192 kHz. 88.2 kHz, 96 kHz, 176.4 kHz, and 192 kHz with Analog In and Analog Out HD I/O cards HD I/O comes in three standard configurations: • Soft Clip and Curv limiting circuits to protect •...
HD I/O requires a qualified Pro Tools|HD system. • External Clock input and output for synchro- nizing HD I/O with external Word Clock de- Avid can only assure compatibility and provide vices support for hardware and software it has tested and approved.
Conventions Used in This Guide About www.avid.com All of our guides use the following conventions The Avid website (www.avid.com) is your best to indicate menu choices and key commands: online source for information to help you get the most out of your Pro Tools system. The fol- Convention Action lowing are just a few of the services and features...
This chapter describes the front and back panel features of the HD I/O. See the Pro Tools| HD User Guide for complete system installation and configuration instructions. If you are adding the HD I/O to an existing system, see the Expanded Systems Guide . HD I/O Front Panel...
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However, for sample rates higher than uously lit on the current Loop Master peripheral 48 kHz, HD I/O generates a choice of 1x, 2x, or only, and unlit on all other peripherals. (Only 4x of a base rate of 44.1 kHz or 48 kHz, as...
PRIMARY PORT Bay 4: Empty for Optional card Bay 2: Analog Out card HD I/O Back Panel, 8 x 8 x 8 configuration shown Although the HD I/O is a sixteen-channel audio Input and Output Cards interface, it has up to 94 inputs and outputs...
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Analog Input Analog Output The HD I/O Analog In card contains connectors The HD I/O Analog Out card contains a single for analog audio input with 24-bit, 192 kHz A/D DB–25 connector and Output Trims for eight converters. Input is provided through two dis- channels of analog audio output.
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176.4 kHz or 192 kHz. TDIF DB–25 connectors for eight channels of TDIF input and output. Conforms to standard The right half of the back panel of HD I/O fea- eight-channel TDIF pinouts. For more informa- tures a set of non-removable connectors that are tion, see Appendix B, “Pinout Diagrams for the...
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Configure HD I/O for ADAT S/MUX on the enclosed ADAT port and also on the ADAT This port is only available when HD I/O is con- port on the Digital I/O card to get 8 chan- nected to a Pro Tools|HD card (it is not available nels at 88.2/96 kHz or 4 channels at...
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DigiLink Mini and DigiLink Cables The DigiLink to DigiLink Mini adapter cables let you connect your HD I/O to Pro Tools|HD cards Use DigiLink cables with a DigiLink to DigiLink in your computer (Pro Tools|HD cards include a Mini adapter cable to connect HD I/O to a 12’...
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SYNC HD). AC Power This connector accepts a standard AC power ca- ble. HD I/O is auto power-selecting (100V to 240V) and will automatically work with a stan- dard modular cable (IEC) to connect to AC power outlets in any country.
12-foot DigiLink Mini to DigiLink cable, or a 12-foot DigiLink cable with a DigiLink to DigiLink Mini adapter Figure 1. HD I/O connected to the DigiLink Port on a Pro Tools|HD Core card (16-channel I/O system) Chapter 3: Connecting HD I/O...
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To connect multiple HD I/Os to a Pro Tools|HD Connecting Loop Sync system: If you are using two (or more) Pro Tools audio Connect the Primary Port of the first HD I/O interfaces or a SYNC peripheral, Loop Sync must...
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Pro Tools|HD Accel card Figure 2. HD OMNI connected to the DigiLink Port on a Pro Tools|HD Core card and HD I/O connected to the DigiLink Mini Expansion port on HD OMNI. A second HD I/O is connected to the DigiLink Port on a Pro Tools|HD Accel card with a third HD I/O connected to the Expansion port on the second HD I/O.
This chapter explains how to configure To change the default Sample Rate for new sessions: Pro Tools for use with HD I/O. If a Pro Tools session is currently open, close For more information about configuring your Pro Tools|HD system, see the Pro Tools|HD Choose Setup >...
• AES/EBU [Encl] (at all sample rates) • AES/EBU 1–8 (Single Wire in stereo pairs at all sample rates) • AES/EBU 1–4 (Dual Wire) (in stereo pairs at 176.4 and 192 kHz) • ADAT 1–8 (at 44.1 and 48 kHz) HD I/O Guide...
Select the Identify option, located in the lower left corner of the Hardware Setup dialog. This il- If you have at least one HD I/O AD card, click luminates all the LEDs on the front panel of the the Analog In tab and configure the options. If selected audio interface.
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At session sample rates above 48 kHz, sam- ple rate conversion for the TDIF and Optical HD I/O Hardware Setup, Main page (8 x 8 x 8 shown) (ADAT) inputs on the HD I/O Digital card is automatically enabled on all eight inputs of the selected format unless you are using S/MUX Optical.
