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5. The foregoing is in lieu of all other warranties, expressed or implied, and dbx neither assumes nor authorizes any person to assume on its behalf any obligation or liability in connection with the sale of this product. In no event shall dbx or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.
Use the VENU360 control app to connect to the ever-growing online database, where you can instantly download and apply the latest tunings from JBL , Crown , dbx, and more. ® ® Thanks for choosing dbx. We hope the VENU360 proves to be an invaluable tool for your loudspeaker processing needs.
Features • Up To 5X6 Routing With 3X6 Signal Processing • 24-Bit A/D & D/A Converters • dbx Type IV™ Conversion System • 48 or 96kHz, 32-Bit Floating-Point Processing • Sample Rate Conversion • Setup Wizard For Easy System Configuration •...
3� 4� If you plan to calibrate the system using the built-in Wizards, connect the optional dbx RTA-M measurement microphone to the front-panel RTA Mic Input using a balanced microphone cable of suitable length and place it in a microphone stand.
Network Connections To connect directly to a computer: Download and install the free DriveRack VENU360 1� Direct Computer Connection control app from the iTunes Store, the Android ® ® Market, or dbxpro.com (for Mac and PC). DriveRack VENU360 Connect a crossover CAT5, CAT5e, or CAT6 Ethernet 2�...
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To connect to a wired network switch or router: Wired Network Switch Connection 1� Download and install the free DriveRack VENU360 control app from the iTunes Store, the Android ® ® DriveRack VENU360 DriveRack VENU360 Market, or dbxpro.com. 2� Connect a straight-through CAT5, CAT5e or CAT6 Ethernet cable (sold separately) to the Ethernet port on the VENU360.
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To connect to a Wi-Fi network router: Wi-Fi Network Router Connection 1� Download and install the free DriveRack VENU360 control app from the iTunes Store, the Android ® ® DriveRack VENU360 DriveRack VENU360 Market, or dbxpro.com. Connect a straight-through CAT5, CAT5e, or CAT6 2�...
1. RTA MIC INPUT Connect the dbx RTA-M measurement microphone (sold separately) to this balanced XLR input jack for easy calibration of the sound system using the built-in Wizards or for use with the RTA. This jack supplies +48V phantom power.
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The dbx Type IV™ conversion system built into the VENU360 will clamp down on excessively loud input signals to prevent the A/D converters from clipping.
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The multi-colored threshold LEDs located at the top of the output meters indicate output limiter activity within the corresponding output channels. The three colored states are: • Green Indicates the signal level is under threshold and no limiting is occurring. •...
Rear Panel 1. AC Power Inlet Connect the included IEC power cable to this power inlet. The power supply in the VENU360 is a switch-mode power supply and can be operated using a mains voltage of 100-240V, 50Hz/60Hz. 2. Ethernet Port This RJ-45 connector allows the VENU360 to be connected to a local network and controlled using the free DriveRack VENU360 control app.
Getting Started Operating Modes Explained Home Mode This is the default operating mode. It is the mode the VENU360 enters when it initially boots and is the mode which displays the home screen. There are various home screens to choose from when in Home mode. See ‘The Home Screens’...
The Home Screens The home screen is the first screen which appears in the LCD display after the VENU360 fully initializes (this mode is referred to as “Home” mode). There are seven home screens to choose from, providing the instant visual feedback you need, when you need it.
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RTA Home Screen This home screen provides quick access to the Real-Time Analyzer. The graphic to the left of the RTA displays the signal source feeding the RTA, which is set with the RTA SOURCE parameter in the RTA menu. See ‘RTA’...
Menu Navigation The VENU360 menu navigation is laid out as shown in the below diagram. Menu Navigation Tree Diagram HOME MODE Press RTA Button RTA Menu Con guration Map Home Screen Press RECALL Button Preset Recall Menu Dynamics Gain Home Screen Press STORE Button Preset Store Menu Dynamics Threshold...
The VENU360 Wizards walk you through the configuration and optimization process with simple, step-by-step instructions, making it easy to setup the VENU360 for your application. Using the optional dbx RTA-M measurement microphone, the Wizards can optimize your sound system by helping adjust your system level balance and analyzing your room and applying accurate room EQ –...
