Rivera Quiana Studio Owner's Manual page 17

Placing a signal processor in the effects loop
EFFECTS LOOP
RETURN
LEVEL
RETURN
Z IN
250K
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
Using shielded cords, connect the Effects Loop Send to the processor's input, and the
processor's output to the Effects Loop Return. Adjust the mixture of effect/non-effect
sounds at the signal processor, and set the levels at the amp and processor for lowest
distortion. If you use multiple signal processors, connect them in series (processor 1's
output to processor 2's input, etc.), and patch the Quiana/Fandango's Send to the first
processor's input and the Quiana/Fandango's Return to the last processor's output. If
the processor has stereo outputs, you can connect one to the Effects Loop Return of a
second amp.
Sending a direct signal to P.A. or recording gear
SPEAKER 1
LINE OUT
SPEAKER 2
560
USE FIRST
TOTAL MIN. Z 8 55 W. RMS
SPEAKER JACKS IN PARALLEL
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS EQUIPMENT TO RAIN OR MOISTURE
TO SPEAKER
CABINET
SPEAKER MUST
BE CONNECTED
Using a shielded cord, connect the Quiana/Fandango's Line Out to the line input or
channel input of a mixer or recorder. (The signal comes from the amp's output stage, so
all tone, distortion, and overdrive characteristics are included.) You can use the Effects
Loop Send jack instead of the Line Out, too. Caution: Never use the speaker output.
You will need to adjust the equalization of the mixer carefully, as this sound differs
greatly from a sound heard by a microphone placed in front of a speaker cabinet. Using
a "Cabinet Emulator" in the signal path may be a good idea to try. Speakers act as giant
SEND
LEVEL
SEND
Z OUT
560
LINE INPUT
Quiana and Fandango 1.0 p 17
INPUT OUTPUT