Roland JV-80 Owner's Manual page 31

Multi timbral synthesizer
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1.
PLAYING
PATCHES
The
assign buttons
(P.34)
are
used
to call
up
the
parameters which correspond
to
the basic
sound
elements
of
a
Tone
(pitch
of the
sound, frequency elements, volume,
changes
over
time,
and
effects).
These
are the standard values
for
how
the
sound changes
according
to
time,
key
range,
and key
velocity.
Using
the
[a] and {W]
buttons,
you
select the
parameters which
determine
how
such changes
are
made.
^^
,
TVA LFO
2 Depth
C
Exam
pie
J
tva
lfo
i
Depth
TVA V -
Cfv
TVA
Velo
Sense
-*-TVA
LEVEL
T
TVA
Key
Follow
Tone
Delay
Time
Tone
Delay
Mode
Parameters
Available
for
Realtime Control
The
parameters which can
be
controlled while
you
are
playing
are
divided
into
the categories
shown
below.
l# Rtiih-rilatedlK
ir
Coarse Tune
This changes
the pitch
in
halftone
units.
By
changing
this
pitch
parameter,
you
can change
the
sound program.
You
can
change
the quality
of
the
sound by
shifting the pitch
in
octave
units,
or
by
changing
the
sound
range of
a single
Tone
within
one sound
program.
Ik"
Fine
Tune
This
lets
you
make
fine
changes
in
the
pitch.
It
is
used
to
create a
detuning
effect
or
make
the
sound
thicker.
For
example,
you
can use
it
to
reproduce
a
honky-tonk piano sound by
sightly
changing
the pitch
between
the
Tones
of
two
piano sounds.
%
TlnOTe-reiated
Parameters
Cutoff
This changes
the
cutoff
frequency of
the
TVF.
It
is
useful for creating
dynamic
changes
in
the brightness
of
the
sound.
It
can
also,
completely
change
the
timbre of
the
sound by
altering the
brightness of
each Tone.
A
growling
effect
can be
created
by
moving
the
Parameter
Slider
slightly
back and
forth.
i>:
Resonance
This
creates
a characteristic
sound by emphasizing
the
frequency elements around
the cutoff
frequency of
the
TVF.
\#Voiume-related Parameters
:M\i:-'
-k
Level
This
lets
you
adjust the
volume
of
the
sound.
When
a
Patch
consists
of
several
Tones,
the
character of
the
Patch
as
a
whole
can be
altered
by changing
the relative
volume
balance
of
the
Tones. For example,
when
the attack
and decay
portions of
a
sound
are
made
up of
separate
Tones,
the quality
of
the attack
and decay
portions are
altered
according
to
the
Tone whose
level
is
changed.
31

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