1. Manuals
  2. Brands
  3. Roland Manuals
  4. Music Mixer
  5. Sonar V-Studio VS-700
  6. Owner's manual

Roland Sonar V-Studio VS-700 Owner's Manual

Cakewalk by roland sonar v-studio mixer owner's manual
Hide thumbs
Table of Contents

Advertisement

Quick Links

Advertisement

Table of Contents
loading

Related Manuals for Roland Sonar V-Studio VS-700

Summary of Contents for Roland Sonar V-Studio VS-700

  • Page 2: Important Safety Instructions

    Copyright © 2009 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage”...

  • Page 3: Using The Unit Safely

    Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” (separate leaflet).
  • Page 4 Excessive loads can cause the insulation on the cord to heat up and eventually melt through. • Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” (separate leaflet). 022a •...
  • Page 5 118a • Should you remove screws of the ARX expansion board cover (p. 156) or the rackmount brackets (p. 163), keep them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. •...

  • Page 6: Important Notes

    IMPORTANT NOTES Power Supply • Do not connect this unit to the same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
  • Page 7 * MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group. * All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

  • Page 8: Table Of Contents

    Contents USING THE UNIT SAFELY...3 IMPORTANT NOTES ...6 Overview of the VS-700 ... 13 Main Features ... 14 Main Features of the VS-700C Console ...14 Main Features of the VS-700R I/O...14 Panel Descriptions ... 15 VS-700C Console...15 Top Panel ...15 Rear Panel ...18 VS-700R I/O...19 Front Panel ...19...
  • Page 9 LED Level Meter...37 LCD Display ...37 ASSIGN Button...38 How FLIP Mode Affects the [ASSIGN] Button ...39 Rude MUTE/Rude SOLO/Rude ARM Buttons...40 AUTOMATION Buttons ...41 FADER BANK Buttons ...42 FADER VIEW Buttons (TRACK, BUS, MAIN, I/O CONTROL) ...43 I/O Control...44 Specifying the tracks and buses that can be controlled from the VS-700 console 45 Locking a Channel Strip ...46 To Lock/Unlock a Channel Strip ...46 Locked Strip WAI Indication...47...
  • Page 10 Contents VS-700R I/O ... 77 Connecting Recording Equipment ... 78 Connections to the Analog Jacks ...78 Connections to the Digital Connectors...79 Switching the Sampling Rate... 80 Setting SONAR’s Sampling Rate...81 Audio Clock Source... 82 Phantom Power ... 83 Preamp Parameters ... 84 Compressor Parameters...
  • Page 11 Changing How a Tone Is Sounded (TMT)... 101 Modifying Waveforms (WG)... 105 Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)... 109 Adjusting the Volume (TVA/TVA Env) ... 113 Output Settings ... 116 Modulating Sounds (LFO1/2/Step LFO) ... 117 Controller-related settings (CTRL) ...
  • Page 12 Contents Appendix ...153 VS-700R Block Diagram...154 Installing the ARX Expansion Board ...155 Port settings (MIDI input and audio output)... 155 Cautions When Installing an Expansion Board... 155 How to Install an Expansion Board ... 156 Removing an Expansion Board ... 158 Installation de la carte d’expansion...159 Precautions a prendre lors de l’installation d’une carte d’expansion ...

  • Page 13: Overview Of The Vs-700

    Overview of the VS-700...

  • Page 14: Main Features

    Main Features Main Features of the VS-700C Console fig.panel-vs-700.eps • Control of mix and plug-in parameters with real-time visual feedback • Touch-sensitive motorized faders • Control over SONAR, plug-in effects and soft synths • Many buttons to trigger SONAR commands plus 16 assignable buttons •...

  • Page 15: Panel Descriptions

    Panel Descriptions VS-700C Console Top Panel fig.panel-vs-700c-top.eps A. LCD Display The VS-700C features three 2-line LCD displays. The left LCD display shows information about the CHANNEL STRIP CONTROL section and the other two LCD displays show information about the channel strips. ➔...
  • Page 16 Panel Descriptions C. Time Display The VS-700C Console displays the project’s current Now time in the top right corner. You can switch the display between SMPTE and Bars|Beats time by pressing the [TIME CODE] button. The default view is Bars|Beats. ➔...
  • Page 17 J. SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip. ➔ “SURROUND Section” (p. 68) K. PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse, such as Save, Undo/Redo, OK/ENTER and Cancel.

  • Page 18: Rear Panel

    Panel Descriptions Rear Panel fig.panel-vs-700c-rear.eps A. TO I/O Connector Use the dedicated cable to connect the VS-700C Console to the VS-700R I/O unit. Do not use any cable other than the dedicated cable. ➔ “Connecting Your Computer and Sound Reinforcement Equipment” (p. 27) B.

  • Page 19: Vs-700R I/O

    VS-700R I/O Front Panel fig.panel-vs-700r-front.eps A. USB Indicator This will light when the console is connected via USB to your computer. ➔ “If the USB indicator of the VS-700R I/O unit isn’t lit” (p. 28) B. CONSOLE Indicator This will light when the VS-700C console is connected via the dedicated cable and has been detected. If the cable is connected but the console has not been detected, this will blink.
  • Page 20 Panel Descriptions E. SAMPLE RATE Knob This specifies the sample rate. In order for this setting to be reflected by the system, you must cycle the power to the VS-700R. If you need to synchronize with another digital device, you must first set this knob to the same sample rate as the master device.

  • Page 21: Rear Panel

    Rear Panel fig.panel-vs-700r-rear.eps A. TO CONSOLE Connector Use the dedicated cable to connect this to the VS-700C console. Do not use any cable other than the dedicated cable. ➔ “Connecting Your Computer and Sound Reinforcement Equipment” (p. 27) B. AC Inlet Connect the included power cord to this inlet.
  • Page 22 Panel Descriptions E. DIGITAL 2 OUT Connector This is an ADAT output connector. You can connect it to an ADAT device and output up to eight channels of audio. DIGITAL 2 IN Connector This is an ADAT input connector. It allows up to eight channels of input. The input signals are output directly to the “VS-700 IN DIGITAL2 1-2”...

  • Page 23: Top Panel

    MONITOR MAIN Jacks These are the main monitor output jacks. They are balanced outputs. They output the signals of the audio driver’s “VS-700 MAIN” port. MONITOR SUB Jacks These are sub-monitor output jacks. They provide balanced or unbalanced output. They output the signals of the audio driver’s “VS-700 SUB”...

  • Page 24: Side Panel

    Panel Descriptions Side Panel fig.panel-vs-700r-side.eps A. Rackmount Brackets If you want to install the system in a 19” rack, attach the included rackmount brackets. ➔ “Attaching the Rackmount Brackets” (p. 163) B. Cooling Fan Intake Vent C. Cooling Fan Exhaust Vent The VS-700R contains a cooling fan that prevents internal overheating.

  • Page 25: Connections

    Connections...

