This unit was developed using the expertise of professional sound engineers and working musicians. You will find that your new NADY AUDIO CMX-16A has superior performance and greater flexibility than any other mixer in its price range. Please read this manual carefully to get the most out of your new unit.
ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR IMPORTANT SAFETY INSTRUCTIONS When using this electronic device, basic precautions should always be taken, including the following: Read all instructions before using the product. Do not use this product near water (e.g., near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, etc.).
Offering up to 20 channels (including aux returns) plus 2 RCA tape inputs, this compact console and rackmountable mixer delivers top performance, full-functioned flexibility, and ultimate value and is ideal for even the most demand- ing mixing applications. • Full frequency response, wide dynamic range and ultra low noise assures natural, transparent sound with maximum headroom •...
To ensure years of enjoyment from your NADY AUDIO CMX-16A mixing console, please read and understand this manual thoroughly before using the unit. 1. INSPECTION Your NADY AUDIO CMX-16A was carefully packed at the factory in packaging designed to protect the units in ship- ment.
C O N T R O L S A N D C O N N E C T I O N S 1. MONO INPUT SECTION (1) MIC INPUT The Mic input is an electroni- cally balanced XLR type designed to accept signals from any balanced low impedance (Low Z) micro- phone.
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C O N T R O L S A N D C O N N E C T I O N S [Note: Always reset a channel’s input Gain (or external devices’ output level) after altering the amount of mixer equalization cut or boost applied.] The key to successful equaliza- tion is to avoid excess.
C O N T R O L S A N D C O N N E C T I O N S 2. STEREO INPUT SECTION (13) L (MONO) LINE INPUT On stereo input channels 9- (13) 16, the 1/4" line inputs are designed for stereo or mono line-level signals such as those from keyboards, drum...
C O N T R O L S A N D C O N N E C T I O N S 3. MASTER SECTION (17) (16) a. AUX Sends/Returns Function and Operation (16) STEREO AUX RETURNS (LEFT/MONO, RIGHT) (32) AUX 1,2 MASTER SEND CONTROLS (36) AUX 1,2 RETURN CONTROLS (37) AUX RETURN BALANCE CONTROLS (38) L-R AUX RETURN ASSIGN SWITCH...
1 or 2 submaster faders. They are also used to route to multi-track recorders. There are no dedicated subgroups on the CMX-16A. However, the G1-2 bus offers you a second independent stereo submix with its own submaster stereo fader.
(30) L-R MONITOR SELECT SWITCH (31) G1-2 MONITOR SELECT SWITCH The CMX-16A allows you to monitor singly the L-R Main Mix , the G1-2 Group mix or the pre-fader PFL signal by selecting one of the appropriate Monitor Select switches (29,30,31). The level of the...
1. INPUT SECTION Input MONO CH MIC MONO CH LINE STEREO CH LINE TAPE IN RCA PIN JACKS AUX RETURNS INSERT IN 2. OUTPUT SECTION Output STEREO OUT L/R AUX SENDS 1,2 G1-G2 OUT INSERT OUT CNTRL R. OUT REC OUT RCA PIN JACKS PHONES 3.
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DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET, EMERYVILLE, CA 94608 Tel: 510.652.2411 • Fax: 510.652.5075 • www.nadywireless.com...