Osc 1,2,3,4 Balance
Filter 1,2 Cutoff
Filter 1,2 Resonance
Filter 1,2 Pan
Filter 1, 2 Saturation
Matrix Depth 1,2,3,4
LFO Speed 1,2,3,4
Rob Papen Albino 3.0
make it swirl, effect depends on intensity and
modulation speed, typically with LFO.
Balance of the respective Oscillator, only useable
when the Oscillator is routed to both filters (F1 +
F2).
Cutoff frequency of Filter 1 or 2, often used with an
LFO to create filter sweeps or with Velocity to
simulate an acoustic instrument's response to note
attack.
Resonance of Filter 1 or 2, a rather subtle effect,
typically used with an LFO or for Keyscaling (Note
Lin or Note Exp source) to adjust Resonance over
the key range.
Pan position of Filter 1 or 2 output, used for stereo
effects, for example, with an LFO as the source for
a permanently moving sound, or with Envelopes to
let the Filter output move through the stereo
panorama. Only functions if the Filter is switched
on and has an input signal. For Filter 1 this has no
effect if F1 is routed to F2.
The Saturation setting of Filter 1/Filter 2.
Intensity of the first four entries (line 1 to 4) in the
Modulation Matrix, often used with the ModWheel
as source to control a specific modulation
parameter (e.g. Vibrato).
Speed of LFO 1 to 4, this allows tempo changes of
the LFO to be programmed. Typically this is used
with Mod-Env as the source. Another example is
Key Lin which can be used to make the LFO run
faster with higher notes.Filter Balance
of both Filters (that is, which one is more
prominent), only usable if both are Filters are
switched on and receive a signal from the
Oscillators.
Balance
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