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Related Manuals for Canon EOS R1
Summary of Contents for Canon EOS R1
- Page 1 Advanced User Guide These operating instructions are for the EOS R1 with firmware ver. 1.0.1 or later installed. CT2-D311-B © CANON INC. 2024...
- Page 2 Contents Introduction..........10 Package Contents.
- Page 3 Tv: Shutter-Priority AE......... . 134 Av: Aperture-Priority AE.
- Page 4 Interval Timer Shooting......... 278 Silent Shutter Function.
- Page 5 Standby: Low Resolution........431 Canon Log HDMI Output Range........432 Metadata.
- Page 6 Remote Control Shooting........560 Playback.
- Page 7 Connecting to EOS Utility........724 Uploading Images to image.canon....... . . 737 Syncing Time Between Cameras.
- Page 8 Selecting Cards for Recording/Playback......927 Folder Settings..........935 Still Photo File Numbering.
- Page 9 Tab Menus: Control Customization....... 1006 Control Customization Details........1009 Custom Functions/My Menu.
- Page 10 Also be aware that certain public performances, exhibitions, etc. may prohibit photography even for private enjoyment. Connecting other devices Use the included interface cable or a Canon cable when connecting the camera to a computer or other device. When connecting an interface cable, also use the included cable protector ( •...
- Page 11 Package Contents Before use, make sure the following items are included in the package. If anything is missing, contact your dealer. Camera (with body cap (Camera Cover R-F-5), battery compartment cap, and shoe cover ER-SC3) Eyecup ER-i Battery Pack LP-E19 (with protective cover) Battery Charger LC-E19 (with protective cover)
- Page 12 No software CD-ROM is included. Software ( ) can be downloaded from the Canon website. For details on compatible interface cables, visit the Canon website ( Caution The transmission rate when the included interface cable is used is equivalent to...
- Page 13 Supplemental Information Refer to the following website for information on lenses compatible with camera features, and for supplemental information about the camera. https://cam.start.canon/H001/...
- Page 14 Compatible Accessories Check the following website for details on compatible accessories. https://cam.start.canon/H002/...
- Page 15 Be sure to read before use. Advanced User Guide Complete instructions are provided in this Advanced User Guide. For the latest Advanced User Guide, refer to the following website. https://cam.start.canon/C018/ Lens Instruction Manuals View or download from the following website. https://cam.start.canon/...
- Page 16 Quick Start Guide Insert the battery ( Upon purchase, charge the battery to start using ( Insert the cards ( You can insert two cards. Attach the lens ( Align the red mount index on the lens with the red mount index on the camera to attach the lens.
- Page 17 Set the focus mode to AF ( Set the lens's focus mode switch to < >. For lenses without a focus mode switch, set [ : Focus mode] to [AF]. Set the power switch to < > ( Flip out the screen ( When the language setting screen is displayed, see Language.
- Page 18 Set the shooting mode to [P] ( Press the < > button, then turn the < > dial to select [P]. Focus on the subject ( A tracking frame [ ] appears over any face detected. Press the shutter button halfway, and the camera will focus on the subject.
- Page 19 Review the picture. The image just captured will be displayed for approx. 2 sec. on the screen. To display the image again, press the < > button (...
- Page 20 About This Guide Icons in This Guide Basic Assumptions for Operational Instructions and Sample Photos Icons in This Guide Indicates the Main dial. < > Indicates Quick control dial 1. < > Indicates Quick control dial 2. < > Indicates the Multi-controller. <...
- Page 21 Basic Assumptions for Operational Instructions and Sample Photos Before following any instructions, make sure the power switch is set to < > ( and the Multi-function lock feature is off ( It is assumed that all the menu settings and Custom Functions are set to their defaults. Illustrations in this guide show the camera with the RF24-70mm F2.8 L IS USM lens attached as an example.
- Page 22 Compatible Cards The following cards can be used with the camera. If the card is new or was previously formatted (initialized) by another camera or computer, format it with this camera ( CFexpress cards * Type-B compatible Caution You cannot use CFexpress cards with a capacity larger than 2 TB. Cards That Can Record Movies When recording movies, use a card that supports VPG400 ( The VPG-400 Logo is a Certification Mark of CompactFlash Association, used under...
- Page 23 Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING: Denotes the risk of serious injury or death. Keep the product out of the reach of young children.
- Page 24 Observe the following instructions when using commercially available batteries or provided battery packs. • Use batteries/battery packs only with their specified product. • Do not heat batteries/battery packs or expose them to fire. • Do not charge batteries/battery packs using non-authorized battery chargers. •...
- Page 25 CAUTION: Follow the cautions below. Otherwise physical injury or property damage may result. Do not fire the flash near the eyes. It may hurt the eyes. Do not look at the screen or through the viewfinder for prolonged periods of time. This may induce symptoms similar to motion sickness.
- Page 26 If you accidentally drop the camera into water or are concerned that moisture (water), dirt, dust, or salt may have gotten inside it, promptly consult the nearest Canon Service Center. Never leave the camera near anything having a strong magnetic field such as a magnet or electric motor.
- Page 27 If you have not used the camera for some time or if there is an important shoot such as a foreign trip coming up, have the camera checked by your nearest Canon Service Center or check the camera yourself and make sure it is working properly.
- Page 28 Besides dust entering the camera from outside, in rare cases, lubricant from the camera's internal parts may adhere to the front of the sensor. If smudges are visible on images, have the sensor cleaned by a nearest Canon Service Center.
- Page 29 Part Names Attaching the Strap Using the Cable Protector ( 1 ) ( 12 ) ( 13 ) ( 2 ) ( 14 ) ( 15 ) ( 3 ) ( 4 ) ( 16 ) ( 17 ) ( 5 ) ( 18 ) ( 6 ) (19 )
- Page 30 Self-timer lamp/AF-assist beam Shutter button Multi-function button 2 (M-Fn 2) Depth-of-field preview button Grip Card slot cover lock switch < > Vertical-grip Multi-function button Vertical-grip On/Off switch < > Vertical-grip Main dial (10) Vertical-grip shutter button (11) Shoe cover (12) RF lens mount index (13) Lens mount...
- Page 31 (20) (21) (22) (23) (24) (25) ( 10 ) (26) ( 11 ) (27) (28) ( 12 ) (29) ( 13 ) (30) ( 14 ) (31) ( 15 ) (16) (32) (17) (33) (34) (18) (35) (36) ( 19 ) (37)
- Page 32 Eyecup Multi-function shoe Flash sync contacts < > Focal plane mark < > Drive mode/AF operation selection button Microphone Tally lamp < > Flash exposure compensation/metering mode selection button Strap mount (10) < > External microphone IN terminal (11) < >...
- Page 33 ( 20 ) ( 12 ) ( 19 ) ( 13 ) ( 14 ) ( 15 ) ( 16 ) ( 1 ) ( 2 ) ( 17 ) ( 3 ) ( 18 ) ( 4 ) ( 5 ) ( 21 )( 22 ) ( 23 ) ( 6 )
- Page 34 Viewfinder sensor Viewfinder eyepiece Eye control camera < > Multi-controller (can also be pressed straight in) < > Info button < > Quick control dial 1 < > Playback button < > Magnify/reduce button < > Erase button (10) < >...
- Page 35 LCD panel information display Information displayed varies depending on camera status. For icon details, see Information Display. Viewfinder information display Information displayed varies depending on camera status. Battery Pack LP-E19 Battery lock lever Contacts Protective cover Battery release handle...
- Page 36 Battery Charger LC-E19 Charger for Battery Pack LP-E19 ( Contacts Battery slots Power cord socket Recharge performance check button/Calibration button Charge lamp/Recharge performance check lamp/Discharge time lamp Calibration (discharge) lamp Protective cover (two included) Power cord...
- Page 37 Attaching the Strap Pass the end of the strap through the strap mount from the bottom, then pass it through the strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle.
- Page 38 Using the cable protector helps prevent accidental disconnection and terminal damage. When connecting the camera to a computer, use a Canon cable (included or sold separately). When connecting the camera to a television or other display device, use a commercially available HDMI cable.
- Page 39 Cable insertion/connection Insert the cables in the clamp, attach the clamp to the protector, then connect the cables to the camera. With both a Canon interface cable and an HDMI cable Pass each cable through the clamp. (3) Canon interface cable (4) HDMI cable Attach the clamp to the protector.
- Page 40 Connect each cable to the camera. With only a Canon interface cable or HDMI cable Pass the cable through the clamp (2) as shown, then attach the clamp to the protector. Caution Using the camera when an interface cable or HDMI cable is connected without the cable protector may damage the camera terminal.
- Page 41 Canon XF Utility For transferring movie files to a computer, as well as playback and still photo extraction. Canon RAW Plugin for Avid Media Access For importing RAW movies into Avid Media Composer. Canon RAW Plugin for Final Cut Pro...
- Page 42 Canon Plugin for ProRes RAW For importing RAW movies recorded with Atomos recorders in ProRes RAW format into Apple Final Cut Pro. Smartphone apps Camera Connect Enables you to transfer captured images from the camera to a smartphone over a wired or wireless connection, set various camera settings from the smartphone, and shoot remotely from the smartphone.
- Page 43 Download the software. Connect to the internet from a computer and access the following Canon website. https://cam.start.canon/ Depending on the software, you may need to enter the camera's serial number. The serial number is on the bottom of the camera.
- Page 44 Installing Smartphone Apps Always install the latest version. Apps can be installed from Google Play or App Store. You can also access Google Play and App Store from the following Canon website. https://cam.start.canon/...
- Page 45 Software Instruction Manuals Check the following website for software instruction manuals. https://cam.start.canon/...
- Page 46 Preparation and Basic Operations This chapter describes preparatory steps before you start shooting and the basic camera operations. • Charging the Battery • Inserting/Removing Batteries • Inserting/Removing Cards • Using the Screen • Turning on the Power • Attaching and Detaching RF/RF-S Lenses •...
- Page 47 Charging the Battery Connect and plug in the battery charger. Connect the power cord to the charger and plug the other end into a power outlet. All indicator lamps are off when no batteries are loaded. Remove the protective cover. Remove the included protective covers from the charger and battery.
- Page 48 Charge the battery. Slide the battery in (in the opposite direction from protective cover removal) and make sure it is securely attached to the charger. You can load a battery into either slot or slot Charging begins automatically, and the charge lamp blinks or lights up in green.
- Page 49 Upon purchase, the battery is not fully charged. Charge the battery before use. Charge the battery on the day before or on the day it is to be used. Charged batteries gradually lose their charge, even when they are not used. After charging the battery, remove it and disconnect the charger from the power outlet.
- Page 50 < > lamp in green), remove the battery and contact your dealer or the nearest Canon Service Center. If the three charge lamps blink during calibration, remove the battery and contact your dealer or the nearest Canon Service Center.
- Page 51 Inserting/Removing Batteries Insertion Removal Insert a fully charged Battery Pack LP-E19 into the camera. Insertion Remove the battery compartment cap. Insert the battery. Insert the battery firmly, all the way in, then turn the battery release handle as shown by the arrow. Caution There may be a slight delay before the camera turns on when a battery is used in the camera for the first time.
- Page 52 Note Wipe away any dirt on the battery's water-repellent rubber lining (1) with a moistened cotton swab.
- Page 53 Removal Turn the battery release handle and remove the battery. Make sure the power switch is set to < > ( Flip out the battery release handle, turn it as shown by the arrow, and remove the battery. To prevent short-circuits, always attach the included protective cover ) to the battery.
- Page 54 Inserting/Removing Cards Insertion Formatting Cards Removal This camera accepts two cards. Recording is possible as long as there is at least one card in the camera. With two cards inserted, you can select one card to record to, or you can record the same image to both cards at once ( Insertion Open the card slot cover.
- Page 55 Insert the cards. Card 1 Card 2 The card in the rear card slot is [ ], and the one in front of it is [ ]. With the card label facing you, insert the open side of the card (2) into the card slot.
- Page 56 Set the power switch to < > ( (4) Card selection icon (5) Card 1 (6) Card 2 Icons representing loaded cards are shown on the shooting screen ) accessed by pressing the < > button and on the Quick Control screen ( ).
- Page 57 Formatting Cards If a card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera (...
- Page 58 Removal Open the cover. Set the power switch to < > and make sure the access lamp (7) is off. With the card slot cover lock switch slid toward the release side, pull the card slot cover toward you to open it. If [Saving...] is displayed on the screen, close the cover.
- Page 59 Note The number of shots available varies depending on remaining card capacity and settings such as image quality and ISO speed. Setting [ : Release shutter without card] to [Disable] will prevent you from forgetting to insert a card ( Caution When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred.
- Page 60 Using the Screen You can change the direction and angle of the screen. Flip out the screen. Rotate the screen. When the screen is out, you can tilt it up or down or rotate it to face the subject. Indicated angles are only approximate. Face it toward you.
- Page 61 Caution Avoid forcing the screen into position as you rotate it, which puts undue pressure on the hinge. When a cable is connected to a camera terminal, the rotation angle range of the flipped-out screen will be limited. Note Keep the screen closed and facing the camera body when the camera is not in use. You can protect the screen.
- Page 62 Turning on the Power Changing the Interface Language Setting the Date, Time, and Time Zone Connecting the Camera to a Smartphone Automatic Sensor Cleaning Battery Level Indicator < > The camera turns on. < > The camera turns on. Multi-function locking is engaged ( <...
- Page 63 Changing the Interface Language Set the Language if the [Language ] setting screen appears after you turn on the camera. Setting the Date, Time, and Time Zone Set the Date/Time/Zone if the [Date/Time/Zone] setting screen appears. Connecting the Camera to a Smartphone Instructions for connecting to a smartphone are displayed if you select [OK] when the setup screen appears ( Automatic Sensor Cleaning...
- Page 64 Battery Level Indicator When the power switch is set to < >, the battery level will be indicated. Display Level (%) 100–70 69–50 49–20 19–10 9–1 Caution Doing any of the following will exhaust the battery faster: • Pressing the shutter button halfway for a prolonged period. •...
- Page 65 Attaching and Detaching RF/RF-S Lenses Attaching a Lens Detaching a Lens Caution Do not look at the sun directly through any lens. Doing so may cause loss of vision. When attaching or detaching a lens, set the camera's power switch to < >.
- Page 66 Attaching a Lens Remove the caps. Remove the rear lens cap (1) and body cap (2) by turning them as shown by the arrows. Attach the lens. Align the red mount index on the lens with the red mount index on the camera and turn the lens as shown by the arrow until it clicks in place.
- Page 67 Set the focus mode to AF. AF stands for autofocus. MF stands for manual focus. Autofocus is disabled. For RF lenses with a focus mode switch Set the lens's focus mode switch to < >. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF].
- Page 68 Detaching a Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the lens you removed.
- Page 69 Attaching and Detaching EF/EF-S Lenses Attaching a Lens Detaching a Lens All EF and EF-S lenses can be used by attaching an optional Mount Adapter EF-EOS R. The camera cannot be used with EF-M lenses. Note With EF-S lenses, an approx. 1.6× crop factor is applied to the center of the regular image area.
- Page 70 Attach the lens to the adapter. Align the red or white mount index on the lens with the corresponding mount index on the adapter and turn the lens as shown by the arrow until it clicks into place. (3) Red index (4) White index Attach the adapter to the camera.
- Page 71 Set the lens's focus mode switch to < >. < > stands for autofocus. < > stands for manual focus. Autofocus will not operate. Remove the front lens cap.
- Page 72 Detaching a Lens While pressing the lens release button, turn the adapter as shown by the arrow. Turn the lens until it stops, then detach it. Detach the lens from the adapter. Hold down the lens release lever on the adapter and turn the lens counterclockwise.
- Page 73 Multi-Function Shoe Using the Multi-Function Shoe The multi-function shoe is a hot shoe that supplies power to accessories and offers advanced communication functionality. Using the Multi-Function Shoe Removing the shoe cover Place your finger on the shoe cover (1) as shown in the figure and press down on part (A) as you pull the cover off in the direction shown.
- Page 74 Electronic Viewfinder EVF-DC2/EVF-DC1 cannot be attached to the multi-function shoe. Attempting to attach the accessories by force may damage them or the multi-function shoe. Attaching the shoe cover After removing accessories from the multi-function shoe, reattach the shoe cover to protect the contacts from dust and water.
- Page 75 Using the Viewfinder Dioptric Adjustment Replacing Eyecup ER-i Using Eyecup ER-iE (Sold Separately) Look through the viewfinder to activate it. You can also restrict display to either the screen or viewfinder ( Dioptric Adjustment Adjust the diopter for clear viewfinder display. Pull out the dioptric adjustment dial to unlock it, then turn the dial right or left.
- Page 76 Replacing Eyecup ER-i Follow these steps if you need to replace Eyecup ER-i. Detach the eyecup. Eyecup lock levers (1) are on both sides of the eyecup. Press in the levers as you lift the eyecup straight up. Attach a new eyecup.
- Page 77 Using Eyecup ER-iE (Sold Separately) Outdoors, using Eyecup ER-iE may improve eye control accuracy and viewfinder visibility. Detach the eyecup. Eyecup lock levers (1) are on both sides of the eyecup. Press in the levers as you lift the eyecup straight up. Attach Eyecup ER-iE.
- Page 78 With the side grooves of Eyecup ER-iE aligned with the camera, slide the eyecup down until it stops. You can rotate Eyecup ER-iE as necessary for adjustment. It clicks every 90° and can be rotated 360°. To remove Eyecup ER-iE: Holding Eyecup ER-iE as shown, pull it straight up.
- Page 79 Using Eye Control Performing Calibration Using Eye Control for AF Configuring Pointer Display Managing Calibration Data You can control focusing by looking at AF points to select them in viewfinder shooting (eye control). Caution Eye control is only available in still photo shooting. Performing Calibration The process of registering characteristics of your line of sight for accurate detection of eye movement by the camera in viewfinder shooting is called calibration.
- Page 80 Calibration operations After adjusting the viewfinder ( ), perform calibration under the same conditions as when you will shoot (such as with or without glasses or contact lenses). During calibration, keep your eye near the viewfinder. Select [ : Eye control Select [Calibration (CAL)].
- Page 81 Look through the viewfinder. Holding the camera horizontally, look through the viewfinder so that the four corners of the screen appear evenly spaced. Press the < > button. Start calibration. Look at the indicator displayed and press the < > button. Keep looking at the indicator without blinking until it disappears.
