data using a computer (USB)
Page 237 The how-to’s MIDI is short for “Musical Instrument Digital Interface”. The acronym refers to many things, the most obvious being a connector type that is used by musical instruments and other devices to exchange messages relating to the act of making music.
Page 238 MIDI EXIT Sound source Sound source MIDI OUT LOCAL ON LOCAL OFF +Style +Style +Style +Style + SMF + SMF + SMF + SMF Synchronization, general settings Refers to the Recorder/sequencer parts Refers to the Style parts Keyboard parts (including MELODY INTELL) MIDI OUT...
Page 239 Editing MIDI parameters...
Page 240 MIDI...
Page 241: Editing Midi Parameters
Editing MIDI parameters...
Page 242 MIDI...
Page 243 MIDI Set to a User Program (page 131) and specify which MIDI Set should be loaded when you switch on the E-80 (see below). If you need to reset some or all MIDI parameters to their default values, select and/or than a MIDI Set.
Page 244 MIDI...
Page 245 Using V-LINK MIDI OUT Edirol UM-1 REMOTE Edirol DV-7PR Projector Monitor...
Page 246 Miscellaneous Here are several functions that apply to the E-80 as a whole and haven’t been covered elsewhere in this owner’s manual. EXIT...
Page 247 General settings EXIT...
Page 248 Speciﬁcations...
Page 249: General Settings
General settings...
Page 250 Appendix Loosen Tighten Screws to be removed Wave expansion boards Position as shown before you install (SRX or SR-G01 series) the board. Connector...
Page 251 Accessing the ‘Patches’ of SRX-series expansion boards via MIDI LOCK Installation tool...
Page 260 SMALL 1 small open-back enclosure SMALL 2 small open-back enclosure MIDDLE open back enclosure 12 x 1 JC-120 open back enclosure 12 x 2 BUILT IN 1 open back enclosure 12 x 2 BUILT IN 2 open back enclosure 12 x 2 BUILT IN 3 open back enclosure 12 x 2...
Page 266 SMALL 1 small open-back enclosure SMALL 2 small open-back enclosure MIDDLE open back enclosure 12 x 1 JC-120 open back enclosure 12 x 2 BUILT IN 1 open back enclosure 12 x 2 BUILT IN 2 open back enclosure 12 x 2 BUILT IN 3 open back enclosure 12 x 2...
Page 272 [Music Workstation] Model: E-80 Function... Basic Default Channel Changed Default Mode Message Altered Note Number True Voice Note ON Velocity Note OFF After Key’s Touch Ch’s Pitch Bend 0,32 6, 38 Control Change 98, 99 100, 101 Program Change True #...
Page 273 C#M7 C#m7 CmM7 C#mM7 DmM7 Cdim C#dim Ddim Cm7 ( 5 ) C#m7 ( 5 ) Dm7 ( 5 ) Caug C#aug Daug Csus4 C#sus4 Dsus4 C7sus4 C#7sus4 D7sus4 C7/13 C#7/13 D7/13 E M7 E m7 E mM7 EmM7 FmM7 E dim Edim Fdim...
Page 274 F#M7 A M7 F#m7 A m7 F#mM7 GmM7 A mM7 F#dim Gdim A dim F#m7 ( 5 ) Gm7 ( 5 ) A m7 ( 5 ) F#aug Gaug A aug F#sus4 Gsus4 A sus4 F#7sus4 G7sus4 A 7sus4 F#7/13 G7/13 A 7/13 B M7...
Page 275 Index...
Page 276 Index...
Page 277 Index...
Page 278 Index...
Page 279 Index...
Page 280 Index...
Page 281 Index...
Page 282: Australia/New Zealand
Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. SINGAPORE AFRICA SWEE LEE MUSIC EGYPT COMPANY PTE. LTD. 150 Sims Drive, Al Fanny Trading Office SINGAPORE 387381...
Page 283: Federal Communications Commission Radio Frequency Interference Statement
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
Page 284 R®...

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