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Run AutoEQ/Level Assist Wizard Level Assist/AutoEQ Mic Position 1 AutoEQ Mic Position 2 When used with the optional dbx RTA-M measurement microphone, these Wizards help Left Speaker Center/Mono Speaker Right Speaker...
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• Mic Response When the dbx RTA-M option is selected, AutoEQ will automatically compensate for the frequency response of the dbx RTA-M microphone, providing more accurate AutoEQ results. Select the FLAT option if using a measurement microphone other than the dbx RTA-M.
Configuring XLR Inputs, Master Clock Source, & SRC The VENU360 allows you to select either the internal crystal oscillator for clock master or one of the AES inputs. Built-in sample rate conversion (SRC) allows both AES inputs to be used when connecting two different digital devices, each with its own clock, or when connecting digital AES signals operating at sample rates other than 48 or 96 kHz.
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AES Connections Using Sample Rate Other Than 48 or 96 kHz VENU360 Inputs When connecting digital AES sources operating at sample rates other than 48 or 96 kHz, SRC can be used to allow such devices to be used with the VENU360. In this type of application, you must set the VENU360’s clock source to one of the “INTERNAL”...
Using Configuration Mode This section describes how to make manual configuration changes to modify a preset for your application. The easiest way to configure the VENU360 is to use the built-in Wizards. This works well for configuring most systems utilizing full range up to mono 4-way crossover configurations (3-way main speakers with subs), as well as for configuring stage monitors.
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TIP: When done making configuration changes, pressing the CONFIG button twice will perform the “Quick Apply” function, for slightly faster operation. NOTE: The VENU360 will load the new configuration and automatically mute all outputs – this is a safety feature. When ready to audition the system, unmute the outputs.
Configuring Mixers/Routers Input signals in the VENU360 can be mixed or routed to the input processing chains or directly to the output processing chains. On the input processing chains, signals can be mixed or routed from any of the 7 direct inputs (e.g., Analog1, Analog2, AES1, etc.).
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To configure a Mixer/Router: 1. Press the CONFIG button. 2. Select a Mixer/Router module using the SELECT wheel and UP/ DOWN buttons. 3. Press the SELECT wheel to enter the Mixer/Router Configuration menu. 4. Select the desired option by turning then pressing the SELECT wheel.
Configuring Processing Module Insert Types Processing module inserts are indicated in the on-screen configuration map by brackets at the top of their columns, as shown to the right. There are two configurable insert slots in the “input” processing chains and one configurable insert slot in the “mid”...
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To configure insert module types: 1. Press the CONFIG button. 2. Select an insert module using the SELECT wheel and UP/DOWN buttons. 3. Press SELECT then select the “Edit Module Insert Type” option with the SELECT wheel. 4. Select the desired option by turning then pressing the SELECT wheel.
Configuring Crossover Types Crossover types can be selected in Configuration mode. To configure Crossover module types: 1. Press the CONFIG button. 2. Select a Crossover module using the SELECT wheel and UP/DOWN buttons. Press the SELECT wheel to enter the Crossover Type Selection menu.
