Crest Audio IPro One Manual
Crest Audio IPro One Manual

Crest Audio IPro One Manual

Intelligibility processor studio series
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IPro One
Intelligibility Processor

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Summary of Contents for Crest Audio IPro One

  • Page 1 IPro One ™ Intelligibility Processor...
  • Page 2 Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
  • Page 3 (or other line-level source) to be connected easily even if the IPro One is mounted in a rack. Unlike the XLR input, the front panel jack automatically disconnects the rear panel jack, allowing the unit to be switched from a rear jack configuration to a front panel one simply by inserting a jack.
  • Page 4: Control Functions

    There may be an occasion when certain frequencies must be compressed then added back to the original “dry” signal, similar to using the IPro One as one of the bands of a multi-band compressor. A blend control was added so that this could be done without having to sacrifice an external mixer channel (if one is available) to accomplish this feat.
  • Page 5 +48 V: Turns on the +48 V phantom power for mics that require it. Do not enable phantom power if an unbalanced low impedance mic is used, since the mic could be damaged. The LED will light if phantom power is present. POLARITY: The polarity of the mic input can be reversed in the event that the signal is out of phase with either the line or other signals.
  • Page 6 0 dB average indication on the output meters with the main level control centered and the blend turned fully CW (wet). MAIN LEVEL: The master output level control of the IPro One ™ . The center position is unity gain, with as much as 10 dB gain available.
  • Page 7: Rear Panel Jacks

    100% processed, with all functions on line. At the CCW position, only the pre-amp signal will be present. Any in between settings will be a blend of these extremes. This control will allow the IPro One ™...
  • Page 8: Input Specifications

    IPRO ONE ™ SPECIFICATIONS: Input Specifications Input Z Input gain Input Level, dBu* Bal/ Connector Function (Ohms) setting Unbal Min** Nom. Max*** Min. Microphone 2.2 k Max. Gain -70 dBu -60 dBu -39 dBu Bal. XLR: 150 Ohms 56 dB Pin1 Grd Min.
  • Page 9: Output Specifications

    IPRO ONE ™ SPECIFICATIONS: Output Specifications Minimum Output Level Bal/ Connector Function Load Z Unbal Nom. Max*** (Ohms) Main 0 dBu +22 dBu Unbalanced 1/4" Phone XLR: +4 dBu +26 dBu Balanced Pin1 Grd Pin2 (+) Pin3 (-) Insert Send...
  • Page 10 Controls: Equalization: CONTROL ADJUSTMENT RANGE Low Cut Freq (XLR only) 10 Hz to 350 Hz Parametric (1 and 2) Cut/Boost -24 dB to +12 dB, detent = flat Parametric 1 Freq 40 Hz to 4 kHz Parametric 2 Freq 150 Hz to 15 kHz Bandwidth (1&2) 2 oct to 1/6 oct Dynamics:...
  • Page 11: Frequency Response

    Frequency Response: Mic Input to Output: 20 Hz to 35 kHz +0 dB / -1 dB Line Input to Output: 10 Hz to 35 kHz +0 dB / -1 dB Total Harmonic Distortion plus Noise (THD + N): < 0.005% 20 Hz to 20 kHz Mic to Output (10 Hz - 80 kHz BW, dry) <...
  • Page 12 DYNAMICS CONTROL SETTING PROCEDURES (EXPANDER, COMPRESSOR, LIMITER) If you are starting from scratch, or have gotten something out of whack and do not know exactly what to adjust, begin by setting the controls so that all functions are disabled. Here are the control positions for this: EX THRESH: min (off) EX RATIO:...
  • Page 13: Practical Applications

    CW, line and mic gain controls are minimum, and all on/off switches are off.) RECORDING FROM A MIC (COMPLETE SETUP): One of the most common uses for the IPro One is as a pre-amp for recording, either with an analog tape machine or a digital recorder (such as a computer or digital multi-track tape machine).
  • Page 14 SETTING UP A DE-ESSER: The human voice has a lot of sibilance. The high frequency content of certain consonants can quickly overload a system with harshness. To help reduce this problem, the compressor can be configured as a de-esser, or a compressor that primarily responds to high frequencies.
  • Page 15 Audio will pay the return shipping charges. How To Get Warranty Service (1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Crest Audio Dealer or Authorized Crest Audio Service Center. OR (2) Ship the defective item, prepaid, to Crest Audio, 100 Eisenhower Dr., Paramus, NJ 07652.
  • Page 16: Important Safety Instructions

    16. The user should not attempt to service this equipment. All service work should be done by a qualified service technician. 17. This product should be used only with a cart or stand that is recommended by Crest Audio, Inc.

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