Zoom B9.1ut Operation Manual page 86

Bass effects console
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WAH : Octave
AMP : MonoSyn
9 2
Joe Z
This patch simulates the synth bass of Weather Report's Joe Zawinul.
WAH : AutoWah
AMP : Acoustic
93
Stanley
This patch simulates the sound of Stanley Clarke on his famous "School Days". Best for chord
stroking and slap.
CMP : Compressor
AMP : AmpegSVT
9 4
IRON MAI
This patch simulates the precision bass sound of Iron Maiden's Steve Harris in his early days.
Great for melodic bass lines.
CMP : Limiter
AMP : SWR
A1
Miller's
This patch simulates the slap sound of Marcus Miller. Of course it's great for slap playing.
WAH : Octave
AMP : Aguilar
A 2
Victor W
This patch simulates the sound of Victor Wooten who is famous for tapping and high-speed
slap. Best for use with an active bass.
CMP : Compressor
AMP : Acoustic
A3
Jaco MEL
Patch simulating the sound of Jaco Pastorius, the master of the fretless bass. Get the speedy
fretless feel and use it for melodious phrases.
CMP : Compressor
AMP : Acoustic
A 4
Billy BS
This patch simulates the sound of Billy Sheehan famous for tapping and high-speed play. The
sound is distortion-based and brings out tapping play beautifully.
WAH : AutoWah
AMP : Hartke
B1
Bootsy
This patch simulates the sound of Bootsy Collins using auto wah. It gives a special Funk tone
with a dash of one-octave higher auto wah.
WAH : AutoWah
AMP : Aguilar
B 2
Flea MM
This patch gives a tight sound with a characteristic middle, inspired by Flea, the bassist of the
Red Hot Chili Peppers.
WAH : X-Phaser
AMP : Trace
B3
MarkKing
This patch simulates the attack sound of ultra high-speed slap bassist Mark King from Level
42. Great for slap.
WAH : AutoWah
AMP : SynTlk
B4
PSYCO-BR
Experimental patch from the realm of SF. Move the expression pedal horizontally to direct the
sound like a laser gun.
WAH : Octave
AMP : AmpegSVT
C 1
1up1down
Rich sounding patch adding a one-octave up and one-octave down component.
CMP : Limiter
AMP : StdSyn
C2
PhaseTap
This phaser patch is convenient for rythmical 16-beat play while using mute. Pressing foot
switch 2 in manual mode turns on "Bass Synth" for a gimmicky sound.
WAH : AutoFilter
AMP : Polytone
C3
Ac.Bass
This patch simulates the sound of an acoustic bass. Use mute and play with your thumb for
even better results.
CMP : Compressor
AMP : MetalZone
C4
Gtr uni
This patch lets you play a riff in unison with a guitar. Effective for backing up a guitar in a guitar trio.
WAH : Octave
AMP : TS9
D1
3quarter
Patch using "Octave" and "Vibe". Pressing foot switch 2 in manual mode adds "TS9" distortion,
great for solos and long tone playing.
WAH : Octave
AMP : WalterWds
D 2
Melow SP
Chorus sound for playing a melody in slap style. Pressing foot switch 1 in manual mode adds a
one-octave lower component.
CMP : DualComp
AMP : SansAmp
D3
SynLead
This patch is most suited for ballads and slow-tempo solos. Moving the expression pedal
horizontally gives a bend-down effect like a harmonica. Pressing foot switch 4 in manual mode
adds delay for a wider synthesizer sound.
WAH : AutoWah
AMP : BigMuff
D 4
AutoQesq
This patch is a combination of "Big Muff" and "Auto Wah". Good for solos and lead.
WAH : Octave
AMP : Polytone
E1
HitSound
Massive synthesizer type bass sound such as used for backing on hit songs. Pressing foot switch 4 in
manual mode enables the "Air" effect, adding room ambience for an even more solid sound.
CMP : M Comp
AMP : MetalZone
E2
Slow Pad
Synthesizer pad patch using "Slow Attack", resulting in soft sound without overbearing presence.
WAH : PedalVox
AMP : FuzzFace
E3
Pedal WH
Rock patch with wild distortion. Pushing down the expression pedal turns "PedalVox" on,
letting you emphasize a bass solo. Horizontal movement of the expression pedal adds "STEP"
for a gimmick effect.