  • Page 26: Connections

    Connections Before connecting the VS-700C and VS-700R to your computer, you must install the VS-700 driver in your computer as described in “Getting Started” (separate document). The VS-700C and VS-700R will not operate correctly unless the driver is installed in your computer. Connecting the Power Cord •...
  • Page 27 Connecting Your Computer and Sound Reinforcement Equipment • Use the included dedicated cable to connect the VS-700R and VS-700C. • Use a USB cable to connect the VS-700R to your computer. • Connect your headphones, speakers, or other device to the VS-700. * This package does not include sound reinforcement equipment such as headphones or speakers.

  • Page 28: Turning The Power On

    Turning the Power On Once the connections have been completed (p. 26), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet.

  • Page 29: Vs-700C Console

    VS-700C Console...

  • Page 30: Overview Of The Vs-700C Console

    Overview of the VS-700C Console The VS-700C Console consist of different sections that are used to control SONAR, including: • Nine touch sensitive motorized faders • User definable buttons to map via ACT • Dedicated section for controlling plug-ins and track/bus parameters •...

  • Page 31: Channel Strip Section

    CHANNEL STRIP Section The Channel Strip section provides eight touch sensitive motorized fader strips with identical controls. You use the channel strips to control up to eight tracks or buses at a time and you can easily switch between different banks of tracks or buses (refer to “FADER BANK Buttons”...

  • Page 32: Channel Fader

    CHANNEL STRIP Section Channel Fader Use the touch sensitive motorized faders to control levels of audio tracks, MIDI tracks and buses. When tracks/buses are armed for automation recording, the faders allow you to record automation data by touching/releasing the faders. For more information about automation recording, refer to “Rude MUTE/Rude SOLO/Rude ARM Buttons”...

  • Page 33: Adjusting The Touch Sensitivity Of The Faders

    Adjusting the Touch Sensitivity of the Faders Depending on the conditions in which you use the VS-700, the touch sensitivity of the faders may not work as you expect, or the motor may operate incorrectly when you’re operating the fader. If this occurs, adjust the touch sensitivity as follows.

  • Page 34: Rotary Encoder (Knob)

    CHANNEL STRIP Section Rotary Encoder (Knob) The rotary encoders work in conjunction with the [ASSIGN] button to allow tactile control over various track, bus and main parameters. All eight rotary encoders always control the same parameter type across different tracks/buses. The rotary encoders control pan by default, but can be configured to control other channel parameters by pressing the [ASSIGN] button.

  • Page 35: Track Solo (Solo)

    Track Solo (SOLO) Use the [SOLO] button to solo/unsolo the assigned track or bus. When the channel is soloed, the [SOLO] button is lit. When one or more channels are soloed, the [Rude SOLO] button is lit as a convenient reminder. You can press the [Rude SOLO] button to quickly unsolo all channels.

  • Page 36: Strip Select (Sel)

    CHANNEL STRIP Section Strip Select (SEL) Use the [SEL] button to activate the CHANNEL STRIP CONTROL section for the selected channel, which allows you to control EQ and Send parameters for that channel. The eight [SEL] buttons are mutually exclusive, so only one channel at a time can be selected. When enabled, the [SEL] button stays lit.

  • Page 37: Led Level Meter

    LED Level Meter The LED level meter displays the channel’s current peak volume level. The indicated levels are 0 dB (peak), -3 dB, -12 dB, -24 dB and -48 dB. fig.6.eps LCD Display Each channel strip (including the master fader) has a two-line LCD display that displays track information based on which ASSIGN function is selected.

  • Page 38: Assign Button

    CHANNEL STRIP Section ASSIGN Button Use the [ASSIGN] button to change the parameter that’s assigned to the rotary encoders of the channel strips. The available functions vary depending on which [FADER VIEW] button (TRACK, BUS, MAIN or I/O CONTROL) is selected. fig.8.eps A.

  • Page 39: How Flip Mode Affects The [Assign] Button

    The illustration below shows how the parameter will be switched if FADER VIEW is set to TRACK. fig.9.eps Bass1 30% R Bass1 Bass1 -7001-2 Bass1 Master Pan (default display) Send Volume/Chorus Send Input Output How FLIP Mode Affects the [ASSIGN] Button When FLIP mode is enabled, the [ASSIGN] button is disabled, regardless of which FADER VIEW type is selected.

  • Page 40: Rude Mute/Rude Solo/Rude Arm Buttons

    CHANNEL STRIP Section Rude MUTE/Rude SOLO/Rude ARM Buttons The [Rude MUTE], [Rude SOLO] and [Rude ARM] buttons let you mute or unmute, solo or unsolo, arm or disarm all channels simultaneously. When one or more channels are muted, soloed or armed for recording, the corresponding [Rude] button is lit as a convenient reminder.

  • Page 41: Automation Buttons

    AUTOMATION Buttons The [AUTOMATION] buttons let you enable/disable automation recording and playback for all channels. fig.11.eps A. [WRITE/OFF] button B. [OFFSET] button The modifier buttons (p. 67) can be used to extend the functions as follows. Button Default function Enable/disable write WRITE/OFF automation for selected track/bus...

  • Page 42: Fader Bank Buttons

    CHANNEL STRIP Section FADER BANK Buttons The VS-700C Console has eight physical channel strips that can be used to control up to eight tracks, buses or mains at a time. You use the [FADER BANK] buttons to switch between different banks of tracks/buses/mains, which allows the channel strips to control a different set of tracks/buses/mains.

  • Page 43: Fader View Buttons (Track, Bus, Main, I/O Control)

    FADER VIEW Buttons (TRACK, BUS, MAIN, I/O CONTROL) You use the [FADER VIEW] buttons to specify what channel type (tracks, buses or mains) is assigned to the channel strips. fig.13.eps The modifier buttons (p. 67) can be used to extend the functions as follows. Button Default function TRACK...

  • Page 44: I/O Control

    CHANNEL STRIP Section I/O Control When I/O CONTROL mode is enabled, you can use the channel strip rotary encoders to control the Mic Pre Gain, Threshold, Attack and Release parameters on the VS-700R I/O. Additional I/O parameters can be controlled from the VS-700 property page, plus the stereo digital input mode and digital sync mode.

  • Page 45: Specifying The Tracks And Buses That Can Be Controlled From The Vs-700 Console

    Specifying the tracks and buses that can be controlled from the VS-700 console The tracks and buses that can be controlled from the VS-700 console will match the tracks and buses that can be controlled from SONAR’s track view or console view. If desired, you can also control all tracks and buses in the project. On SONAR’s “Options”...

  • Page 46: Locking A Channel Strip

    CHANNEL STRIP Section Locking a Channel Strip Channel strip locking allows you to: • Control tracks/buses that are not within the same channel bank (range of eight consecutive tracks or buses). For example, you can control tracks 1 through 7 along with track 20. •...

  • Page 47: Locked Strip Wai Indication

    Locked Strip WAI Indication SONAR’s Track view and Console view show a color-coded WAI (short for Where Am I) display to indicate which tracks and buses are currently being controlled by a control surface. With strip locking, you can effectively create multiple WAI regions. In the main WAI range (eight consecutive tracks or buses), locked strips are shown grayed out.

