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E-60/E-50 Music Workstation
Appendix
G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
G Level (0~127)—Output level.
14. Space-D
This is a multiple chorus that applies two-phase modulation
in stereo. It gives no impression of modulation, but produces
a transparent chorus effect.
G Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
G Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
G Chorus Depth (0~127)—Modulation intensity.
G Chorus Phase (0~180deg)—Spatial spread of the sound.
G EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
G EQ High Gain (–15dB~0~15dB)—Gain of the high range.
G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
G Level (0~127)—Output level.
15. St. Chorus
This is a stereo chorus. A filter is provided so that you can
adjust the timbre of the chorus sound.
G Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
G Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
G Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
G Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
G Chorus Depth (0~127)—Modulation intensity.
G Chorus Phase (0~180 deg)—Spatial spread of the sound.
G EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
G EQ High Gain (–15dB~0~15dB)—Gain of the high range.
G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
G Level (0~127)—Output level.
16. St. Flanger
This is a stereo flanger. It produces a metallic resonance that
rises and falls like a jet airplane taking off or landing.
G Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
G Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
G Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
G Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
G Flanger Depth (0~127)—Modulation intensity.
G Flanger Phase (0~180 deg)—Spatial spread of the sound.
G Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
G EQ Low Gain (-15dB~0~15dB)—Gain of the low range.
G EQ High Gain (–15dB~0~15dB)—Gain of the high range.
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G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
G Level (0~127)—Output level.
17. Step Flanger
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
G Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
G Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
G Flanger Depth (0~127)—Modulation intensity.
G Flanger Feedback (–98%~0~98%)—Adjusts the propor-
G Step Rate (0.10~20.0Hz, note)—Rate (period) of pitch
G Flanger Phase (0~180deg)—Spatial spread of the sound.
G EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
G EQ High Gain (–15dB~0~15dB)—Gain of the high range.
G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
G Level (0~127)—Output level.
18. St. Delay
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
G Delay FBK Mode (Normal, Cross)—Select the way in which
G Delay Left (0.0~500.0ms)—Adjust the time from the direct
G Delay Right (0.0~500.0ms)—Adjust the time from the
G FBK Phase Left (Normal, Invert)—Select the phase of the
G FBK Phase Right (Normal, Invert)—Select the phase of the
G Delay Feedback (–98%~0~98%)—Adjusts the amount of
G Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
G EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
G EQ High Gain (–15dB~0~15dB)—Gain of the high range.
G Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
G Level (0~127)—Output level.
ance between the direct (D) and the effect sound (W).
from when the direct sound begins until the flanger sound
is heard.
speed.
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
change
ance between the direct (D) and the effect sound (W).
delay sound is fed back into the effect. NORMAL: The left
delay sound will be fed back into the left delay and the
right delay sound into the right delay. CROSS: The left
delay sound will be fed back into the right delay and the
right delay sound into the left delay.
sound until when the left delay sound is heard.
direct sound until when the right delay sound is heard.
left delay sound. NORMAL: Phase is not changed. INVERT:
Phase is inverted.
right delay sound. NORMAL: Phase is not changed. INVERT:
Phase is inverted.
the delay sound that's fed back into the effect. Negative (–)
settings invert the phase.
quency above which sound fed back to the effect is filtered
out. If you don't want to filter out any high frequencies, set
this parameter to BYPASS.
ance between the direct (D) and the effect sound (W).
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