- Page 82 Perform calibration for vertical shooting. For higher eye control accuracy, select [Refine] and perform calibration for vertical shooting. Holding the camera vertically, look through the viewfinder so that the four corners of the screen appear evenly spaced, then repeat step 5. If you will also shoot vertically with the camera grip facing the other direction, perform calibration while holding the camera that way.
- Page 83 Adding calibration data To register calibration data for other users or eyewear conditions (such as with or without glasses or contact lenses), select an available number to assign the data to from the numbers labeled with [ ] on the [CAL no.] screen, then perform calibration.
- Page 84 Using Eye Control for AF Caution Always use eye control under the same eyewear conditions as when you performed calibration (such as with or without glasses or contact lenses). Note Also read General eye control precautions Enhancing eye control accuracy. Menu settings Select [ : Eye control...
- Page 85 Select [CAL no.]. Select a calibration number matching your eyewear conditions (such as with or without glasses or contact lenses). Select calibration data to use. Press < >.
- Page 86 Operations in viewfinder shooting Look at the subject. A pointer (1) is displayed when you look through the viewfinder. After the subject set in [ : Subject to detect] is detected, a tracking frame [ ] (2) is also displayed. Look at the position where you wish to focus.
- Page 87 Confirm the subject to start focusing. Pressing the shutter button halfway confirms the subject to focus on. With [ : AF area] set to [Whole area AF], the camera focuses in the area near the pointer. With the AF area set to an option other than [Whole area AF], the camera focuses after moving the AF area near the pointer.
- Page 88 With [ : AF operation] set to [ Once the subject is in focus, the AF point turns green. Pressing the shutter button halfway sets the focus on the current position. Shoot. Press the shutter button completely to take the picture. Caution If the AF point does not move to your specified position after you confirm the subject, hold the camera away from your face, then look through the viewfinder...
- Page 89 Using eye control to display the focus guide By setting [ : Focus guide] to [On], you can use eye control to display the focus guide for assistance when focusing manually. Look at the subject. Look at the subject to focus on. Press the shutter button halfway.
- Page 90 General eye control precautions When multiple people will use eye control on the same camera, each person should select a different calibration number and perform calibration. Similarly, when the same person will use eye control with and without glasses or contact lenses, a different calibration number should be selected and calibration performed for each situation.
- Page 91 Enhancing eye control accuracy The camera can learn about eye characteristics from the calibration data it collects. Eye control accuracy can be improved by repeating calibration under various levels of brightness (such as indoors, outdoors, during the day, and at night) for the same calibration number.
- Page 92 Configuring Pointer Display You can configure pointer display, including whether the pointer is visible or not. Pointer display Pointer visibility can be set to [On], [Shtg standby], or [Off]. • Select [Shtg standby] to keep the pointer visible from when you look through the viewfinder until the moment you confirm the subject to focus on using eye control.
- Page 93 Managing Calibration Data Entering names You can enter names to identify calibration data. Select a calibration data number. Select the number and press the < > button. Enter text. Use the < > or < > dial or < > to select a character, then press <...
- Page 94 Saving and loading calibration data Registered calibration data can be saved to a card. You can also load calibration data from a card to use it. Select [Calibration (CAL)]. Select [Save/load (card)]. Select [Save to card]. Select [Save to card] to save all calibration data on the camera to the card.
- Page 95 Deleting calibration data Eye control is less accurate if the same calibration number is used for calibration under different eyewear conditions (such as with or without glasses or contact lenses) or by multiple users. In this case, delete the calibration data and perform calibration again. Select [Calibration (CAL)].
- Page 96 Basic Operations Holding the Camera Shutter Button < > Main Dial < > Quick Control Dial 1 < > Quick Control Dial 2 < > Multi-Controller < > Mode Button < > Multi-Function/FTP Server Image Transfer Button < > AF Start Button/Smart Controller <...
- Page 97 Holding the Camera Viewing the screen as you shoot As you shoot, you can tilt the screen to adjust it. For details, see Using the Screen. (1) Normal angle (2) Low angle (3) High angle Shooting through the viewfinder To obtain sharp images, hold the camera still to minimize camera shake. (1) Horizontal shooting (2) Vertical shooting 1.With your right hand, hold the camera firmly by the camera grip.
- Page 98 Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture value. The exposure value (shutter speed and aperture value) is displayed on the screen, in the viewfinder, or on the LCD panel for 8 sec.
- Page 99 Note The camera will still pause before taking a picture if you press the shutter button completely without pressing it halfway first, or if you press the shutter button halfway and immediately press it completely. Even during menu display or image playback, you can return to shooting standby by pressing the shutter button halfway.
- Page 100 < > Main Dial (1) After pressing a button, turn the < > dial. Press a button such as < >, < >, < >, or < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as setting the ISO speed, drive mode, AF operation, white balance, and flash exposure compensation.
- Page 101 < > Quick Control Dial 1 (1) After pressing a button, turn the < > dial. Press a button such as < >, < >, < >, or < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as selecting the ISO speed, drive mode, AF operation, white balance, and flash exposure compensation.
- Page 102 < > Quick Control Dial 2 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as switching between main tabs on the menu screen.
- Page 103 < > Multi-Controller < > is an eight-direction key with center button. To use it, press lightly with the tip of your thumb. Examples of using the Multi-controller • AF point/magnified frame movement in still photo shooting or movie recording •...
- Page 104 < > Mode Button You can set the shooting mode. Press the < > button, then use < >, < >, < >, or < > to select a shooting mode.
- Page 105 < > Multi-Function/FTP Server Image Transfer Button Shooting screen By default, the < > button works in conjunction with dials to enable you to adjust settings used in shooting or recording. Settings you can configure in conjunction with dials White balance ( Drive mode* Flash exposure compensation amount* Picture Style (...
- Page 106 Note To set the AF area, you can also press the < > button and then the < > button. Playback screen Pressing the < > button on the playback screen transfers images to the FTP server.
- Page 107 < > AF Start Button/Smart Controller On this control, you can press the center or drag with your finger. As with the shutter button, the center can be pressed in two steps, halfway and completely ( Pressing the center (< >...
- Page 108 < > Multi-Function Lock Switch Configuring [ : Multi function lock] ( ) and setting the power/multi-function lock switch to < > prevents settings from being changed by accidentally touching the Main dial, Quick control dials, Multi-controller, control ring, or touch-screen panel.
- Page 109 < > LCD Panel Info Switching/Illumination/Cropping Button Each press of the < > button changes the information on the LCD panel. Illuminate the LCD panel by holding down the < > button ( Pressing the < > button on the playback screen switches to [ : Cropping] settings.
- Page 110 Vertical Shooting Buttons, dial, and a Multi-controller for vertical shooting are arranged near the bottom of the camera ( When using the controls for vertical shooting, set the vertical-grip On/Off switch to < >. When you are not using these controls, set to < >...
- Page 111 Time Display Press the < > button to display the time when you are looking through the viewfinder...
- Page 112 < > Control Ring By default, exposure compensation can be set by turning the control ring of RF lenses or mount adapters while pressing the shutter button halfway in [Fv], [P], [Tv], [Av], or [M] mode. Otherwise, you can assign a different function to the control ring by configuring [ ] in : Customize dials/control ring] (...
- Page 113 Button Backlighting < >, < >, < >, < >, < >, < >, < > and < > button backlighting is activated when the LCD panel is illuminated, or during menu or Quick Control screen display or image playback. This makes it easier to see the button layout in low-light locations.
- Page 114 < > Info Button Each press of the < > button changes the information shown.
- Page 115 Menu Operations and Settings Menu Screen Menu Setting Procedure Dimmed Menu Items < > button < > button < > button Screen < > Quick control dial 1 < > button < > Quick control dial 2 < > Main dial...
- Page 116 Menu Screen Main tabs Secondary tabs Secondary tab name Menu items : Shooting : Autofocus : Playback : Communication functions : Set-up (10) : Control customization (11) : Custom Functions (12) : My Menu (13) Menu settings...
- Page 117 Menu Setting Procedure Press the < > button. The menu is displayed. Select a tab. Each time you turn the < > dial, the main tab (group of functions) will switch. You can also switch tabs by pressing the < >...
- Page 118 Select an option. Turn the < > dial to select an option. The current setting is indicated in blue. Set an option. Press < > to set it. Exit the setting. Press the < > button to return to shooting standby. Note The description of menu functions hereafter assumes that you have pressed the <...
- Page 119 Dimmed Menu Items Example: When focus bracketing has been set Dimmed menu items cannot be set. Use of these items has been limited by other functions that have been set. To investigate the limiting function, select a dimmed item and press < >.
- Page 120 Quick Control Quick Control in Still Photo Shooting or Playback Quick Control in Movie Recording You can directly and intuitively select and set the settings displayed. Quick Control in Still Photo Shooting or Playback Press the < > button (...
- Page 121 Select a setting item and set your preferred option. To select an item, turn the < > dial or press < > up or down. To adjust the setting, turn the < > or < > dial, or press < >...
- Page 122 Quick Control in Movie Recording As in still photo shooting, press the < > button to access the Quick Control screen. Each press of the < > button switches between screens if you have selected ([ ]) both [Display 1] and [Display 2] in [ : Quick Ctrl screen] ( ), but only the selected screen is displayed if one is selected ([ ]).
- Page 123 Switch pages as needed. Turn the < > or < > dial to switch pages. You can also switch pages by tapping (A) or swiping left or right. Select an item. Turn the < > dial or press < > vertically or horizontally to select an item, then press the <...
- Page 124 Select an option. To select an option, turn the < >, < >, or < > dial or press < > up or down (or in some cases, left or right). Detailed settings screen Turn the < > dial to select a tab (1). Press <...
- Page 125 Exit the setting. Press the < > button to return to shooting standby.
- Page 126 Touch-Screen Operation Tapping Dragging Tapping Sample screen (Quick Control) Use your finger to tap (touch briefly and then remove your finger from) the screen. For example, when you tap [ ], the Quick Control screen appears. By tapping [ you can return to the preceding screen. Note To have the camera beep for touch operations, set [ : Beep] to [Enable] ( Responsiveness to touch operations can be adjusted in [...
- Page 127 Dragging Sample screen (Menu screen) Slide your finger while touching the screen.
- Page 128 Shooting Mode This chapter describes shooting modes. • Fv: Flexible-Priority AE • P: Program AE • Tv: Shutter-Priority AE • Av: Aperture-Priority AE • M: Manual Exposure • BULB: Long (Bulb) Exposures...
- Page 129 Fv: Flexible-Priority AE Enables the shutter speed, aperture value, and ISO speed to be set automatically or manually. Equivalent to shooting in [P], [Tv], [Av], or [M] mode without needing to switch to these modes. * [Fv] stands for Flexible value. * AE stands for Auto Exposure.
- Page 130 Set the amount of exposure compensation. Turn the < > dial and select the exposure level indicator. [ ] or ] appears to the left of the exposure level indicator. Turn the < > or < > dial to set the level. To reset the setting to [±0], press the <...
- Page 131 Note Values for shutter speed, aperture value, and ISO speed that are set to [AUTO] are underlined. You can set shutter speed, aperture value, and ISO speed to [AUTO] and exposure compensation amount to [±0] in step 2 or 3 by holding down the < >...
- Page 132 P: Program AE The camera automatically sets the shutter speed and aperture value to suit the subject's brightness. * [P] stands for Program. Set the shooting mode to [P]. Press the < > button, then turn the < > dial to select [P]. Focus on the subject.
- Page 133 Take the picture. Compose the shot and press the shutter button completely. Caution If a slow shutter speed and low aperture value blink, the subject is too dark. Increase the ISO speed or use flash. If a fast shutter speed and high aperture value blink, the subject is too bright. Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of light entering the lens.
- Page 134 Tv: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture value to obtain the standard exposure matching the brightness of the subject. A faster shutter speed can freeze the action of a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion.
- Page 135 Set the desired shutter speed. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The aperture value is set automatically. Check the display and shoot. As long as the aperture value is not blinking, the standard exposure will be obtained.
- Page 136 Note ["] in shutter speed display stands for “seconds.” ([0"5] → 0.5 sec., [15"] → 15 sec., etc.)
- Page 137 Av: Aperture-Priority AE Depth-of-Field Preview In this mode, you set the desired aperture value and the camera sets the shutter speed automatically to obtain the standard exposure matching the subject brightness. A higher f/ number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus.
- Page 138 Set the desired aperture value. Turn the < > dial to set it. Focus on the subject. Press the shutter button halfway. The shutter speed is set automatically. Check the display and shoot. As long as the shutter speed is not blinking, the standard exposure will be obtained.
- Page 139 Note Aperture value display The higher the value, the smaller the aperture opening will be. The aperture value displayed varies depending on the lens. If no lens is attached to the camera, [F00] will be displayed for the aperture. Depth-of-Field Preview Press the depth-of-field preview button to stop down the lens to the current aperture value setting and check the area in focus (depth of field).
- Page 140 M: Manual Exposure Exposure Compensation with ISO Auto In this mode, you set both the shutter speed and aperture value as desired. To determine the exposure, refer to the exposure level indicator or use a commercially available exposure meter. * [M] stands for Manual. Set the shooting mode to [M].
- Page 141 Focus on the subject. Press the shutter button halfway. Check the exposure level mark [ ] to see how far the current exposure level is from the standard exposure level. (1) Standard exposure index (2) Exposure level mark Set the exposure and take the picture. Check the exposure level indicator and set the desired shutter speed and aperture value.
- Page 142 Note In [M] mode with ISO Auto, [ ] (evaluative metering), and [ : AE lock meter. mode after focus] set to the default setting ( ), holding down the shutter button halfway locks the ISO speed after the camera focuses with One-Shot AF. When ISO Auto is set, you can press the <...
- Page 143 BULB: Long (Bulb) Exposures Bulb Timer In this mode, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, astrophotography, and other subjects requiring long exposures. Set the shooting mode to [BULB].
- Page 144 Take the picture. The exposure will continue for as long as you keep the shutter button pressed completely. Elapsed exposure time is displayed on the LCD panel. Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source.
- Page 145 Bulb Timer You can set the exposure time for bulb exposures in advance. This feature eliminates the need to keep holding down the shutter button during bulb exposures, which can reduce camera shake. Note that the bulb timer can only be set and will only take effect in [BULB] (bulb exposure) mode.
- Page 146 Select [OK]. Take the picture. After you press the shutter button completely, the bulb exposure continues for your specified time. ] and the exposure time are displayed on the LCD panel during bulb timer shooting. To clear the timer setting, select [Disable] in step 2. Caution Bulb exposure stops if you press the shutter button completely and release it during the timer.
- Page 147 Shooting and Recording This chapter describes shooting and recording and introduces menu settings on the shooting [ ] tab. • Still Photo Shooting • Movie Recording...
- Page 148 Still Photo Shooting To prepare for still photo shooting, set the still photo shooting/movie recording switch to < >, then press the < > button and choose a shooting mode. • Tab Menus: Still Photo Shooting • Image Quality • Still Photo Cropping/Aspect Ratio •...
- Page 149 • Pre-Continuous Shooting • Interval Timer Shooting • Silent Shutter Function • Shutter Mode • Enabling Shutter Release Without a Card • Image Stabilizer (IS Mode) • Customizing Quick Controls • Shooting with the Touch Shutter • Image Review • High-Speed Display •...
- Page 150 Tab Menus: Still Photo Shooting Image quality/size quality Img type/size Cropping/aspect ratio Exposure Expo.comp./AEB ISO speed settings Anti-flicker shoot. HF anti-flicker shooting External Speedlite control Metering mode Detect priority AE while AF...
- Page 151 Color/tone/Dynamic range (1) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Color space Clarity HDR shooting (PQ) Auto Lighting Optimizer Highlight tone priority White balance/Quality correction White balance Set Custom WB WB Shift/Bkt. Lens aberration correction Long exp.
- Page 152 Various shooting Multiple exposure Focus bracketing Shutter control Drive mode Pre-cont. shooting Interval timer Bulb timer Silent shutter function Shutter mode Release shutter without card...
- Page 153 Assist shooting IS (Image Stabilizer) mode Customize Quick Controls Metering timer Assist shooting Image review High speed display Blackout-free display Display simulation OVF sim. view assist HDR/C.Log View Assist. Caution : IS (Image Stabilizer) mode] is not displayed when an IS-equipped lens is attached.
- Page 154 Assist shooting Shooting info. disp. Display frame rate set. VF magnification VF display format Reverse display Auto pwr off temp.
- Page 155 Image Quality Image Size Selection RAW Images Guide to Image Quality Settings Maximum Burst for Continuous Shooting JPEG/HEIF Quality Note “Image quality” in this guide refers to both image size and JPEG/HEIF quality ( Image Size Selection You can specify , , or for JPEG/HEIF images and for RAW...
- Page 156 Set the image size. Standard/Auto switch card/Record to multiple For RAW images, turn the < > dial to select the size, and for JPEG/HEIF images, turn the < > dial. Press < > to set it. Record separately When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec.
- Page 157 Note is set if you set both RAW and JPEG/HEIF to [ Two versions of each shot are recorded at your specified image quality when you have selected both RAW and JPEG/HEIF. Both images have the same file number but each has a different file extension, with .JPG for JPEG, .HIF for HEIF and .CR3 for RAW.
- Page 158 (DPP). RAW images from this camera cannot be used with older versions of DPP. Download the latest version of DPP from the Canon website and install it, which will overwrite the previous version ( Commercially available software may not be able to display RAW images captured...
- Page 159 Guide to Image Quality Settings Still photo file size / Number of shots available / Maximum burst for continuous shooting for details on file size, number of shots available, maximum burst, and other estimated values.
- Page 160 Maximum Burst for Continuous Shooting The approximate maximum burst is displayed at the upper left of the shooting screen and lower right of the viewfinder. Note If the maximum burst is displayed as “99”, it indicates that you can shoot 99 or more shots continuously.
- Page 161 JPEG/HEIF Quality Select [ quality] ( Select the desired image size. Select the image size, then press < >. Set the desired quality (compression). Select the number, then press < >. Higher numbers offer higher quality (lower compression). Quality of 6–10 is indicated by < >, and 1–5, by <...
- Page 162 Still Photo Cropping/Aspect Ratio When using an RF or EF lens, you can change the aspect ratio before shooting. You can use [1.6x (crop)] to shoot as if using a telephoto lens, because this option magnifies the center of the image (an area equivalent to APS-C size). With RF-S/EF-S lenses, [1.6x (crop)] is set automatically.
- Page 163 Select how the shooting area is displayed. On the screen in step 2, press the < > button. Select the type of display, then press < >. Caution image quality options are not available when [1.6x (crop)] is set, or with RF-S/EF-S lenses. Shooting with [1.6x (crop)] and image quality set to produces images, respectively.