WAH : 8StagePhaser
AMP : Trace
E4
EP
Playing a chord with this patch makes it sound as if an electric piano is playing along. By
moving the expression pedal horizontally, you can control the "AutoPan" RATE parameter. (This
patch is suitable for line output.)
MOD : Chorus
REV : Hall
Volume
AMP:MonoSyn:MixBal
MOD : Chorus
REV : ModernSpring
Volume
(MOD:Chorus:Rate)
MOD : Chorus
DLY : Delay
Volume
AMP:AmpegSVT:Gain
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Chorus
REV : E/Refl ection
Volume
(MOD:Chorus:Rate)
MOD : Chorus
REV : Hall
Volume
DLY:Delay:Mix
MOD : Detune
DLY : Delay
Volume
AMP:Acoustic:Gain
MOD : PitchShift
DLY : Delay
Volume
MOD:PitchShift:Balance
MOD : Flanger
DLY : Delay
Volume
(MOD:Flanger:Depth)
MOD : Chorus
REV : Hall
WAH:X-Phaser:X-Fade
(MOD:Chorus:Rate)
MOD : Flanger
DLY : ReverseDelay
Volume
MOD:Flanger:Rate
MOD : MonoPitch
REV : Hall
Volume
MOD:MonoPitch:Balance
MOD : ST-Chorus
DLY : SOS
Volume
WAH:8StagePhaser:Rate
MOD : PitchShift
DLY : Delay
Volume
REV:Hall:Mix
MOD : MonoPitch
DLY : Delay
Volume
Balance
MOD : Vibe
REV : Arena
Volume
MOD:Vibe:Rate
MOD : Detune
REV : Hall
Volume
REV:Hall:Mix
MOD : PdlMonoPitch
DLY : PingPongDly
Volume
MOD:PdlMonoPitch:PdlPosi
MOD : Vibe
DLY : SOS
Volume
WAH:AutoWah:Resonance
MOD : ST-Chorus
DLY : Air
Volume
MOD:ST-Chorus:Mix
MOD : PitchShift
DLY : PingPongDly
Volume
WAH:SlowAttack:Time
MOD : X-Step
DLY : Delay
(WAH:PedalVox:Frequency)
MOD:X-Step:X-Fade
MOD : PitchShift
REV : AutoPan
Volume
REV:AutoPan:Rate
WAH : AutoWah
AMP : TubePre
F1
AmVocode
Patch with Vocoder type sound. "H.P.S" for the patch is set to match a key of C or Am.
WAH : Tremolo
AMP : FuzzFace
F2
ChainSaw
Wild distortion based on the image of a chain saw. Pressing foot switch 1 in manual mode
enables "Tremolo" for an even stronger chain saw effect.
CMP : DualComp
AMP : StdSyn
F3
Meteor
Synthesizer sound patch. Pressing foot switch 3 in manual mode enables the "Pitchshifter"
effect, and foot switch 4 adds "PingPongDly" for a magical feel.
CMP : Limiter
AMP : Hartke
F4
PICK
This patch gives just the right attack and solid bottom for playing with a pick.
WAH : AutoWah
AMP : Acoustic
G1
CrunchWh
Crunch sound with auto wah for that groovy dance feeling.
CMP : DualComp
AMP : SansAmp
G2
12-Str.G
This patch simulates a 12-string guitar that works great when playing arpeggios. (This patch is
suitable for line output.)
WAH : Tremolo
AMP : ODB-3
G3
Hold Dly
Patch using the "Loop" effect. Pressing function foot switch 3 holds the immediately preceding
sound, letting you overlay a melody.
CMP : Compressor
AMP : MXR D.I+
G4
Fretless
This patch simulates a fretless bass by means of "Slow Attack" rather than "Defret".
CMP : M Comp
AMP : Hartke
H1
Storm PH
Moving the expression pedal horizontally lets you control the RATE parameter of this unique
phase sound.
CMP : DualComp
AMP : 4VoiceSyn
H 2
4VoiceSy
Synthesizer patch using "4VoiceSyn" with Add9 for the played sound. Most effective when used like a pad.
CMP : DualComp
AMP : PedalSyn
H3
P-Syn.Am
When you press the function foot switch 2, this pedal synthesizer type patch lets you play
sounds with the foot switches like Moog Taurus. Moving the expression pedal horizontally
shifts the key upwards by as much as one octave.