  • Page 48: Time Display

    Time Display The VS-700C Console displays the project’s current Now time in the top right corner. You can switch the display between SMPTE and Bars|Beats time by pressing the [TIME CODE] button. The default view is Bars|Beats. fig.22.eps A. [TIME CODE] button...

  • Page 49: Channel Strip Control Section (Eq, Send And Act)

    CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) The CHANNEL STRIP CONTROL section lets you control EQ and SEND parameters for the selected channel strip, as well as ACT parameters for the track, bus, effect plug-in or soft synth that has focus in SONAR. There are 12 rotary encoders and 4 buttons to control EQ, SEND and ACT parameters.
  • Page 50 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) A. Parameter name B. Parameter value C. Selected encoder row D. Encoder with push button E. Button F. Selects which row displays parameters on the LCD Display G. View EQ settings H. View SEND settings I.

  • Page 51: Lcd Display

    LCD Display The LCD display above the CHANNEL STRIP CONTROL section shows EQ, SEND and ACT information for the selected channel strip, depending on which mode is selected. The CHANNEL STRIP CONTROL section contains four rows of controls; three rows of knobs and one row of buttons. Only one row at a time can be shown on the LCD display.

  • Page 52: Send Mode

    CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) SEND Mode In SEND mode, there are different parameters of control for stereo and surround buses. SEND mode lets you control AUX SEND parameters for the selected channel strip. To Enable SEND Mode Press the [SEND] button.

  • Page 53: Act Mode

    ACT Mode ACT mode lets you control any automatable parameter for the track, bus, effect plug-in or soft synth that has focus. Some plug-ins do not support automation and can therefore not be controlled via ACT. Unlike EQ mode or SEND mode, ACT mode lets you control the plug-in that has focus. The selected channel strip will not be controlled.

  • Page 54: Transport Section

    Transport Section The transport section provides standard control of RTZ (return to zero), Rewind, Fast Forward, Go to end, Stop, Play and Record. fig.28.eps A. Return to zero (RTZ) B. Rewind C. Fast forward D. Go to end (GTE) E. Stop F.

  • Page 55: Starting/Stopping Playback With A Foot Switch

    Transport Section Starting/Stopping Playback With a Foot Switch On the back of the VS-700C Console are two foot switch connections. The default functions are as follows: FOOT SW 1.Controls PLAY FOOT SW 2.Controls RECORD The functions that are assigned to the foot switches can be configured in the VS-700 property page.

  • Page 56: Project Section

    PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse, such as Save, Undo/Redo, OK/ENTER and Cancel. fig.29.eps A. [SAVE/SAVE AS] button B. [UNDO/REDO] button C. [OK/ENTER] button D. [CANCEL] button The modifier buttons (p.

  • Page 57: Jog/Shuttle/Cursor Section

    JOG/SHUTTLE/CURSOR Section The VS-700C Console jog/shuttle is a combo wheel with cursor buttons, which lets you perform edit, zoom, scroll and select operations. The Jog and Shuttle wheels can be turned both clockwise and counterclockwise. fig.30.eps A. Cursor buttons B. [SCROLL/ZOOM] button (blinks in Zoom mode) C.

  • Page 58: Transport Mode (Default)

    JOG/SHUTTLE/CURSOR Section Transport Mode (Default) Transport mode lets you use the Jog/Shuttle wheel to navigate the Now time. The Jog wheel can navigate by either SMPTE or Bars|Beats time depending on the current Time Display mode (refer to “Time Display” (p. 48)). To Enable Navigation with the Jog/Shuttle Wheel The Jog/Shuttle wheel is in Transport mode by default.

  • Page 59: Scroll Mode

    Scroll Mode Scroll mode lets you use the Jog/Shuttle wheel to scroll SONAR’s Track view and zoom and scroll the Free Edit Cursor. To Enable Scrolling with the Jog/Shuttle Wheel Press the [SCROLL/ZOOM] button. The [SCROLL/ZOOM] button is lit when Scroll mode is enabled. The modifier buttons (p.

  • Page 60: Zoom Mode

    JOG/SHUTTLE/CURSOR Section Zoom Mode Zoom mode lets you use the Jog/Shuttle wheel to zoom SONAR’s Track view. To Enable Zooming with the Jog/Shuttle Wheel Press [SHIFT]+[SCROLL/ZOOM] buttons. The [SCROLL/ZOOM] button blinks when Zoom mode is enabled. Zoom Flyover mode In ZOOM Flyover mode you can scroll and zoom simultaneously to the screen center independent of the Now Time or the Free Edit cursor.

  • Page 61: Select Mode

    Select Mode Select mode lets you use the Jog/Shuttle wheel to select clips or arbitrary sections of time within a clip or across multiple clips. The selection can then be edited in Edit mode. There are two different selection modes: Mode Select by Time mode Select by Clip mode...

  • Page 62: Edit Mode

    JOG/SHUTTLE/CURSOR Section Edit Mode Edit mode lets you use the Jog/Shuttle wheel and cursor buttons to nudge the selected data, apply clip fades and crop clip edges. To Enable Editing with the Jog/Shuttle Wheel Make a selection (see “To enable Select by Time mode (default)” (p. 61)). Press the [EDIT] button.

  • Page 63: Scrub Play Mode

    Turn the Jog or Shuttle wheel. When you are finished editing, press the [EDIT] button again to exit Edit mode. To Move the Selected Clip(s) Select a clip by using the Free Edit Tool (see “Select Mode” (p. 61)). Press the [EDIT] button. Turn the Jog/Shuttle or press the arrow keys to move the clip to the desired location.

  • Page 64: Access Panel Section (Assignable Buttons)

    ACCESS PANEL Section (Assignable Buttons) The ACCESS PANEL section provides 16 assignable buttons that you can configure to control different functions in SONAR. There are also 4 modifier buttons that are used to extend the functionality of other VS-700 hardware controls.
  • Page 65 Button Default function TRACK Give focus to Track View CONSOLE Open Console view SYNTH Open Synth Rack view and RACK switch ACT context to synths PIANO ROLL Open Piano Roll view MARKERS Open Marker view TRANSPORT Open Large Transport Give focus to next open NEXT window CLOSE...

  • Page 66: Mapping Assignable Access Panel Buttons

    ACCESS PANEL Section (Assignable Buttons) Mapping Assignable ACCESS PANEL Buttons To map assignable ACCESS PANEL buttons: Do one of the following to open the VS-700 property page: • On SONAR’s “Tools” menu, click “VS-700.” • On the “Controllers/Surfaces” toolbar (Views > Toolbars > Controllers/Surfaces), make sure “VS-700” is selected in the dropdown menu and then click the “Properties”...

  • Page 67: Modifier Buttons

    Use the dropdown list to select the desired command or keystroke. If you select a keystroke, you can also select one or more optional modifier keys. Click “OK” to close the “Button Properties” dialog. You can now press the (ACCESS PANEL) button to trigger the assigned command or keystroke. Keystrokes will not work with floating windows.

  • Page 68: Surround Section

    SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip. fig.34.eps A. Surround joystick panner (Angle and Focus) B. [LFE SEND] Level knob (or FR-Balance when [SHIFT] button is pressed) C. [VIEW] button (open surround panner in SONAR) D.

