For additional stereo manipulation, the relative phase between the LFOs applied to the right
and left stereo channels can be controlled by the p
yields the same phase for both channels, 0.5 yields a 90 degree phase shift and 1.0 yields
a 180 degree phase shift. The lower frequencies of the delayed signal can be damped using
the D
l
c
c
elay
o
ut
ontroller
after the delay. Similarly, the D
the higher frequencies are damped.
4.9 Reverb Section
With reverb you can add more spatial depth to your sound.
The S
c
of the Reverb effect controls both main characteristics of the reverb effect:
ize
ontroller
the room size and the reverb decay time. Higher settings of the S
sound longer and stimulate a bigger space. Moving the S
r
l
c
and r
eVerb
o
ut
eVerb
lower frequencies of the delayed signal are damped using the r
determines the cutoff frequency of the highpass filter placed after the reverb. Similarly, the
r
h
c
c
eVerb
i
ut
ontroller
damped. The r
M
eVerb
effect and wet signal at the output of the reverb effect. Turning the r
right crossfades the output to the wet signal.
. It determines the cutoff frequency of the highpass filter placed
h
c
c
elay
i
ut
h
c
determine the sound color of the reverberation signal. The
i
ut
sets the cutoff frequency above which the higher frequencies are
K
acts as a crossfader between the dry signal entering the Reverb
ix
nob
K
. Setting the p
haSe
nob
sets the cutoff frequency above which
ontroller
ize
K
creates a chorus-like effect.
ize
nob
eVerb
K
to 0.0
haSe
nob
K
will make the reverb
nob
l
c
c
o
ut
ontroller
M
K
to the
eVerb
ix
nob
REAKTOR SPARK – 30
. It
Need help?
Do you have a question about the Reaktor Spark and is the answer not in the manual?
Questions and answers