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Kurzweil ALGORITHMS2 Algorithm Manual page 4

Distortion

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PAGE 2
Bass Gain
-79.0 to 24.0 dB
Bass Freq
16 to 25088 Hz
Mid Gain
-79.0 to 24.0 dB
Mid Freq
16 to 25088 Hz
Mid Width
0.010 to 5.000 oct
Wet/Dry
Out Gain
Dist Drive
Warmth
Cab Bypass
Cab Preset
Highpass
MonoDistort + EQ and StereoDistort+EQ
Cabinet HP
Cabinet LP
Bass Gain
Bass Freq
Treb Gain
Treb Freq
Mid Gain
Mid Freq
Mid Wid
Treb Gain
Treb Freq
The amount of distorted (wet) signal relative to unaffected (dry) signal.
The overall gain or amplitude at the output of the effect. For distortion, it is often
necessary to turn the output gain down as the distortion drive is turned up.
Applies a boost to the input signal to overdrive the distortion algorithm. When
overdriven, the distortion algorithm will soft-clip the signal. Since distortion drive will
make your signal very loud, you may have to reduce the Out Gain as the drive is
increased.
A lowpass Þlter in the distortion control path. This Þlter may be used to reduce some of
the harshness of some distortion settings without reducing the bandwidth of the signal.
The guitar ampliÞer cabinet simulation may be bypassed. When set to ÒInÓ, the cabinet
simulation is active; when set to ÒOutÓ, there is no cabinet Þltering. [MonoDistort + Cab]
Eight preset cabinets have been created based on measurements of real guitar ampliÞer
cabinets. The presets are Basic, Lead 12, 2x12, Open 12, Open 10, 4x12, Hot 2x12, and Hot
12. See description of FX Algs #729-732 for more information. [MonoDistort + Cab]
Allows you to reduce the bass content of the distortion content. If you need more
Þltering to better simulate a speaker cabinet, you will have to choose a larger distortion
algorithm. [Mono Distortion]
A hipass Þlter which controls the low-frequency limit of a simulated loudspeaker
cabinet.
A lowpass Þlter which controls the high-frequency limit of a simulated cabinet.
The amount of boost or cut that the bass shelving Þlter should apply to the low
frequency signals in dB. Every increase of 6 dB approximately doubles the amplitude of
the signal. Positive values boost the bass signal below the speciÞed frequency. Negative
values cut the bass signal below the speciÞed frequency.
The center frequency of the bass shelving Þlter in intervals of one semitone.
The amount of boost or cut that the treble shelving Þlter should apply to the high
frequency signals in dB. Every increase of 6 dB approximately doubles the amplitude of
the signal. Positive values boost the treble signal above the speciÞed frequency. Negative
values cut the treble signal above the speciÞed frequency.
The center frequency of the treble shelving Þlter in intervals of one semitone.
The amount of boost or cut that the mid parametric Þlter should apply in dB. Every
increase of 6 dB approximately doubles the amplitude of the signal. Positive values
boost the signal at the speciÞed frequency. Negative values cut the signal at the
speciÞed frequency.
The center frequency of the mid parametric Þlter in intervals of one semitone. The boost
or cut will be at a maximum at this frequency.
The bandwidth of the mid parametric Þlter may be adjusted. You specify the bandwidth
in octaves. Small values result in a very narrow Þlter response. Large values result in a
very broad response.
FXAlgs #724-6, 728: Distortion
-79.0 to 24.0 dB
16 to 25088 Hz
Algorithm Reference-97

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