Boss WAZA-AIR Using Manual
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Boss WAZA-AIR Using Manual

Using tone studio
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Using BOSS TONE
STUDIO for WAZA-AIR
© 2019 Roland Corporation
To begin, connect BOSS TONE STUDIO to the
WAZA-AIR unit.
For details on how to make connections, refer to
the "Connecting the BOSS TONE STUDIO iOS App
to the WAZA-AIR Unit" PDF or "Connecting the
BOSS TONE STUDIO Android App to the WAZA-AIR
Unit" PDF.
To edit values
Slide up or down to edit a
parameter.
Long-press to enter a
numeric value or choose
from a list.
01

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Summary of Contents for Boss WAZA-AIR

  • Page 1 WAZA-AIR unit. For details on how to make connections, refer to the “Connecting the BOSS TONE STUDIO iOS App to the WAZA-AIR Unit” PDF or “Connecting the BOSS TONE STUDIO Android App to the WAZA-AIR Unit” PDF. To edit values Slide up or down to edit a parameter.

  • Page 2: Table Of Contents

    PATCH LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Importing Patches from the WAZA-AIR Unit into LIBRARIAN (IMPORT FROM WAZA-AIR) . . . . . . Exporting a Liveset from LIBRARIAN into the WAZA-AIR Unit (EXPORT TO WAZA-AIR) .
  • Page 3 Adding a Liveset from BOSS TONE CENTRAL to LIBRARIAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

  • Page 4: Editor Top Screen

    Indicates the position of the sound. Specifies the amount of reverberation. Selects the type of reverberation. You can automatically position the sound using the gyro sensor built into the WAZA-AIR, and adjust the ambience sound effect.
  • Page 5 The guitar amp sound is always heard from the front. STATIC (*1 *2) The guitar amp sound is heard from the front. Moving your head (changing the orientation of the WAZA-AIR unit) changes the direction from which the guitar amp sound is heard.
  • Page 6 This gives the impression of sound heard by a guitarist standing on stage. Moving your head (changing the orientation of the WAZA-AIR unit) changes the direction from which the guitar amp sound and the Bluetooth audio are heard. *1 Bluetooth audio is played back in stereo.
  • Page 7 5 If you move your head in any direction other than horizontal rotation (such as moving your head up and down), the position of the sound might drift. If this occurs, press the WAZA-AIR unit’s up/ down buttons simultaneously to reset the sound position to its default state.
  • Page 8 AMBIENCE Parameter Value Explanation Lets you output sound corresponding to a selected size of room. Ambience settings TYPE STUDIO typical of a recording studio. Ambience settings STAGE typical of a large live performance stage. Specifies the amount of LEVEL 0–100 reverberation.

  • Page 9: Amp/Eq

    AMP/EQ Shows the currently Saves an edited effect to selected patch. Tap this the WAZA-AIR unit. to switch patches. Initializes the parameters. Changes the effect placement (connection order type). MEMO For the detailed explanation of the effects, refer to “Effect Parameter List” (p. 37).

  • Page 10: Effects/Presence

    EFFECTS/PRESENCE Moves to the EFFECTS detail screen (p. 12) . Each time you tap, the color alternates between green, red, and orange, and the setting changes. The effect type changes depending on the position of the knob. (Example) DELAY depth FX depth With the factory settings, the following effects are assigned to each knob.
  • Page 11 Knob Color BST/MOD Green BLUES DRIVE CHORUS OVERDRIVE FLANGER Orange DISTORTION PHASER Knob Color DELAY DELAY/FX Green DIGITAL DELAY TREMOLO ANALOG DELAY T.WAH Orange TAPE ECHO OCTAVE Knob Color REVERB REVERB Green PLATE REVERB SPRING REVERB Orange HALL REVERB MEMO For the detailed explanation of the effects, refer to “Effect Parameter List”...

  • Page 12: Effects Detail Screen

    This screen assigns effects to the [BST/MOD] knob, [DELAY/FX] knob, and [REVERB] knob. For details, refer to “Using Effects” in the owner’s manual of the WAZA-AIR unit. [REVERB] knob settings You can assign delay, reverb, or both to the [REVERB] knob.

  • Page 13: Editing The Effects

    MODE Explanation DELAY The delay selected by DELAY2 is assigned. The delay selected by DELAY2 and the reverb DLY+REV selected by REVERB are both assigned. REVERB The reverb selected by REVERB is assigned. Editing the Effects Here’s how to edit the effects you specified in the EFFECTS tab.

