Fender Mustang GTX Series Owner's Manual page 27

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Vibratone
Vintage Tremolo
Sine Tremolo
Ring Modulator
Phaser
Phaser 90
Vibe Unit
Harmonic Tremolo
4-Knob Flanger
JC Chorus
Note that the TAP utility button works with Mustang GTX delay effects, and flashes when a preset using one
or more delay effects is in use.
Mono Delay
Mono Echo Filter
Stereo Echo Filter
Tape Delay
Stereo Tape Delay
Multi Tap Delay
Reverse Delay
Ping Pong Delay
Ducking Delay
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
MODULATION EFFECTS (CONT'D.)
Classic late-'60s/early-'70s Fender effect with a
Classic Fender "stuttering" photoresistor tremolo, as heard in Fender amps such
Smoothly pulsating tube bias tremolo, as heard in amps such as the Fender
Creatively non-harmonic dissonance from the early era
Long-indispensable jetliner "whoosh" heard on
Phase shifter effect inspired by the classic '70s MXR Phase 90
Based on the late-'60s Uni-Vibe phaser/vibrato pedal
Based on the distinctive effect built into certain early-'60s Fender amps
Based on the bucket-brigade analog chorus of the classic
DELAY EFFECTS
Clean, simple and pristine signal repetition
Mono echo with an evenly spaced wah-like effect
Stereo echo with an evenly spaced wah-like effect
Based on an classic analog tape echo unit with imperfections
that created distinctive "wow" and "flutter"
Similar to Tape Delay above, but with stereo field expansion
Rhythmic delay that can be subdivided into multiple
Reverses the shape of notes for the classic
Repetitions in the stereo field alternate between right and left,
Delayed notes "duck" out of the way while playing, and
rotating speaker baffle
as the Twin Reverb
Princeton Reverb
of electronic music
countless recordings
Based on the MXR M117 Flanger
Roland JC-120 Jazz Chorus amplifier
on the signal repetitions
on the signal repetitions
"taps" with differing time intervals
"backwards guitar" effect
imparting a "ping pong" effect
fill in gaps when not playing
25

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