Exemple De Raccordements - Yamaha EMX3500 Manuel De Fonctionnement

EXEMPLE DE RACCORDEMENTS

Enceintes de sonorisation
A
B
I/O
1 2 3 4
1 2 3 4
A A A A
B B B B
PAD PAD PAD PAD
20dB 20dB 20dB 20dB
PEAK PEAK PEAK PEAK
SIGNAL SIGNAL SIGNAL SIGNAL
-16 -60 -16 -60 -16 -60 -16 -60
GAIN GAIN GAIN GAIN
80 80 80 80
-15 +15 -15 +15 -15 +15 -15 +15
HIGH HIGH HIGH HIGH
250 5k 250 5k 250 5k 250 5k
MID FREQ MID FREQ MID FREQ MID FREQ
-15 +15 -15 +15 -15 +15 -15 +15
MID MID MID MID
-15 +15 -15 +15 -15 +15 -15 +15
LOW LOW LOW LOW
0 10 0 10 0 10 0 10
MONITOR MONITOR MONITOR MONITOR
0 10 0 10 0 10 0 10
EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1
0 10 0 10 0 10 0 10
EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2
L R L R L R L R
PAN PAN PAN PAN
ON ON ON ON
0 0 0 0
5 5 5 5
10 10 10 10
15 15 15 15
20 20 20 20
30 30 30 30
40 40 40 40
50 50 50 50
60 60 60 60
1 2 3 4
Microphones
Effecteur (Compresseur, etc.)
Enregistreur de cassette
L R
2 SPEAKER
L R
1 SPEAKER
INPUT
A
B
CH
INSERT I/O
0dB
5 6 7 8 9 10 11 12
OUT IN
5 6 7 8 9 10 11 12
A A A A A A A A
B B B B B B B B
PAD PAD PAD PAD PAD PAD PAD PAD
20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB
PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
-16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60
GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
80 80 80 80 80 80 80 80
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k
MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
MID MID MID MID MID MID MID MID
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
LOW LOW LOW LOW LOW LOW LOW LOW
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0
EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 MONITOR
L R L R L R L R L R L R L R L R 0
PAN PAN PAN PAN PAN PAN PAN PAN
ON ON ON ON ON ON ON ON EFFECT RETURN 1 EFFECT RETURN 2
0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10
15 15 15 15 15 15 15 15
20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60
5 6 7 8 9 10 11 12 1
CD IN EFFECT RETURN +4dB EFFECT SEND +4dB
A B
-6dB
L L 1L/ 2L/ 1
MONO MONO
R R
1R 2R 2
LINE INSERT I/O +4dB MONITOR OUT +4dB
REC OUT TAPE IN
-10dBV -10dBV
L L A
L L
BALANCED
R R
R R B
PRE GEQ POST GEQ
INSERT
L ST R
VOCAL HALL/ROOM INSTRUMENT
VOCAL ECHO 1 DLY (ms) LARGE HALL REV (s) SHARE GATE DLY (ms)
VOCAL ECHO 2 DLY (ms) SMALL HALL REV (s) SHARE REVERB REV (s)
VOCAL REVERB 1 REV (s) CHURCH REV (s) DELAY L, R DLY (ms)
VOCAL REVERB 2 REV (s) ROOM SIZE SHORT DELAY DLY (ms)
REVERB & ECHO 1 DLY (ms) PITCH CHORUS DETUNE
REVERB & ECHO 2 DLY (ms)
PEAK
ON
PRESET
PARAMETER PROGRAM RESET
DIGITAL EFFECT (EFFECT 2)
+12 +12
9 9
6 6
3 3
0 0
3 3
EQ 6 6
9 9
-12 -12
63 125 250 500 1k 2k 4k 8k 16k
STEREO GRAPHIC EQUALIZER
POWERED MIXER
PHANTOM
ON
OFF
10 0 10 0 10 0 10
MONITOR MONITOR A REC OUT
0 10
10 0 10 0 10 0 10 0 10
LEVEL LEVEL MONITOR B CD IN TAPE IN PHONES
A
B
0 0 0 0
5 5 5 5
10 10 10 10
15 15 15 15
20 20 20 20
30 30 30 30
40 40 40 40
50 50 50 50
60 60 60 60
—EFFECT SEND— 2 L ST R PHONES
Lecteur CD,
Lecteur de cassette
Clavier,
Programmeur de rythmes,
Percussion électrique
Lecteur CD,
Lecteur de cassette,
Lecteur DAT
Processuer multi-effets
Réverbérateur
Egaliseur
graphique
Amplificateur
de puissance
Enceintes de contrôle
Casque
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