Dealer’s Name professional sound engineers and working musicians. You City will find that your new NADY AUDIO CMX-16A has superior performance and greater flexibility than any other mixer in its State price range. Please read this manual carefully to get the most out of your new unit.
WA R N I N G An equilateral triangle enclosing a lightening flash/arrowhead symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure which may be of sufficient magnitude to constitute a risk of electric shock. ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR An equilateral triangle enclosing an exclamation point is intended to alert...
F E AT U R E S Offering up to 20 channels (including aux returns) plus 2 RCA tape inputs, this compact console and rackmountable mixer delivers top performance, full-functioned flexibility, and ultimate value and is ideal for even the most demand- ing mixing applications.
I N S TA L L AT I O N To ensure years of enjoyment from your NADY AUDIO CMX-16A mixing console, please read and understand this manual thoroughly before using the unit. 3. POWER CONNECTION 1. INSPECTION The CMX-16A is designed to operate with the supplied Your NADY AUDIO CMX-16A was carefully packed at the external power supply unit (PSU).
C O N T R O L S A N D C O N N E C T I O N S 1. MONO INPUT SECTION (1) MIC INPUT processor and/or EQ, then returned to the console at the The Mic input is an electroni- same point where it left.
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C O N T R O L S A N D C O N N E C T I O N S mines the stereo position of any signal routed to the G1-2 [Note: Always reset a channel’s bus, when G1-2 bus is selected with the G1-2 button (11). input Gain (or external devices’...
C O N T R O L S A N D C O N N E C T I O N S 2. STEREO INPUT SECTION (5) EQUALIZERS (13) L (MONO) LINE INPUT The stereo channel EQ’s On stereo input channels 9- (13) operate in the same manner 16, the 1/4"...
C O N T R O L S A N D C O N N E C T I O N S (22) (21) 3. MASTER SECTION (19) (17) (18) (16) a. AUX Sends/Returns Function and Operation (23) (16) STEREO AUX RETURNS (LEFT/MONO, RIGHT) (20) (32) AUX 1,2 MASTER SEND CONTROLS (36) AUX 1,2 RETURN CONTROLS...
C O N T R O L S A N D C O N N E C T I O N S b. G1-2 Group Functions and Operation (18) G1-G2 OUTPUTS (25) G1-2 MASTER FADER (31) G1-2 MONITOR SELECT SWITCH (35) L/G1-R/G2 METER SELECT SWITCHES (39) G1-2 AUX RETURN ASSIGN SWITCH (34)
C O N T R O L S A N D C O N N E C T I O N S Assign switches (38) are depressed) and the TAPE Input. The (26) level of signal routed to the L-R Master faders (24) from tape decks, CD players, etc., input to the Tape Input (21) is determined by the Tape In Level Control (33).
C O N N E C T I O N S This NADY AUDIO console uses 4 different types of audio connectors for the various input/output connections: (1) XLR bal- anced; (2) 1/4" TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4" TRS unbalanced; (4) RCA...
S P E C I F I C AT I O N S 1. INPUT SECTION Input Connector Input Impedance Nominal Level Max Level MONO CH MIC >1.3K +2 dBm +14 dBm MONO CH LINE 1/4" TRS >10K +4 dBm +22 dBm STEREO CH LINE 1/4"...
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SERVICE FOR YOUR NADY AUDIO PRODUCT (U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via tele- phone at (510) 652-2411, or e-mail at service@nadywireless.com. (International) For service, please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product.