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There are a total of 52 crossover types to select from. They are categorized by input configuration (i.e., mono, stereo, and LCR). Each input configuration type has various output configuration types (e.g., full range, multi-way, multi-mono, aux-fed subwoofers, etc.). The following table shows all the crossover configuration types available in the VENU360. Crossover Types Ref # # Of Inputs/Outputs Crossover Name...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Mono Mains x2 + Aux Sub Mono Mains x2 + Mono Subs x2 Mono Mains x2 + Aux Subs x2 Mono Mains x3 Mono Mains x3 + Mono Sub Mono Mains x3 + Aux Sub Mono Mains x3 + Mono Subs x2 LEGEND: FR=Full Range, S=Sub,...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Mono Mains x3 + Aux Subs x2 Mono Mains x3 + Mono Subs x3 Mono Mains x3 + Aux Subs x3 Mono 2Way Mono 2Way + Mono Sub Mono 2Way + Aux Sub Mono 2Way x2 LEGEND: FR=Full Range, S=Sub,...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Mono 2Way x2 + Mono Sub Mono 2Way x2 + Aux Sub Mono 2Way x2 + Mono Subs x2 Mono 2Way x2 + Aux Subs x2 Mono 2Way x3 Mono 3Way Mono 3Way + Mono Sub...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Mono 3Way + Aux Sub Mono 3Way x2 Mono 4Way Mono 5Way Mono 6Way Stereo Full Range Stereo Mains + Mono Sub LEGEND: FR=Full Range, S=Sub, LEGEND: M=Mono, L=Left, AS=Aux Sub, H=High, M=Main or C=Center, R=Right, A=Aux...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Stereo Mains + Aux Sub Stereo Mains + Mono Subs x2 Stereo Mains + Aux Subs x2 Stereo Mains + Stereo Subs Stereo 2Way Stereo 2Way + Mono Sub Stereo 2Way + Aux Sub LEGEND: FR=Full Range, S=Sub, LEGEND: M=Mono, L=Left,...
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Crossover Types Ref # # Of Inputs/Outputs Crossover Name Crossover Configuration Icon Supported Speaker Configuration Stereo 2Way + Mono Subs x2 Stereo 2Way + Aux Subs x2 Stereo 2Way + Stereo Subs Stereo 3Way LCR Full Range LCR Mains + Mono Sub LCR Mains + Mono Subs x2 LEGEND: FR=Full Range, S=Sub, LEGEND: M=Mono, L=Left,...
Linking/Unlinking Processing Modules Processing modules can be linked and unlinked in Configuration mode to best suit the application. Most processing modules can be linked/unlinked in the configuration. To link/unlink processing modules: 1. Press the CONFIG button. 2. Turn the SELECT wheel and/ or press the UP/DOWN buttons to navigate the on-screen configuration map and select the...
Naming Outputs Outputs are automatically named based on selections made in the Setup Wizard or when selecting crossover types in Configuration mode. Because of this, Crossover modules should be configured first, before naming outputs. If it is determined that the default output names must be modified for an application, it is very easy to do so in Configuration mode. One way to do this is to simply select an output name from the built-in list.
Operating The VENU360 This section of the manual describes how to edit VENU360 audio processing parameters and manage presets. Editing Processing Module Parameters (Edit Mode) To edit a processing module’s parameters: 1. Press the EDIT button. 2. Select the module you wish to edit using the SELECT wheel and UP/ DOWN buttons.
Copying/Pasting Processing Module Settings In Edit mode, the COPY/PASTE buttons allow you to copy all parameters of a module and paste them to another like processing module. A like processing module is one that is of the same processing type and contains the same parameters as the processing module that was copied.
Managing Presets The VENU360 has two types of presets: user and factory. The user presets occupy preset memory locations 1-75. The factory presets occupy preset memory locations 76-100. The difference between these preset types is that factory presets are meant to be used as templates and cannot be overwritten and user presets can be overwritten and are designed to store your custom presets.
Storing Presets Once you are satisfied with the changes made to a preset, you can store them to a user preset memory location. To store a preset: 1. Press the STORE button. 2. The current name of the preset will be shown in the LCD display and you now have the option to keep it or rename it.
Copying Presets Presets can be copied from one memory location to another. This can be useful for creating a backup of a preset within the VENU360 box, creating variations of similar presets, or for creating an initial preset template and then copying that preset template for use at each venue the system is used.
Deleting Presets User presets can be deleted. Deleting a user preset creates an empty preset. When an empty preset is loaded, no signal will pass through the VENU360. A new configuration can be created in an empty preset by running the System Setup Wizard or pressing the button.
Manually Optimizing A System Using The VENU360 About Speaker & Amplifier Tunings The VENU360 has a Setup Wizard to help you configure your sound system. When you run the Setup Wizard, it will ask you to select the make and model of your speakers and amplifiers from a list of available options, referred to as “tunings”. There are speaker tunings and amplifier tunings.
Manual System Optimization Tips TIP: You may want to disable the HOME TIME OUT feature located in the Utility menu before performing any of the following system optimization procedures. This will ensure the VENU360 does not revert back to the home screen throughout the process.