WAH : AutoWah
AMP : TS9
H 4
Live 1
Basic effect settings useful during a live performance. Compression is the main element, with
foot switches 1 - 4 adding auto wah, distortion, chorus, and reverb.
WAH : 4StagePhaser
AMP : G-Krueger
i1
Live 2
Basic effect settings useful during a live performance. Compression is the main element, with
foot switches 1 - 4 adding phaser, head amp, fl anger, and reverb.
WAH : Octave
AMP : ODB-3
i2
ECHODOUG
Distortion sound using "Z-Talking" and the "ODB-3" effect. You can make the bass sound talk
in a human-like voice using the expression pedal.
WAH : Tremolo
AMP : MetalZone
i3
Heli
Helicopter sound capable of front/back and left/right movement. The expression pedal moves
the sound seamlessly in all directions. (This patch is suitable for line output.)
CMP : Compressor
AMP : TubePre
i4
Z-Bubble
Using the expression pedal while playing muted sounds produces a bubbly kind of sound, while
using the expression pedal during regular playing gives an effect like a tape being rewound.
(This patch is suitable for line output.)
WAH : AutoWah
AMP : AmpegSVT
J1
PSYIFI
Stereo patch using "AutoPan". The expression pedal can be used to control rotation rate and
width. (This patch is suitable for line output.)
WAH : AutoWah
AMP : MetalZone
J 2
PHAZE
Jet sound patch combining "Flanger" and the distortion effect "MetalZone". Operating the
expression pedal causes the jet sound to rotate. (This patch is suitable for line output.)
CMP : Compressor
AMP : ODB-3
J3
Step
This patch is designed for solo playing and uses the "Step" effect. The expression pedal can be
used to control sound rotation. (This patch is suitable for line output.)
CMP : DualComp
AMP : StdSyn
J 4
Z-Cats
Moving the expression pedal lets you play along with a cat chorus. (This patch is suitable for
line output.)
Manufacturer names and product names mentioned in this patch list are trademarks or registered trade-
• Adjust the ZNR value to achieve an optimum match with the bass
marks of their respective owners and do not indicate any affi liation with ZOOM CORPORATION. All product
guitar and amp that you are using.
and artist names are intended only to illustrate sonic characteristics that were used as reference in the devel-
• When using a bass amp, the EQ should be set to the fl at setting.
opment of this product.
MOD : H.P.S
REV : Room
Volume
REV:Room:Decay
MOD : Flanger
DLY : Delay
Volume
(MOD:Flanger:Rate)
MOD : PitchShift
DLY : PingPongDly
Volume
WAH:4StagePhaser:Rate
MOD : Flanger
DLY : Delay
Volume
(MOD:Flanger:Rate)
MOD : Air
REV : Arena
Volume
WAH:AutoWah:Sense
MOD : PitchShift
DLY : PingPongDly
Volume
Balance
MOD : ST-Chorus
REV : PanDelay
Volume
REV:PanDelay:Pan
MOD : Chorus
DLY : PingPongDly
Volume
DLY:PingPongDly:Mix
MOD : DynamicDelay
REV : Hall
Volume
WAH:8StagePhaser:Rate
MOD : A-Resonance
DLY : ReverseDelay
Volume
DLY:ReverseDelay:Balance
MOD : Detune
DLY : PingPongDly
Volume
(AMP:PedalSyn:Key)
MOD : Chorus
REV : Hall
Volume
(MOD:Chorus:Rate)
MOD : Flanger
REV : Hall
Volume
(WAH:4StagePhaser:Rate)
MOD : Z-Talking
DLY : Delay
MOD:Z-Talking:Formant V
MOD:Z-Talking:Formant H
MOD : AutoWah
DLY : Delay
REV:Z-Dimension:Depth
REV:Z-Dimension:Pan
MOD : Z-Echo
DLY : PingPongDly
MOD:Z-Echo:Time
MOD:Z-Echo:Time
MOD : Chorus
REV : AutoPan
REV:AutoPan:Rate
REV:AutoPan:Depth
MOD : Flanger
REV : Z-Tornado
REV:Z-Tornado:Mix
REV:Z-Tornado:Width
MOD : Step
DLY : PingPongDly
REV:Z-Tornado:Rate
REV:Z-Tornado:Width
MOD : PdlMonoPitch
DLY : PingPongDly
MOD:PdlMonoPitch:PdlPosi
REV:Z-Dimension:Pan
B9.1ut-Patchlist-E-1

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