Sign Video ENG-44 Operator's Manual

Field portable audio mixer

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SignVideo
EN G -44
Field Portable Audio Mixer
Operator's Manual
SignVideo
- 1226 SE Gideon Street - Portland, Oregon 97202
www.signvideo.com
503.236.0000
1
Version 3.0

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Summary of Contents for Sign Video ENG-44

  • Page 1 SignVideo EN G -44 Field Portable Audio Mixer Operator's Manual SignVideo - 1226 SE Gideon Street - Portland, Oregon 97202 www.signvideo.com 503.236.0000 Version 3.0...
  • Page 2: One-Year Limited Warranty

    Sign Video Ltd. or a repair facility authorized by Sign Video Ltd. Sign Video Ltd. shall not be liable for any loss of use, or incidental or consequential damages resulting from the use of this product orthe failure or inoperability of this product in any respect, including from any cause whatsoever, or from breach of any express or implied warranty.
  • Page 3 • Consult the dealer or an experienced radio/TV technician for help Note also that changes or modifications to this equipment not expressly approved by Sign Video Ltd. could void your legal authority to operate this equipment. This Class B digital apparatus complies with Canadian ICES-003.
  • Page 4: Front Panel

    Front Panel 1. CH1-CH4 Gain Controls Individual gain controls for each of the four input audio channels, marked 1-4. Gain controls are also known as faders or level controls. 2. Master Gain Control Controls overall gain and volume of the Reference Tone. 3.
  • Page 5: Left Panel

    Left Panel MIC/LINE XLR Inputs Channel 1 through 4 XLR transformer balanced audio inputs. Use individual selector switches located on the underside panel of the unit to choose mic/line level for each input and to activate/ deactivate +48 volt phantom power for each input. For any given input, turn off phantom power if not specifically required by the microphone in use (using the switch on the underside of the unit).
  • Page 6: Right Panel

    Right Panel 1. Boom Head Phone Out XLR audio output for boom operator head phone monitoring. XLR output allows use of cable with XLR connectors rather than one with 1/4" connectors. Use a 1/4" adapter to connect to head phones. This way your spare XLR cable also serves as your spare boom operator cable, and you only need carry a small spare 1/4"...
  • Page 7: Rear Panel

    Rear Panel External Power 2.1 mm ID x 5.5mm OD external power jack. While this unit can operate fully on battery power, this input allows the unit to also be powered from a wall power outlet by using the AC power adapter that is supplied with the unit.
  • Page 8 Underside Panel 1. MIC/LINE Input Switches Individual switches for each input channel select between mic and line level in. One switch for both XLR outputs switches between mic and line level out. 2. Phantom Power Switches Individual switches for each input channel activate/deactivate +48 Volt phantom power.
  • Page 9 ENG-44 Specifications Country of Manufacture: USA Input Impedance: 2K, transformer balanced Output Impedance: 600 Ohms (both balanced and unbalanced line level outputs) Frequency Response: 20Hz to 20kHz +/- 1.5 dB Distortion: < 0.1 % (1 kHz @ 0 dBu output)
  • Page 10 Using an XLR-Pro ™ Adapter Many consumer/prosumer camcorders only offer an unbalanced 3.5mm (1/8") audio input. While you can connect directly to this input from the mixer using the mixer's 3.5mm unbalanced audio output jack, this is not recommended for cable runs longer than a few feet.

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