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multi-way main speakers will require certain drivers to be polarity inverted when operating in bi-amped or tri-amped mode. When selecting any bi-ampable or tri-ampable main speaker from the VENU360’s speaker tuning list in the Setup Wizard, such polarity inversion will be performed for you automatically. If your multi-way main speaker model isn’t listed in the VENU360 and you can’t find tuning information for them, check the loudspeaker’s spec sheet or documentation, or contact the speaker manufacturer as they will usually be able to provide this information.
If the crossover is configured with bands using only a high-pass or low-pass filter (such as in the 2-way example shown below) you shouldn’t have to worry about adjusting the PHASE parameter. However, if band-pass filters are used (such as in the 3-way example shown below) then phase adjustments will likely be necessary.
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Amplifiers are fixed gain devices. Turning down the amplifier input attenuators does not change the potential output of the amplifier, it only requires more input voltage to get full output power. Many amplifiers will clip with an input level greater than +6 dBu when the input attenuators are turned all the way up.
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THRESHOLD’s are set all the way up to 0.0 dB. Note that once the first limiter has been set you can use the COPY PASTE buttons to copy the settings to all other limiters. Also, turn off all VENU360 input EQs (speaker tuning EQs should be left on), dynamics processing, and Sub Synth modules and ensure all “input”...
EQ, which translates to smaller gain adjustments in the EQ and better sound quality. You can perform this procedure while listening to your reference music and do it by ear, or use the dbx RTA-M reference mic and RTA. The music you choose to use for reference should contain full-bandwidth audio and should be something you have spent much time listening to and are extremely familiar with.
Make any further adjustments using the GEQ’s individual frequency bands. Repeat for stage monitor, zone, or delay fill speakers if required. 4� 5. Ring Out The System With AFS After system EQ has been applied, performing the ring-out procedure allows you to squeeze a little more gain out of the system before the onset of feedback.
NOTE: When ringing out the system in Fixed mode, any sound detected by AFS will trigger filters to be set. Therefore, make sure the microphones are active, but there is no signal present at the mics when AFS is active in Fixed mode. 6.
Processing Modules & Parameters This section of the manual provides descriptions of all the processing modules available in the VENU360, their associated parameters, and how to edit them. Inputs Module The VENU360 has 7 fixed inputs. The input assignments are: IN1: Analog1, IN2: Analog2, IN3: Analog3, IN4: AES1, IN5: AES2, IN6: AES3, and IN7: AES4.
Router Module The Router module lets you route a single signal or mono-summed signal to an input or output processing chain, see ‘Configuring Mixers/Routers’ on page 23 for diagrams and further information on available routing options. The graph in the Router indicates signal levels, clipping, master gain fader position, and master mute status. To edit a Router module: 1.
Mixer Module The Mixer module lets you mix multiple signals together and feed them to an input or output processing chain, see ‘Configuring Mixers/Routers’ on page 23 for diagrams and further information on available mixing options. There are three types of Mixer modules available in the VENU360, they are: Input Mixers, 123 Mixers, and ABC Mixers. 123 and ABC Mixers are only available on the output processing chains and allow you to mix signals from either the 1/2/3 or A/B/C bus points.
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and no signal will pass from the Mixer. NOTE: The front-panel Mix/Route meters monitor the signal level from the configured input Mixers/Routers. The front-panel Mix/Route Mute buttons enable the “MASTER MUTE” parameters inside the configured input Mixers/Routers.
Advanced Feedback Suppression (AFS) Module Feedback is caused when an in-phase audio loop is created between an input transducer (such as a guitar pickup or microphone) and an output transducer (a loudspeaker). The VENU360 includes the exclusive AFS (Advanced Feedback ™...
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NOTE: Where applicable, signals sent to the AFS detector for analysis are mono summed. If one of these summed signals is polarity inverted, AFS will not be able to detect feedback – as the feedback will cancel out before being analyzed.
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• CLEAR <PRESS SELECT> Selecting this option then pressing the SELECT wheel triggers the clear function, which removes set AFS filters. The clear function allows you to either clear only the Live filters or all AFS filters so you can ring out the system for a new venue.