  • Page 14: Saving An Edited Effect In The Waza-Air Unit (Write)

    Select a writing-destination, enter a name, and tap the [WRITE] button. * When you save the edited data, it overwrites the patch in the WAZA-AIR unit. The previous settings cannot be recovered. Select a patch that you don’t mind overwriting.

  • Page 15: Librarian Screen

    LIBRARIAN Screen LIVESET LIST Tap the [LIBRARIAN] button; the liveset list appears. There can be a maximum of 30 livesets. Creates a new liveset. Imports a liveset. Exports a liveset. Copies or deletes a liveset. Tap to edit the name of the liveset.
  • Page 16 Drag to change the order.

  • Page 17: Patch List

    PATCH LIST Up to 20 patches can be placed in one liveset. Copies or deletes a patch. Tap to edit the name of a patch. Tap to switch to the sound of the patch you tapped, letting you preview it. Drag to change the order.

  • Page 18: Importing Patches From The Waza-Air Unit Into Librarian (Import From Waza-Air)

    Importing Patches from the WAZA-AIR Unit into LIBRARIAN (IMPORT FROM WAZA-AIR) Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button. Tap “WAZA-AIR,” and then tap the [NEXT] button.
  • Page 19 Tap “ALL BACKUP,” and then tap the [NEXT] button. * “ALL BACKUP” saves all patches as a liveset. * “SELECT PATCH (FROM TO)” saves the patches between “FROM” and “TO” as a liveset. * “SELECT PATCH” saves only the selected patch as a liveset.
  • Page 20 Adding to an existing liveset Tap “SELECT LIVESET,” select the liveset to which you want to add, and tap the [IMPORT] button.

  • Page 21: Exporting A Liveset From Librarian Into The Waza-Air Unit (Export To Waza-Air)

    WAZA-AIR Unit (EXPORT TO WAZA-AIR) Here’s how a saved liveset can be exported to patches in the WAZA-AIR unit. Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button. Tap “WAZA-AIR,” and then tap the [NEXT] button.
  • Page 22 Select the liveset that you want to export. In the liveset area, tap “ALL PATCH,” then tap the [NEXT] button. * “ALL PATCH” exports all patches of the liveset to the WAZA-AIR unit.
  • Page 23 * “SELECT PATCH (FROM TO)” exports the patches between “FROM” and “TO” to the WAZA-AIR unit. * “SELECT PATCH” exports the selected patch to the WAZA-AIR unit. Select the patch at which you want to start overwriting the data in the WAZA-AIR unit, and tap the [EXPORT] button.

  • Page 24: Exporting A Liveset From Librarian To The Mobile

    Exporting a Liveset from LIBRARIAN to the Mobile Device (EXPORT TO FILE) Here’s how a liveset from LIBRARIAN can be converted into a liveset file and exported to the mobile device. Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button.
  • Page 25 Select the liveset that you want to export, and tap the [EXPORT] button. The data is exported to the mobile device.

  • Page 26: Importing A File From The Mobile Device Into Librarian (Import From File)

    Importing a File from the Mobile Device into LIBRARIAN (IMPORT FROM FILE) Here’s how a liveset file previously exported to the mobile device can be imported into LIBRARIAN. Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button.

  • Page 27: Exporting A Liveset From Librarian To A Cloud

    Exporting a Liveset from LIBRARIAN to a Cloud Service (EXPORT TO CLOUD) Here’s how a liveset from LIBRARIAN can be converted to a liveset file and exported to a cloud service. Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button.
  • Page 28 Select the liveset that you want to export to a cloud service, and tap the [EXPORT] button. The Cloud screen appears, allowing you to export the file. Choose iCloud Drive for an iOS device, or Google Drive for an Android device. In some cases, your mobile device might support more than one cloud service.

  • Page 29: Importing A File From A Cloud Service Into Librarian (Import From Cloud)

    Importing a File from a Cloud Service into LIBRARIAN (IMPORT FROM CLOUD) Here’s how a liveset file previously exported to a cloud service can be imported into LIBRARIAN. Tap the [LIBRARIAN] button. In the upper part of the screen, tap the button.

