Roland VIMA JM-8 Owner's Manual page 158

VIMA JM-8
MFX types and parameters
37. Flanger‰ DLY
This effect connects a flanger and a delay in series.
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Flanger Depth (0~127)—Modulation intensity.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that's fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don't want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
38. CHO‰ Flanger
This effect connects a chorus and a flanger in series.
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Modulation frequency of the cho-
rus effect.
Chorus Depth (0~127)—Modulation intensity of the chorus
effect.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Modulation frequency of the
flanger effect.
Flanger Depth (0~127)—Modulation intensity of the flanger
effect.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Level (0~127)—Output level.
39. CHO/DLY
This effect connects a chorus and a delay in parallel. ("Parallel"
means that the input signal is processed by two effects that do
not interact.)
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Chorus Depth (0~127)—Modulation intensity.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that's fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don't want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
158
40. Flanger/DLY
This effect connects a flanger and a delay in parallel.
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Flanger Depth (0~127)—Modulation intensity.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that's fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don't want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
41. CHO/Flanger
This effect connects a chorus and a flanger in parallel.
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Modulation frequency of the cho-
rus effect.
Chorus Depth (0~127)—Modulation intensity of the chorus
effect.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Modulation frequency of the
flanger effect.
Flanger Depth (0~127)—Modulation intensity of the flanger
effect.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Level (0~127)—Output level.
42. Isolator
This is an equalizer which cuts the volume greatly, allowing
you to add a special effect to the sound by cutting the volume
in varying ranges.
Boost/Cut Low/Mid/High Level (–60~0~4 [dB])—These boost
and cut each of the High, Middle and Low frequency ranges. At
–60dB, the sound becomes inaudible. 0dB is equivalent to the
input level of the sound.
Anti Phase Low Sw (Off, On)—Turns the Anti-Phase function on
and off for the Low frequency ranges. When turned on, the
counter-channel of stereo sound is inverted and added to the
signal.
Anti Phase Low Level (0~127)—Adjusts the level settings for the
Low frequency ranges. Adjusting this level for certain frequen-
cies allows you to lend emphasis to specific parts. (This is effec-
tive only for stereo source.)
Anti Phase Mid Sw (Off, On)—Turns the Anti-Phase function on
and off for the Middle frequency ranges. When turned on, the
counter-channel of stereo sound is inverted and added to the
signal.
Anti Phase Mid Level (0~127)—Adjusts the level settings for the
Middle frequency ranges. Adjusting this level for certain fre-
quencies allows you to lend emphasis to specific parts. (This is
effective only for stereo source.)
Low Boost Sw (Off, On)—Turns Low Booster on/off.