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Var.
Name
CC 0
ORGAN 1
1
Jazz Organ
121
2
Perc.Org.1
121
3
Perc.Org.2
121
ORGAN 2
1
Church Org
121
2
Pipe Flute
121
3
Pipe Tutti
121
STRINGS/CHOIR
1
Strings
121
2
Slow Str.
121
3
String Pad
121
4
Choir
121
1
ScatVoices
121
2
Vocal Pad
121
BASS
1
Ac. Bass
121
2
El. Bass
121
3
Fretless B
121
4
Bass&Ride
121
DRUM KITS (Selected only by Drum Patterns or via MIDI)
1
Standard Kit
120
2
Jazz Kit
120
3
Brush Kit
120
Legend:
Var.: Variation. CC0: Bank Select MSB. CC32: Bank Select LSB. PC: Program Change Number. Numbering is from 0-54; if the transmitting
device uses numbers from 1-55, you will need to increment the number by one. Osc: Number of oscillators used by the sound.
Notes:
* Program Change numbers comply with the General MIDI standard. However, only listed numbers have effect on the C-720, while other
numbers are ignored.
** The GrandPiano, BriteGrand and MelloGrand sounds lose the EPx features when in Layer. This will help save polyphony.
*** 1 oscillator in case of mono drum samples, 2 oscillators in case of stereo drum samples.
CC32
PC*
Osc.
Description
0
16
4
An aggressive tonewheel electric organ, often heard in jazz and rock music. The
rotary effect is sampled right at the source. The leftmost pedal is used to switch
between fast (pedal up) and slow (pedal down) rotary speaker, with several degrees in
the middle (half pedal).
0
17
3
As the above, but with the rotary speaker applied as a generated effect, and a more
transparent sound. The leftmost pedal is used to switch between rotary speaker fast
and slow (press for switch).
1
17
3
A variation of the above. The leftmost pedal is used to switch between rotary speaker
fast and slow (press for switch).
0
19
4
A grandious, Tutti pipe organ, with a lot of sampled reverb. Great for sacred music
from the Baroque to the late Romantic age.
0
20
3
A recitativo-like pipe organ, with a particularly emotional blend of Flute and Vox
Humana.
1
19
2
A slightly softer Tutti, especially suited for Baroque music.
0
48
3
A large strings ensemble sampled in stereo, with a realistic
natural reverb. Very dynamic and expressive.
0
49
2
Emotive, cinematic strings with a slower attack. Great for movie soundtracks.
0
50
2
Sampled strings with a synthetic quality. They are particularly suited for layers.
0
52
2
A large mixed choir, with natural reverb.
0
53
2
A synthetic choir, with a lot of breath.
0
54
2
Lush, warm pad with a vocal heritage. Great for layers.
0
32
2
Upright acoustic bass, with a round, full-bodied sound. The ideal Left Hand in Jazz
and Latin music.
0
33
2
A fingered electric bass, with a full, round sound.
0
35
1
A mellow, singing fretless bass.
1
32
3
The same acoustic bass as above, but with the addition of a ride cymbal for single-
handed Jazz accompaniments.
0
0
1/2
***
0
32
1/2
***
0
40
1/2
***
Appendix > Sounds
69
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