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SLR Lenses
The ideal entry-level solution for HD Video
Aperture
Distagon T* 2,8/15
2.8-22
Distagon T* 3,5/18
3.5-22
Distagon T* 2,8/21
2.8-22
Distagon T* 2/25
2-22
Distagon T* 2,8/25
3)
2.8-22
Distagon T* 2/28
2-22
Distagon T* 1,4/35
1.4-16
Distagon T* 2/35
2-22
Planar T* 1,4/50
1.4-16
Planar T* 1,4/85
1.4-16
Makro-Planar T* 2/50
2-22
Makro-Planar T* 2/100
2-22
For more information, please visit
www.zeiss.com/photo
www.zeiss.com/cine
03/12· Subject to change.
Minimum
Focus
Focus
Rota-
Full
[m/in]
tion
Format
0.25 / 10
58°
100.4°
0.3 / 11.8
96°
90°
0.22 / 8.7
124°
81.2°
0.25 / 10
123°
71.5°
0.17 / 6.7
327°
0.24 / 9.4
117°
65.5°
0.3 / 11.8
144°
54.4°
0.3 / 11.8
113°
0.45 / 17.7
223°
39.6°
1.0/ 39.4
243°
23.9°
0.24 / 9.4
303°
39.6°
0.44 / 17.3
349°
20.4°
1)
F-to-MFT (ZF.2) and EF-to-MFT (ZE) mount adapter from 3rd party manufacturer is required when using a MFT camera.
2)
Manual aperture only with F-mount (ZF.2) lenses available.
3)
Only available with F-mount (ZF.2) lenses.
4)
Full format: Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 24 mm x 36 mm / 0.944" x 1,4173").
APS-H: Horizontal angle of view for an APS-H camera aperture (aspect ratio 1: 1,81, dimensions 30.2 mm x 16.7 mm / 1.19'' x 0.66'').
Super 35: Horizontal angle of view for an Super 35 Silent camera aperture (aspect ratio 1:1.33, dimensions 24.9 mm x 18.7 mm / 0.980" x 0.7362").
Normal 35: Horizontal angle of view for a Normal 35 Academy camera aperture (aspect ratio 1:1.37, dimensions 22 mm x 16 mm / 0.8661" x 0.6299").
APS-C: Horizontal angle of view for an APS-C camera aperture (aspect ratio 1: 1,50, dimensions 25.1 mm x 16.7 mm / 0.99'' x 0.66 '').
MFT: Horizontal angle of view for an Micro 4/3 (MFT)-camera aperture (aspect ratio 1: 1.33, dimensions 17.3 mm x 13 mm / 0.68'' x 0.51'').
1)
With their precise manual
focusing and superbly
balanced bokeh, the SLR
lenses from Carl Zeiss offer
the control and image
quality expected by serious
filmmakers.
 Large rotary angle for
 Smooth focusing
 Manual aperture with
 Carl Zeiss T* anti-
Horizontal Angle of View
APS-H
Super
Normal
35
35
90.4
79.4
72.5
80°
69.3°
62.9°
71.4°
61.3°
55.3°
62.3°
52.9°
47.5°
56.7°
47.9°
42.9°
46.7°
39.2°
34.9°
33.6°
28°
24.8°
20.1°
16.7°
14.7°
33.6°
28°
24.8°
17.2°
14.2°
12.6°
Carl Zeiss AG · www.zeiss.com/cine
pinpoint focusing
mechanism without play
9 iris blades
2)
reflection coating for
maximum stray light
reduction
max.
4)
Weight
APS-C
MFT
[g/oz]
79.8
59.9
820 / 28.9
69.8°
51.3°
470 / 16.6
61.7°
44.8°
600 / 21.2
600 / 21.2
53.3°
38.2°
480 / 16.9
48.3°
34.3°
520 / 18.3
830 / 29.3
39.5°
27.8°
530 / 18.7
28.2°
19.6°
330 / 11.6
16.8°
11.6°
570 / 20.1
28.2°
19.6°
530 / 18.7
14.3°
9.9°
680 / 24.0

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Summary of Contents for Zeiss SRL

  • Page 1 SLR Lenses The ideal entry-level solution for HD Video With their precise manual focusing and superbly balanced bokeh, the SLR lenses from Carl Zeiss offer the control and image quality expected by serious filmmakers.  Large rotary angle for pinpoint focusing ...
  • Page 2 The Compact Prime CP.2 lenses contain a number of flare suppressing measures, including the T* lens coating, internal light traps and housing interiors and painted with several types of black lacquer with different refractive indices. These measures ens ure a high contrast image with clearly defined highlights and deep, rich blacks. For the absolute minimum in flares and internal reflections. The Compact Prime CP.2 18 mm/T3,6 covers Super 35 and Normal 35 image format. 03/12· Subject to change. Carl Zeiss AG · www.zeiss.com/cine...

This manual is also suitable for:

Distagon t 2,8/15Distagon t 3,5/18Distagon t 2,8/21Distagon t 2/25Distagon t 2,8/25Distagon t 2/28 ... Show all