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Tascam DA-30 DAT re- Which physical outputs are available depends corders, select the Tascam option under S/PDIF on the sample rate and on which HD I/O Expan- Format. sion cards you have installed (for example, if no HD I/O DA card is installed, no analog outputs Ext.
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9–16 pages provide the same controls for the corresponding physical inputs on the HD I/O Soft Clip Attenuates the incoming analog signal, AD card. If no HD I/O AD Expansion card is in- providing extra protection from temporary clip- stalled, these tabs are not available.
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HD I/O Digi- HD I/O Hardware Setup, Digital Format options at 44.1 kHz tal card. If no HD I/O Digital Expansion card is installed, these tabs are not available. HD I/O Hardware Setup, Digital Format options at...
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S/MUX). ADAT 1–8 Enable this option for eight channels of ADAT input. This is the only option available at sample rates of 44.1 kHz and 48 kHz. This op- tion is not available at higher sample rates. HD I/O Guide...
The Set To Default button sets all settings to the factory defaults, except for the Digital Format set- ting in the Main page. SRC enabled for AES/EBU Input channels 1–2 and 3–4 at a Sample Rate of 96 kHz Chapter 4: HD I/O Configuration...
+4 dBu setting on the HD I/O. HD I/O is calibrated at the factory for 18 dB Input Trims headroom at the +4 dBu setting. The Input Trims below the two DB–25 connec-...
Adding or Removing I/O Cards The HD I/O has four Expansion I/O bays on the The factory-installed cards can be removed, if back of the unit. Depending on which version of needed, for servicing, or to swap out cards for HD I/O you purchased, one, two, or none of different studio setups.
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Removing the 50-pin cable connector from an I/O card Removing the top cover screws Gently remove the card, pulling it straight out Lift off the top panel of the HD I/O and set it from the chassis. aside. Remove the screws on the back panel for the I/O card you want to remove.
Place the card in a static-free bag and keep it in Lift off the top of the HD I/O and set it aside. a safe place (if you are not sending it to Avid for If necessary, do one of the following: service).
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Securing the I/O card to the back panel of the HD I/O Locate the raised ridge in the middle of the connector on one end of the 50-pin cable that connects the I/O card to the HD I/O chassis.
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50-pin cable that the new card is recognized: that connects the I/O card to the HD I/O chassis. • If you installed a Digital Expansion card, This ridge is only on one side of the connector, you should see a new tab called “Digital...
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If the DigiLink or DigiLink Mini cable is se- curely fastened and the other end is plugged into a Pro Tools|HD card, you may have inadver- tently disconnected another 50-pin cable when installing the card. HD I/O Guide...
The concept of headroom is slightly different for your mixing console. analog and digital devices. The HD I/O has +4 dBu and –10 dBV inputs, and Analog Most analog devices allow for a certain +4 dBu outputs, each with its own trim pot for amount of headroom above 0 VU.
Create a mono Auxiliary Input track for each change the input and output assignments for HD I/O output you want to calibrate. Set the more HD I/O channels or use it as a base to make output assignment for each of these Auxiliary your own calibration template.
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Calibration Mode. It is best to calibrate the inputs with the back of the HD I/O facing you and the Pro Tools screen well in sight. If you cannot see the Pro Tools screen, consider asking another person to assist you with the input calibration.
Analog Output Card Remove the Output card from the HD I/O chassis (as described in Appendix A, “Adding or Each Analog Output card for HD I/O provides a Removing I/O Cards”). jumper for each of the eight channels of output on the card to switch between a Hi and Lo out- Place the card on a stable, static free surface.
appendix d Compliance Information Proposition 65 Warning Environmental Compliance This product contains chemicals, including lead, known to the State of California to cause cancer and Disposal of Waste Equipment by Users birth defects or other reproductive harm. Wash hands in the European Union after handling.
• Consult the dealer or an experienced radio/TV technician for help. Any modifications to the unit, unless expressly approved by Avid, could void the user's authority to operate the equipment. HD I/O Guide...
17) For products with a power switch: The main power switch is located on the front panel of the 1) Read these instructions. HD I/O. It should remain accessible after installation. 2) Keep these instructions. 18) The equipment shall be used at a maximum ambient temperature of 40°...
index Symbols +4 dBu 8, 26, 37 cables DigiLink 11 DigiLink Mini 11 Numerics calibrate 38 –10 dBV 8, 26, 37 calibrating the 888/24 I/O 38 16 x 16 1 calibration 26 16 x 16 analog 1 cards 8 x 8 x 8 1 Analog In 7 Analog Out 7 Digital I/O 7...
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Avid Technical Support (USA) Product Information 2001 Junipero Serra Boulevard Visit the Online Support Center at For company and product information, Daly City, CA 94014-3886 USA www.avid.com/support visit us on the web at www.avid.com...
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