  • Page 30: Adding A Liveset From Boss Tone Central To Librarian

    Adding a Liveset from BOSS TONE CENTRAL to LIBRARIAN Here’s how a liveset available on BOSS TONE CENTRAL can be downloaded and used in the WAZA-AIR unit. Tap the [TONE CENTRAL] button. Tap one of the displayed livesets. A description or an introductory video appears.
  • Page 31 * You can preview a patch by tapping the patch list within the content. To preview, turn on either CH A or CH B in the TONE SETTING section of the WAZA-AIR unit. In the upper part of the screen, tap “ADD.”...

  • Page 32: Using The Tuner

    Using the Tuner Tap the [TUNER] button to start the tuner. PITCH 435 Hz–445 Hz (default: 440 Hz) MEMO The WAZA-AIR unit’s tuner function (simultaneously hold down the up/down buttons) cannot be used while the TUNER screen is shown.

  • Page 33: System

    WAZA-AIR unit. STANDBY SETTING AUTO STANDBY The WAZA-AIR unit has a function that automatically switches to standby mode when you stop performing or operating the unit. Here you can specify the length of time after you stop performing until the unit automatically enters standby mode.
  • Page 34 (instrument) is not played continues for a certain interval of time. In this case, the power automatically turns on when the transmitter detects a signal. MEMO When you change the setting, plug the transmitter into the WAZA-AIR unit. AUTO WIRELESS CONNECTION will operate, enabling the setting.

  • Page 35: Cabinet

    CABINET CABINET RESONANCE Adds the resonance of a speaker cabinet. Value Explanation The warm and sweet sound of a vintage VINTAGE cabinet. A modern cabinet sound notable for a MODERN tight low-end. Sound with powerful low-end as well as a DEEP distinctive edge.

  • Page 36: Guitar Wireless

    GUITAR WIRELESS Here you can view the reception status of the radio signal from the transmitter. VERSION Here you can view version information and license information for the BOSS TONE STUDIO for WAZA-AIR software.