  • Page 69: T-Bar Section

    T-Bar Section The T-Bar lets you control the Front-Rear Balance parameter in the surround panner, an ACT parameter or the X-Ray opacity. fig.35.eps A. T-Bar B. LEDs C. [FR BAL] button D. [ACT] button E. [X-RAY] button F. [VIDEO CTRL] button The joystick surround panner can control both Width and Front/ Rear Balance simultaneously (refer to “SURROUND Section”...

  • Page 70: Audio Output Section

    AUDIO OUTPUT Section The VS-700R I/O box provides two sets of stereo outputs (main and sub) for monitoring. The VS-700C console also provides two headphone outputs. The AUDIO OUTPUT section lets you control the volume of the MONITOR output and each headphone output.

  • Page 71: Record/Edit Section

    RECORD/EDIT Section In the RECORD/EDIT Section you can perform punch-recording, looping, select clips or edit regions, and insert/move markers. fig.38.eps A. Punch B. Loop C. Snap flag (Set IN Point) flag (Set OUT Point) F. Set G. Marker Button Default function Enable/disable Auto Punch PUNCH recording (button is lit when...
  • Page 72 RECORD/EDIT Section To Specify the Punch Region Select transport mode (p. 58). Hold down the [SHIFT] button and press the [PUNCH] button. The [PUNCH] and [ blink. Use the jog/shuttle and cursor to move to the punch-in point. Press the [ ] button.
  • Page 73 To Specify the Loop Region Select transport mode (p. 58). Hold down the [SHIFT] button and press the [LOOP] button. The [LOOP] and [ blink. Use the jog/shuttle and cursor to move to the loop-start point. Press the [ ] button. The [LOOP] and [ Use the jog/shuttle and cursor to move to the loop-end point.

  • Page 74: Controlling Plug-Ins From The Vs-700C Console

    Controlling Plug-ins from the VS-700C Console You can display, insert, delete and bypass track and bus plug-ins, directly from the VS-700C Console. The VS-700C Console must be put in Plug-in mode in order to edit plug-ins. To Enable Plug-in Mode Hold down the [CTRL] modifier button and press a channel strip’s [SEL] button.
  • Page 75 To Delete a Plug-in Make sure Plug-in mode is enabled (refer to “To Enable Plug-in Mode” (p. 74)). Press the [SOLO] button on the channel strip that corresponds to the plug-in you wish to delete. You can undo and redo any deleted plug-in. To undo, press the [UNDO] button. To redo, press [SHIFT]+[UNDO] buttons.
  • Page 76 Controlling Plug-ins from the VS-700C Console To Control Plug-in Parameters In the CHANNEL STRIP CONTROL section, press the [ACT] button to enable ACT mode. As described below, place the focus on the plug-in that you want to control. To switch ACT context to the first FX in the selected channel strip’s FX bin To switch ACT context to the first synth in the Synth Rack...

  • Page 77: Vs-700R I/O

    VS-700R I/O...

  • Page 78: Connecting Recording Equipment

    Connecting Recording Equipment Connections to the Analog Jacks fig.VS-700-rec01-mic-e.eps Connecting a Mic VS-700R Rear Panel The eight audio inputs (INPUT 1–8) contain phantom power supplies. From SONAR’s “Tools” menu, open “VS-700” and select the “MIC PRE” tab, and click make settings. When the system is powered up, the phantom power will be turned off. When you load a project in SONAR, the state that is saved in the project will be reflected.

  • Page 79: Connections To The Digital Connectors

    Connections to the Digital Connectors fig.VS-700-rec02-digi-e.eps Connecting a Digital Audio Source If you want to digitally connect a DAT or similar device, connect its output connector (e.g., DIGITAL OUT connector) to the VS-700R's DIGITAL IN connector. VS-700R Rear Panel If you're connecting an ADAT device, connect it to the ADAT connector.

  • Page 80: Switching The Sampling Rate

    Switching the Sampling Rate Use the front panel [SAMPLE RATE] knob to select the sampling rate. To make the system reflect the new setting, you’ll need to cycle the power to the system. If you need to synchronize the VS-700 to another digital device, you must first set this knob to the same sampling rate as the master device.

  • Page 81: Setting Sonar's Sampling Rate

    Setting SONAR’s Sampling Rate * In SONAR, you cannot change the sampling rate of a project that contains audio data. Start up SONAR. If an "Audio Driver Error" is displayed during startup, click [Use Anyway]. Choose “Options|Audio” to display the “Audio Options” dialog box. On the “General”...

  • Page 82: Audio Clock Source

    Audio Clock Source You can choose one of four types of clock source. The current clock source is shown by the front panel SYNC indicator. In the case of an external source, the indicator will light if synchronization is locked. The indicator will blink if synchronization is not locked If you’re using SONAR, you can select the clock source parameters as described below.

  • Page 83: Phantom Power

    Phantom Power Phantom power is supplied to the XLR connectors of the eight audio inputs. It can be turned on/off individually for each channel. When the system is powered up, phantom power will be off. Subsequently, when you load a project in SONAR, the settings saved in the project will be applied.

  • Page 84: Preamp Parameters

    Preamp Parameters Preamps are built into the eight audio inputs (INPUT 1–8). If you’re using SONAR, you can edit the preamp parameters as described below. If you’re using software other than SONAR, use “VS-700R I/O Editor” which is included on the “SONAR V- STUDIO 700 CD-ROM.”...

  • Page 85: Compressor Parameters

    Compressor Parameters Digital compressors are built into the eight audio inputs (INPUT 1–8). If you’re using SONAR, you can edit the compressor parameters as described below. If you’re using software other than SONAR, use “VS-700R I/O Editor” which is included on the “SONAR V- STUDIO 700 CD-ROM.”...

  • Page 86: Direct Monitor Mixer

    Direct Monitor Mixer By using the Direct Monitor Mixer, input signals and signals from the internal sound generator can be output directly to the monitor without being routed through the computer. The Direct Monitor Mixer is a stereo mixer that lets you adjust parameters such as volume and pan for each input and audio source.

  • Page 87: Fantom Vs (Synthesizer)

    Fantom VS (Synthesizer)

  • Page 88: Inserting The Fantom Vs Plug-In

    Inserting the Fantom VS Plug-In The Fantom VS Editor is a VSTi soft synth that is inserted just like any other plugin soft synth. Start SONAR. Start a new project or open an existing project (see the SONAR online Help for details). Do one of the following to insert the Fantom VS Editor soft synth: •...

  • Page 89: Fantom Vs Editor (Selecting A Sound)

    Fantom VS Editor (Selecting a Sound) In order to edit a patch, you must first select the patch you wish to edit. In the upper part of Fantom VS Editor’s main window, click the desired part number (1–16). In the upper part of Fantom VS Editor’s main window, click the Patch list and choose the desired patch from the menu that appears.

  • Page 90: Fantom Vs Editor (Editing A Sound)

    Fantom VS Editor (Editing a Sound) Consider the following tips before editing patches: • Select a patch that is similar to the sound you wish to create. It’s hard to create a new sound that’s exactly what you want if you just select a patch and modify its parameters at random. It makes sense to start with a patch whose sound is related to what you have in mind.

