H4N Pro Patch List - Zoom H4n Pro Operation Manual

H4n Pro patch list

The patches in this list can be used in MTR mode and when the H4n Pro is functioning as an audio interface (at 44.1kHz sampling rate).
Category No. Patch name
Guitar 00 Tweed Clean
01
Liverpool
02
Clean Chorus
03 Clean Delay
04 Clean Trem
05 Aco.Simulate
06 Spy's Shadow
07 Wah Cutting
08 Glossy Blues
09
UK Crunch
10
Box Of Edge
11 HW Crunch
12 Melody
13 ZEP Drive
14 Mellow Vibe
15 70's Drive
16 Boogie Drive
17 MS Drive
18
XTASY Riff
19 Jet MS Drive
20 Talking Guy
21 Oct Lead
22 Dirty Drive
23 Fuzz Lead
24 XTASY Lead
147
This FD TWEED clean sound goes great with Stratocasters.
A 60s revival sound is created by gently driving a Class A British combo amp.
This clean sound is good for muted rhythmic and arpeggio playing.
Using a long delay, this clean sound is good for sustained chords and arpeggios.
This clean sound varies the volume and can be said to be the original effect.
This acoustic guitar simulation is ideal for stroking.
Wrapped in spring reverb, this twangy guitar sound is perfect for electric instruments.
This funky rhythmic tone uses FD TWNR and AUTO WAH.
This bewitching Fender '59 BASSMAN crunch sound follows the dynamics of the player.
A sense of AIR is added to the natural crunch of a Class A British combo amp.
U2's The Edge popularized this distinctive dotted-eighth-note delay effect (at 130 BPM).
Crunch sound of a HIWATT CUSTOM 100.
Analog delay adds a natural sense of space to TS+FDcmb for a sound that suits simple melodies.
A classic Marshall crunch re-creates the sound of Led Zeppelin.
MScrunch and Vibe combine to create a laid-back sound.
The sound of 70s rock.
The Mesa Boogie Mark III sound creates a mid-range thickness in this drive that is good for soloing. BGcrunch
For the early sound of Van Halen, the Marshall is turned all the way up.
SD+XTASY makes this great for metal riffs.
Heavy Marshall distortion is combined with a flanger for this epic sound.
This talking sound follows the guitar pickup position and picking dynamics.
Octave doubling below the original pitch creates a heavy impactful drive sound.
Fuzz gives this classic 70s progressive rock sound its powerful sustain.
Vintage Marshall and fuzz effects combine to re-create the sweet and beautiful fuzz tone used by
Eric Johnson.
This metal lead sound uses XTASY BL and ECHO effects.
Description
PREAMP EFX
module module
FD TWEED SPRING
UK 30A AIR
FD TWNR CHORUS
FD TWNR ECHO
HW 100 TREMOLO
Aco Sim AIR
FD TWNR M SPRING
FD TWNR AUTO WAH
FD TWEED ROOM
UK 30A AIR
UK 30A ECHO
HW 100 ROOM
TS+FDcmb ANALOG
MScrunch RackComp
MScrunch VIBE
MS DRIVE ECHO
ROOM
GD+MSstk ARENA
SD+XTASY OFF
GD+MSstk FLANGER
GD+MSstk CRY
GD+MSstk PITCH
FZ+MSstk ANALOG
FZ+MSstk ARENA
XTASY BL ECHO