  • Page 37: Effect Parameter List

    Effect Parameter List BST (BOOSTER) MOD/FX CHORUS FLANGER PHASER UNI-V TREMOLO VIBRATO ROTARY RING MOD SLOW GEAR SLICER COMP LIMITER T. WAH AUTO WAH PEDAL WAH GRAPHIC EQ...
  • Page 38 PARAMETRIC EQ GUITAR SIM AC. GUITAR SIM AC. PROCESSOR WAVE SYNTH OCTAVE PITCH SHIFTER HARMONIST HUMANIZER PHASER 90E FLANGER117E DELAY/DELAY 2 REVERB EQ (PARAMETRIC EQ)
  • Page 39 COSM amp produces sound suitable for solos. A lustrous crunch sound with an added CRUNCH OD element of amp distortion. This is a crunch sound of the BOSS BD-2. BLUES DRIVE This produces distortion that faithfully reproduces the nuances of picking.
  • Page 40 This models a MXR DISTORTION+. GUV DS This models a Marshall GUV’NOR. This models a Proco RAT. This models the sound of the BOSS MT-2. METAL ZONE It produces a wide range of metal sounds, from old style to slash metal.
  • Page 41 BOOSTER Parameters Parameter Value Explanation TYPE Refer to BOOSTER Type Adjusts the depth of DRIVE 0–120 distortion. TONE -50–+50 Adjusts the tone. Adjusts the tone for the low frequency range. Turning this to the left (counterclockwise) BOTTOM -50–+50 produces a sound with the low end cut;...
  • Page 42 MOD/FX With MOD and FX, you can select the effect to be used from the following. You can select the same effect for MOD and FX. MOD/FX Type This is a list of the effects that can be selected for MOD/FX.
  • Page 43 Effect Name Explanation Tremolo is an effect that creates a cyclic TREMOLO change in volume. This effect creates vibrato by slightly VIBRATO modulating the pitch. This produces an effect like the sound ROTARY of a rotary speaker. This creates a bell-like sound by ring- modulating the guitar sound with RING MOD the signal from the internal oscillator.
  • Page 44 Effect Name Explanation PARAMETRIC Adjusts the tone. You can adjust the sound character in four bands. (Parametric Equalizer) Simulation of the characteristics of particular guitar components such as pickups and different guitar bodies GUITAR SIM allows you to switch among a number (Guitar Simulator) of different guitar types all while using a single guitar.
  • Page 45 Effect Name Explanation FLANGER117E This models an MXR EVH-117 Flanger. MOD/FX Efffect Parameters CHORUS Frequency band division is employed to produce two different choruses, one for low frequencies and one for higher frequencies. This allows you to achieve a more natural chorus sound. Parameter Value Explanation...
  • Page 46 Parameter Value Explanation Adjusts the volume of the DIRECT MIX 0–100 direct sound. Adjust the speed of the HIGH RATE 0–100 chorus effect for the high frequency range. Adjust the depth of the chorus effect for the high frequency range. If HIGH DEPTH 0–100 you wish to use this as...
  • Page 47 FLANGER The flanging effect gives a twisting, jet-airplane- like character to the sound. Parameter Value Explanation This sets the rate of the RATE 0–100 flanging effect. Determines the depth of DEPTH 0–100 the flanging effect. Determines the amount of resonance (feedback). RESO Increasing the value will 0–100...
  • Page 48 PHASER By adding varied-phase portions to the direct sound, the phaser effect gives a whooshing, swirling character to the sound. Parameter Value Explanation Selects the number of stages that the phaser effect will use. This is a four-phase effect. A 4 STAGE light phaser effect is obtained.
  • Page 49 Parameter Value Explanation This sets the cycle of the step function that changes the rate OFF, and depth. When it is set to a STEP RATE 0–100 higher value, the change will be finer. Set this to “OFF” when not using the Step function. Adjusts the volume of the DIRECT MIX 0–100...
  • Page 50 TREMOLO Tremolo is an effect that creates a cyclic change in volume. Parameter Value Explanation Adjusts changes in volume level. WAVE SHAPE 0–100 A higher value will steepen wave’s shape. Adjusts the frequency (speed) of RATE 0–100 the change. DEPTH 0–100 Adjusts the depth of the effect.
  • Page 51 ROTARY This produces an effect like the sound of a rotary speaker. Parameter Value Explanation RATE 0–100 Adjusts the speed of the rotation. Adjusts the amount of depth in the DEPTH 0–100 rotary effect. LEVEL 0–100 Adjusts the volume.
  • Page 52 RING MOD The sound can be unmusical and lack distinctive pitches. Parameter Value Explanation This selects the mode for the ring modulator. This is a normal ring NORMAL modulator. By ring-modulating the input signal, a bell like sound is created. The intelligent ring modulator changes the oscillation frequency according to...
  • Page 53 SLOW GEAR This produces a volume-swell effect (“violin-like” sound). Parameter Value Explanation Adjusts the sensitivity of the slow gear. When it is set to a lower value, the effect of the slow gear can be obtained only with a stronger SENS 0–100 picking, while no effect is obtained...
  • Page 54 SLICER This consecutively interrupts the sound to create the impression that a rhythm backing phrase is being played. Parameter Value Explanation Select the slice pattern that will PATTERN P1–P20 be used to cut the sound. Adjust the rate at which the RATE 0–100 sound will be cut.
