Pre Fx; Tone; Notch; Mic&Body - Korg Toneworks AX10A Owner's Manual

PRE FX

Use the PRE FX button to select the pre effect type, and use the VALUE buttons to adjust the amount of effect.
TYPE Explanation
COMP Compressor that makes picking volume more consistent.
LIMITER Limiter that suppresses excessive levels.
EXCITER (*1) Exciter that adds sparkle to the high-frequency range.

TONE

(*1)
This is a three-band tone control. You can adjust the noise reduction by holding down the FUNCTION button and turning the
LEVEL (NR) knob.
BASS Low-frequency adjustment (00...30).
Adjusts the mid peak frequency in a range of 170 Hz...3 kHz (1...10).
MID FC
MIDDLE Mid-frequency adjustment (00...30).
TREBLE High-frequency adjustment (00...30).
LEVEL Volume adjustment (00...30).
NR Amount of noise reduction.

NOTCH

You can eliminate acoustic feedback by turning this selector to set the frequency of the notch filter. Turning the knob all the
way to the left will turn the notch filter off. Turn the knob toward the right to raise the notch filter frequency, and find the point
at which acoustic feedback is occurring. If acoustic feedback is not occurring, we recommend that you leave the notch filter
turned off. If you've assigned PEDAL FX to NOTCH, you can use the expression pedal to set the notch filter frequency.
FREQUENCY Notch filter frequency (low-high). Far left is OFF.
MIC&BODY
(*1)
Use the MIC & BODY selector to select a mic & body type, and use the DEPTH buttons to adjust the DEPTH parameter.
TYPE Explanation
C-MIC Condenser mic simulation.
M-LARGE A large old body suitable for a variety of situations.
M-SMALL A small old body suitable for delicate arpeggios, etc.
G-LARGE A large old body with a tough sound, suitable for strumming chords.
A small body with a distinctive mid-range, favored by country and
G-SMALL
blues performers.
T-LARGE A large body distinguished by a sophisticated sound suitable for
pop. The sound of one of the newer American manufacturers.
DRY Large body with a distinctive dry sound.
LIGHT Light sounding body suitable for a band or ensemble.
NYLON Simulates a nylon-string sound.
STEEL Body with distinctively metallic highs, suitable for rock.
RESO Resonator guitar body, suitable for slide playing.
AMB&CHORUS
Use the AMBIENCE selector to select the ambience effect type, and use the AMB buttons to adjust the AMB parameter. By
pressing the TAP button twice at the desired interval you can set the delay time or reverb time. To adjust the chorus effect
depth, hold down the FUNCTION button and use the AMB buttons. AMBIENCE and CHORUS can be used simultaneously. If
you want to turn either AMBIENCE or CHORUS off separately, set the corresponding parameter to a value of "0". If you
assign PEDAL FX to AMB or CHO, the expression pedal will control that effect.
TYPE Explanation
SLAP The delay time will be set to 1/4th of the interval at
which you press TAP.
ECHO1 Tape echo simulation with a warm tone (feedback low).
ECHO2 Tape echo simulation with a warm tone (feedback medium).
ECHO3 Tape echo simulation with a warm tone (feedback high).
PP DLY Ping-pong delay that bounces from to left to right.
MULTI Multi-tap delay.
Reverb with an airy feel.
AIR
ROOM Room reverb.
Hall reverb (*3).
HALL
PLATE Plate reverb (*3).
SPRING Spring reverb (*3).
(*1) Some settings may produce distortion. If this occurs, reduce the parameter value. (*2) The button will not change the value. (*3) The reverb
time is set to double the interval at which you press TAP.
DEPTH
Mic distance 0 (distant)...30 (close)
Effect depth 0...30
Normal
TAP
AMB
Delay time:
up to 250 [ms]
Delay time:
up to 1.0 [s]
Effect level:
0...30
N/A (*2)
Reverb time:
up to 4.0 [s]
Reverb time:
up to 8.0 [s]
VALUE
Adjusts sensitivity: 0...30
Limiting amount: 0...30
Effect depth: 0...30
PEDAL FX:AMB
PEDAL AMB
Specifies the
Controls the
effect depth at
effect depth
maximum
pedal position
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