- Page 164 Take the picture. Setting examples When is set When is set or an RF-S or EF-S lens is used When is set When is set...
- Page 165 When [1.6x (crop)] is set or an RF-S/EF-S lens is used, an image magnified approx. 1.6× is displayed. When [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] is set, the image within the black masked or outlined area is captured. Caution Areas outside the cropped area are not recorded in RAW shooting when [1.6x (crop)] is set, or with RF-S/EF-S lenses.
- Page 166 Auto Exposure Bracketing (AEB) In exposure bracketing, three consecutive images are captured at different exposures by automatically adjusting the shutter speed, aperture value, and ISO speed. * AEB stands for Auto Exposure Bracketing. Setting with camera controls Press the < >...
- Page 167 Take the picture. Standard exposure Decreased exposure Increased exposure Three bracketed shots are taken, according to the specified drive mode, in this sequence: Standard exposure, decreased exposure, and increased exposure. AEB will not be automatically canceled. To cancel AEB, follow step 2 to set the AEB range to “0.”...
- Page 168 Take the picture. Shoot as described in step 3 of Setting with camera controls. AEB will not be automatically canceled. To cancel AEB, follow step 2 to turn off the AEB range display. Caution Exposure compensation in AEB may be less effective with [ : Auto Lighting Optimizer] ( ) set to an option other than [Disable].
- Page 169 ISO Speed Settings for Still Photos ISO Speed Range When Set Manually ISO Speed Range Used with ISO Auto Minimum Shutter Speed for ISO Auto Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level. For details on ISO speed in movie recording, see ISO speed (recommended exposure index) in movie...
- Page 170 Setting ISO speed from a screen of options Access the screen of ISO speed options. Tap the ISO speed in the lower right of the screen. Select an option. Turn the < > dial or select a registered setting value. You can register frequently used ISO speed setting values by specifying an option other than [AUTO] and selecting [Register].
- Page 171 ISO speed guide Low ISO speeds reduce image noise but may increase the risk of camera/subject shake or reduce the area in focus (shallower depth of field), in some shooting conditions. High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of field), and longer flash range but may increase image noise.
- Page 172 ISO Speed Range When Set Manually You can set the manual ISO speed setting range (minimum and maximum limits). Select [ ISO speed settings] ( Select [ISO speed range]. Set [Minimum]. Select the [Minimum] box, then press < >. Select the ISO speed, then press < >.
- Page 173 Set [Maximum]. Select the [Maximum] box, then press < >. Select the ISO speed, then press < >. Select [OK].
- Page 174 ISO Speed Range Used with ISO Auto You can set the automatic ISO speed range for ISO Auto. Select [Auto range]. Set [Minimum]. Select the [Minimum] box, then press < >. Select the ISO speed, then press < >. Set [Maximum]. Select the [Maximum] box, then press <...
- Page 175 Select [OK]. Note The [Minimum] and [Maximum] settings will also function as the minimum and maximum speeds for ISO speed safety shift (...
- Page 176 Minimum Shutter Speed for ISO Auto To prevent shutter speeds from being set too low automatically, you can set the minimum shutter speed for ISO Auto. This is effective in [P] or [Av] mode when shooting subjects in motion with a wide-angle lens, or when using a telephoto lens.
- Page 177 Set the desired minimum shutter speed. Auto If you select [Auto], turn the < > dial to set the difference relative to standard speed (toward Slower or Faster), then press < >. Manual If you select [Manual], turn the < >...
- Page 178 Anti-Flicker Shooting Uneven exposure and color may appear in continuous shooting at fast shutter speeds under flickering light sources such as fluorescent lights, due to uneven vertical exposure. Anti- flicker shooting enables you to take pictures when exposure and colors are less affected by flickering.
- Page 179 Caution When [Enable] is set and you shoot under a flickering light source, the shutter- release time lag may become longer. Flicker at a frequency other than 50 Hz or 60 Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced.
- Page 180 High-Frequency Anti-Flicker Shooting Recommended Tv Setting Manual Setting Images may be affected by banding if you shoot under light sources that flicker at high frequencies. High-frequency anti-flicker shooting enables you to take pictures at suitable shutter speeds for high-frequency flickering, which minimizes the effect of this flickering on images.
- Page 181 Select [Enable]. Select an item.
- Page 182 Recommended Tv Setting The camera detects 50.0–8193.7 Hz light sources and displays a suitable shutter speed for shooting under light sources that flicker at high frequencies. You can then switch to the indicated shutter speed. Set the desired shutter speed. Set the shutter speed you would prefer to shoot at.
- Page 183 Switch to the indicated shutter speed. Select [Yes] to switch to the indicated shutter speed. Selecting [Yes (move to Tv settings)] will display the [Manual setting] screen. Go to step 2 in Manual Setting. Take the picture. Caution Shutter speeds displayed will be in a range of 1/50.0–1/8192.0 sec. Do the following if [No flicker detected] is displayed, or if switching shutter speeds does not eliminate banding.
- Page 184 Manual Setting Check on the screen for image areas affected by light sources that flicker at high frequencies, then find a suitable shutter speed. Select [Manual setting]. Adjust the shutter speed. Do the following if banding is not eliminated at the shutter speed set by the recommended Tv setting.
- Page 185 Caution Shutter speeds you can set manually are in a range of 1/50.0–1/8192.0 sec. Maximum sync speed in flash photography is limited to 1/181.0 sec. in shutter modes other than [Electronic In [Electronic ] shutter mode, maximum sync speed in flash photography is limited to 1/128.0 sec.
- Page 186 Shooting with Speedlites EL/EX Series Speedlites for EOS Cameras Canon Speedlites Other Than the EL/EX Series Non-Canon Flash Units Quick Flash Group Control EL/EX Series Speedlites for EOS Cameras Features of EL/EX series Speedlites (sold separately) can be used in flash photography with the camera.
- Page 187 Flash exposure compensation You can adjust flash output (flash exposure compensation). With an image displayed on the screen, press the < > button and use a dial to set the amount of flash exposure compensation ( ). You can set the flash exposure compensation up to ±3 stops in 1/3-stop increments.
- Page 188 Canon Speedlites Other Than the EL/EX Series With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only. Set the camera's shooting mode to [M] or [Av] and adjust the aperture value before shooting.
- Page 189 Non-Canon Flash Units Sync speed Sync speed for non-Canon compact flash units varies by shutter mode. Before shooting, confirm that flash sync is performed correctly. Sync Speed : Shutter mode] Setting Mechanical 1/200 sec. or slower Elec. 1st-curtain 1/250 sec. or slower 1/320 sec.
- Page 190 Quick Flash Group Control As you view the shooting screen in wireless multi-flash photography, you can configure the settings for each flash group by pressing the button assigned to [Quick flash group control] in [ : Customize buttons for shooting]. This example is based on assigning the <...
- Page 191 Flash Function Settings Flash Firing E-TTL Balance E-TTL II Flash Metering Continuous Flash Control Sync Speed Priority Slow Synchro Flash Function Settings Flash Custom Function Settings Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Functions of EL/EX Series Speedlites compatible with flash function settings can be set via a camera menu screen.
- Page 192 Select an option. Flash Firing To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the Speedlite, set to [Disable].
- Page 193 E-TTL Balance You can set your preferred appearance (balance) for flash shots. This setting enables you to adjust the ratio of ambient light to Speedlite light output. Set the balance to [Ambience priority] to lower the proportion of flash output and uses ambient light to produce lifelike shots with a natural mood.
- Page 194 E-TTL II Flash Metering Set to [Eval (FacePrty)] for flash metering suitable for shots of people. Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting. If [Average] is set, the flash exposure will be averaged for the entire metered scene. Note Depending on the scene, flash exposure compensation may be necessary.
- Page 195 Continuous Flash Control Set to [E-TTL each shot] to perform flash metering for each shot. Set to [E-TTL 1st shot] to perform flash metering for only the first shot before continuous shooting. The flash output level for the first shot is applied to all subsequent shots.
- Page 196 Sync Speed Priority You can use a faster than normal sync speed in flash photography. Available when [Flash mode] is set to [E-TTL II flash metering]. Flash sync speeds vary as follows when this feature is set to [Enable], depending on the combination of other camera settings.
- Page 197 Slow Synchro You can set the flash-sync speed for flash photography in [P] or [Av] mode. Note that the maximum flash sync speed varies depending on the combination of settings for [ Shutter mode] and [ Cropping/aspect ratio]. 1/*-30sec. auto The shutter speed is set automatically in the following range to suit the brightness.
- Page 198 1/* sec. (fixed) Shutter speed is fixed as follows, which is more effective in preventing subject blur and camera shake than with [1/*-1/60sec. auto]. However, in low light, the subject's background will come out darker than with [1/*-1/60sec. auto]. Shutter mode Shutter Speed Cropping/aspect ratio 1/200 sec.
- Page 199 Flash Function Settings The information displayed on the screen, position of display, and available options vary depending on the Speedlite model, its Custom Function settings, the flash mode, and other factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual. Sample display Flash mode Wireless functions / Firing ratio control (RATIO)
- Page 200 Flash mode You can select the flash mode to suit your desired flash photography. [E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic flash photography. [Manual flash] is for setting the Speedlite's [Flash output level] yourself. Regarding other flash modes, refer to the Instruction Manual of a Speedlite compatible with the respective flash mode.
- Page 201 Firing ratio control (RATIO) With a macro flash, you can set the firing ratio control. For details on firing ratio control, refer to the Instruction Manual of the macro flash. Flash zoom (flash coverage) With Speedlites having a zooming flash head, you can set the flash coverage.
- Page 202 Shutter synchronization Normally, set this to [First-curtain synchronization] so that the flash fires immediately after the shooting starts. Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights. Set to [High-speed synchronization] for flash photography at higher shutter speeds than the maximum flash sync shutter speed.
- Page 203 Note If flash exposure compensation is set with the Speedlite, you cannot set the flash exposure compensation with the camera. If it is set with both the camera and Speedlite, the Speedlite's setting overrides the camera's.
- Page 204 Flash exposure bracketing Speedlites equipped with flash exposure bracketing (FEB) can change the external flash output automatically as three shots are taken at once.
- Page 205 Flash Custom Function Settings For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the Speedlite. Select [Flash C.Fn settings]. Set the desired functions. Select the number. Select an option. Caution EX series Speedlites always fire at full output when the [Flash metering mode] Custom Function is set to [1:TTL] (autoflash).
- Page 206 Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Select [Clear settings]. Select the settings to be cleared. Select [Clear flash settings] or [Clear all Speedlite C.Fn's]. Select [OK] on the confirmation screen to clear all flash settings or Custom Function settings.
- Page 207 Picture Style Selection Picture Style Characteristics Symbols Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. Select [ : Picture Style] ( Select a Picture Style.
- Page 208 Picture Style Characteristics Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes. Note If the desired color tone is not obtained with [Auto], use another Picture Style. Standard The image looks vivid, sharp, and crisp.
- Page 209 User Def. 1–3 You can add a new style based on presets such as [Portrait] or [Landscape] or a Picture Style file, then adjust it as needed ( ). With any User Defined Picture Style that has not yet been registered, pictures will be taken with the same characteristics settings as with the default settings of [Standard].
- Page 210 Symbols Icons on the Picture Style selection screen represent [Strength], [Fineness], and [Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers indicate the values for these settings specified for the respective Picture Style. Sharpness Strength Fineness Threshold Contrast Saturation Color tone...
- Page 211 Picture Style Customization Settings and Effects Monochrome Adjustment You can customize any Picture Style by changing it from the default settings. For details on customizing [Monochrome], see Monochrome Adjustment. Select [ : Picture Style] ( Select a Picture Style. Select the Picture Style to adjust, then press the < >...
- Page 212 Set the effect level. Adjust the effect level, then press < >. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. Any settings you change from default values are displayed in blue. Note For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set (not displayed).
- Page 213 Settings and Effects Sharpness Strength 0: Weak outline emphasis 7: Strong outline emphasis Fineness* 1: Fine 5: Grainy Threshold* 1: Low 5: High Contrast –4: Low contrast +4: High contrast Saturation –4: Low saturation +4: High saturation Color tone –4: Reddish skin tone +4: Yellowish skin tone * 1: Indicates the edge thinness that enhancement applies to.
- Page 214 Monochrome Adjustment Filter effect Even with the same monochrome image, you can make white clouds, green trees, or other elements stand out more by applying a filter effect. Filter Sample Effects N:None Normal black-and-white image with no filter effects. Ye:Yellow Blue sky will look more natural, and white clouds will look crisper.
- Page 215 Picture Style Registration You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software, can also be modified here.
- Page 216 Select a base Picture Style. Select the base Picture Style, then press < >. Also select styles this way when adjusting styles registered to the camera with EOS Utility (EOS software). Select an option. Select an option, then press < >.
- Page 217 Set the effect level. Adjust the effect level, then press < >. For details, see Picture Style Customization. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. The base Picture Style will be indicated on the right of [User Def. *]. Blue style names in [User Def.
- Page 218 HDR Shooting (PQ) HDR shooting (PQ)] enables you to capture HDR images conforming to the PQ specification (referring to the input signal gamma curve for HDR image display) defined in ITU-R BT.2100 and SMPTE ST.2084. Note Captured as HEIF or RAW images. For optimal viewing, use an HDR display device.
- Page 219 Color Space Adobe RGB The range of reproducible colors is called the “color space.” For normal shooting, sRGB is recommended. Select [ : Color space] ( Set a color space option. Select [sRGB] or [Adobe RGB], then press < >. Adobe RGB This color space is mainly used for commercial printing and other professional applications.
- Page 220 Clarity You can adjust image clarity, as determined by the contrast of image edges. Set toward the negative end to make images look softer or toward the positive end for a sharper appearance. Select [ : Clarity] ( Set the effect level. Caution Setting clarity may darken or lighten the areas around boundaries in high-contrast images.
- Page 221 Auto Lighting Optimizer Brightness and contrast can be corrected automatically if shots look dark or contrast is too low or high. Select [ : Auto Lighting Optimizer] ( Set a correction option. Caution Noise may increase and apparent resolution may change, under some shooting conditions.
- Page 222 Highlight Tone Priority You can reduce overexposed, clipped highlights. Select [ : Highlight tone priority] ( Set an option. [Enable]: Improves gradation in highlights. The gradation between the grays and highlights becomes smoother. [Enhanced]: Reduces overexposed highlights even more than [Enable], under some shooting conditions.
- Page 223 White Balance White Balance ] Auto White Balance ] Setting a Color Temperature White balance (WB) is for making the white areas look white. Normally, [Auto White Balance )] provides suitable white balance. If natural-looking colors cannot be obtained with auto white balance, you can select the white balance to match the light source or set it manually by shooting a white object.
- Page 224 Note For [ ] and [ ] setting instructions, see ] Auto White Balance. To set a suitable white balance for the light source of the shooting location, select ] and turn the < > dial to set an MWB number ( To set a color temperature directly, select [ ], then turn the <...
- Page 225 White Balance The human eye adapts to changes in lighting so that white objects look white under all kinds of lighting. Digital cameras determine white from the color temperature of lighting and, based on this, apply image processing to make color tones look natural in your shots.
- Page 226 ] Auto White Balance With [ ] (Ambience priority), you can slightly increase the intensity of the image's warm color cast when shooting a tungsten-light scene. If you select [ ] (White priority), you can reduce the intensity of the image's warm color cast.
- Page 227 Caution Precautions when set to [ ] (White priority) The warm color cast of subjects may fade. When multiple light sources are included in the scene, the warm color cast of the picture may not be reduced. When using flash, the color tone will be the same as with [ ] (Ambience priority).
- Page 228 ] Setting a Color Temperature A value can be set representing the white balance color temperature. Access the WB screen. Follow steps 1–2 in White Balance. Set the color temperature. With [ ] selected, turn the < > dial to select a color temperature. Press <...
- Page 229 Custom White Balance Registering Custom White Balances Selecting and Shooting with Custom White Balances Naming Custom White Balances With custom white balance, you can set the white balance using an image captured under the same lighting as at the shooting location. Registering Custom White Balances To register custom white balances, you can either register a picture taken during this process or register an image recorded on a card.
- Page 230 Select a custom white balance number to register the white balance data to. Turn the < > dial and select [ Turn the < > dial to select a number from 1 to 5, then press the < > button. Shoot a plain white object ( The custom white balance is registered to the camera.
- Page 231 Registration from the Quick Control screen Press the < > button. Select the [White balance] setting item. Select [Custom]. Select [ *], then press < >. Select a custom white balance number to register the white balance data to. Turn the < >...
- Page 232 Shoot a plain white object ( The custom white balance is registered to the camera. To shoot with the registered custom white balance, see Selecting and Shooting with Custom White Balances. Registration from the menu Select [ : Set Custom WB] ( Select a custom white balance number to register the white balance data to.
- Page 233 Select [Record and register WB]. Shoot a plain white object ( The custom white balance is registered to the camera. To shoot with the registered custom white balance, see Selecting and Shooting with Custom White Balances.
- Page 234 Registering from an existing image on a card Shoot a plain white object. Shoot a plain white object as described in Shooting to register custom white balances. Select [ : Set Custom WB] ( Select a custom white balance number to register the white balance data to.
- Page 235 Select an image to register as the custom white balance. Turn the < > dial to select the image captured in step 1, then press < >. Register the image data as a custom white balance on the camera. Select [OK] after the message, and your custom white balance will be registered to the camera.
- Page 236 Shooting to register custom white balances Note the following when shooting a plain white object to register the color as a custom white balance. Your selected number (1) blinks in the upper left of the screen and on the LCD panel. Aim the camera at a plain white object so that white fills the area in (2).
- Page 237 Selecting and Shooting with Custom White Balances Setting from the WB screen Press the < > button ( With an image displayed, press the < > button to access the WB screen. Select the custom white balance number. Turn the < >...
- Page 238 Setting from the Quick Control screen Press the < > button. Select the [White balance] setting item. Select [Custom]. Select the custom white balance number. Turn the < > dial or press < > left or right to select a number from 1 to 5, then press <...
- Page 239 Take the picture. Setting from the menu Select [ : Set Custom WB] ( Select the custom white balance number. (1) Registered image On the [Set Custom WB] screen, select the number of the registered custom white balance. Select [Set as white balance]. The white balance setting changes to [...
- Page 240 Take the picture. The picture is taken with the [ *] setting applied.
