Nady Audio MXE-612 Owner's Manual
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Nady Audio MXE-612 Owner's Manual

Nady 6 channelmic/linemixer with internal dsp effects owner's manual mxe-612
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OWNER'S MANUAL
MXE-612
6 Channel Mic/Line Mixer with Internal DSP Effects

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Summary of Contents for Nady Audio MXE-612

  • Page 1 OWNER’S MANUAL MXE-612 6 Channel Mic/Line Mixer with Internal DSP Effects...

  • Page 2: Table Of Contents

    This unit was developed using the expertise of professional sound engineers and working musicians. You will find that your new NADY AUDIO MXE-612 has superior performance and greater flexibility than any other mixer in its price range. Please read this manual carefully to get the most out of your new unit.

  • Page 3: Warning

    ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR IMPORTANT SAFETY INSTRUCTIONS When using this electronic device, basic precautions should always be taken, including the following: Read all instructions before using the product. Do not use this product near water (e.g., near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, etc.).

  • Page 4: Features

    The MXE-612 is compact, versatile console or rackmountable mixers with 16 built-in selectable DSP echo and reverb effects that is ideal for any small venue live sound reinforcement applications where ultimate performance, advanced features, and affordability are needed. • Superb performance with low noise and smooth, transparent...

  • Page 5: Installation

    [Please note: Nady Systems is not responsible for shipping damage. If your unit is damaged, do not return to Nady, but notify your dealer and the shipping company (if shipped to you) immediately to make a claim. Such claims must be made by the consignee in a timely manner.]...

  • Page 6: Controls And Connections

    CONTROLS AND CONNECTIONS 1. MONO INPUT SECTION (1) MIC INPUT The Mic input is an electronically balanced XLR type designed to accept signals from any balanced low impedance (Low Z) microphone. To accommodate condenser microphones, this input is also equipped with +48VDC phantom power globally switchable to all XLR input jacks with the Phantom Power switch (22) on the front panel.
  • Page 7 (8) CHANNEL GAIN CONTROL The channel gain controls determine the output signal level to the Master Mix bus. There is no PFL function on the MXE-612. In order to audition any single channel for proper gain, you can turn off the gain control of all the other channels (fully counterclockwise), and set both the auditioned channel and Master Mix control (29) to unity gain (0 dB).

  • Page 8: Stereo Input Section

    The stereo channel EQ’s operate in the same manner as those in the mono channels. The left and right signals will be affected equally. A stereo equalizer is generally preferable anyhow to using two mono equalizers when equalizing a stereo signal as it avoids possible discrepancies between the left and right settings.

  • Page 9: Master Section

    CONTROLS AND CONNECTIONS 3. MASTER SECTION a. AUX Sends/Returns Function and Operation STEREO AUX RETURNS (LEFT/MONO, RIGHT) (18) AUX RETURN CONTROL The Aux Return jacks are the mono or stereo returns for Aux Send. If you connect a signal to the Left/Mono Return jack only, the Aux Return will operate in mono and the signal will be routed to the Aux Return Control (18) and then mixed into the left and right Master Mix Stereo Outputs (11).

  • Page 10: Digital Echo Effects Function Operation

    CONTROLS AND CONNECTIONS (19) (22) (23) (24) (31) (32) (33) The output level routed to the Stereo Outputs and REC Outputs is determined ultimately by the setting of the Master Mix Gain Control (29). The Master Mix (signal on the master bus) is the sum of the signals routed from all the channels and also the inputs from the AUX return bus and the TAPE Input (15).

  • Page 11: D. Monitor Function And Operation

    (20) PHONES/CONTROL ROOM CONTROL (23) TAPE/REC TO CONTROL ROOM SWITCH The MXE-612 allows you to monitor the Master Mix. The signal level is adjusted with the Phones/Control Room control (20) and routed to both the Control Room (17) and Headphones (12) outputs.

  • Page 12: Connections

    This NADY AUDIO mixer uses 4 different types of audio connectors for the various input/output connections: (1) XLR balanced; (2) 1/4” TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4” TS unbalanced; (4) RCA pin unbalanced Figures 1.

  • Page 13: Specifications

    1. INPUT SECTION Input MONO CH MIC MONO CH LINE STEREO CH LINE TAPE IN AUX RETURNS 2. OUTPUT SECTION Output STEREO OUT L/R AUX SENDS CTRL R OUT REC OUT PHONES 3. FREQUENCY RESPONSE ANY INPUT TO ANY OUTPUT ... 20 Hz to 20 KHz =/- 3dB @ 0 dBm 4.

  • Page 14: Block Diagram

    BLOCK DIAGRAM...
  • Page 15 DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET, EMERYVILLE, CA 94608 Tel: 510.652.2411 • Fax: 510.652.5075 • www.nady.com...

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