Parameters - Yamaha PLG100-XG Owner's Manual

Parameters

Performance Parameters
Bank Select MSB/LSB 0...127
Program Number 1...128
Receive Channel 1...16, off
Velocity Limit Low 1...127
Velocity Limit High 1...127
Note Limit Low C-2...G8
Note Limit High C-2...G8
Pitch Bend Range -24...+24
Velocity Sense Depth 0...127
Velocity Sense Offset 0...127
Volume 0...127
Pan RND, L63...C...R63
Detune -12.8...+12.7[Hz]
Reverb Send 0...127
Chorus Send 0...127
Note Shift -24...+24[semitone]
Filter Cutoff Frequency -64...+63
Filter Resonance/Width -64...+63
Portamento Switch off, on
Portamento Time 0...127
AEG Attack Time -64...+63
AEG Decay2 Time -64...+63
AEG Release Time -64...+63
MW Filter Control -64...+63
MW Amplitude Control -64...+63
MW LFO Pitch 0...127
Modulation Depth
MW LFO Filter 0...127
Modulation Depth
MW LFO Amplitude 0...127
Modulation Depth
CAT Pitch Control -24...+24[semitone]
CAT Filter Control -64...+63
CAT Amplitude Control -64...+63
CAT LFO Pitch 0...127
Modulation Depth
CAT LFO Filter 0...127
Modulation Depth
CAT LFO Amplitude 0...127
Modulation Depth
AC1 Controller Number 0...95
AC1 Filter Control -64...+63
AC1 Amplitude Control -64...+63
AC1 LFO Pitch 0...127
Modulation Depth
AC1 LFO Filter 0...127
Modulation Depth
AC1 LFO Amplitude 0...127
Modulation Depth
System Parameters
Master Volume 0...127
Master Note Shift -24...+24[semitone]
Master Tune -102.4...+102.3[cent]
Determines the bank number (by MSB and LSB) of the Part's voice.
Determines the specific voice (by program number) of the Part.
Determines the MIDI receive channel for the Performance.
Determines the lowest velocity at which the Part's voice will play.
Determines the highest velocity at which the Part's voice will play.
Determines the lowest responding note for the Part's voice.
Determines the highest responding note for the Part's voice.
Determines the pitch range of the MIDI Pitch Bend (in semitone steps).
Determines the degree to which velocity affects the Part's voice.
Boosts or reduces all velocity values for the Part's voice by the specified amount, letting you tailor
how the level responds to your playing touch.
Determines the overall level of the Part's voice.
Determines the stereo position of the Part's voice.
Determines the fine tuning of the Part's voice in 0.1-Hz increments.
Determines the level of the Part's voice that is sent to the Reverb effect, letting you adjust the amount
of the Reverb applied to the voice.
Determines the level of the Part's voice that is sent to the Chorus effect, letting you adjust the
amount of the Chorus applied to the voice.
Determines the key transposition setting for the Part's voice (in semitone steps).
Determines the cutoff frequency of the low pass filter.
Determines the amount of filter resonance or emphasis of the Filter Cutoff Frequency above; it also
affects the width of the frequency range to which resonance is applied.
Determines whether Portamento (continuous pitch glide) is on or off for the Part's voice.
Determines the time of the Portamento effect (how long it takes to slide the pitch from one note to the
next).
Determines the time it takes for the sound to reach full volume when a note is played.
Determines the time it takes for the sound to decrease in level to silence (as the note is held).
Determines the time it takes for the sound to decrease in level to silence (after the note is released).
Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency (low pass
filter).
Determines the degree to which the modulation wheel affects the volume (amplitude).
Determines the degree to which the modulation wheel affects the LFO-controlled pitch modulation.
Determines the degree to which the modulation wheel affects the LFO-controlled Filter modulation
(produces a "wah-wah" effect).
Determines the degree to which the modulation wheel affects the LFO-controlled amplitude (volume)
modulation.
Determines the degree to which channel after touch affects the pitch.
Determines the degree to which channel after touch affects the Filter.
Determines the degree to which channel after touch affects the volume (amplitude).
Determines the degree to which channel after touch affects the LFO-controlled pitch modulation.
Determines the degree to which channel after touch affects the LFO-controlled Filter modulation
(produces a "wah-wah" effect).
Determines the degree to which channel after touch affects the LFO-controlled amplitude (volume)
modulation.
Determines which MIDI control change number is assigned to Assignable Controller 1 (AC1) for the
selected Part.
Determines the degree to which Assignable Controller 1 (AC1) affects the Cutoff Frequency of the
Filter.
Determines the degree to which Assignable Controller 1 (AC1) affects the volume (amplitude).
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled pitch mod-
ulation.
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled Filter mod-
ulation (produces a "wah-wah" effect).
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled amplitude
(volume) modulation.
Determines the overall volume of the PLG100-XG.
Determines the overall key transposition setting of the PLG100-XG (in semitone steps).
Determines the overall fine tuning setting of the PLG100-XG (in 0.1-cent increments).
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