- Page 241 Naming Custom White Balances You can add a name (caption) to the five registered custom white balances (custom white balance nos. 1–5). Select [ : Set Custom WB] ( Select the custom white balance number. On the [Set Custom WB] screen, select the number of the registered custom white balance to add a name to.
- Page 242 Enter text. Use < >, < >, or < > to select a character, then press < > to enter it. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
- Page 243 White Balance Correction White Balance Correction White Balance Auto Bracketing You can correct the white balance that is set. This adjustment will have the same effect as using a commercially available color temperature conversion filter or color compensating filter. White Balance Correction Select [ : WB Shift/Bkt.] (...
- Page 244 Set the white balance correction. Sample setting: A2, G1 Use < > to move the “■” mark on the screen to your preferred position. B is for blue, A for amber, M for magenta, and G for green. White balance is corrected in the direction you move the mark. The direction and amount of correction are indicated in the upper right of the screen.
- Page 245 White Balance Auto Bracketing White balance bracketing (WB Bkt.) enables you to capture three images at once with different color tones. Select [ : WB Shift/Bkt.] ( Set the white balance bracketing amount. Sample setting: B/A bias, ±3 levels Turning the < >...
- Page 246 Note The bracketing sequence is (1) Standard white balance, (2) Blue (B) bias, and (3) Amber (A) bias, or (1) Standard white balance, (2) Magenta (M) bias, and (3) Green (G) bias. You can also set white balance correction and AEB together with white balance bracketing.
- Page 247 Lens Aberration Correction Peripheral Illumination Correction Distortion Correction Focus Breathing Correction Digital Lens Optimizer Chromatic Aberration Correction Diffraction Correction Vignetting, image distortion, and other issues may be caused by lens optical characteristics. The camera can compensate for these phenomena by using [Lens aberration correction]. Select [ : Lens aberration correction] ( Select an option.
- Page 248 Select a setting. Confirm that the name of the attached lens and [Correction data available] are displayed. If [Correction data not available] or [ ] is displayed, see Digital Lens Optimizer. Peripheral Illumination Correction Vignetting (dark image corners) can be corrected. Caution Depending on shooting conditions, noise may appear on the image periphery.
- Page 249 Distortion Correction Distortion (image warping) can be corrected. Caution To correct distortion, the camera captures a narrower image area than the area seen in viewfinder shooting, which crops the image a little and slightly lowers the apparent resolution. Applying distortion correction may change the angle of view slightly. The amount of image cropped may vary between still photos and movies.
- Page 250 Movies with abrupt changes to the angle of view may be recorded if you move the focusing distance range switch during recording. Correction artifacts may occur, depending on the lens and shooting conditions. For details on lenses compatible with this feature, visit the Canon website (...
- Page 251 Digital Lens Optimizer Various aberrations from lens optical characteristics can be corrected, along with diffraction and low-pass filter-induced loss of resolution. If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS Utility Instruction Manual.
- Page 252 Chromatic Aberration Correction Chromatic aberration (color fringing around subjects) can be corrected. Note [Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to [Standard] or [High].
- Page 253 General precautions for lens aberration correction Lens aberration correction cannot be applied to existing JPEG/HEIF images. When using a non-Canon lens, setting the corrections to [Disable] is recommended even if [Correction data available] is displayed. Magnifying the periphery of the image may display parts of the image that will not be recorded.
- Page 254 Note General notes for lens aberration correction Effects of lens aberration correction vary by lens and shooting conditions. Also, the effect may be difficult to discern depending on the lens used, shooting conditions, etc. If the correction is difficult to discern, magnifying and checking the image after shooting is recommended.
- Page 255 Long Exposure Noise Reduction Noise such as dots of light or banding that tends to occur in long exposures at shutter speeds of one sec. or slower can be reduced. Select [ : Long exp. noise reduction] ( Set a reduction option. Auto For images exposed for 1 sec.
- Page 256 High ISO Speed Noise Reduction You can reduce the image noise generated. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. Select [ : High ISO speed NR] ( Set the level.
- Page 257 Dust Delete Data Acquisition Preparation Dust Delete Data Appending Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically.
- Page 258 Select [OK]. After the automatic self-cleaning of the image sensor is performed, a message will appear. Although there will be a mechanical sound of the shutter during the cleaning, no picture is taken.
- Page 259 Shoot a plain white object. Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). Since the image will not be saved, the data can still be obtained even if there is no card in the camera.
- Page 260 Dust Delete Data Appending The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring Dust Delete Data immediately before shooting is recommended. For details about using Digital Photo Professional (EOS software) to erase dust spots automatically, refer to the Digital Photo Professional Instruction Manual.
- Page 261 Multiple Exposures Merging Multiple Exposures with a JPEG Image Recorded on the Card Checking and Deleting Multiple Exposures During Shooting As you shoot multiple exposures (2–9), you can see how the images will be merged into a single image. Select [ : Multiple exposure] ( Set [Multiple exposure].
- Page 262 Set [Multi-expos ctrl]. Select a merging option, then press < >. Additive The exposure of each single image captured is added cumulatively. Based on [No. of exposures], set negative exposure compensation. Follow these basic guidelines to set the exposure compensation amount.
- Page 263 Set [No. of exposures]. Select the number of exposures, then press < >. Specify the images to save. To save all single exposures and the multiple-exposure image, select [All images] and press < >. To save only the multiple-exposure image, select [Result only] and press <...
- Page 264 Set [Continue Mult-exp]. Select an option, then press < >. With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. Shoot the first exposure. When [On:Func/Ctrl] is set, the captured image will be displayed.
- Page 265 Shoot the next exposures. Images captured so far are displayed merged. For only image display, press the < > button repeatedly. Multiple-exposure shooting will end when the set number of exposures are taken. Note With [On:Func/Ctrl], you can press the < >...
- Page 266 Merging Multiple Exposures with a JPEG Image Recorded on the Card You can select a JPEG image recorded on the card as the first single exposure. The selected JPEG image will remain intact. Select [Select image for multi. expo.]. Select the first image. Turn the <...
- Page 267 Take the picture. When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. Images you can select You can select a JPEG image shot at the same angle of view as the first selected JPEG. Images captured at a full-frame angle of view Images captured using RF/EF lenses and with [ Cropping/aspect ratio] set to...
- Page 268 Checking and Deleting Multiple Exposures During Shooting To view the multiple-exposure image so far, check exposure, and see how the images are merged, you can press the < > button before you finish shooting your specified number of exposures (when [On:Func/Ctrl] is set, but not with [On:ContShtng]). Pressing the <...
- Page 269 Are there any restrictions on the image quality? Multiple exposures are captured as JPEG [ ] images. Even when [ : Img type/ size] is set to RAW only, these images are captured as JPEG [ ] images. Can I merge images recorded on the card? With [Select image for multi.
- Page 270 Focus Bracketing Focus bracketing enables continuous shooting with the focal distance changed automatically after each shot. These images enable you to create a single image in focus over a deep depth of field. Compositing is also possible using an application that supports depth compositing, such as Digital Photo Professional (EOS software).
- Page 271 Set [Focus increment]. Specify how much to shift the focus. This amount is automatically adjusted to suit the aperture value at the time of shooting. Larger aperture values increase the focus shift and make focus bracketing cover a wider range under the same focus increment and number of shots.
- Page 272 Set [Depth composite]. Select [Enable] for in-camera depth compositing. Both the depth- composited image and the source images are saved. Select [Disable] if you prefer not to perform in-camera depth compositing. Only captured images are saved. Set [Crop depth comp.]. Select [Enable] for cropping before compositing, to prepare any images without a sufficient angle of view for compositing alignment by cropping them to correct the angle of view.
- Page 273 Speedlites for precautions on continuous firing. Consider setting a longer interval when using multiple compatible Speedlites in wireless flash photography. With non-Canon flash units, set a suitable interval time for the flash recharging time and durability. Also refer to Non-Canon Flash Units.
- Page 274 Shooting with a wider angle of view is recommended. After depth compositing, you can crop the image if necessary. For details on lenses and flash units compatible with this feature, visit the Canon website ( Suitable [Focus increment] settings vary by subject. An unsuitable [Focus increment] setting may cause unevenness in composite images, or shooting may take more time because more shots are taken.
- Page 275 Depth compositing image quality setting and images saved Composited images are saved as JPEG or HEIF images with image quality. RAW composited images are not produced. When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec. separately], source images for both slots are saved with the same image quality as set for the card selected in [ Play] in the [ : Record func+card/folder sel.] setting.
- Page 276 With variable maximum aperture zoom lenses, exposure may change if you zoom while pressing the shutter button halfway or completely. Even with constant maximum aperture zoom lenses, exposure may change if you zoom while pressing the shutter button halfway or completely. For details, refer to the Canon website (...
- Page 277 Note The electronic shutter is used in shooting. The amount of preliminary shooting varies depending on the continuous shooting speed. (For example, at a continuous shooting speed of approx. 40 shots/sec., the camera shoots for about 0.5 sec. before you press the button completely.)
- Page 278 Interval Timer Shooting With the interval timer, you can set the shooting interval and number of shots, so that the camera takes individual shots repeatedly according to your interval until your specified number of shots are taken. Select [ : Interval timer] ( Select [Enable].
- Page 279 Set the shooting interval and number of shots. Select an option to set (hours : minutes : seconds / number of shots). Press < > to display [ ]. Set the desired number, then press < >. (Returns to [ Interval Can be set in a range of [00:00:01]–[99:59:59].
- Page 280 Take the picture. First shot is taken and shooting continues according to the interval timer settings. During interval timer shooting, [ ] will blink. After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. Note Using a tripod is recommended.
- Page 281 Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. In < > focus mode, the camera will not shoot unless subjects are in focus. Consider setting the mode to manual focus and focusing manually before shooting.
- Page 282 Silent Shutter Function Disables shutter release sounds, operating sounds, and firing and illumination of the flash and other light sources. The following settings are used and cannot be changed. Shutter mode: [Electronic Shutter release sound, focused beep: only headphone output Touch sounds, self-timer sounds: silent Shutter at shutdown: open Long exposure noise reduction: [Disable]...
- Page 283 Shutter Mode You can choose the method of shutter release. Select [ : Shutter mode] ( Select an option. Mechanical Shooting activates the mechanical shutter. Recommended when shooting with the aperture of a bright lens wide open. Elec. 1st-curtain Camera vibration blur may be reduced more than with the mechanical shutter, under some shooting conditions.
- Page 284 : Silent shutter function] to [On] sets the shutter mode to [Electronic Zooming during continuous shooting may cause changes in exposure even at the same f/number. For details, refer to the Canon website ( Depending on the lens used, consider shooting with [Elec. 1st-curtain] or [Electronic ] to ensure effective image stabilization.
- Page 285 Enabling Shutter Release Without a Card Set to [Disable] to avoid shooting unless there are cards in the camera. Select [ : Release shutter without card] ( Select [Disable].
- Page 286 Image Stabilizer (IS Mode) Focal Length This menu is displayed for configuration of camera IS mode settings when you are using a non-IS lens. With IS-equipped lenses, setting the lens Image Stabilizer switch to < > combines stabilization by the lens and camera. Select [ : IS (Image Stabilizer) mode] ( Select [IS mode].
- Page 287 Caution In some cases, this may not provide sufficient stabilization for certain lenses. [IS (Image Stabilizer) mode] is not available when lenses with an IS switch are used. Use the IS switch on the lens instead. Note For details on image stabilization for movie recording, see Movie Digital Focal Length Image stabilization based on your specified lens focal length is possible by setting the focal...
- Page 288 Select [OK]. Caution Set [ : Release shutter w/o lens] to [Enable]. [Disable] prevents image stabilization. [Focal length] is not displayed when lenses are attached that support lens communication. Note Focal length can be set in a range of 1–1000 mm (in 1 mm increments).
- Page 289 Customizing Quick Controls Quick Control items and the layout are customizable. Select [ : Customize Quick Controls] ( Select [Edit layout]. Select items to remove. Turn the < > dial or use < > to select an item to remove, then press <...
- Page 290 Select items to add. Turn the < > dial or use < > to select an item to add, then press < >. To change the layout, press the < > button. Change the layout. Use the < > dial to select an item to move, then press < >.
- Page 291 Select [Save and exit]. Review the screen. Press the < > button to check the screen with your settings applied. Resetting the Custom Quick Control screen or clearing all items Select [Reset settings] to restore the default Quick Control screen items and layout. Select [Clear all items] to remove all items from the layout, so that no Quick Control screen is displayed when the <...
- Page 292 Shooting with the Touch Shutter Just by tapping the screen, you can focus and take the picture automatically. Enable the Touch Shutter. Tap [ ] in the lower left of the screen. Each time you tap the icon, it will toggle between [ ] and [ ] (Touch Shutter: Enable) The camera will focus on the spot you tap, then the picture will be...
- Page 293 Tap the screen to shoot. Tap the face or subject on the screen. On the point you tap, the camera focuses (Touch AF) using your specified Area. When [ ] is set, the AF point turns green when focus is achieved, then the picture is taken automatically.
- Page 294 Image Review Review Duration Viewfinder Display Review Duration To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not to have the image displayed, set to [Off]. Select [ : Image review] ( Select [Review duration]. Set a time option.
- Page 295 Note When [Hold] is set, images are displayed as long as the time set in the [Screen off] option of [ : Power saving].
- Page 296 Viewfinder Display Set to [Enable] for viewfinder display of your shots immediately after you shoot. Select [ : Image review] ( Select [Viewfinder display]. Select an option. Note [Viewfinder display] settings take effect when [Image review] is set to an option other than [Off].
- Page 297 High-Speed Display High-speed display that switches between each shot and the live image is available when shooting in [ ] (high-speed continuous shooting) drive mode and in a shutter mode other than electronic shutter. Select [ High speed display] ( Select an option.
- Page 298 Metering Timer You can set how long the metering timer runs (which determines the duration of exposure value display/AE lock) after it is triggered by an action such as pressing the shutter button halfway. Select [ : Metering timer] ( Set a time option.
- Page 299 View Assist Display Conditions HDR shooting (PQ)] is set to [HDR PQ] [Gamma/Color Space] in [ : Custom Picture] is set as follows • Canon Log 2 / C.Gamut • Canon Log 3 / C.Gamut • PQ / BT.2020 • HLG / BT.2020 * HLG stands for Hybrid Log-Gamma.
- Page 300 View Assist Display Settings Select [ HDR/C.Log View Assist.] ( Select screen or viewfinder display. Use View Assist display on the screen [ ] and viewfinder [ HDMI Use view-assisted display on non-HDR display devices connected via HDMI.
- Page 301 Select an option. Screen and viewfinder On (BT.709 during When the camera is set to [HDR PQ], converted images are displayed that resemble how the images would look on an HDR display device. Image display with a custom picture applied involves basic conversion to a standard gamma/color space.
- Page 302 Note ] is shown on the information display screen during movie recording with View Assist. View Assist is also used with magnified view. View Assist display settings do not affect the images captured.
- Page 303 Display Simulation With display simulation, display of image brightness and depth of field more closely matches the actual brightness (exposure) of your shots. Select [ : Display simulation] ( Select an option. Exposure+DOF ( Image brightness and depth of field as displayed closely matches the actual brightness (exposure) of your shots.
- Page 304 ] is dimmed if either exposure or depth of field simulation stops, or if both simulations stop. Zooming with certain lenses may change the exposure. For details, refer to the Canon website ( Depth-of-field previewing is canceled when you press the shutter button halfway.
- Page 305 Optical Viewfinder Simulation Natural-looking viewfinder and screen display, resembling the view from an optical viewfinder, is available in still photo shooting. Note that images displayed with this feature set to [On] may differ from actual shooting results. Select [ : OVF sim. view assist] ( Select an option.
- Page 306 Blackout-Free Display This display option makes it easier to shoot fast-moving subjects by eliminating the momentary initial lack of viewfinder images (blackout) in continuous shooting. Select [ Blackout-free display] ( Select [On]. Caution Display may not be smooth in these cases. •...
- Page 307 Shooting Information Display Customizing Information on the Screen Customizing Information in the Viewfinder Viewfinder Vertical Display Grid Histogram Electronic Level Size Battery Level (%) Display Card Free Space (%) Display Lens Information Display Vertical Exposure Level Indicator Clearing Settings You can customize the details and screens of information shown on the screen or in the viewfinder when you shoot.
- Page 308 Customizing Information on the Screen Select [ : Shooting info. disp.] ( Select [Screen info. settings]. Select screens. Turn the < > dial to select screens of information to show on the camera. For information you prefer not to display, press < >...
- Page 309 Edit the screen. Turn the < > dial to select options to show on the screen of information. For items you prefer not to display, press < > to clear the checkmark [ ]. Select [OK] to register the setting.
- Page 310 Customizing Information in the Viewfinder Select [ : Shooting info. disp.] ( Select [VF info/toggle settings]. Select screens. Turn the < > dial to select information screens to show in the viewfinder. For information you prefer not to display, press < >...
- Page 311 Edit the screen. Turn the < > dial to select options to show in the viewfinder. For items you prefer not to display, press < > to clear the checkmark [ ]. Select [OK] to register the setting.
- Page 312 Viewfinder Vertical Display You can select how viewfinder information is displayed when you are shooting still photos vertically. Select [ : Shooting info. disp.] ( Select [VF vertical display]. Information is automatically rotated, making it easier to read. Information is not automatically rotated.
- Page 313 Grid A grid can be displayed on the screen and viewfinder. Select [ : Shooting info. disp.] ( Select [Grid display].
- Page 314 Histogram You can select the content and display size of the histogram. Select [ : Shooting info. disp.] ( Select [Histogram disp]. Select an option. Select the content ([Brightness] or [RGB]) and display size ([Large] or [Small]).
- Page 315 Electronic Level Size You can select the display size of the electronic level. Select [ : Shooting info. disp.] ( Select [Electronic level size].
- Page 316 Battery Level (%) Display You can display the remaining battery capacity on the screen as an icon and percentage (1– 100%). Select [ : Shooting info. disp.] ( Select [Battery level (%) display]. Select [On]. Note On the playback screen, only an icon is displayed, without a number.
- Page 317 Card Free Space (%) Display You can display card free space on the screen. Select [ : Shooting info. disp.] ( Select [Card free space (%) display]. Select [On]. Note During still photo shooting or when writing to cards, the number of available shots is shown instead of the free space.
- Page 318 Lens Information Display You can display information about the lens in use. Select [ : Shooting info. disp.] ( Select [Lens info display]. Select an option. Focus distance disp You can display focus distance when using RF or RF-S lenses. In focus distance display, you can select the timing and unit of measurement.