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TIP: You can change the TYPE parameter at any time. This allows you to use narrow notch filters in combination with wider notch filters. For example, you could set the TYPE parameter to MUSIC then ring out the system in Fixed mode, switch over to Live mode, then set the TYPE parameter to SPEECH/MUSIC for the Live filters.
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filters on feedback during your live performance, try increasing the SENSITIVITY setting. If you find AFS mistaking an instrument for feedback, try decreasing the SENSITIVITY setting. • HIGH PASS [0Hz - 500Hz] This parameter places a high-pass filter in the AFS detector path. If you don’t want AFS to have the ability to set any filters below a set frequency (for example, if you don’t want AFS to notch any frequencies below 100Hz), adjust this parameter to the frequency below which you want AFS to ignore.
Automatic Gain Control (AGC) Module Automatic Gain Control is used in zone applications to keep the average level of a signal constant. Think of it as a slow reacting compressor/upward expander. It accomplishes this by allowing you to set a target level and a window size around the target (the window size sets how much the signal level is allowed to deviate from the target).
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• WINDOW [1dB - 10dB] WINDOW INDICATOR This parameter sets the amount of target level deviation allowed. For most applications, a window of 2 to 3 dB maintains the signal adequately. The AGC Window Indicator (shown to the right) indicates when the input signal level is below Input Signal Below Window the window, in the target region, or above the window.
Delay (DLY) Modules There are three Delay module types available in the VENU360, they are: the Backline Delay (input), Fill Delay (mid), and Alignment Delay (output). Their names are merely identifiers used to differentiate them and describe their intended purpose, however they are all identical in operation, just located at different points in the signal path.
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the acoustic signal from the main FOH system (e.g., balcony delay fills, tower delay fills, etc.). Each of the Delay module menus will show “global” status of all Delays in the configured preset, so you can see exactly where Delay modules have been configured, which modules are turned on, and if delays have been set – as shown in the below graphic.
Compressor (CMP) Module A compressor is used to compress the dynamic range of the audio signal, bringing up the lower level portions of the signal and restricting the higher level portions of the signal. In live sound applications, it is common to compress the audio at different stages in the signal chain.
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Compressor Parameters • COMPRESSOR [OFF, ON] Turns the Compressor module on and off. L O W L I M • THRESHOLD [-60dB to 0dB] THRESHOLD INDICATOR M I D L I M I Sets the level at which the compressor will begin compressing the signal. For example, if the THRESHOLD is set to -10 dB, any signal which exceeds -10 H I G H L I M dB will be compressed, while any signal lower than -10 dB will be left alone...
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Generally, a hard knee compressor will sound louder, more aggressive, and more audible when compressing. The softer the knee, the smoother and less noticeable the compression will be. Use proper judgement, depending upon the application and/or genre of music being reproduced through the sound system and experiment to find the best setting that works for your application.
Graphic EQ (GEQ) Module The 31-band Graphic EQ module can be used to adjust the sound system’s frequency response and is available for those who prefer to use this time-tested tool for system EQ. Manually edit the GEQ bands or select one of the “Quick Curves” options to get you started.
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GEQ Parameters • GRAPHIC EQ [OFF, ON] Turns the GEQ module on and off. • QUICK CURVE [MANUAL, FLAT, MY BAND, SPEECH, VENUE, DJ] This parameter allows you to select from pre-set EQ curves. Note that you can select one of these Quick Curves and then further edit the individual GEQ bands manually from there if required.
Noise Gate (GAT) Module The Noise Gate module is used to remove unwanted low-level noise in a sound system. A noise gate will “close” when an insufficient signal level is present (signal level is below threshold) and “open” when a sufficient signal level is present (signal level exceeds threshold).
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Gate Parameters • GATE [OFF, ON] This parameter turns the Gate module on and off. • THRESHOLD [-70dB to 0dB] THRESHOLD INDICATOR Sets the level at which the gate will open. For example, if the THRESHOLD parameter is set to -40 dB, any signal which exceeds -40 dB will open the gate. Any signal lower than -40 dB will be attenuated by the amount determined by the RATIO and MAX ATTEN settings.