  • Page 55 You can also use it as a limiter to suppress only the sound peaks and prevent distortion. Parameter Value Explanation BOSS COMP This models a BOSS CS-3. This is a compressor that adds HI-BAND an even stronger effect in the high end.
  • Page 56 Parameter Value Explanation Adjusts the strength of the picking attack when the strings ATTACK 0–100 are played. Higher values result in a sharper attack, creating a more clearly defined sound. LEVEL 0–100 Adjusts the volume. TONE -50–+50 Adjusts the tone.
  • Page 57 The limiter attenuates loud input levels to prevent distortion. Parameter Value Explanation Selects the limiter type. This selects a stereo BOSS LIMITER limiter. TYPE RACK 160D This models a dbx 160X. VTG RACK U This models a UREI (VINTAGE RACK U) 1178.
  • Page 58 T. WAH You can produce a wah effect with the filter changing in response to the guitar level. Parameter Value Explanation Selects the wah mode. Low pass filter. This provides a wah effect over a wide frequency MODE range. Band pass filter. This provides a wah effect in a narrow frequency range.
  • Page 59 Parameter Value Explanation Adjusts the way in which the wah effect applies to the area around the center frequency. Higher values will produce a PEAK 0–100 stronger tone which emphasizes the wah effect more. With a value of 50 a standard wah sound will be produced.
  • Page 60 AUTO WAH This changes the filtering over a periodic cycle, providing an automatic wah effect. Parameter Value Explanation Selects the wah mode. Low pass filter. This provides a wah effect over a wide frequency MODE range. Band pass filter. This provides a wah effect in a narrow frequency range.
  • Page 61 PEDAL WAH This lets you produce a pedal wah effect. Parameter Value Explanation Selects the wah mode. This models the sound of the CRY CRY WAH BABY wah pedal popular in the ’70s. This models the VO WAH sound of the VOX V846.
  • Page 62 Parameter Value Explanation Selects the tone produced when the PEDAL MIN 0–100 heel of the pedal is depressed. Selects the tone produced when the PEDAL MAX 0–100 toe of the pedal is depressed. Adjusts the volume of EFFECT LEVEL 0–100 the effect sound.
  • Page 63 GRAPHIC EQ This adjusts the tone. You can adjust the sound character in ten bands. Parameter Value 31 Hz 62 Hz 125 Hz 250 Hz 500 Hz -20–+20 dB 1 kHz 2 kHz 4 kHz 8 kHz 16 kHz LEVEL -20–+20 dB...
  • Page 64 PARAMETRIC EQ This adjusts the tone. You can adjust the sound character in four bands. Parameter Value Explanation Adjusts the low LOW GAIN -20–+20 dB frequency range tone. Adjusts the low-middle LOW-MID GAIN -20–+20 dB frequency range tone. Adjusts the high-middle HIGH-MID GAIN -20–+20 dB frequency range tone.
  • Page 65 Parameter Value Explanation Adjusts the width of the area affected by the EQ centered at the HIGH-MID Q 0.5–16 HIGH-MID FREQ. Higher values will narrow the area. This sets the frequency at which the low cut FLAT, 20 filter begins to take LOW CUT Hz–800 Hz effect.
  • Page 66 GUITAR SIM Simulation of the characteristics of particular guitar components such as pickups and different guitar bodies allows you to switch among a number of different guitar types all while using a single guitar. Parameter Value Explanation Selects the type of the guitar simulator. Changes from a single-coil S 0 H pickup tone to a humbucking...
  • Page 67 Parameter Value Explanation P 0 AC Changes a piezo pickup tone TYPE (PIEZO to an acoustic guitar tone. 0 ACOUSTIC) Adjusts the low frequency -50–+50 range tone. Adjusts the high frequency HIGH -50–+50 range tone. Adjusts the way the body sounds when TYPE is set to S 0 HOLLOW, H 0 HOLLOW, S 0 AC, H 0 AC or P 0 AC.
  • Page 68 AC. PROCESSOR This processor allows you to change the sound produced by the pickup on an acoustic electric guitar, creating a richer sound similar to that obtained with a microphone placed close to the guitar. Parameter Value Explanation Selects the modeling type. This is the sound of a SMALL small-bodied acoustic...
  • Page 69 WAVE SYNTH This is a synth sound that processes the guitar input signal. * When you use a wave synthesizer, observe the following points. 5 Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played. Be sure to mute all the other strings and play only one note at a time.
  • Page 70 Parameter Value Explanation Adjusts the amount of resonance (and the tone coloration) in the synth sound. RESONANCE 0–100 The higher the value, the more the synth tone coloration is emphasized. Adjusts the volume of the SYNTH LEVEL 0–100 synth sound. Adjusts the amount of filtering FILTER SENS 0–100...
  • Page 71 OCTAVE This adds a note one octave lower, creating a richer sound. Parameter Value Explanation This selects the register to which the effect is applied. B1 (corresponds to the sound RANGE 1 of an open 7th string) to E6 (B1–E6) (corresponds to the 1st string played at the 24th fret) B1 (corresponds to the sound...