- Page 319 Vertical Exposure Level Indicator You can show or hide the vertical exposure level indicator displayed on the right side of the screen. Select [ : Shooting info. disp.] ( Select [Vertical exp level]. Select an option. When set to [On], the metering value is shown in real time on the vertical exposure level indicator in all shooting modes except [BULB].
- Page 320 Clearing Settings Select [ : Shooting info. disp.] ( Select [Reset]. Select [OK].
- Page 321 Reverse Display A mirror image can be displayed when you shoot with the screen rotated toward the subject (toward the front of the camera). Select [ : Reverse display] ( Select an option. Select [Off] if you prefer not to reverse display when the screen is facing the subject.
- Page 322 Display Frame Rate You can set the display frame rate for the shooting screen in still photo shooting. Choose whether to conserve battery power or use a high frame rate for display. Select [ Display frame rate set.] ( Select an option. When set to [Smooth] By pressing the <...
- Page 323 Caution Shooting under low light with [Suppress lower frame rate] set for shooting screen display may affect performance as follows. • Faster battery consumption • Fewer shots available • Lower image display brightness • Difficulty in autofocusing • Lower metering precision •...
- Page 324 Viewfinder Magnification You can select the display magnification for the viewfinder screen. For a better view if the edges of the screen are difficult to see, you can reduce the magnification. Select [ : VF magnification] ( Select an option.
- Page 325 Viewfinder Display Format You can select how information is presented in the viewfinder. Select [ : VF display format] ( Select an option.
- Page 326 Auto Power Off Temperature You can set the maximum camera body temperature at which the camera automatically turns off. Setting this level higher than the standard temperature can extend the available shooting time by removing some operating restrictions. Select [ : Auto pwr off temp.] ( Select [High].
- Page 327 Caution The camera and memory cards may become hotter when [ : Auto pwr off temp.] is set to [High]. • We recommend using a tripod or the like to avoid handheld shooting, which may cause problems such as low-temperature contact burns. •...
- Page 328 Metering Mode Selection You can select how the camera determines subject brightness. Setting with camera controls Press the < > button ( Select the metering mode. Turn the < > dial to make a selection.
- Page 329 Setting from the Quick Control screen Press the < > button ( With an image displayed on the screen, press the < > button. Select the metering mode. To select an item, turn the < > dial or press < >...
- Page 330 Setting from the menu Select [ : Metering mode] ( Select the metering mode. Evaluative metering General-purpose metering mode suited even for backlit subjects. The camera adjusts the exposure automatically to suit the scene. Partial metering Effective where there are much brighter lights around the subject due to backlight, etc. Spot metering Effective when metering a specific part of the subject.
- Page 331 Center-weighted average The metering across the screen is averaged, with the center of the screen weighted more heavily. Note By default, the camera will set the exposure as follows. With [ ], holding down the shutter button halfway locks the exposure value (AE lock) after the camera focuses with One-Shot AF.
- Page 332 AE for Priority Subjects During AF Performs metering for subjects detected based on the [ : Subject to detect] setting. Select [ : Detect priority AE while AF] ( Select an option. [Enable]: Metering is based on the AF point or AF area where the subject was detected.
- Page 333 Manual Exposure Compensation Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation can be set in [Fv], [P], [Tv], [Av], and [M] shooting modes. For details on exposure compensation when [M] mode and ISO Auto are both set, see Manual Exposure, and for details on [Fv] mode, see Fv: Flexible-Priority...
- Page 334 Note The exposure compensation amount will remain in effect even after you set the power switch to < >.
- Page 335 Exposure Lock (AE Lock) Effect of AE Lock To keep shooting at the same exposure, such as when you will set the focus and exposure separately, you can press the < > button for AE lock. It is effective for shooting backlit subjects, etc.
- Page 336 Recompose and take the picture. When you are to take more pictures while maintaining the AE lock, keep holding down the < > button and press the shutter button to take another picture. Note AE lock is not possible with bulb exposures. Effect of AE Lock AF Point Selection Metering Mode...
- Page 337 General Still Photo Shooting Information Display General Still Photo Shooting Precautions Information Display For details on the icons displayed for still photo shooting, see Information Display. Note White display of the [ ] icon indicates that your shots will be about as bright as the image displayed.
- Page 338 General Still Photo Shooting Precautions Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Image quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable.
- Page 339 Images and display Under low- or bright-light conditions, the displayed image may not reflect the brightness of the captured image. Although noise may be noticeable in images under low light (even at low ISO speeds), there will be less noise in your shots, due to differences in image quality between displayed and captured images.
- Page 340 Movie Recording To prepare for movie recording, set the still photo shooting/movie recording switch to < >, then press the < > button and choose a recording mode. Caution When switching from still photo shooting to movie recording, check the camera settings again before recording movies.
- Page 341 Movie Auto Level • False Color Settings • Zebra Settings • Shooting Information Display • Quick Control Screen • Standby: Low Resolution • Canon Log HDMI Output Range • Metadata • Time Code • Other Menu Functions • General Movie Recording Precautions...
- Page 342 Tab Menus: Movie Recording Image quality/size Movie rec. size High Frame Rate Main rec. format Movie cropping Dual shooting (still&movie) Sound-rec. settings Sound recording Audio format Audio settings Audio Status...
- Page 343 Exposure Exposure comp. ISO speed settings HF anti-flicker shooting Av 1/8-stop incr. Auto slow shutter Detect priority AE while AF Color/tone/Dynamic range Custom Picture (2) Picture Style • Picture Style Selection • Picture Style Customization • Picture Style Registration Clarity HDR shooting (PQ) Auto Lighting Optimizer Highlight tone priority...
- Page 344 White balance/Quality correction White balance Set Custom WB WB correction Lens aberration correction High ISO speed NR Various shooting Pre-recording set.
- Page 345 Shutter control/Assist shooting Movie self-timer Tally lamp IS (Image Stabilizer) mode Auto level Customize Quick Controls Metering timer Assist shooting Metadata Time code HDR/C.Log View Assist. False color set. Zebra settings...
- Page 346 Assist shooting Shooting info. disp. Quick Ctrl screen VF magnification VF display format Reverse display Assist shooting/HDMI Auto pwr off temp. Standby: Low res. Shutdown warning guidance HDMI display HDMI RAW output HDMI output range for C. Log...
- Page 347 Movie Recording Autoexposure Recording Shutter-Priority AE Aperture-Priority AE ISO Speed in [ ] / [ ] / [ ] Mode Manual Exposure Recording ISO Speed in [ ] Mode Shutter Speed Still Photo Shooting Information Display (Movie Recording) Autoexposure Recording Exposure is controlled automatically to suit the brightness.
- Page 348 Focus on the subject. Before recording a movie, focus with AF ( ) or manual focus ( The camera focuses continuously under default settings, with [Movie Servo AF] in [ : Movie Servo AF] set to [Enable] ( By default, pressing the < >...
- Page 349 Record the movie. Press the movie shooting button to start recording a movie. You can also start recording a movie by tapping [ ] on the screen. While the movie is being recorded, [ REC] (1) is displayed, the screen is outlined in red, and the tally lamp is lit. Sound is recorded by the microphone (2).
- Page 350 Shutter-Priority AE ] recording mode enables you to set your preferred shutter speed for movies. ISO speed and aperture values are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Press the < >...
- Page 351 Caution Avoid adjusting shutter speed while recording movies, which will record changes in exposure. When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the subject's movement will look.
- Page 352 Aperture-Priority AE ] recording mode enables you to set your preferred aperture value for movies. ISO speed and shutter speed are set automatically to suit the brightness and obtain standard exposure. Set the recording mode to [ Press the < >...
- Page 353 Caution Avoid adjusting the aperture value while recording movies, which will record changes in exposure caused by aperture adjustment. Note Notes for [ ], [ ], and [ ] modes You can lock the exposure (AE lock) by pressing the < >...
- Page 354 ISO Speed in [ ] / [ ] / [ ] Mode ISO speed is set automatically. See ISO speed (recommended exposure index) in movie recording.
- Page 355 Manual Exposure Recording You can manually set the shutter speed, aperture value, and ISO speed for movie recording. Set the recording mode to [ Press the < > button, then turn the < > dial to select [...
- Page 356 Set the shutter speed, aperture value, and ISO speed. Press the shutter button halfway and check the exposure level indicator. Turn the < > dial to set the shutter speed (1), the < > dial to set the aperture value (2), and the < >...
- Page 357 Focus and record the movie. Same as steps 2 and 3 for Autoexposure Recording. Caution ISO speed cannot be expanded to L (equivalent to ISO 50) in movie recording. During movie recording, avoid changing the shutter speed, aperture value, or ISO speed, which may record changes in the exposure or create more noise at high ISO speeds.
- Page 358 ISO Speed in [ ] Mode You can set the ISO speed manually or select [ ] to set it automatically. For details on ISO speed, see ISO speed (recommended exposure index) in movie recording.
- Page 359 Shutter Speed Available shutter speeds in [ ] and [ ] mode vary depending on the frame rate of your specified movie recording quality. Shutter Speed (Sec.) Frame Rate Normal Movie Recording High Frame Rate Movie Recording 1/250–1/8000 1/200–1/8000 – 1/125–1/8000 1/100–1/8000 1/8–1/8000...
- Page 360 Still Photo Shooting If you will shoot still photos while recording movies, set up [ : Dual shooting (still&movie)]. After this, shoot still photos as you would normally do.
- Page 361 Information Display (Movie Recording) For details on the icons on the movie recording screen, see Information Display. Caution The remaining time displayed for movie recording is only a guideline. Movie recording may stop before the initially displayed recording time elapses if the red [ ] icon appears due to high internal camera temperature during recording (...
- Page 362 Movie Recording Size 4K Movie Recording Image Area Frame Rate (fps: frames per second) Compression Method Cards That Can Record Movies Movie Files Exceeding 4 GB Total Movie Recording Time and File Size Per Minute You can set the resolution, frame rate, and compression method in [ : Movie rec.
- Page 363 Available resolutions Resolution Image Size Aspect Ratio Restrictions 4096×2160 Approx. 17:9 • Fine options have higher image quality and lower compression. 3840×2160 16:9 • Fine recording is not available when [ : High Frame 2048×1080 Approx. 17:9 Rate] or [ : Movie cropping] is set to [Enable], or with RF-S or EF-S lenses.
- Page 364 With [ : Main rec. format] set to [RAW] ( You can set the frame rate and type of RAW for RAW movie output. The following combinations of movie recording quality options are available. System Frequency Resolution Image Size Frame Rate Type of RAW 54.94 Hz: NTSC 6000×3164...
- Page 365 With [ : HDMI RAW output] set to [On] ( You can set the frame rate and type of RAW for HDMI RAW movie output. The following combinations of movie recording quality options are available. System Frequency Resolution Image Size Frame Rate Type of RAW 54.94 Hz: NTSC...
- Page 366 Note To obtain better performance with the card, formatting the card with the camera before recording movies is recommended ( Movies cannot be recorded in HD or VGA quality. 4K Movie Recording Recording 4K movies requires a stable card with a fast writing speed. For details, see Cards That Can Record Movies.
- Page 367 Image Area The movie image area varies depending on factors such as movie recording quality and cropped shooting settings and the lens used. RF or EF lenses: With [ : Movie cropping] set to [Disable] (6K RAW) (6000×3164) / (4096×2160) / (2048×1080) (3840×2160) / (1920×1080)
- Page 368 Frame Rate (fps: frames per second) : 239.76 fps / : 119.88 fps / : 59.94 fps / : 29.97 fps For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). : 200.00 fps / : 100.00 fps / : 50.00 fps / : 25.00 fps...
- Page 369 Compression Method : High (Intra-frame) Compresses each frame, one at a time, for recording. Although file sizes are larger than with Long GOP, movies are more suitable for editing. Available when [ : Main rec. format] is set to [XF-AVC S YCC422 10bit]. : Standard (Intra-frame) Because file sizes are smaller than with [ ], movie recording over longer periods is...
- Page 370 Cards That Can Record Movies For details on cards that can record movies, see Cards That Can Record Movies. Test cards by recording a few movies to make sure they can record correctly at your specified size ( Caution Before recording 4K movies, format cards by selecting [Low level format] in [ : Format card] ( If you use a slow-writing card when recording movies, the movie may not be recorded properly.
- Page 371 Movie Files Exceeding 4 GB With CFexpress cards, individual movies are recorded as a single file, even if they exceed 4 GB. Caution When importing movie files exceeding 4 GB to a computer, use either EOS Utility or a card reader ( ).
- Page 372 Total Movie Recording Time and File Size Per Minute Estimated recording time, movie bit rate, file size, and card performance requirements.
- Page 373 High Frame Rate When set to [Enable], the camera can capture 239.76/200.00 fps or 119.88/100.00 fps to record movie files with a frame rate of 29.97/25.00 fps. The maximum recording time per movie is 89 min. 29 sec. Sound is not recorded. Note that playback is in slow motion. is available at resolutions of The compression method is Time code display during movie recording advances based on 29.97/25.00 fps.
- Page 374 Main Recording Format XF-HEVC S and XF-AVC S Movies RAW Movies Recording Proxy Movies You can specify the format of movie files recorded. Select [ : Main rec. format] ( Select an option.
- Page 375 XF-HEVC S and XF-AVC S Movies XF-HEVC S and XF-AVC S movies are in original Canon video formats that are extensions of H.265/HEVC and MPEG-4 AVC/H.264, respectively. These formats maintain image quality while offering high data compression. Brightness, Main Hue,...
- Page 376 DPP) is recommended. RAW images from this camera cannot be used with older versions of DPP. Download the latest version of DPP from the Canon website and install it, which will overwrite the previous version ( Commercially available software may not be able to display RAW movies recorded by this camera.
- Page 377 Recording Proxy Movies To record one version of movies to card in the main recording format while recording another version to card in a lighter format, set [ Rec options] in [ : Record func +card/folder sel.] to [ Main Proxy].
- Page 378 Note On the movie recording screen, the amount of time remaining for movie recording refers to the time for main movies. If card (for main movies) is not in the camera, the amount of time remaining for movie recording refers to the time for card (proxy movies).
- Page 379 Movie Cropping With RF or EF lenses, you can record movies cropped around the center of the image area, as if captured with a telephoto lens. Recording movies with RF-S/EF-S lenses has the same effect as this movie cropping feature. Select [ : Movie cropping] ( Select [Enable].
- Page 380 Dual Shooting (Still Photos and Movies) Without interrupting movie recording, you can shoot still photos (single shooting or continuous shooting) by pressing the shutter button completely. This enables still photo shooting with higher image quality than extracting frames from movies. Caution When using this feature, make sure two cards are in the camera before turning it on.
- Page 381 Select [On]. Set other options as needed. Drive mode Specify the amount of still photo shooting performed by pressing the shutter button completely. Turn the < > dial to make a selection. High speed • With [ : System frequency] set to [59.94Hz:NTSC]: Continuous shooting at up to approx.
- Page 382 JPEG quality Set the level of image quality (1–10) in still photo shooting. Turn the < > dial to make a selection. Higher numbers offer higher quality (lower compression). Caution Still photos cannot be captured during movie recording when RF-S or EF-S lenses are attached.
- Page 383 Note You can extend the time available for movie recording by setting [ : Standby: Low res.] to [On]. As the Picture Style for still photos, the setting of [ : Picture Style] during movie recording is applied.
- Page 384 Sound Recording Select [On] for sound recording during movie recording. The built-in microphone is used unless an external microphone is connected. Select [ : Sound recording] ( Select an option. Set the recording level and other settings as needed in [ : Audio settings] ( Caution...
- Page 385 Note Audio is also output when the camera is connected to televisions via HDMI, except when set to [Disable]. In case of feedback from television audio output, move the camera away from the television or turn down the volume. The volume balance between L/R (left/right) cannot be adjusted. Sound is recorded at a 48 kHz sampling rate.
- Page 386 Four-channel recording The camera supports four-channel sound recording. Four-channel recording can include combinations of the following sources. Microphone designed for a multi-function shoe (2 channels) + external microphone (2 channels) Microphone designed for a multi-function shoe (2 channels) + built-in microphone (2 channels) External microphone (2 channels) + built-in microphone (2 channels) Built-in microphone (2 channels) + built-in microphone (2 channels)
- Page 387 Audio Format You can choose the audio format used for sound in movie recording. Select [ : Audio format] ( Select an option. When set to [ Main Proxy] When [ Rec options] in [ : Record func+card/folder sel.] is set to [ Main Proxy], select the audio format for each card.
- Page 388 Audio Settings Recording Mode Recording Level Wind Filter Attenuator Microphone Directionality Configure microphones for sound recording in these settings. When using microphones that are external or designed for a multi-function shoe, also refer to the microphone instruction manual. Select [ : Audio settings] ( Select the device to use.
- Page 389 Set the item. When set to [Built-in microphone] When set to [External microphone] When set to [Hot shoe input] Available setting items vary depending on the microphone used.
- Page 390 Recording Mode Auto The sound-recording level is adjusted automatically. Auto level control will take effect automatically in response to the sound level. Manual You can adjust the sound-recording level as needed. Adjust the level in [Rec. level]. Caution Do not change the [Recording mode] settings when listening with headphones. This may cause sudden loud output that may hurt your ears.
- Page 391 Recording Level Available when [Recording mode] is set to [Manual]. To adjust the sound-recording level, turn the < > dial while watching the level meter. Look at the peak hold indicator, and adjust so that the level meter sometimes lights up on the right of the “12”...
- Page 392 Wind Filter Available when using the built-in microphone or multi-function shoe microphones that are compatible with wind filters. Set to [Enable] to reduce wind noise when there is wind outdoors. When the wind filter function takes effect, part of the low bass sounds will also be reduced.
- Page 393 Attenuator As a function that suppresses sound distortion caused by loud noises during recording, the attenuator can be enabled or disabled when using microphones designed for a multi- function shoe. For details, refer to the microphone instruction manual.
- Page 394 Microphone Directionality Available when using multi-function shoe microphones for which directivity can be switched. For details, refer to the microphone instruction manual.
- Page 395 Audio Status Indicates audio status such as the active microphone and the headphone volume. Select [ : Audio Status] ( Check the details as needed. Note [Monitor CH] indicates channels set in [Shoot. monitor CH] for [Headphones] in [ : Audio monitor].
- Page 396 Saving and Loading Custom Picture Files Using Look Files Canon Log Image Quality Custom picture files on the camera enable you to adjust color tones in movie recording by applying a combination of settings (gamma/color space, color matrix, and look files), mainly in preparation for post-production processing.