Parametric EQ (PEQ) Modules There are two types of PEQ modules available in the VENU360: 12-band input PEQs and 8-band output PEQs. The 8-band output PEQs are intended to be used for speaker tuning EQ. The 12-band input PEQs can be configured in one of the input processing module insert slots and used for system EQ tasks, see ‘Configuring Processing Module Insert Types’...
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PEQ Parameters • PARAMETRIC EQ [OFF, ON] Turns the selected PEQ module on and off. • FLATTEN [RESTORE, FLAT] Select the FLAT option to zero out the selected PEQ (set all bands to 0 dB). Select the RESTORE option to retrieve the settings you had before you selected the FLAT option.
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AutoEQ (AEQ) Module The AEQ modules are 14-band parametric EQs which reside in the mid processing section of the VENU360 (pre crossover). These modules are automatically adjusted by the built-in AutoEQ Wizard. When running the AutoEQ Wizard, the first 10 AEQ bands will be set.
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AEQ Parameters • AutoEQ [OFF, ON] Turns the selected AEQ module on and off. • FLATTEN [FLAT, MANUAL, AUTOEQ] Select the FLAT option to zero out the AEQ (set all bands to 0 dB). If any manual changes are made to AEQ settings, the MANUAL option will automatically be selected to indicate this.
Subharmonic Synth (SUB) Module dbx’s subharmonic synthesis (or sub-synth) processing has been specifically optimized to enhance the low frequencies in audio material and was designed for use in a variety of professional audio applications, including nightclub and dance DJ mixing, theatre and film sound, music recording, live music performance, and broadcasting. Using traditional EQ to enhance this extremely low frequency region can increase noise potential and stage rumble (low-frequency feedback) in live PA systems.
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Subharmonic Synth Parameters • SUBHARMONIC SYNTH [OFF, ON] Turns the Subharmonic Synth module on and off. • SUBHARMONICS [0% - 100%] Sets the overall level of the sub-synth effect. • 36-56 HZ LEVEL [0% - 100%] Adjusts how much of the sub-synth effect is added between the 36 Hz to 56 Hz region. If the sound becomes too “woofy”...
Crossover Module A crossover is used to divide the broadband signal into separate frequency bands. This allows each loudspeaker or driver in a sound system to operate within its optimal frequency range. Using an active crossover, like that in the VENU360, has the additional benefits of increasing the efficiency of your power amplifiers, lowering intermodulation distortion, and in some cases, improving the drivers’...
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Crossover Parameters • “BAND NAME” LP FREQUENCY [16 Hz - 20 kHz, OUT] Adjusts the cutoff frequency of the low-pass filter. • “BAND NAME” LP TYPE [BW 6, BW 12, BW 18, BW 24, BW 30, BW 36, BW 42, BW 48, LR 12, LR 24, LR 36, LR 48] Selects the low-pass filter type and slope rate.
Limiter (LIM) Module Limiters are used to set a ceiling on the signal level, preventing the signal from exceeding a predetermined threshold. For this reason, they are used to prevent the overdriving of equipment. Limiters are compressors with high ratios (typically, a ratio of around 10:1 or higher is generally considered limiting).
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Limiter Parameters • LIMITER [OFF, ON] Turns the selected Limiter module on and off. L O W L I M I T E R • THRESHOLD [-60 dB to 0 dB] THRESHOLD INDICATOR M I D L I M I T E R Sets the level at which the limiter will kick in and begin limiting the signal.
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• HOLD [0s - 500ms] Sets a timer which starts when the signal falls back below threshold and, once the time has elapsed, allows the limiter to release, thereby preventing the limiter from releasing prematurely. When AUTO is on, this parameter is ignored and set dynamically.
The 31-band RTA (Real-Time Analyzer) allows you to monitor the sound system’s frequency response. A bulit-in signal generator is also available in the RTA menu. The signal generator and RTA can be used to manually fine-tune and troubleshoot the system or to help identify system feedback and resonant frequencies. Since the signal generator can be steered to each of the direct inputs, it can also be used to verify signal routing in a preset configuration.