  • Page 91: Overview Of The Fantom Vs

    Overview of the Fantom VS How the Fantom VS is Organized Classification of Fantom VS Sound Types When using the Fantom VS, you will notice that a variety of different categories come into play when working with sounds. What follows is a simple explanation of each sound category.

  • Page 92: Rhythm Sets

    Overview of the Fantom VS Patches Patches are the basic sound configurations that you play during a performance. Each patch can be configured by combining up to four tones. How the four tones are combined is determined by the Structure Type parameter (p. 101).

  • Page 93: About Simultaneous Polyphony

    Performances A performance has a patch or rhythm set assigned to each of the 16 parts, and can simultaneously handle 16 sounds. Because the Fantom sound generator can control multiple sounds (instruments) it is called a Multi-timbral sound generator. fig.04-005.e Performance Part 16 Part 1...

  • Page 94: About Memory

    Overview of the Fantom VS Note Priority in Performance Since Performance is usually used to play an ensemble consisting of several patches, it is important to decide which parts take priority. Priority is specified by the Voice Reserve settings (p. 140). When a note within a patch needs to be turned off to make room for a new note, the Patch Priority setting of the patch will apply (p.

  • Page 95: About The Onboard Effects

    About the Onboard Effects Effect Types The Fantom VS has built-in effect units, and you can independently edit each unit’s settings. Multi-Effects The multi-effects are multi-purpose effects that completely change the sound type by changing the sound itself. Contained are 78 different effects types; select and use the type that suits your goals.

  • Page 96: Creating A Patch

    Creating a Patch With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. How to Make Patch Settings Start with an existing patch and edit it to create a new patch.

  • Page 97: Patch Level

    Category Contents Orchestra Orchestra Ensemble Hit&Stab Orchestra Hit, Hit Wind Winds (Oboe, Clarinet etc.) Flute Flute, Piccolo AC.Brass Acoustic Brass Synth Brass Synth Brass Hard Lead Hard Synth Lead Soft Lead Soft Synth Lead Techno Synth Techno Synth Pulsating Pulsating Synth Synth FX Synth FX (Noise etc.) Other Synth...

  • Page 98: Stretch Tune Depth

    Creating a Patch Stretch Tune Depth This setting allows you to apply “stretched tuning” to the patch. (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate.) With a setting of “OFF,”...
  • Page 99 Release Time Offset Release Time Offset alters the release time of the overall patch, while preserving the relative differences between the release time values set for each tone in the A-Env Time 4 parameters (p. 115), F-Env Time 4 parameters (p. 112). Range: -63–...

  • Page 100: Portamento Switch

    Creating a Patch Portamento Switch Specifies whether the portamento effect will be applied (ON) or not (OFF). Value: OFF, ON Portamento Portamento is an effect which smoothly changes the pitch from the first-played key to the next-played key. By applying portamento when the Mono/Poly parameter is “MONO,”...

  • Page 101: Changing How A Tone Is Sounded (Tmt)

    Changing How a Tone Is Sounded (TMT) You can use the force with which keys are played, or MIDI messages to control the way each Tone is played. This is referred to as the Tone Mix Table (TMT). For details on these settings, refer to How to Make Patch Settings (p.
  • Page 102 Creating a Patch fig.06-020 TYPE 7 TONE 1 (3) TONE 2 (4) This type applies a filter to tone 1 (3) and ring-modulates it with tone 2 (4) to create new overtones. fig.06-021 TYPE 8 TONE 1 (3) TONE 2 (4) This type sends the filtered tone 1 (3) and tone 2 (4) through a ring modulator, and then mixes in the sound of tone 2 (4) and applies a filter to the result.
  • Page 103 Booster The Booster is used to distort the incoming signal. fig.06-024.e Booster level In addition to using this to create distortion, you can use the waveform (WG1) of one of the tones as an LFO which shifts the other waveform (WG2) upward or downward to create modulation similar to PWM (pulse width modulation).

  • Page 104: Tmt Velocity Control

    Creating a Patch Key Fade Upper (Keyboard Fade Width Upper) This determines what will happen to the tone’s level when a note that’s higher than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume.

  • Page 105: Modifying Waveforms (Wg)

    TMT Control Sw (TMT Control Switch) Use the Matrix Control to enable (ON), or disable (OFF) sounding of different tones. Value: OFF, ON You can also cause different tones to sound in response to notes played at different strengths (velocity) on the keyboard (p.
  • Page 106 Creating a Patch FXM Color Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound. Value: 1–4 FXM Depth ★ Specifies the depth of the modulation produced by FXM. Value: 0–16 Tone Delay Mode...

  • Page 107: Tone Coarse Tune

    Tone Delay This produces a time delay between the moment a key is pressed (or released), and the moment the tone actually begins to sound. You can also make settings that shift the timing at which each tone is sounded. This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed tones and changing the pitch for each tone, you can also perform...
  • Page 108 Creating a Patch Pitch Keyfollow This specifies the amount of pitch change that will occur when you play a key one octave higher (i.e., 12 keys upward on the keyboard). If you want the pitch to rise one octave as on a conventional keyboard, set this to “+100.”...

  • Page 109: Modifying The Brightness Of A Sound With A Filter (Tvf/Tvf Env)

    Value: -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100 fig.06-031.e Time P-Env Time 1–4 (Pitch Envelope Time 1–4) ★ Specify the pitch envelope times (Time 1–Time 4). Higher settings will result in a longer time until the next pitch is reached.
  • Page 110 Creating a Patch Cutoff Frequency ★ Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: 0–127 With “LPF/LPF2/LPF3” selected for the Filter Type parameter, lower cutoff frequency settings reduce a tone’s upper harmonics for a more rounded, warmer sound.
  • Page 111 Cutoff V-Sens (Cutoff Velocity Sensitivity) Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity. If you want strongly played notes to raise the cutoff frequency, set this parameter to positive (+) settings. If you want strongly played notes to lower the cutoff frequency, use negative (-) settings.
  • Page 112 Creating a Patch F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) The parameter to use when you want key release speed to control the Time 4 value of the TVF envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value.

  • Page 113: Adjusting The Volume (Tva/Tva Env)

    Adjusting the Volume (TVA/TVA Env) Patch TVA Tone Level ★ Sets the volume of the tone. This setting is useful primarily for adjusting the volume balance between tones. Value: 0–127 Level V-Curve (TVA Level Velocity Curve) You can select from seven curves that determine how keyboard playing strength will affect the volume.

  • Page 114: Random Pan Depth

    Creating a Patch Bias Direction Selects the direction in which change will occur starting from the Bias Position. Value LOWER: The volume will be modified for the keyboard area below the Bias Point. UPPER: The volume will be modified for the keyboard area above the Bias Point.

  • Page 115: Patch Tva Env

    Patch TVA Env A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity) This allows keyboard dynamics to affect the Time 1 of the TVA envelope. If you want Time 1 to be speeded up for strongly played notes, set this parameter to a positive (+) value.