- Page 397 Selecting Custom Picture Files Select [ : Custom Picture] ( Select [ function]. Select [On]. Select [Select File].
- Page 398 C1: Canon Canon 709 / Suitable for display on BT.709 Neutral BT.709 compliant-monitors Also suitable without post- processing Uses Canon Log 2 gamma; post- C2: Canon Canon Log 2 / processing required Neutral Log 2 C.Gamut Superior tonality in dark image areas than Canon Log 3 Uses Canon Log 3 gamma;...
- Page 399 Editing Custom Pictures You can edit settings of the selected custom picture file. Select [Edit File]. To edit a protected ([ ]) custom picture file, select [Unprotect] by [Protect] to enable editing. Edit the settings as needed. Select a setting to edit, then adjust it on the screen displayed ( To save an edited custom picture file with a new name, select [Rename] and enter a name.
- Page 400 Protect the image. When you are finished editing, select [Protect].
- Page 401 Gamma with a wide dynamic range that is also Canon 709 suitable without post-processing Suitable for viewing on BT.709 compliant-monitors Color space developed by Canon based on image sensor characteristics, covering a wider color C.Gamut gamut than that of BT.2020...
- Page 402 Color equivalent to “traditional color” in ITU-R Vivid BT.2390 Black Black level adjustment Not available with [Gamma/Color Space] set to [Canon Log 2] or [Canon Log 3] Increases or decreases the black level. Higher Master –50 to +50 values brighten dark image areas but decrease Pedestal contrast.
- Page 403 Black Gamma Lower gamma curve correction, for dark image areas Raises or lowers the black part of the gamma curve in the following ranges Available with [Gamma/Color Space] set to [BT.709 Standard] (1) Output (2) Input (3) Point (4) Level (5) Range Level –50 to +50...
- Page 404 Knee Compression of bright image areas to prevent clipped highlights Available with [Gamma/Color Space] set to [BT.709 Standard] (1) Output (2) Input Slope Point Adjustment with each setting is enabled when set Activate On, Off to [On] Slope –35 to +50 Adjusts the slope above the knee point Point 50 to 109...
- Page 405 Sharpness Sharpness adjustment Increases or decreases the level of edge Level –10 to +50 sharpness Sets the center frequency for edge enhancement Detail –8 to +8 Higher values increase the frequency, sharpening Frequency images Sets the contrast threshold between edges and surrounding image areas, which determines edge Coring –30 to +50...
- Page 406 Color Correction Settings to correct image areas with certain color characteristics Areas for correction are detected accordingly With the settings configured, areas not detected are displayed in neutral colors (except when adjusting [Area A Revision Level], [Area B Revision Level], [Area A Revision Phase], and [Area B Revision Phase]) Specifies areas (A or B) for color correction Area A is corrected when set to [Area A] Select Area...
- Page 407 Checking Custom Picture Settings You can review custom picture file settings from the [Custom Picture] menu. Select a custom picture file ( On the [Custom Picture] screen, select [Status]. Check the settings.
- Page 408 Saving and Loading Custom Picture Files Edited custom picture files can be saved to a card and used with other cameras of the same model. Select a custom picture file to save ( On the [Custom Picture] screen, select [Save File].
- Page 409 Using Look Files You can register 17- or 33-grid 3D LUT files in .cube format from the Blackmagic Design application DaVinci Resolve as look files in custom picture files to adjust the color tone of movies you record. Registering look files Before you begin, the look file to register should be copied to a card.
- Page 410 Select [Register]. Look files on the card are listed. Select a look file. After applying the look file, select the gamma/color space. Select [OK]. Caution The following look files are not compatible. • Input range outside a range of 0–1 in the header (“LUT_3D_INPUT_RANGE”) •...
- Page 411 Using look files for color adjustment You can use registered look files for color adjustment. On the [Edit File] screen, select [Look File]. Select [On]. To disable color adjustment based on look files, select [Off]. Removing look files Select a custom picture file ( Select [Edit File].
- Page 412 Select [OK].
- Page 413 Canon Log Image Quality With Canon Log, skies, white walls, and similar subjects may be affected by noise or uneven gradation, exposure, or colors, depending on the subject or shooting conditions. Banding or noise may also be noticeable in dark image areas.
- Page 414 Movie Self-Timer Movie recording can be started by the self-timer. Select [ : Movie self-timer] ( Select an option. Record the movie. After you press the movie shooting button or tap [ ], the camera beeps and displays the number of seconds left before recording. Note To cancel the self-timer, either tap the screen or press <...
- Page 415 Tally Lamp The tally lamp lights up or blinks to indicate camera status. Select [ : Tally lamp] ( Select an option. When set to [On], the tally lamp lights up or blinks as follows. Movie recording in progress • Cannot record movies, due to a low battery level or insufficient card free space Blinking rapidly •...
- Page 416 Pre-Recording Setting With pre-recording, automatic movie recording is already in progress a specified amount of time before you manually start recording. This preliminary recording is referred to as pre-recording. The camera pre-records automatically during movie recording standby. Select [ : Pre-recording set.] ( Select [Pre-recording].
- Page 417 Record the movie. Record the movie in the same way as normal movie recording. Movies are recorded with the pre-recorded part added. Caution Restrictions during pre-recording The following items are not displayed on the movie recording screen. • Electronic level •...
- Page 418 Note Current information when recording begins is applied to movie Exif information.
- Page 419 Image Stabilizer (IS Mode) Movie Digital IS The camera's IS mode and movie digital IS features reduce camera shake as movies are recorded. They can provide effective stabilization even when non-IS lenses are used. With IS-equipped lenses, setting the lens Image Stabilizer switch to < >...
- Page 420 Movie Digital IS Select [ : IS (Image Stabilizer) mode] ( Select [ Digital IS]. Select an option. Off ( Image stabilization with Movie digital IS is disabled. On ( Camera shake will be corrected. The image will be slightly magnified. Enhanced ( Compared to when [On] is set, stronger camera shake can be corrected.
- Page 421 With some lenses, even more effective stabilization (indicated by “+” next to the IS icon) is possible when the lens's IS is used in conjunction with [IS mode] and [Movie digital IS] on the camera. For details on lenses compatible with this feature, visit the Canon website (...
- Page 422 Movie Auto Level Auto leveling helps keep movies straight during recording. Caution Set [ Digital IS] in [ : IS (Image Stabilizer) mode] to [Off]. Select [ Auto level] ( Select an option.
- Page 423 False Color Settings False Color Display Color-coded display in six colors based on the brightness level is shown on the screen during movie recording. This can help you adjust the exposure. Select [ : False color set.] ( Select [False color]. Select [On].
- Page 424 False Color Display False color display is applied to images on the camera screen and viewfinder. You can also check false color display details in [False color index]. Color Meaning White clipping Yellow Just below white clipping Pink One stop over 18% gray Green 18% gray Blue...
- Page 425 Zebra Settings To simplify exposure adjustment before or during movie recording, you can display a striped pattern over or around image areas of a specified brightness. Select [ : Zebra settings] ( Select [Zebra]. Select [On]. Select [Zebra pattern]. [Zebra 1]: Displays left-slanting stripes around areas of the specified brightness.
- Page 426 The maximum brightness value does not reach 100% when the [ : Custom Picture] gamma is set to [Canon Log 2] or [Canon Log 3]. Checking the zebra display level in advance is recommended when you will set [Zebra pattern].
- Page 427 Shooting Information Display Recording Emphasis Aspect Marker You can customize the details and screens of information shown on the screen or in the viewfinder during movie recording. Note For details on the following topics, see Shooting Information Display for still photo shooting.
- Page 428 Recording Emphasis Select [ : Shooting info. disp.] ( Select [Recording emphasis]. The screen is outlined in red while movie recording is in progress. No frame is displayed to call attention to recording in progress.
- Page 429 Aspect Marker If you will change the image aspect ratio when editing the recorded movie, you can display aspect markers on the movie recording screen (during standby and recording) to be aware of the final angle of view after editing. Select [ : Shooting info.
- Page 430 Quick Control Screen You can change the Quick Control ( ) views available during movie recording. Select [ : Quick Ctrl screen] ( Select the view to display. Turn the < > dial to select Quick Control display options. For items you prefer not to display, press < >...
- Page 431 Standby: Low Resolution Set to [On] to conserve battery power and control the rise of internal camera temperature during standby. Select [ : Standby: Low res.] ( Select an option. Caution Image appearance during standby may differ from the appearance during movie recording, but this setting does not affect recording quality.
- Page 432 Canon Log HDMI Output Range You can select the output range of video signals output via an HDMI connection. Select [ : HDMI output range for C. Log] ( Select an option. Prioritize Full Range Full-range output is used whenever possible. Note that the output range will be automatically adjusted to suit display specifications.
- Page 433 Metadata Preparing to Embed XML Files Embedding XML Files Clearing Metadata Settings Checking Metadata Status Embedding Custom Picture Files Movie files can be embedded with metadata that conforms to the NewsML-G2 specification. Before you begin, the metadata to embed should be saved to a card. Note Metadata can also be embedded using the Content Transfer Professional mobile app.
- Page 434 Embedding XML Files Select [ : Metadata] ( Set [Add News Metadata] to [On]. Select [News Metadata]. This option is not available unless a card is loaded. Select the metadata. Turn the < > dial to make a selection. The first 8 characters of the XML file name are shown on the screen, along with a preview of the data itself.
- Page 435 Clearing Metadata Settings You can clear (delete) metadata registered to the camera. Select [Clear Metadata settings]. Select [OK]. Metadata registered to the camera is cleared.
- Page 436 Checking Metadata Status You can review details of the metadata registered to the camera. Select [News Metadata status]. Check the details as needed.
- Page 437 Embedding Custom Picture Files Custom picture files can be embedded in movie files by setting [Add File] to [On] when function] in [ : Custom Picture] is set to [On]. Caution Custom picture files are not embedded in RAW movies. When you are recording both main and proxy movies, custom picture files are embedded in proxy movies if the main movies are RAW movies ( ).
- Page 438 Time Code Count Up Start Time Setting Movie Recording Count Movie Play Count HDMI Drop Frame Time codes record the time automatically as movies are recorded. Time codes always record elapsed hours, minutes, seconds, and frames. They are mainly used when movies are edited.
- Page 439 Count Up Rec run The time code advances only during movie recording. Time codes in each movie file recorded continue from the last time code in the previous file. Free run The time code keeps advancing, even when you are not recording. Caution When set to [Free run], time codes are not added to High Frame Rate movies that you record.
- Page 440 Start Time Setting You can set the initial time of the time code. Manual input setting Enables you to set any starting hour, minute, second, and frame. Reset Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.” or “00:00:00:”...
- Page 441 Movie Recording Count You can select how time is displayed on the movie recording screen. Rec time During recording standby, displays the available recording time. During recording, displays the time that has elapsed since recording began (1). Time code Displays the time code during movie recording (2).
- Page 442 Movie Play Count You can select how time is shown in basic information display on the movie playback screen. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting.
- Page 443 HDMI Time code Time codes can be added to movies as you record them to an external device via HDMI. No time code is added to HDMI video output. Time codes are added to HDMI video output. When [On] is set, [Rec Command] is displayed.
- Page 444 Caution Time codes are not added to HDMI video output when you record High Frame Rate movies with [Count up] in [Time code] set to [Free run]. To determine compatibility of external recording devices with [Time code] and [Rec Command] functions, check with the device manufacturer. Even with [Time code] set to [Off], external recording devices may add time codes to movies, depending on their specifications.
- Page 445 Drop Frame The time code's frame count will cause a discrepancy between the actual time and the time code if the frame rate is set to (239.76 fps), (119.88 fps), (59.94 fps), or (29.97 fps). You can choose whether to automatically compensate for this discrepancy.
- Page 446 Other Menu Functions 3 Exposure] 10 Assist shooting/HDMI] 3 Exposure] Exposure compensation Exposure compensation is available in [ ], [ ], [ ], and [ ] modes. For details on exposure compensation, see Manual Exposure Compensation. ISO speed settings ISO speed In [ ] mode, you can set the ISO speed manually.
- Page 447 Av 1/8-stop incr. You can set aperture values on a finer scale when recording movies with RF or RF-S lenses. This feature is available in [ ] or [ ] recording mode. Select [Enable] to change the aperture increment from 1/3 stop (or 1/2 stop) to 1/8 stop. Caution Av 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses are used.
- Page 448 Auto slow shutter You can choose whether to record movies that are brighter and less affected by image noise than when set to [Disable] by automatically slowing the shutter speed under low light. Available in [ ] or [ ] recording mode. Applies when the frame rate of the movie recording size is Disable Enables you to record movies with smoother, more natural movement, less affected by...
- Page 449 10 Assist shooting/HDMI] Shutdown warning guidance Shutdown warning guidance (about auto shutdown during movie recording due to high internal temperature under certain movie recording settings) can be displayed on startup. If you prefer not to display shutdown warning guidance, set [ : Shutdown warning guidance] to [Off].
- Page 450 HDMI display You can specify how movies are displayed as they are recorded via HDMI to an external device. Movie output itself corresponds to the [ : Movie rec. size] setting. The default setting is [ Enables movie display both on the camera screen and on the other device, via HDMI output.
- Page 451 Caution HDMI output without information prevents display of warnings about the card space, battery level, or high internal temperature ( ) via HDMI. During HDMI output, display of the next image may take some time if you switch between movies of different recording qualities or frame rates. Avoid operating the camera when recording movies to external devices, which may cause information to be displayed in the HDMI video output.
- Page 452 HDMI RAW output Set to [On] for RAW movie output at resolutions up to 6K from the HDMI terminal to compatible devices. As recording begins, movies are also recorded to card (if it is in the camera) in XF-AVC format. You can restrict recording to external recording devices when card is not inserted by setting [Rec Command] to [On] (...
- Page 453 • Pre-recording setting • Movie digital IS • Display during HDMI connection • HDMI resolution • Canon Log HDMI output range • Magnified image display Note You can include time code in output to devices compatible with RAW movies by setting [Time code] in the [ : Time code] [HDMI] setting to [On].
- Page 454 General Movie Recording Precautions Guidance Display Before Recording Warning Indicator Display in Movie Recording Guidance Display Before Recording Shutdown warning guidance may be displayed when the camera starts up, after settings are adjusted, or in other situations ( The guidance warns that the camera may become hot internally if movies are recorded under the current settings, and that if you continue recording, the camera may turn off automatically.
- Page 455 Warning Indicator Display in Movie Recording A 10-level indicator (1) is displayed during movie recording in case of excessive internal camera temperature. As the internal temperature rises, the level on the indicator extends to the right. How fast the level increases will depend on shooting conditions. Levels 1–7 are marked in white, but once the temperature reaches level 8, the color changes.
- Page 456 Caution Precautions for movie recording Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. If you record something that has fine detail, moire or false colors may result. If [ ] or [ ] is set and the ISO speed or aperture value changes during...
- Page 457 Recording and image quality If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch to < >, the Image Stabilizer will operate at all times even if you do not press the shutter button halfway. This will consume battery power, and it may reduce the total movie recording time.
- Page 458 Note Notes for movie recording Each time you record a movie, a new movie file is created on the card. Field of view (coverage) is approx. 100%. Focusing is also possible by pressing the < > button. To enable starting/stopping movie recording by pressing the shutter button completely, set [Fully-press] for [ : Shutter btn function for movies] to [Start/ stop mov rec] (...
- Page 459 AF/Drive This chapter describes autofocus operation and drive modes and introduces menu settings on the AF [ ] tab. Note < > stands for autofocus. < > stands for manual focus. • Tab Menus: AF (Still Photos) • Tab Menus: AF (Movie Recording) •...
- Page 460 Tab Menus: AF (Still Photos) AF operation/area AF operation AF area Whole area tracking Servo AF Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. Subject detection Subject to detect Eye detection Register people priority Action Priority...
- Page 461 Servo AF character. Case Auto Case Auto character. Case Manual Tracking sensitivity Accel./decel. tracking Customize AF operation Servo 1st image priority One-Shot AF release prior. Preview AF Lens drive when AF impossible AF-assist beam firing...
- Page 462 Customized controls Limit AF areas Orientation linked AF point Limit subject to detect L/R eye detection MF related MF peaking settings Focus guide Lens electronic MF Various settings/Various settings Register/recall AF-related settings AF Setting Guide URL...
- Page 463 Tab Menus: AF (Movie Recording) AF operation/area Movie Servo AF AF area Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. Subject detection Subject to detect Eye detection Register people priority Switching tracked subjects...
- Page 464 Servo AF character. Movie Servo AF speed Movie Servo AF track sens. Customize AF operation Lens drive when AF impossible Customized controls Limit AF areas Limit subject to detect L/R eye detection...
- Page 465 MF related MF peaking settings Focus guide Lens electronic MF...
- Page 466 AF Operation One-Shot AF for Still Subjects Servo AF for Moving Subjects You can select the AF operation characteristics to suit the shooting conditions or subject. Set the focus mode to AF. For RF lenses with a focus mode switch Set the lens's focus mode switch to <...
- Page 467 Select an option. Note If focus is not achieved, the AF point will turn orange. With One-Shot AF, shooting is not possible even by pressing the shutter button completely. Recompose the shot and try to focus again. Or, see Shooting Conditions That Make Focusing Difficult.
- Page 468 One-Shot AF for Still Subjects This AF operation is suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point will turn green and the beeper will sound. The focus remains locked while you hold down the shutter button halfway, allowing you to recompose the image before taking the picture.
- Page 469 After the subject is in focus, keep the shutter button pressed halfway and recompose the shot. Press the shutter button completely to take the picture.
- Page 470 Servo AF for Moving Subjects This AF operation is suited for moving subjects. While you hold down the shutter button halfway, the camera will keep focusing on the subject continuously. When focus is achieved, the AF point will turn blue. The beeper will not sound even when focus is achieved.
- Page 471 Movie Servo AF Subject Detection AF With this function enabled, the camera keeps focusing on the subject during movie recording. Set the still photo shooting/movie recording switch to < >. Select [ : Movie Servo AF] ( Select [Movie Servo AF].
- Page 472 Select an option. Enable • The camera focuses on the subject continuously even when you are not pressing the shutter button halfway. • To keep the focus at a specific position, or if you prefer not to record mechanical sounds from the lens, you can temporarily stop Movie Servo AF by tapping [Movie Servo AF paused] (1) in the lower left of the screen.
- Page 473 Caution Precautions when set to [Movie Servo AF: Enable] Shooting conditions that make focusing difficult • A fast-moving subject approaching or moving away from the camera. • A subject moving at a close distance to the camera. • When shooting with a higher aperture value. •...