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RTA Source Routing Options RTA Source Options RTA Source Options RTA Source Options Description Routing Diagram Description Routing Diagram Description Routing Diagram Route RTA Route IN7 Route Bus A (AES 4) Route IN1 Route Bus 1 Route Bus B (Analog 1) Route IN2 Route Bus 2 Route Bus C...
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• SIGNAL TYPE [PINK, WHITE, SINE] There are three signal type options to select from, they are: PINK, WHITE, and SINE. Some analyzers are calibrated to read “flat” across the frequency spectrum when white noise is used, others are calibrated to read flat when pink noise is used, and some allow you to select between the two.
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Utility Menu The Utility menu allows you to edit global system parameters and provides VENU360 system information. To edit Utility parameters: 1. Press the UTILITY button. 2. Use the SELECT wheel and UP/ DOWN buttons to navigate the menus and edit parameters. Utility Parameters •...
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• CLOCK SOURCE [INTERNAL 48 kHz, INTERNAL 96 kHZ, AES 1&2, AES 3&4] Selects which clock the VENU360 will sync to and the sample rate of the internal clock. See ‘Configuring XLR Inputs, Master Clock Source, & SRC’ on page 19 for further information on clocking. •...
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• PRESET RECALL LIST Sets the range of presets accessible from the front panel. By default, the PRESET RECALL LIST is set to allow access to all 100 presets. Turning the SELECT wheel counter-clockwise will narrow the list of presets available for use. Turning the SELECT wheel clockwise will expand the list of presets available for use.
Power-Up Functions Power-up functions allow you to reset DriveRack VENU360 presets and settings, lock out the front-panel controls, and force the VENU360 to power up with the output mutes enabled. These power-up functions are accessed by pressing and holding certain buttons upon power up. The following section describes the power-up functions available in the VENU360 and how to use them.
System Lockout This power-up function locks out the VENU360’s front panel controls to prevent unauthorized tampering. The available options are: • Unlocked This is the default setting and allows access to all VENU360 functions from the front-panel controls. • Locked When this option is selected, all front-panel controls will be locked and a “LOCKED”...
Soft Reset The Soft Reset function resets all Utility settings in the VENU360 back to their factory default state without resetting user presets. WARNING! Performing the Soft Reset procedure will reset all analog input and output clip levels, clock source, and XLR input format settings in the Utility menu back to their factory default state.
Application Guide Use these diagrams and notes for reference when initially connecting and configuring the VENU360 for your application. Application 1: Full Range Mains This application is suited for full range systems which do not require an active crossover. In this type of configuration, the VENU360 will send full range signal through outputs 1&2.
Application 2: Full Range Mains + Subs This application is suited for use with a system consisting of two full range main speakers and subs. The last two available outputs can be configured for zone, delay fill, or stage monitor use if required. Application Notes: •...
Application 3: Bi-Amplified Mains + Aux-Fed Subs This application is suited for use with a system consisting of bi-ampable 2-way main speakers and aux-fed subs. If you’re not familiar with the term “aux-fed subs”, here’s a brief explanation. The idea is to use an available post-fade/post-EQ aux send from the mixing console to feed only the channels which contain low-frequency information (e.g., bass guitar, kick drum, floor tom, etc.) to the subs.
Application 4: LCR Full Range Powered Mains + Subs This application is suited for use with an LCR system consisting of full range main speakers and subwoofers. Application Notes: • Make sure your mixer and amplifiers (or powered speakers) are turned off before making connections. •...
Application 5: Full Range Stage Monitors This application is suited for use with up to 6 full range stage monitors. Application Notes: • Make sure your mixer and amplifiers (or powered speakers) are turned off before making connections. • Make connections as described in ‘Making Connections’ on page 4 then apply power to the system according to the instructions described in ‘Applying Power’...
Application 6: Bi-Amplified Stage Monitors This application is suited for use with up to 3 bi-ampable 2-way stage monitors. Application Notes: • Make sure your mixer and amplifiers (or powered speakers) are turned off before making connections. • Make connections as described in ‘Making Connections’ on page 4 then apply power to the system according to the instructions described in ‘Applying Power’...