  • Page 116: Output Settings

    Creating a Patch Output Settings Patch Output Patch Out Assign Specifies how the direct sound of each patch will be output. Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. L+R: Output in stereo without passing through multi- effects.

  • Page 117: Modulating Sounds (Lfo1/2/Step Lfo)

    Modulating Sounds (LFO1/2/Step LFO) An LFO (Low Frequency Oscillator) causes change over a cycle in a sound. Each tone has two LFOs (LFO1/LFO2), and these can be used to cyclically change the pitch, cutoff frequency and volume to create modulation-type effects such as vibrato, wah and tremolo.
  • Page 118 Creating a Patch Delay Time (LFO1/LFO2 Delay Time) Delay Time (LFO Delay Time) specifies the time elapsed before the LFO effect is applied (the effect continues) after the key is pressed (or released). Value: 0–127 After referring to How to Apply the LFO (p. 119), change the setting until the desired effect is achieved.

  • Page 119: Patch Step Lfo

    Pan Depth (LFO1/LFO2 Pan Depth) ★ Specifies how deeply the LFO will affect the pan. Value: -63– +63 Positive (+) and negative (-) settings for the Depth parameter result in differing kinds of change in pitch and volume. For example, if you set the Depth parameter to a positive (+) value for one tone, and set another tone to the same numerical value, but make it negative (-), the modulation phase for the two tones will...

  • Page 120: Controller-Related Settings (Ctrl)

    Creating a Patch ● Apply the LFO gradually after the key is released fig.06-045.e Delay high (more) Time Pitch Cutoff Frequency Level Note Note low (less) Fade Mode: OFF-IN Delay Time: The time from when the keyboard is released until the LFO begins to be applied. Fade Time: The time over which the LFO amplitude will reach the maximum after the Delay Time has...

  • Page 121: Matrix Control Settings (Matrix Ctrl1-4)

    Tone Rx Pan Mode (Tone Receive Pan Mode) For each tone, specify how pan messages will be received. Value CONT: Whenever Pan messages are received, the stereo position of the tone will be changed. K-ON: The pan of the tone will be changed only when the next note is played.
  • Page 122 Creating a Patch Patch Mtrx Control 1–4 Source (Patch Matrix Control 1–4) Control 1–4 Source (Matrix Control Source 1–4) Sets the MIDI message used to change the tone parameter with the Matrix Control. Value OFF: Matrix control will not be used. CC01–31, 33–95: Controller numbers 1–31, 33–95 PITCH BEND:...
  • Page 123 ● Opening and Closing the Filter CUTOFF: Changes the cutoff frequency. RESONANCE: Emphasizes the overtones in the region of the cutoff frequency, adding character to the sound. ● Changing the Volume, Pan, and Pitch LEVEL: Changes the volume level. PAN: Changes the pan.
  • Page 124 Creating a Patch ● Changing the Depth of Frequency Modulation for FXM FXM DEPTH ● Changing Specific Multi-Effects Parameters MFX CTRL1–4: Change the parameter that was specified by MFX Control 1–4 Assign parameter. If you have not made the necessary settings for using the multi-effect, the multi-effect will not be applied even if you attempt to control it as a Matrix Control destination.

  • Page 125: Creating A Rhythm Set

    Creating a Rhythm Set With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating rhythm sets, and the functions of the rhythm set parameters.

  • Page 126: Relative Level

    Creating a Rhythm Set Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Specifies the amount of pitch change in semitones (4 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides.

  • Page 127: Modifying Waveforms (Wg)

    Modifying Waveforms (WG) With rhythm tones, sounds are created by combining up to four Waves (eight for stereo). Tips on Creating a Rhythm Tone The Waves for the bass drum, snare, hi-hat, toms, and other percussion instruments are each assigned to one rhythm tone.

  • Page 128: Changing How A Rhythm Tone Is Sounded (Wmt)

    Creating a Rhythm Set Wave Level You can set the volume of the waveform. Value: 0–127 The volume level of each rhythm tone is set with the Tone Level parameter; the volume levels of the entire rhythm set is set with the Rhythm Level parameter (p. 125).

  • Page 129: Modifying Pitch (Pch/Pch Env)

    Velo Range Upper (Velocity Range Upper) This sets the highest velocity at which the waveform will sound. Make these settings when you want different waveforms to sound in response to notes played at different strengths. Value: LOWER–127 If you attempt to set the Lower velocity limit above the Upper, or the Upper below the Lower, the other value will automatically be adjusted to the same setting.

  • Page 130: Rhythm Pitch Env

    Creating a Rhythm Set Rhythm Pitch Env P-Env Depth (Envelope Depth) Adjusts the effect of the Pitch Envelope. Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Value: -12–...

  • Page 131: Modifying The Brightness Of A Sound With A Filter (Tvf/Tvf Env)

    Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) Rhythm TVF Filter Type Selects the type of filter. A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Value OFF: No filter is used.

  • Page 132: Rhythm Tvf Env

    Creating a Rhythm Set Cutoff V-Curve (Cutoff Frequency Velocity Curve) Selects one of the following seven curves that determine how keyboard playing dynamics (velocity) influence the cutoff frequency. Set this to “FIXED” if you don’t want the Cutoff frequency to be affected by the keyboard velocity. Value: FIXED, 1–7 fig.06-036...

  • Page 133: Adjusting The Volume (Tva/Tva Env)

    F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) The parameter to use when you want key release speed to control the Time 4 value of the TVF envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value.

  • Page 134: Rhythm Tva Env

    Creating a Rhythm Set Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key. Higher settings will produce a greater amount of change. Value: 0–63 This will affect only waves whose Wave Rnd Pan Sw parameter (p.

  • Page 135: Output Settings

    Output Settings Rhythm Output Rhythm Out Assign Specifies for each rhythm set how the direct sound will be output. Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. L+R: Output in stereo without passing through multi- effects.

  • Page 136: Creating A Performance

    Creating a Performance With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating Performances, and the functions of the Performance parameters.

  • Page 137: Output Assign

    Fine Tune Adjusts the pitch of the part’s sound up or down in 1-cent steps (+/-50 cents). Value: -50– +50 One cent is 1/100th of a semitone. Creating a Performance Output Assign Specifies for each part how the direct sound will be output. Value MFX: Output in stereo through multi-effects.

  • Page 138: Release Time Offset

    Creating a Performance Reverb Send Level (Part Reverb Send Level) Sets the level of the signal sent to reverb for each part. Value: 0–127 Cutoff Offset Adjusts the cutoff frequency for the patch or rhythm set assigned to a part. Value: -64–...
  • Page 139 Mono/Poly Set this parameter to “MONO” when the patch assigned to the part is to be played monophonically, or to “POLY” when the patch is to be played polyphonically. If you want to use the Mono/Poly setting of the patch assigned to the part (p. 99), set this to “PAT.”...
  • Page 140 Creating a Performance Key Fade Lower (Part Keyboard Fade Width Lower) Determines what will happen to the Part’s level when a note that’s lower than its specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the Tone to sound at all when a note below the keyboard range is played, set this parameter to 0.