- Page 474 Subject Detection AF You can specify whether to use Movie Servo AF if the subject set in [ : Subject to detect] ( ) is not detected. Detect. priority Movie Servo AF is used for automatically selected subjects within the area set in [ AF area] ( Subjects set in [ : Subject to detect] are prioritized for automatic selection.
- Page 475 Selecting the AF Area AF Area Selecting the AF Area Whole Area Tracking Servo AF Subject to Detect Eye Detection Action Priority Tracking with the < > Button Manually Setting AF Points or Zone AF Frames Adjusting the Zone AF Frame Size Registering AF Points (Home Position) Magnified View AF Shooting Tips...
- Page 476 AF Area This section describes AF area operation with [ : Whole area tracking Servo AF] set to [Off]. Select the AF area by pressing the < > button. You can switch [ : Whole area tracking Servo AF] [On] or [Off] by pressing the <...
- Page 477 : 1-point AF / 1-point AF The camera focuses using a single AF point [...
- Page 478 : Expand AF area: Expand AF area: Focuses using one AF point [ ] and the AF area outlined here in blue. Effective for moving subjects, which are difficult to track with 1-point AF. Focusing on your preferred subject is easier than with Flexible Zone AF. When Servo AF is used, first you will focus using an AF point [...
- Page 479 : Expand AF area: Around / Expand AF area: Around Focuses using one AF point [ ] and the surrounding AF area outlined here in blue, which makes it easier to focus on moving subjects than with Expand AF area: When Servo AF is used, first you will focus using an AF point [...
- Page 480 : Flexible Zone AF 1 (default) With Flexible Zone AF 1, you can freely set the size of the Zone AF frame [ Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
- Page 481 : Flexible Zone AF 3 With Flexible Zone AF 3, you can freely set the size of the Zone AF frame [ Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
- Page 482 Selecting the AF Area You can select the AF area to suit the shooting conditions or subject. If you prefer to focus manually, see Manual Focus. Select [ : AF area] ( Select the AF area. The screen above is displayed when [ : Orientation linked AF point] ( ) is set to [Separate AF pts: Area+pt].
- Page 483 Whole Area Tracking Servo AF You can set whether to switch to whole-area subject tracking during Servo AF (while the shutter button is pressed halfway with [ : AF operation] set to [Servo AF]). Select [ : Whole area tracking Servo AF] ( Select an option.
- Page 484 Subject to Detect You can specify conditions for automatic selection of the main subject to track. Selecting an option other than [None] will display a tracking frame [ ] for the main subject detected. The tracking frame will move to track subjects that start moving. You can shoot with the subject's eyes in focus by setting [ : Eye detection] to an option other than [Disable] (...
- Page 485 Caution The following kinds of subjects may not be detected. • Extremely small or large • Too bright or dark • Partially hidden • Difficult to distinguish from the background • Obscured by rain, snow, or dust clouds People's posture or the color or shape of what they are wearing may prevent detection.
- Page 486 Manually selecting a subject for focus Check the tracking frame. Aim the camera at the subject. An AF point (or Zone AF frame) appears on the screen if you have set [ : AF area] to an option other than [Whole area AF]. In this case, aim the AF point over the subject.
- Page 487 Focus and shoot/record. A tracking frame is displayed (in green for One-Shot AF or blue for Servo AF) when you press the shutter button halfway, and the camera beeps (only for One-Shot AF). An orange tracking frame indicates that the camera could not focus on subjects.
- Page 488 Caution In still photo shooting, tapping the screen to focus will focus with [One-Shot AF], regardless of the AF operation setting. If the subject's face is significantly out of focus, face detection will not be possible. Adjust the focus manually ( ) so that the face can be detected, then perform AF.
- Page 489 Eye Detection You can shoot with the eyes of people or animals in focus. Select [ : Eye detection] ( Select an option. Disable Eye detection is not performed. Auto The eye for AF operation is selected automatically after eye detection. Right eye/Left eye Gives priority to the selected eye for AF, after eye detection.
- Page 490 Aim the camera at the subject. A tracking frame is displayed around their eye. To choose an eye to focus on when [ : AF area] is set to [Whole area AF], either tap the screen or use < >. As you use < >, the tracking frame changes again to [ You can also tap the screen to choose an eye, when [...
- Page 491 Action Priority Soccer, volleyball, or basketball players you are shooting can be treated as priority subjects for detection and AF tracking, based on typical movements (actions) in each sport. Caution Unintended tracking may occur if this feature is used for other sports or general photography.
- Page 492 Select [Sport events]. Select an option. Select a sport, then press < >.
- Page 493 Caution The following kinds of subjects may not be recognized as priority subjects based on their movement. • Small subjects • Too bright or dark • Partially hidden or outside the angle of view • Facing away from the camera •...
- Page 494 Tracking with the < > Button You can press the < > button to track subjects with a tracking frame [ Check the AF point. The AF point (1) will appear. With Expand AF area: or Expand AF area: Around, adjacent AF points are also displayed.
- Page 495 Press the < > button. The AF point changes to a tracking frame [ ], which locks on to that subject for tracking and follows the subject within the screen if it moves. To cancel tracking, press the < > button again. The tracking frame changes to [ ] when multiple subjects can be detected, and you can use <...
- Page 496 Manually Setting AF Points or Zone AF Frames You can manually set the AF point or Zone AF frame. Here, Flexible Zone AF 1 screens are used as an example. Check the AF point. The AF point (1) will appear. With Expand AF area: or Expand AF area: Around, adjacent AF points are also displayed.
- Page 497 Focus and take the picture. Aim the AF point over the subject and press the shutter button halfway. When focus is achieved, the AF point turns blue. If focus is not achieved, the AF point will turn orange. Caution The camera will keep moving the AF point [ ] to track subjects when set to Flexible Zone AF and Servo AF, but under some shooting conditions (such as when subjects are small), it may not be possible to track the subject.
- Page 498 Adjusting the Zone AF Frame Size You can resize the Zone AF frame displayed for Flexible Zone AF 1–3. Press the < > button during shooting screen display. Press the < > button. Adjust the Zone AF frame size. Use the < >...
- Page 499 Registering AF Points (Home Position) You can register the position of a frequently used AF point. To switch from the current AF point to your registered AF point, you can use a button you assign to recalling the home position on advanced setting screens for [Direct AF point selection], [Metering and AF start], [Switch to registered AF point], or [Register/recall shooting func] in [ Customize buttons for shooting] ( Select your preferred AF area.
- Page 500 Note To clear registered AF points, hold down the < > button and press the < > button, or press and hold the < > button. You can also clear registered AF points by clearing all camera settings. You can register separate home positions for each camera orientation when the orientation-linked AF point setting ( ) is set to [Separate AF pts: Area+pt] or [Separate AF pts: Pt only].
- Page 501 Magnified View To check the focus, you can magnify display by approx. 5× or 10× by pressing the < > button (or tapping [ Magnification is centered on the tracking frame when the tracking frame is white (as an active frame) after subject detection. Magnification is centered on the AF point (in the center of the screen) when subjects are detected and the tracking frame is gray, or when subjects cannot be detected.
- Page 502 AF Shooting Tips Even when focus is achieved, pressing the shutter button halfway will focus again. Image brightness may change before and after autofocusing. Depending on the subject and shooting conditions, it may take longer to focus, or the continuous shooting speed may decrease. If the light source changes as you shoot, the screen may flicker, and focusing may be difficult.
- Page 503 Shooting Conditions That Make Focusing Difficult Subjects with low contrast, such as a blue sky or flat surfaces in solid colors, or other cases when highlight or shadow details are clipped. Subjects in low light. Stripes and other patterns that only provide horizontal contrast, under the following conditions.
- Page 504 AF Range The available autofocus range varies depending on the lens used and settings such as aspect ratio, movie recording size, and Movie digital IS.
- Page 505 Manual Focus Setting MF Peaking (Outline Emphasis) Focus Guide You can magnify display to check the focus when you are focusing manually. Set the lens's focus mode switch to < >. Turn the lens focusing ring to set the approximate focus. For lenses without a focus mode switch, set [ : Focus mode] to...
- Page 506 Magnify the image. Each press of the < > button changes the magnification ratio, as follows. Move the magnified area. Use < > to move the magnified area into position for focusing. To center the magnified area, press < > straight in. Focus manually.
- Page 507 Setting MF Peaking (Outline Emphasis) Edges of subjects in focus can be displayed in color to make focusing easier. You can set the outline color and adjust the sensitivity (level) of edge detection. Select [ : MF peaking settings] ( Select [Peaking].
- Page 508 MF peaking may be hard to discern under the following settings. Set [ HDR/C.Log View Assist.] as needed. • With [ : Custom Picture] gamma set to [Canon Log 2], [Canon Log 3], or [PQ] • With [ HDR shooting (PQ)] set to [HDR PQ]...
- Page 509 Focus Guide Setting [ : Focus guide] to [On] provides a guide frame that shows which direction to adjust focus and the extent of adjustment needed. You can also use eye control to display the focus guide at your preferred position. For details, see Using Eye Control for Select [ : Focus guide] (...
- Page 510 The guide frame indicates the current position in focus and adjustment amount as follows. Toward infinity Much adjustment needed Toward infinity Slight adjustment needed In focus Toward close range Slight adjustment needed Toward close range Much adjustment needed...
- Page 511 Adjustment information not detected Caution Under difficult shooting conditions for AF ( ), the guide frame may not be displayed correctly. Higher aperture values are more likely to prevent correct guide frame display. No AF points are displayed while the guide frame is displayed. The guide frame is not displayed in these situations.
- Page 512 When using this feature, be aware of the need to protect personal information and comply with privacy regulations, as by asking people for their consent before registering their information. Canon cannot be held liable for any personal information issues arising from use of this feature.
- Page 513 Registering Faces Registering people by taking their picture Select [ : Register people priority] ( Select [Photograph people and register].
- Page 514 Aim the frame over the face of a person to register, then take their picture. Shoot under ample light with the subject facing you. Ask subjects to pose with a natural facial expression before you shoot. For best results, ask subjects to take off any hats, masks, sunglasses, or other coverings before you take their picture.
- Page 515 Registering people from images on the card JPEG or HEIF images can be used. Process any RAW images you will use into JPEGs or HEIFs before saving them to the card. Caution With the following images, detection may be less accurate, and it may not be possible to register faces.
- Page 516 Switch to playback. Press < >. Select a face. For pictures that show more than one person, you can use the < > < > dials or < > to move the orange frame over the face to register. Press < >.
- Page 517 Select [OK]. After the following screen appears, you can register another person's face. Display when registered faces are detected A white frame with [ ] appears on any registered faces that are detected on the shooting screen. Note that [ ] is not displayed when One-Shot AF or Servo AF is used.
- Page 518 Note When [ : Subject to detect] is set to an option other than [People], priority is given to the subject specified in that setting.
- Page 519 Changing or Removing the Priority of Registered People You can change detection priority by rearranging registered people. You can also remove registered people. Changing detection priority Select [Change/del. priority of reg. people]. Select the face of a registered person. Select with the < >...
- Page 520 Change the priority. Move with the < > < > dials or < >, then press < >. When finished changing priority, press the < > button. Removing registered people Select the face of a registered person. Select with the < >...
- Page 521 Select [OK]. Press the < > button to exit.
- Page 522 Enabling Detection of Registered People's Faces Select [Register people priority]. Select [Enable].
- Page 523 Clearing All Registered People Delete all registered information before disposing of the camera or transferring ownership. Select [Delete all registered people]. Press < >.
- Page 524 Select [OK]. Press < >. Note Performing [Factory reset] in [ : Reset camera] also clears the information for all registered people.
- Page 525 Registered face data can be saved to a card. Registered data on a card can be used with other EOS R1 or EOS R5 Mark II cameras. You can also use registered data from other EOS R1 or EOS R5 Mark II cameras.
- Page 526 Select [Save registration data on card]. Select [Save registration data on card] to save the camera's registered data to the card. To rename the registered data file before saving it, press the < > button on the following screen. To load registered data from the card and overwrite existing data on the camera, select [Load from card (overwrite)].
- Page 527 Servo AF Characteristics Case Auto Case Manual Shooting with optimal Servo AF for your subject or shooting situation is easy. Case Auto You can set Servo AF tracking parameters (subject tracking sensitivity and acceleration/ deceleration tracking) for the subject and shooting situation. Select [ : Case Auto].
- Page 528 Adjust [Case Auto character.]. Press the < > button. The selected parameter is outlined in purple. Press < > to select [Case Auto character.]. To select an adjustment value, use the < > or < > dial. Default settings are indicated by a light gray [ ] icon. Press <...
- Page 529 Case Auto tracking parameters It may be easier to focus if you modify the default Case Auto setting. Standard setting. Generally recommended, as an option that is useful in many situations. Locked on: –1 Keeps the tracked subject in focus as much as possible, even if objects are momentarily in front of it, or if it strays from AF points after moving suddenly.
- Page 530 Case Manual You can set Servo AF tracking parameters as needed for shooting conditions. Select [ : Case Manual]. Turn the < > dial to select [M], then press < >. The case is set to manual and [M] is displayed in blue.
- Page 531 Adjust [Case Manual] tracking parameters. Press the < > button. The selected parameter is outlined in purple. Use the < > dial or < > to select a setting to adjust, then press < >. To select an adjustment value, use the < >...
- Page 532 Tracking sensitivity Setting for Servo AF subject-tracking sensitivity in response to non-subjects moving across AF points or subjects straying from AF points. Standard setting. Suitable for moving subjects in general. Locked on: –2 / –1 The camera will try to continue focusing on the subject even if non-subjects move across AF points or if the subject strays from the AF points.
- Page 533 Acceleration/deceleration tracking Setting for subject-tracking sensitivity in response to sudden, significant changes in speed, as when subjects suddenly start or stop moving. Suited for subjects that move at a steady speed (minor changes in moving speed). –2 / –1 Suited for subjects that move at a steady speed (minor changes in moving speed). Effective when a setting of 0 makes focus unstable, due to slight subject movement or an obstruction in front of the subject.
- Page 534 Customizing AF Functions [Customize AF operation] [Customized controls] [MF related] [Various settings/Various settings] [Subject detection] (in movie recording) [Servo AF character.] (in movie recording) You can configure AF functions in detail to suit your shooting style or subject.
- Page 535 [Customize AF operation] Servo 1st image priority You can set AF operating characteristics and shutter-release timing for the first shot with Servo AF. : Equal priority Equal priority is given to focusing and shutter-release timing. : Release Pressing the shutter button takes the picture immediately even if focus has not been achieved.
- Page 536 One-Shot AF release priority You can specify whether to prioritize focus or release timing for One-Shot AF (except when shooting with Touch Shutter). : Focus The picture will not be taken until focus is achieved. Useful when you want to achieve focus before capturing the image.
- Page 537 Preview AF Keeps subjects generally in focus before you start shooting. When set to [Enable], the camera is ready to focus immediately after you press the shutter button halfway. Caution Fewer shots are available when set to [Enable], because the lens is driven continuously and battery power is consumed.
- Page 538 Lens operation when AF is not available You can specify lens operation that applies when autofocusing on a subject is not possible. ON: Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the precise focus.
- Page 539 AF-assist beam firing You can enable or disable AF-assist beam firing of the camera or a Speedlite for EOS cameras. ON: Enable Enables firing of the AF-assist beam, when needed. OFF: Disable Disables firing of the AF-assist beam. Set if you prefer not to fire the AF-assist beam. LED: LED AF assist beam only Enables LED AF-assist beam firing by Speedlites equipped with this feature, when these flash units are attached.
- Page 540 [Customized controls] Limit AF areas You can limit the AF areas available to the areas that you normally use. Select available AF areas and press < > to add a checkmark [ ]. Select [OK] to register the setting. For details on AF areas, see Area.
- Page 541 Orientation-linked AF points You can set separate types of AF areas or positions of AF points for vertical and horizontal shooting. : Same for both vert/horiz The same AF points or Zone AF frames in the same AF areas are used in both vertical and horizontal shooting.
- Page 542 Limit subject to detect You can limit the available setting options in [ : Subject to detect] to your preferred options. Select an option to exclude and press < > to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time.
- Page 543 Left/right eye detection You can limit the available setting options in [ : Eye detection] to your preferred options. Select an option to exclude and press < > to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time. Note An asterisk to the right of [ : L/R eye detection] indicates that the default...
- Page 544 Manual focus adjustment is always available when the camera is on with certain lenses* attached. Turning the lens focusing ring after One-Shot AF magnifies the area in focus. With other lenses, operation is the same as [One-Shot→enabled]. * 1: For details on lenses compatible with this feature, check the Canon website (...
- Page 545 Caution With [One-Shot→enabled (magnify)], display may not be magnified even if you turn the lens focusing ring while pressing the shutter button halfway immediately after shooting. If so, you can magnify display by releasing the shutter button, waiting for [ ] display, then pressing the shutter button halfway as you turn the lens focusing ring.
- Page 546 [Various settings/Various settings] Register/recall AF-related settings You can save current AF settings and apply them all at once. Caution Current camera settings are listed on the screen in step 4, which is used to register settings. The items listed on this screen cannot be changed. The following [ ] tab items are not available for this feature.
- Page 547 Select a name for the settings. ] is displayed by names for which AF settings have not been registered yet. To rename the settings, press the < > button. Select the AF settings to register. All selected AF settings will be registered. To clear or reselect settings, turn the <...
- Page 548 Recall Select [ : Register/recall AF-related settings] ( Select [Recall]. Select a name for the settings. Turn the < > dial to select a name, then press < > to confirm your selection. Review the registered details and select [OK]. You can use <...
- Page 549 AF Setting Guide URL Select [ : AF Setting Guide URL] ( ) to display the QR code. Scan the QR code with your smartphone to access the AF Setting Guide.
- Page 550 [Subject detection] (in movie recording) Switching tracked subjects You can set how easily the camera switches tracked subjects. Standard After determining the main subject from how your shot is composed, the camera tracks subjects or switches to others accordingly. Locked on Switches tracked subjects later than with [Standard].
- Page 551 * Lenses supporting slow focus transition during movie recording USM and STM lenses released in and after 2009 are compatible. For details, refer to the Canon website ( Caution With certain lenses, even if you adjust the AF speed, the speed may not change.
- Page 552 Movie Servo AF tracking sensitivity You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness if the subject strays from the AF point during Movie Servo AF, as when interfering objects move across AF points or when you pan. This function is available when [Movie Servo AF] in [ : Movie Servo AF] is set to [Enable].