Application 7: Using The AES Digital Inputs Any of the previous applications described can accommodate AES signals if you’re using a digital mixer. This application illustrates the power and flexibility of the VENU360 and is suited for use with a digital console which has at least 2 AES outputs, a PA system up to 2-way, and up to 4 full range stage monitors.
Preset List User Preset # Factory Preset # Name Crossover Configuration Stereo Full Range Mains Stereo Mains + Mono Sub Stereo Mains + Stereo Subs Stereo Mains + Aux Subs x2 Stereo Mains x4 + Mono Sub Stereo Mains x4 + Stereo Subs Stereo 2Way Mains Stereo 2Way Mains + Mono Sub Stereo 2Way Mains + Stereo Subs...
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User Preset # Factory Preset # Name Crossover Configuration Mono Full Range Main Mono Mains x2 + Mono Sub Mono Mains x2 + Mono Subs x2 Mono Mains x2 + Aux Subs x2 Mono 2Way Mains x2 Mono 2Way Mains x2 + Mono Sub Mono 2Way Mains x2 + Mono Subs x2 Mono 2Way Mains x2 + Aux Subs x2 Mono 3Way Mains x2...
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User Preset # Factory Preset # Name Crossover Configuration LCR 2Way Mains Full Range Stage Monitors x6 2Way Stage Monitors x3 TIP: All factory presets have 1x1 (full range) crossovers configured for any remaining available outputs. The signal feeding these outputs will be fully attenuated in the Mid Mixers for safety reasons. However, you can easily edit the settings in these Mid Mixers or quickly modify the configuration and change the mixing/routing options on these outputs for additional stage monitor, zone, or delay fill use.
The DriveRack VENU360 control app also adds the ability to connect directly to the ever-growing online tuning database (internet connection required), where you can download additional tunings from Crown ® ® , dbx ® , and more! NOTE: You can control one VENU360 device on the network at a time using the VENU360 control app.
Networking Networking Overview The VENU360 can be connected to a network for control using the free VENU360 control app. The VENU360 supports DHCP and static IP addressing. The following section provides a brief description of the most common network settings. •...
Network Troubleshooting The VENU360 ships with DHCP enabled. If you are connecting the VENU360 to a network which has a router or switch with an enabled DHCP server, connecting the VENU360 to the network should as easy as plugging the VENU360 into the switch/ router with the correct type of Ethernet cable.
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If you’ve verified you are using the correct type of Ethernet cables and all cables are known-working but you still can’t connect, go to step 5. 5� Check Switch/Router Configuration Settings Check the settings in your network switch or router (consult the documentation which came with your network switch or router to see how to enter the utility used for configuring it).
Technical Information Firmware Updates The USB or Ethernet connector on the back panel of the VENU360 can be used to perform firmware updates. Connect the USB port to a compatible computer for performing firmware updates using the VENU360 Firmware Update Utility application. When a firmware update becomes available, this Firmware Update Utility application will be found on the VENU360 product page at dbxpro.com.
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Ethernet Cable Recommendations & Diagrams Straight-Through Use straight-through CAT5, CAT5e, or CAT6 Ethernet cables to connect the VENU360 to your network switch/router. The below diagrams show the pinout of straight-through Ethernet cables. These are the most common type of Ethernet cables available.
Audio Cable Diagrams TO NEXT DEVICE (INPUT) TO NEXT DEVICE (INPUT) FROM SOURCE DEVICE (OUTPUT) FROM SOURCE DEVICE (OUTPUT) RING SLEEVE SLEEVE RING (GROUND) (COLD -) (COLD -) (GROUND) HOT + HOT + COLD - COLD - SLEEVE SLEEVE (HOT +) (HOT +) FEMALE XLR TO TRS PHONE TRS PHONE TO MALE XLR...
Alignment Delay: Up to 1000 ms per output channel A/D PERFORMANCE A/D Converter: 24-bit with dbx Type IV™ Conversion System A/D Dynamic Range: 117 dB A-weighted, 114 dB unweighted, 22 kHz BW Type IV Dynamic Range: 129 dB with transient material, A-weighted, 22 kHz BW;...
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