  • Page 141: Scale Tune Settings

    Part Velocity Sensitivity Offset This changes the volume and cutoff frequency for each part according to the velocity with which the keys are pressed. If you want strongly played notes to raise the volume/cutoff frequency, set this parameter to positive (+) settings. If you want strongly played notes to lower the volume/cutoff frequency, use negative (-) settings.

  • Page 142: Midi-Related Settings

    Creating a Performance Equal Temperament This tuning divides the octave into 12 equal parts, and is the most widely used method of temperament used in Western music. The Fantom VS employs equal temperament when the Scale Tune Switch is set to “OFF.”...
  • Page 143 Rx Volume (Receive Volume Switch) For each MIDI channel, specify whether MIDI Volume messages will be received (ON), or not (OFF). Rx Pan (Receive Pan Switch) For each MIDI channel, specify whether MIDI Pan messages will be received (ON), or not (OFF). Rx Expression (Receive Expression Switch) For each MIDI channel, specify whether MIDI Expression messages will be received (ON), or not (OFF).

  • Page 144: Adding Effects

    Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom VS’s onboard effects, refer to About the Onboard Effects (p. 95). Turning Effects On and Off The Fantom VS’s onboard effects can be turned on/off as a whole.

  • Page 145: Applying Effects

    Applying Effects In Performance you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify.

  • Page 146: Functions Of Effect Parameters

    Adding Effects Functions of Effect Parameters Part Output Here you can make output settings for the Performance. * These parameters are the same as the corresponding Performance settings. For details, refer to Output Level (Part Output Level) (p. 137). Part Output Level Set the level of the signal that is sent to the output destination specified by Part Output Assign ( Value:...
  • Page 147 MFX1–3 Output (Multi-Effects 1–3 Output) MFX Output Level (Multi-Effects Output Level) Adjusts the volume of the sound that has passed through the multi-effects. Value: 0–127 MFX Chorus Send Level (Multi-Effects Chorus Send Level) Adjusts the amount of chorus for the sound that passes through multi-effects.
  • Page 148 Adding Effects Reverb Output Reverb Output Level Adjusts the volume of the sound that has passed through reverb. Value: 0–127 If you want to use common controllers for the entire Fantom VS, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used as System Control 1–4 are set with the Sys Ctrl 1–4 Source parameters (p.

  • Page 149: Specifying The Effect Source

    Multi-Effects Control If you wanted to change the volume of multi-effects sounds, the delay time of Delay, and the like, using an external MIDI device, you would need to send System Exclusive messages-MIDI messages designed exclusively for the Fantom VS. However, System Exclusive messages tend to be complicated, and the amount of data that needs to be transmitted can get quite large.

  • Page 150: Specifying The Multi-Effect Structure (Mfx Structure)

    Adding Effects Chorus Source Selects the chorus parameter settings that will be used by the performance. If you wish to use the performance settings, select “PRF.” If you wish to use the settings of the patch/ rhythm set assigned to one of the parts, select the part number.

  • Page 151: System Settings

    System Settings Settings that affect the entire operating environment of the Fantom VS, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for the System functions and describes the functions of the different System parameters.

  • Page 152: System Control

    System Settings System Control Parameter Source 1–4 System Control This function, which departs from previously used methods, and instead allows you to use MIDI messages to change tone settings in realtime, is called the Matrix Control (p. 121). Similarly, the function allowing you to use MIDI messages to change multi-effects settings in realtime is called the Multi-effects Control (p.

  • Page 153: Appendix

    Appendix...

  • Page 154: Vs-700R Block Diagram

    VS-700R Block Diagram fig.VS-700R-block.eps...

  • Page 155: Installing The Arx Expansion Board

    Installing the ARX Expansion Board Up to one optional Expansion Board (ARX series; sold separately) can be installed in the VS-700R. For details on ARX expansion boards, refer to the owner’s manual of your ARX expansion board. For details on the ARX expansion editor (plug-in), refer to the online manual for the editor (plug-in). Port settings (MIDI input and audio output) The ARX expansion board’s ports have the following names.

  • Page 156: How To Install An Expansion Board

    From the VS-700R, remove only the screws shown in the following diagram, and detach the cover. VS-700R Top Panel fig.exp02.eps Orient the board with the slot of the VS-700R as shown in the illustration. fig.attach01.eps Slot of the VS-700R Latched holders Board (expansion board) Roland logo Non-latched holders Holes that engage the non-latched holders...
  • Page 157 Insert the board into the VS-700R’s non-latched board holders until you hear a click. fig.attach02.eps Connector of board Connector of the VS-700R Gently lower the board into place. fig.attach04.eps From above, press down on the board at the three locations indicated in the illustration until the latched board holders lock into place.

  • Page 158: Removing An Expansion Board

    Installing the ARX Expansion Board Removing an Expansion Board To remove an expansion board, reverse the process by which you inserted it. Unlatch the latched board holders. fig.attach08.eps Verify that the two latched board holders are unlocked, then gently pull up the board and disconnect the connector.

  • Page 159: Installation De La Carte D'expansion

    Installation de la carte d’expansion (French Language for Canadian Safety Standard) Un maximum de un carte d’expansion optionnelles (serie ARX; vendues separement) peuvent etre installees dans le VS-700R. Precautions a prendre lors de l’installation d’une carte d’expansion • Veuillez suivre attentivement les instructions suivantes quand vous manipulez la carte afin d’eviter tout risque d’endommagement des pieces internes par l’electricite statique.

  • Page 160: Installation D'une Carte D'expansion

    Orienter la carte de facon a ce qu’elle s’aligne avec la vente de le VS-700R, comme le montre l’illustration. fig.attach01f.eps Fente de le VS-700R Supports bloqués Carte (carte d’expansion) Logo Roland Supports non bloqués Trous de retenue des supports non bloqués...
  • Page 161 Inserer la carte dans les supports non bloques jusqu’a ce qu’un clic se fasse entendre. fig.attach02f.eps Connecteur de la carte Connecteur de le VS-700R Abaisser la carte delicatement. fig.attach04.eps Appuyer sur la carte aux trois points indiques sur l’illustration jusqu’a ce que les supports se bloquent en place.

  • Page 162: Retrait D'une Carte D'expansion

    Installation de la carte d’expansion Retrait d’une carte d’expansion Pour retirer une carte d’expansion, suivre le processus inverse du processus d’insertion. Suivre les instructions donnees dans le guide d’utilisation de le VS-700R pour degager la fente ou la carte d’expansion a ete installee. fig.attach08.eps Debloquer les supports de carte.

  • Page 163: Attaching The Rackmount Brackets

    Attaching the Rackmount Brackets If you want to install the VS-700R I/O in a 19” rack, attach the included rackmount brackets. Disconnect all connection cables from the VS-700R, including the power cord. As shown in the illustration below, remove three screws each from the left and right sides of the VS-700R.

  • Page 164: Using Only The Vs-700C Console (Standalone Mode)

    only Using (Standalone Mode) You can connect the VS-700C console via its USB connector directly to your computer and use it as a control surface. About the Driver If you are connecting the VS-700C console via its USB connector directly to your computer, you’ll need to install the dedicated VS-700C driver.

