Alesis QuadraSynth Plus Reference Manual page 151

Alesis quadrasynth plus audio-keyboard: reference manual
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Delay
The Delay function is used to edit Delay parameters.
Delay (Page 1)
Delay (Pages 2 and 3)
QuadraSynth Plus Piano Reference Manual
The QuadraSynth Plus's effects processor has three different Delay types
available.
Note: Some delay modules only feature a mono Delay, and therefore the
Delay Type parameter will be unavailable. Instead the parameters
normally found on page 2 of the Delay function are shown in page 1, and
there are no other pages (please refer to next section for a description of
those parameters).
Delay Type
Ping-Pong. This is called a "Ping Pong Delay' because the
output bounces from side to side (left to right) in stereo with the
speed determined by the delay time. The maximum delay time is
399 milliseconds.
Stereo Delay. The Stereo Delay is actually two separate delays,
which can be individually varied. The maximum delay time for
each delay is 399 ms.
Mono. The Mono Delay has the advantage of twice the available
delay time, or 799 ms in Configuration #1, 1199 ms in
Configuration #2.
In Page 2 of the Delay Function you will find the remaining parameters
for the Delay function. If the Stereo Delay type is selected, you can press
PAGE [ ] again to advance to Page 3. This is because the Stereo Delay
type has parameters for both the Left and Right channels.
Input
Quad Knob [1] is used to balance the Delay Input between the
signal coming from the Pitch effect output (if applicable) and the
dry effect send.
Time/Left Time/Right Time
This is the actual Delay time, which determines the amount of
time the input signal will be delayed. Use Quad Knob [2] to
adjust the delay time in 10 ms intervals; use Quad Knob [3] to
adjust the delay time in 1 ms intervals.
Feedback/Left Feedback/Right Feedback
Quad Knob [4] is used to adjust the Delay Feedback, which is a
portion of the delay signal output being "fed back" into the
input. This results in the delay repeating itself. The more
feedback, the more repeats.
Editing Effects: Chapter 7
152

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