Various Settings; Basic Operation In Function Mode - Roland RP201 Owner's Manual

Various Settings

In Function mode you can make various settings for performance
and recording.

Basic Operation in Function Mode

1.
Hold down the [Song] button and press the [Metronome]
button.
fig.RP201Function.eps
The [Song] button and [Metronome] button will light.
The display will indicate "Fnc" and you'll be in Function mode.
The [Reverb], [Transpose], [Split], [Piano], [E. Piano], [Strings] and
[Others] buttons flash.
fig.d-Fnc.eps
2.
Press one of the blinking buttons to select the setting
you want to change.
The display shows the name of the setting while you hold down the
button. The value of the setting will appear when you release the
button.
3.
Use the [–] [+] buttons to change the setting.
4.
If you want to change a different setting, select the
setting you want to change by pressing one of the
buttons that were blinking before step 2.
5.
Press the [Song] or [Metronome] button to leave
Function mode.
The button indicators will return to their former state.
The settings you change will return to their original state when
you turn off the power. If you want your changes to be
retained even after the power has been turned off, carry out
the Memory Backup procedure (p. 44) to save the settings.
Button Function
Twin Piano Mode
[Reverb]
Save a Song
[Transpose] Deleting songs
(& [–] [+])
Transpose Mode
34
Button
[Split]
(& [–] [+])
[Piano]
(& [–] [+])
[E.Piano]
(& [–] [+])
[Strings]
(& [–] [+])
Page
[Others]
p. 36
(& [–] [+])
p. 32
p. 32
p. 35
Press [ ] for several
seconds
Function
Dual Balance
Octave Shift
Master Tuning
Temperament
Temperament Key
Stretch Tuning
Brilliance
Damper Resonance
String Resonance
Key Off Resonance
Damper Pedal Part
Center Pedal Function
Left Pedal Function
Memory Backup
Local Control
MIDI Transmit Channel
Composer MIDI Out
V-LINK Transmit Channel
Recommended Tone
Factory Reset
Panel Lock
Page
p. 35
p. 35
p. 38
p. 38
p. 39
p. 39
p. 18
p. 40
p. 40
p. 40
p. 37
p. 37
p. 37
p. 44
p. 41
p. 42
p. 42
p. 43
p. 41
p. 44
p. 45