  • Page 165: Using Only The Vs-700R I/O

    Using only the VS-700R I/O The VS-700R I/O unit can be used as an audio interface and synthesizer sound module even when the VS-700C console is not connected.

  • Page 166: Connecting Two Vs-700R I/O Units

    Connecting Two VS-700R I/O Units The Advantages of Connecting VS-700R I/O Units By connecting two VS-700R I/O units, you'll be able to take advantage of the audio input/output of the two units, have access to two synthesizers (Fantom VS), and be able to use two ARX expansion boards. You will need a faster system if you connect two VS-700R I/O units.
  • Page 167 Connect the WORDCLOCK. Use a BNC cable to connect the WORDCLOCK OUT connector of the first unit to the WORDCLOCK IN connector of the second unit. Set the audio clock source of the second unit to “Wordclock” (p. 82). Now the audio clock of the second unit will be synchronized. Start up SONAR.

  • Page 168: Connecting An Edirol Dv-7Dl (Video Control)

    Connecting an EDIROL DV-7DL (Video Control) The VS-700C’s following controllers can be linked with an EDIROL video editing system such as the EDIROL DV-7DL. • Audio channels 5–8 and the master fader • Transport • Jog/shuttle wheel • T-bar • Record/Edit tool section fig.38.eps Connecting the EDIROL DV-7DL and VS-700C Use a USB cable to connect the EDIROL DV-7DL’s rear panel USB connector to the VS-700C’s rear panel USB...

  • Page 169: About V-Link

    About V-LINK What is V-LINK? V-LINK ( connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance. For example, if you use the VS-700 in conjunction with the EDIROL P-10, you’ll be able to do the following. •...
  • Page 170 About V-LINK Settings for SONAR Insert a MIDI track somewhere other than in the project, and make the following driver settings for the input and output. Next, turn on play back V-LINK data in SONAR. Port MIDI Input MIDI Output Turning the V-LINK ON/OFF In the left of the panel, press [V-LINK] so the indicator is lighted.

  • Page 171: Troubleshooting

    Troubleshooting This chapter lists problems that you might experience while using the VS-700, and how to solve them. For more about the following problems, which might occur during installation or setup, refer to the “Troubleshooting” chapter in “Getting Started” (separate document). •...

  • Page 172: Specifications

    Specifications VS-700C, VS-700R: USB Audio Interface and Controller Number of Audio Record/ Playback Channels Signal Processing Sampling Frequency Nominal Input Level Maximum Input Level Input Impedance Head Room Nominal Output Level Maximum Output Level Output Impedance Recommended Load Impedance Phantom Power Frequency Response Sampling Frequency = 44.1 kHz, 48 kHz Record: 19 channels...
  • Page 173 INPUT1 1–8➔MAIN OUT: AUX IN➔MAIN OUT: Total Harmonic Distortion + Noise * Internal Direct Monitor Mixer setting Stereo Link on, Input channel fader: Unity only one channel * All sampling frequency INPUT 1–8➔MAIN OUT: AUX IN➔MAIN OUT: Residual Noise Level * Internal Direct Monitor Mixer setting Stereo Link: ON, Input channel fader: Unity only one channel * All sampling frequency...
  • Page 174 VS-700R Rackmount Brackets x 2 Getting Started VS-700 Owner’s Manual SONAR 8 User’s Guide Shortcuts and Quick Keys Guide SONAR 8 DVD-ROM Beatscape DVD-ROM Dimension Pro DVD-ROM SONAR 8 additional content DVD-ROM SONAR V-STUDIO 700 CD-ROM Pedal Switch Roland DP-2...

  • Page 175: Index

    Index For the index of Fantom VS, refer to “Index (Fantom VS)” (p. 179). Symbols - ... 69 + ... 69 +48 ... 83 +8 ... 42 ACCESS PANEL Buttons ... 66 ACCESS PANEL Section ... 64 ACT ... 49, 50, 69 ACT Mode ...
  • Page 176 Index flag ... 71 FLIP ... 43 FLIP Mode ... 32 FLIP mode ... 39 FOOT SW 1..55 FOOT SW 2..55 FR BAL ... 69 FREEZE ... 65 Gain ... 85 Go to end (GTE) ... 54 I/O CONTROL ...
  • Page 177 Punch-Record ... 72 Rackmount Brackets ... 163 Ratio ... 85 Record ... 54 RECORD/EDIT Section ... 71 Recording Equipment ... 78 Release time ... 85 Return to zero ... 54 Rewind ... 54 Rotary Encoder (Knob) ... 34 RTZ ... 54 Rude ARM ...
  • Page 178 Index WORDCLOCK OUT Connector ... 22 WRITE/OFF ... 41 X-RAY ... 69 Zoom Mode ... 60...

  • Page 179: Index (Fantom Vs)

    Index (Fantom VS) A-Env Level 1–3 Patch ... 115 Rhythm Set ... 134 A-Env T1 V-Sens Patch ... 115 Rhythm Set ... 134 A-Env T4 V-Sens Patch ... 115 Rhythm Set ... 134 A-Env Time 1–4 Patch ... 115 Rhythm Set ... 134 A-Env Time KF ...
  • Page 180 Index (Fantom VS) Patch ... 112 Rhythm Set ... 133 F-Env T1 V-Sens Patch ... 111 Rhythm Set ... 132 F-Env T4 V-Sens Patch ... 112 Rhythm Set ... 133 F-Env Time 1–4 Patch ... 112 Rhythm Set ... 133 F-Env Time KF ...
  • Page 181 Octave Shift ... 97, 136 On/Off Effects ... 144 One Shot Mode ... 126 Output Assign Performance ... 137 Output Level Performance ... 137 Output MFX Select ... 137 Output Settings Patch ... 116 Rhythm ... 135 Pan ... 136 Pan Depth ...
  • Page 182 Index (Fantom VS) Receive Program Change ... 142 Receive Switch ... 141 Receive Volume ... 143 Relative Level ... 126 Release Time Offset ... 99, 138 Resonance Patch ... 110 Rhythm Set ... 131 Resonance Offset ... 98, 138 Resonance V-Sens Patch ...
  • Page 183 Tone Reverb Send Patch ... 116 Rhythm Set ... 135 Tone Rx Bender ... 120 Tone Rx Expression ... 120 Tone Rx Hold-1 ... 120 Tone Rx Pan Mode ... 121 Tones ... 91 TVA ... 91, 133 Patch ... 113 Rhythm Set ...
  • Page 184 MEMO...
  • Page 185 MEMO...
  • Page 186 For EU Countries...
  • Page 187 DECLARATION OF CONFORMITY Compliance Information Statement Model Name : VS-700C, VS-700R Type of Equipment : USB Audio Interface and Controller Responsible Party : Cakewalk, Inc. Address : 268 Summer Street Boston, MA 02210 USA Telephone : (617) 423-9004 This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the...

This manual is also suitable for:

Sonar v-studio vs700Vs-700r i/oVs-700c

Table of Contents