  • Page 72 PITCH SHIFTER This effect changes the pitch of the original sound (up or down) within a range of two octaves. Parameter Value Explanation Selects the number of voices for the pitch shift sound. One-voice pitch-shifted 1VOICE VOICE sound output in mono. Two-voice pitch-shifted 2VOICE sound (PS1, PS2) output in...
  • Page 73 Parameter Value Explanation Make fine adjustments to the interval. The amount of PS1:FINE -50–+50 the change in the Fine 100 PS2:FINE is equivalent to that of the Pitch 1. Adjusts the time from PS1:PRE when the direct sound is DELAY 0 ms–300 heard until the pitch shifted PS2:PRE...
  • Page 74 HARMONIST Harmonist is an effect where the amount of shifting is adjusted according to an analysis of the guitar input, allowing you to create harmony based on diatonic scales. * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played.
  • Page 75 Parameter Value Explanation This determines the pitch of the sound added to the input sound, when you are making a harmony. HR1:HARMONY -2 oct–+2 It allows you to set it by up HR2:HARMONY oct, USER to 2 octaves higher or lower than the input sound.
  • Page 76 Parameter Value Explanation HR1:LEVEL Adjusts the volume of the 0–100 HR2:LEVEL harmony sound. –+24 D ² D ² –+24 –+24 E ² E ² –+24 –+24 You can specify a pitch –+24 USER SCALE in the range two octaves F ¾ *2 *3 above or below the direct F ¾...
  • Page 77 This is the tonic (root note) of the KEY specified by the MASTER KEY parameter of PAGE 1. The table shows the example of when KEY is set to C (Am). HUMANIZER This can create human vowel-like sounds. Parameter Value Explanation This sets the mode that switches the vowels.
  • Page 78 Parameter Value Explanation Adjusts the sensitivity of the humanizer. When it is set to a lower value, no effect of the humanizer is obtained with weaker SENS *1 0–100 picking, while stronger picking produces the effect. When it is set to a higher value, the effect of the humanizer can be obtained whether the picking is weak or strong.
  • Page 79 PHASER 90E This models an MXR EVH-90 Phase Shifter. Parameter Value Explanation Switches the character of the phaser. SCRIPT OFF, ON OFF: Modern ON: Vintage Sets the rate and the depth of the SPEED 0–100 phaser effect. FLANGER117E This models an MXR EVH-117 Flanger. Parameter Value Explanation Adjusts the center frequency at...
  • Page 80 DELAY/DELAY 2 This effect adds delayed sound to the direct sound, giving more body to the sound or creating special effects. DELAY Type TYPE Explanation DIGITAL This is a simple mono delay. ANALOG This gives a mild analog delay sound. This setting provides the characteristic TAPE ECHO wavering sound of the tape echo.
  • Page 81 DELAY Parameters Parameter Value Explanation TYPE Refer to DELAY Type 1 ms–2000 DELAY TIME Adjusts the delay time. Adjusts the volume that is returned to the input. A FEEDBACK 0–100 higher value will increase the number of the delay repeats. This sets the frequency at 630 Hz–...
  • Page 82 Parameter Value Explanation Turns the filter on/off. If this is on, a natural- sounding effect is obtained when you’re using the delay FILTER OFF, ON as an echo. * Only when TYPE is SDE- 3000. Models the way in which the SDE-3000’s frequency response is affected by the 8 kHz, 17...
  • Page 83 REVERB This effect adds reverberation to the sound. REVERB Type TYPE Explanation Simulates plate reverberation (a reverb unit that uses the vibration of a metallic plate). PLATE Provides a metallic sound with a distinct upper range. Simulates the reverberation in a small room. ROOM Provides warm reverberations.
  • Page 84 REVERB Parameters Parameter Value Explanation TYPE Refer to REVERB Type Adjusts the length (time) of REVERB TIME 0.1 s–10.0 s reverberation. Adjusts the time until the PRE DELAY 0 ms–500 ms reverb sound appears. EFFECT Adjusts the volume of the 0–100 LEVEL reverb sound.
  • Page 85 EQ (PARAMETRIC EQ) This adjusts the tone. You can adjust the sound character in four bands. Parameter Value Explanation ON/OFF OFF, ON Turns this effect on/off. Adjusts the low frequency LOW GAIN -20–+20 dB range tone. LOW-MID Adjusts the low-middle -20–+20 dB GAIN frequency range tone.
  • Page 86 Parameter Value Explanation Specifies the center of the HIGH-MID 20 Hz–10.0 frequency range that will be FREQUENCY adjusted by the HIGH-MID GAIN. Adjusts the width of the area affected by the EQ centered HIGH-MID Q 0.5–16 at the HIGH-MID FREQ. Higher values will narrow the area.
  • Page 87 This effect reduces the noise and hum picked up by guitar pickups. Since it suppresses the noise in synchronization with the envelope of the guitar sound (the way in which the guitar sound decays over time), it has very little effect on the guitar sound, and does not harm the natural character of the sound.
  • Page 88 Parameter Value Explanation Adjusts the time from when the noise suppressor begins to RELEASE 0–100 function until the noise level reaches “0. ”...

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