Zoom H4n Pro Operation Manual page 144

Handy recorder
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Category
No.
Patch name
Bass
25
SVT
26
SMR
27
BASSMAN
28
SUP-BASS
29
SANSAMP
30
TUBE PRE
31
Funk Wah
32
Slap Comp
33
Bass Phaser
34
Fuzz Room
Mic
35
StandardComp
36
Studio Comp
37
Chorus Vocal
38
Flange Vocal
39
Light Vocal
40
Spring
41
Arena
42
Doubling
43
Lead Vocal
44
Analog Echo
45
Reverse Trip
46
AG Reverb
47
AG Arpeggio
48
AG Ensemble
49
AG Lead
50–59
EMPTY
Note: Company and product names in this patch list are trade names and trademarks of their respective owners and do not indicate any affiliation with Zoom Corporation.
All product names and explanations identify products that were used for reference in the development of this product.
This is the perfect Ampeg SVT rock sound.
The SWR SM-900 modeling provides a tight sound.
This classic sound uses Fender BASSMAN 100 modeling.
The showy drive sound of a Marshall Super Bass.
The SansAmp sound plays well with other instruments.
A thick TUBE PRE distortion sound.
Responding to changes in touch dynamics, this funk wah sound can be used in many situations.
Combining RackComp and TUBE PRE, this clean sound is perfect for slapping and tapping.
This go-to phaser sound combines PHASER and TUBE PRE effects.
The combination of SUP-BASS and ROOM effects make this fuzz sound for soloing.
Standard compressor optimized for recording.
Compressor suitable for vocal recording.
Deep chorus sound for solo vocals.
Flanger sound for soothing pop vocals.
Perfect when seeking bright and articulate vocals.
Sound made distinctive with the effect of spring reverb.
Deep reverb sounds like singing in an arena.
Conventional doubling effect.
Delay suitable for main vocal parts.
Analog style echo sound for vocals using an analog delay model.
Trippy sound using a reverse delay.
Preamp and reverb combination optimized for mic recording of acoustic guitars.
Preamp and chorus combination optimized for mic recording of acoustic guitar (playing arpeggios).
Preamp and ensemble combination optimized for mic recording of acoustic guitar (playing arpeggios).
Preamp and delay combination optimized for mic recording of acoustic guitars (playing lead).
Description
PREAMP
EFX
module
module
SVT
OFF
SMR
LIMITER
BASSMAN
OFF
SUP-BASS
OFF
SANSAMP
OFF
TUBE PRE
OFF
SMR
AUTO WAH
TUBE PRE
RackComp
TUBE PRE
PHASER
SUP-BASS
ROOM
FlatMPRE
RackComp
VO MPRE
RackComp
VO MPRE
CHORUS
VO MPRE
FLANGER
FlatMPRE
ROOM
VO MPRE
SPRING
VO MPRE
ARENA
VO MPRE
DELAY
VO MPRE
DELAY
VO MPRE
ANALOG
VO MPRE
RvsDelay
AG MPRE
ARENA
AG MPRE
CHORUS
AG MPRE
ENSEMBLE
AG MPRE
DELAY
148

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