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Friedman DS40 (Dirty Shirley) Plug-in
Potent emulation of 60's and 70's Rock-Era guitar amplifier designed by David Friedman
Owner's Manual
Developed by Brainworx in partnership with Friedman Amplification and Distributed by Universal Audio.
The Friedman DS40 (Dirty Shirley) amp plug-in can be installed and operated like any other UAD-2 plug-in.
Please check
www.uaudio.com
for general info about the system requirements, etc.

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Summary of Contents for Friedman Dirty Shirley DS40

  • Page 1 Potent emulation of 60’s and 70’s Rock-Era guitar amplifier designed by David Friedman Owner’s Manual Developed by Brainworx in partnership with Friedman Amplification and Distributed by Universal Audio. The Friedman DS40 (Dirty Shirley) amp plug-in can be installed and operated like any other UAD-2 plug-in. Please check www.uaudio.com...
  • Page 2 Meticulously modeled guitar amp, speaker simulation and FX rack. Dirty Shirley DS40 The Friedman DS40 has been modeled after the legendary-sounding vintage stack of Friedman designed the Dirty Shirley to capture Page’s famous modded- David Friedman’s design. It offers the perfect complement to any engineering session Marshall tones while serving the requirements of today’s guitarist, without...
  • Page 3 The Insert Effects Switch in the Console Software: If you insert the DS40 plug-in in the Console software mixer (to use the plug-in with the lowest possible latency) you have to decide whether you want to record processed guitar amp sounds (click the INSERT EFFECTS switch to REC in the Apollo console) or whether you only want to record the dry DI guitar signal, while monitoring the processed amp sound during tracking, of course (click the INSERT EFFECTS switch to MON in the Apollo console).
  • Page 4: Power On/Off

    The Controls of the Dirty Shirley Front Panel POWER ON/OFF TONE CONTROL (Bass, Middle, Treble and Presence): The Dirty Shirley amp plug-in can be bypassed using this switch. Use this switch to Bass, Middle and Treble controls boost or cut from their respective frequency compare the processed settings to that of the original signal.
  • Page 5: Noise Gate

    The Controls of the Dirty Shirley Back Panel 1. NOISE GATE 2. AMP FILTERS (switchable pre / post) ‘CLOSED’ LED TIGHT Filter: When lit this LED indicates that the Noise Gate is CLOSED. This means the With the TIGHT filter you can cut LOW frequencies of either the DI guitar signal THRESHOLD setting is higher than the incoming guitar signal and the noise gate (PRE) or the processed amp output (POST).
  • Page 6 Using this impressive setup Dirk has produced a huge variety of customized For this reason the DS40 offers you AUTO mode: ‘Recording Chains’ for the Friedman amplifiers, which you can apply to your plug-in amp settings. Imagine a selection of 66 perfectly miked and EQ-ed guitar cabinets...
  • Page 7 The Controls of the Dirty Shirley Back Panel 4. LO-FI DELAY X2 & /2 (adjusting the delay time): We have modeled a vintage stomp box delay and modeled the typical sound of it. You may switch the actual delay time to double speed by clicking the /2 button. Limited frequency bandwidth, fading high frequencies on repeats, etc.
  • Page 8: Input Gain

    The opposite goes for a lot of heavy metal style humbuckers. If you have recorded amp with the DS40. the DI signal too hot or if you are using other plug-ins before entering DS40 you may want to dim the input signal.
  • Page 9: Factory Presets

    8. SETTINGS / Top Toolbar: FACTORY PRESETS We have made a lot of presets for the Friedman amp plug-in, many of them have been UNDO / REDO: made to work perfectly with classic guitars like Strats, Teles or Paulas. All of the factory You can undo and redo changes you made to the controls of the BE100 at any time.

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