AVE PM-6 Operating Manual

6/8 channel mic/line mixer with internal dsp effects

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Owner's Operating Manual
6/8 Channel Mic/Line Mixer
with Internal DSP Effects
PM-6/PM-8
Please read before using this equipment

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Summary of Contents for AVE PM-6

  • Page 1 Owner’s Operating Manual 6/8 Channel Mic/Line Mixer with Internal DSP Effects PM-6/PM-8 Please read before using this equipment...
  • Page 4: Mono Input Channel

    MONO INPUT CHANNEL MIC INPUT: Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable +48 V phantom power supply for condenser microphones. The XLR jack is configured for: Pin1 = ground, Pin2 = positive (+), Pin3 = negative (-). LINE IN: The Line input is designed to accept balanced or unbalanced line level signals such as those from keyboards, drum machines, or samplers.
  • Page 5: Stereo Input Channel

    8). CHANNEL GAIN CONTROL: The Channel Gain Controls determine the output signal level to the Master Mix bus. There is no PFL function on the mixer. In order to audition any single channel for proper gain, you can turn off the gain control of all the other channels (fully counterclockwise), and set both the auditioned channel and Master Mix control (29) to unity gain (0 dB).
  • Page 6: Master Section

    MASTER SECTION 11). STEREO AUX RETURNS (LEFT/MONO, RIGHT) The Aux Return jacks are the mono or stereo returns for Aux Send. If you connect a signal to the Left/Mono Return jack only, the Aux Return will operate in mono and the signal will be routed to the Aux Return Control (19) and then mixed into the left and right Master Mix Stereo Outputs (13).
  • Page 7 18). AUX SEND: This is a master control that adjusts the output signal level at the AUX SEND (12) jack. 19). AUX RETURN Control: The left and right return signals will be routed to the Aux Return level control and mixed into the left and right Stereo Out (13), while maintaining stereo separation.
  • Page 8: Rear Panel

    24). TAPE/REC TO MASTER SWITCH: Use the Tape/Rec to Master switch to route signals from the Tape Input (14) to the Master Mix Gain Control (29). 25) PHANTOM POWER LED The red “+48V” LED lights up when the phantom power is turned on. 26).
  • Page 9 CONNECTIONS You will need a lot of cables for different purposes – see the following figures to make sure have got the right ones. Unbalanced equipment may be connected to balanced input/outputs. Either use mono 1/4” jacks or connect ring and sleeve of TRS jacks. Caution: Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply.
  • Page 10: Specifications

    SPECIFICATIONS 1. INPUT SECTION Input Connector Input Impedance Nominal Level Max Level MONO CH MIC >1.3K ohms +2 dBm +14 dBm MONO CH LINE 1/4” TRS >10K ohms +4 dBm +22 dBm STEREO CH LIN E 1/4” TRS >10K ohms +4 dBm +22 dBm TAPE IN...
  • Page 11: Block Diagram

    BLOCK DIAGRAM...

This manual is also suitable for:

Pm-8

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