- Page 553 Focus Preset You can set your preferred focus positions in advance on the camera when using RF or RF-S lenses. Saved focus preset positions can be applied by pressing a button during standby. Registering a focus position on the camera Focus at the focusing distance to register as a preset, then press the button assigned to [Register focus preset].
- Page 554 Selecting the Drive Mode Switching Continuous Shooting Modes Single and continuous drive modes are provided. You can select the drive mode suiting the scene or subject. Press the < > button ( Select the drive mode. Turn the < > dial to make a selection. : Single shooting When you hold down the shutter button completely, only one shot will be taken.
- Page 555 : High-speed continuous shooting When you hold down the shutter button completely, you can shoot continuously as described below while you keep holding it down, based on the [ : Shutter mode] setting. • [Mechanical]: max. approx. 6.2 shots/sec. • [Elec. 1st-curtain]: max. approx. 8 shots/sec. •...
- Page 556 AF operation, type of lens, use of flash, and shooting settings. Visit the Canon website for details on lenses supporting the maximum continuous shooting speed ( Continuous shooting speed with Servo AF may be slower depending on subject conditions or the lens used.
- Page 557 Switching Continuous Shooting Modes In electronic shutter mode, you can temporarily change the continuous shooting mode by pressing the button assigned to [Switch cont. shooting modes] in [ : Customize buttons for shooting]. This example is based on assigning [ ] to the <...
- Page 558 Using the Self-Timer Use the self-timer when you want to be in the picture such as a commemorative photograph. Press the < > button ( Select the self-timer. Turn the < > dial to select the self-timer. : Single shooting in 10 sec. : Single shooting in 2 sec.
- Page 559 Take the picture. Focus on the subject, then press the shutter button completely. To check operation, look at the self-timer lamp, listen for beeps, or watch the countdown in seconds on the screen. Self-timer lamp blinking accelerates and the camera beeps quickly approx.
- Page 560 Remote Control Shooting Wireless Remote Control BR-E1 Remote Switch RS-80N3 / Timer Remote Controller TC-80N3 For remote control shooting, you can use an optional Wireless Remote Control BR-E1 (Bluetooth) or an optional Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both wired).
- Page 561 Remote Switch RS-80N3 / Timer Remote Controller TC-80N3 Once connected to the camera, the switch enables you to shoot remotely over a wired connection. For operating instructions, refer to the accessory instruction manual. Open the terminal cover. Connect the plug to the remote control terminal.
- Page 562 Playback This chapter covers topics related to playback—playing back captured still photos and movies—and introduces menu settings on the playback [ ] tab. Caution Normal display or configuration on this camera may not be possible for images captured on other cameras, or images from this camera that have been edited or renamed on a computer.
- Page 563 • Movie Play Count...
- Page 564 Tab Menus: Playback File operation Protect images Erase images Rotate stills Change mov rotate info Rating Image copy Print order Image processing RAW image processing In-Camera Upscaling Resize Cropping HEIF→JPEG conversion...
- Page 565 Playback method Slide show Set image search conditions View from last seen Magnification Blur/Out-of-Focus image detection Various settings Playback information display Highlight alert AF point disp. Playback grid Movie play count Memo audio quality...
- Page 566 Image Playback Single-Image Display Shooting Information Display Touch Playback Single-Image Display Switch to playback. Press the < > button. The last image captured or played back is displayed. Browse images. Turn the < > dial to browse images. Movies and still photos are displayed one after another regardless of which was captured first.
- Page 567 Each time you press the < > button, the display will change. No information Basic information display Shooting information display Exit image playback. Press the < > button to exit image playback and return to shooting standby. Note Lines indicating the image area are shown on RAW images captured with [ Cropping/aspect ratio] set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] ( If the search conditions are set with [...
- Page 568 Shooting Information Display With the shooting information screen displayed ( ), you can press < > up or down to view other information. You can also customize the information displayed, in [ : Playback information display] (...
- Page 569 Touch Playback The camera features a touch-screen panel that you can touch to control playback. Supported touch operations are like those used with smartphones and similar devices. First, press the < > button to prepare for touch playback. Browse images Jump display Index display...
- Page 570 Magnified view Note You can also magnify display by double-tapping with one finger.
- Page 571 Magnified Image Display Setting the Initial Magnification Ratio Setting the Initial Magnification Position Magnification for Subsequent Images You can magnify display of your captured images. Magnify the image. Turn the < > dial clockwise. The magnified view will appear. The position of the magnified area (1) is displayed in the lower right of the screen, along with [ To magnify images, turn the <...
- Page 572 Scroll the image. Use < > to scroll around the magnified image. With < >, you can also move the magnified area itself. Press the < > or < > button to exit magnified view. Note To switch to other images while maintaining magnified view, turn the < >...
- Page 573 Setting the Initial Magnification Ratio You can set the initial magnification ratio. Select [ : Magnification] ( Select [Magnificatn (apx)]. Select an option. 2x, 4x, 8x, 10x Magnified view starts at the selected magnification ratio. Actual size Displays images essentially full-size, based on their pixels. Same as last Magnified view resumes from the same ratio as the last time you exited magnified view with the <...
- Page 574 Setting the Initial Magnification Position You can set the initial magnification position. Select [ : Magnification] ( Select [Magnified position]. Select an option. From center Magnified view starts from the center of the screen. From focus pt Magnified view starts from the AF point in focus. If the photo is taken with manual focus, the magnified view starts from the center of the screen.
- Page 575 Magnification for Subsequent Images You can specify whether to maintain the same position for magnified view or to use the position set in [Magnified position] when displaying subsequent images. Select [ : Magnification] ( Select [Maintain position]. Select an option. Enable The current magnified position is maintained when displaying subsequent images in magnified view.
- Page 576 Index Display (Multiple-Image Display) Press the < > button. During image playback, press the < > button. ] will be displayed in the lower right of the screen. Switch to the index display. Turn the < > dial counterclockwise. The 4-image index display will appear. The selected image is highlighted with an orange frame.
- Page 578 Browse images. Use < > or the < > dial to move the orange frame for image selection. Press < > in the index display to display the selected image in the single-image display.
- Page 579 Voice Memo Recording and Playback Recording Voice Memos Memo Audio Quality Playing Voice Memos You can add (record) voice memos to your shots. Voice memos are recorded as WAV audio files with the same file number as the image. They can be played back by the camera or a computer.
- Page 580 Record a voice memo. Hold down the < > button for approx. 2 sec. Keep holding down the button after [Recording memo...] appears, and speak into the microphone (1). Each recording can be up to approx. 30 sec. To end the voice memo, release the button. ] icon is displayed at the top of the screen.
- Page 581 Caution Voice memos cannot be added to movies. Voice memos cannot be recorded with an external microphone. Voice memos cannot be added to images during transfer to an FTP server. Note Audio quality of voice memo recording can be changed in [ : Memo audio quality].
- Page 582 Memo Audio Quality You can set the audio quality for recording voice memos. Select [ : Memo audio quality] ( Select an option. High quality (48 kHz) Enables voice memo recording at the same level of audio quality as movies. Low quality (8 kHz) Enables smaller voice memo file sizes than with [High quality (48 kHz)].
- Page 583 Playing Voice Memos Select an image for voice memo playback. Press the < > button to switch to image playback. Turn the < > dial to select an image labeled with a [ ] icon at the top of the screen. Play back the voice memo.
- Page 584 Note Multiple voice memos added to an image are played back consecutively. Erasing images ( ) also erases any voice memos added to the images. A voice memo added to an image can be erased without erasing the image (...
- Page 585 Movie Playback Switch to playback. Press the < > button. Select a movie. Turn the < > dial to select a movie to play. In single-image display, the [ ] icon displayed in the upper left of the screen indicates a movie. In index display, perforations at the left edge of a thumbnail indicate a movie.
- Page 586 In the single-image display, press < >. Play the movie. Press < > or tap [ The movie will start playing back. Sound is played through the speaker (1). You can pause playback and display the movie playback panel by pressing <...
- Page 587 Movie playback panel Item Playback Operations Skips backward approx. 1 sec. each time you turn the < > dial left. Skip backward Holding < > to the left rewinds the movie. Previous frame Displays the previous frame each time you turn the < >...
- Page 588 Controls not on the previous screen are as follows. Item Playback Operations Adjust the slow motion speed by turning the < > dial. The slow Slow motion motion speed is indicated in the upper right of the screen. Available when you play 4K movies. Enables you to extract the current Frame Grab frame and save it as a JPEG or HEIF still image ( Press the <...
- Page 589 4K Movie Frame Grab From 4K movies, you can select individual frames to save as JPEG or HEIF still images. This is referred to as “frame grabbing.” Select a 4K movie. Turn the < > dial to select a 4K quality movie. In index display, press <...
- Page 590 Press the < > button. Select [ Save. Select [OK] to save the current frame as a JPEG still image. HEIF images are saved if you grab frames from movies recorded with HDR shooting (PQ)] set to [HDR PQ]. Check the destination folder and image file number. Select the image to display.
- Page 591 Caution Frame grabbing is not possible from the following 4K movies. • RAW movies • Movies recorded with [ : Custom Picture] set • Movies recorded with other cameras Frame grabbing is not possible while the camera is connected to a computer.
- Page 592 Playback on a TV Set By connecting the camera to a television with a commercially available HDMI cable, you can play back the captured still photos and movies on the television. If the image does not appear on the TV screen, confirm that [ : System frequency] is correctly set to [59.94Hz:NTSC] or [50.00Hz:PAL] (depending on the video system of your television).
- Page 593 Press the < > button. Images are now displayed on the television, with nothing displayed on the camera screen. The images will automatically be displayed at the optimum resolution matching the connected television. Caution Adjust movie sound volume with the television. The sound volume cannot be adjusted with the camera.
- Page 594 Protecting Images Protecting Individual Images via the Menu Specifying the Range of Images to Protect Protecting All Images in a Folder or on a Card You can protect important images from being accidentally erased. Caution If you format the card ( ), the protected images will also be erased.
- Page 595 Select the image to protect. Turn the < > dial to select an image to protect. Protect the image. Press < > to protect the selected image, after which it will be labeled with a [ ] icon (1) at the top of the screen. To cancel protection and clear the [ ] icon, press <...
- Page 596 Specifying the Range of Images to Protect While looking at the images in the index display, you can specify the first and last images for a range to protect all the specified images at once. Select [Select range]. Select [Select range] in [ : Protect images].
- Page 597 Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Protect images], all the images in the folder or on the card will be protected.
- Page 598 Erasing Images Erasing Images Individually Selecting ([ ]) Multiple Images to Erase Together Specifying the Range of Images to Erase Erasing All Images in a Folder or on a Card You can either select and erase unnecessary images individually or erase them in one batch.
- Page 599 Erase the images. JPEG/HEIF/RAW images or movies Select [Erase]. RAW+JPEG/RAW+HEIF images Select an option. For images with voice memos, you can also erase just the voice memo during image playback by selecting [Erase voice memo]. Series of images captured in [ ], [ ], or [ ] drive mode are...
- Page 600 Selecting ([ ]) Multiple Images to Erase Together By adding checkmarks to the images to be erased, you can erase all those images at once. Select [ : Erase images] ( Select [Select and erase images]. Select an image. Turn the < >...
- Page 601 Erase the images. Select [OK].
- Page 602 Specifying the Range of Images to Erase While looking at the images in the index display, you can specify the first and last images for a range to erase all the specified images at once. Select [Select range]. Select [Select range] in [ : Erase images].
- Page 603 Erase the images. Select [OK].
- Page 604 Erasing All Images in a Folder or on a Card You can erase all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ : Erase images], all the images in the folder or on the card will be erased.
- Page 605 Rotating Still Photos You can use this feature to rotate the displayed image to the desired orientation. Select [ : Rotate stills] ( Select an image to rotate. Turn the < > dial to select the image. Rotate the image. Each time you press <...
- Page 606 Note If you set [ : Auto rotate] to [On ) before taking pictures, you need not rotate the image with this function. If the rotated image is not displayed in the rotated orientation during image playback, set [ : Auto rotate] to [On Movies cannot be rotated.
- Page 607 Changing Movie Orientation Information You can manually edit movie playback orientation information (which determines which side is up). Select [ : Change mov rotate info] ( Select a movie. Turn the < > dial to select a movie with orientation information to change.
- Page 608 Caution Movies are played horizontally on the camera and via HDMI video output, regardless of the [ : Add rotate info] setting ( Movie orientation information of movies recorded with other cameras cannot be edited with this camera.
- Page 609 Rating Images Rating Individual Images with the < > Button Rating Individual Images via the Menu Rating by Specifying the Range Rating All Images in a Folder or on a Card You can rate images on a scale of 1–5 ( ).
- Page 610 Rating Individual Images via the Menu Select [ : Rating] ( Select [Select images]. Select the image to be rated. Turn the < > dial to select the image to be rated.
- Page 611 Rate the image. Press < >, and a blue highlight frame will appear as shown in the screen shown above. Turn the < > dial to select a rating mark, then press < >. When you append a rating mark to the image, the number beside the set rating will increase by one.
- Page 612 Rating by Specifying the Range While looking at the images in the index display, you can specify the first and last images for a range to rate all the specified images at once. Select [Select range]. Select [Select range] in [ : Rating].
- Page 613 Rate the image. Turn the < > dial to select a rating mark, then select [OK]. All the images in the specified range will be rated (same rating) at once.
- Page 614 Rating All Images in a Folder or on a Card You can rate all the images in a folder or on a card at once. Under [ : Rating], when you select [All images in folder] or [All images on card], all the images in the folder or on the card will be rated.
- Page 615 Note Values next to ratings are displayed as [###] if more than 1,000 images have that rating. With [ : Set image search conditions] and [ : Image jump w/ ], you can display only the images given a specific rating.
- Page 616 Copying Still Photos Copying Individual Images Copying a Range of Images Copying All Images in a Folder or on a Card You can copy the images on one card to the other card to save duplicates. All images in a folder or on a card can also be copied at the same time. Caution Movies recorded by this camera cannot be copied.
- Page 617 Copying Individual Images Select [ Image copy] ( Select [Sel.Image]. Check the source and target card numbers and the free space on the target card. Select [Sel.Image], then press < >. Select the folder. (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number...
- Page 618 Select an image to copy. (1) Total images selected Turn the < > dial to select an image to copy, then press < >. To select another image to copy, repeat step 4. Press the < > button. Select [OK]. Check the target card, then select [OK].
- Page 619 Select the target folder. Select the folder to copy the image to, then press < >. To create a new folder, select [Create folder]. Select [OK]. Check the information about the source and target card, then select [OK]. Results are displayed after copying is finished. Select [OK] to return to the screen in step 2.
- Page 620 Copying a Range of Images You can copy all specified images at once by selecting the first and last images in a range as you look at images in the index display. Select [Range]. Select the folder. Select the source folder, then press < >.
- Page 621 Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select another image to copy, repeat step 3. Press the <...
- Page 622 Copying All Images in a Folder or on a Card You can copy all the images in a folder or on a card at once. Selecting [Sel. ] or [All images] in [ Image copy] copies all the images it contains.
- Page 623 Print Ordering (DPOF) Setting Print Options Selecting Images for Printing DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or create a print order for a photofinisher. You can set the print settings such as print type, date imprinting, file number imprinting, etc.
- Page 624 Set the options as desired. Set [Print type], [Date], and [File No.] options. Standard Prints one image on one sheet. Multiple thumbnail images are printed Index Print type on one sheet. Prints both the standard and index Both prints. [On] imprints the recorded date of the captured Date image.
- Page 625 Caution If you print an image with a large image size using the [Index] or [Both] setting ), the index print may not be printed with certain printers. In this case, resize the image ( ), then print the index print. Even if [Date] and [File No.] are set to [On], the date or file number may not be imprinted, depending on the print type setting and printer.
- Page 626 Selecting Images for Printing Selecting images Select and specify the images individually. Press the < > button to save the print order to the card. Standard/Both (1) Quantity (2) Total images selected Press < > to print a copy of the displayed image. By turning the < >...
- Page 627 Selecting multiple images Select range Select [Select range] in [Multiple]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be specified for printing. All images in a folder Select [Mark all in folder] and select the folder.
- Page 628 RAW Image Processing Magnified View Processing Images with Specified Aspect Ratios RAW Image Processing Options You can process images with the camera to create JPEG or HEIF images. RAW images are not affected, so different conditions can be applied to create JPEG or HEIF images.
- Page 629 Select images Turn the < > dial to select images to process, then press < >. Press the < > button. Select range Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
- Page 630 Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ HDR shooting (PQ)] set to [HDR PQ] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs.
- Page 631 Save. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). Read the message and select [OK]. If there are other images for processing, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
- Page 632 Magnified View You can magnify images displayed for [Set up processing→JPEG] or [Set up processing →HEIF] by pressing the < > button. The magnification ratio varies depending on the [Image quality] setting. With < >, you can scroll around the magnified image. To cancel the magnified view, press the <...
- Page 633 Processing Images with Specified Aspect Ratios JPEG or HEIF images at the specified aspect ratio are created when you process RAW images shot with [ Cropping/aspect ratio] ( ) set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)].
- Page 634 RAW Image Processing Options : Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. : White balance ( You can select the white balance. Selecting [ ] enables you to select [Auto: Ambience priority] or [Auto: White priority]. If you select [ ], you can set the color temperature.
- Page 635 : High ISO speed NR ( You can set the noise reduction processing for high ISO speeds. If the effect is difficult to discern, magnify the image ( : Neural network Noise Reduction You can obtain clearer images with less noise through noise reduction processing that applies deep learning.
- Page 636 : Digital Lens Optimizer ( Correct lens aberration, diffraction, and low-pass filter-induced loss of resolution by applying optical design values. To check the effect of setting this option to [High] or [Standard], use magnified view ( ). Without magnification, the effect when Digital Lens Optimizer is set to [High] is not applied.
- Page 637 • Images captured with [ Cropping/aspect ratio] set to an option other than [Full-frame] • RAW images • Images from cameras other than an EOS R1 • Images already upscaled • Images processed on a camera or in editing software (resized, cropped, or extracted) The effect may not look as expected for images from some shooting situations.
- Page 638 Converting Individual Images Select [ In-Camera Upscaling] ( Select [Select images]. Select an image. Turn the < > dial to select an image to upscale, then press < >. To select another image to upscale, repeat step 3. Press the < >...
- Page 639 Save. Select [OK] to save the upscaled image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
- Page 640 Specifying the Range of Images to Convert Select [Select range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
- Page 641 Save. Select [OK] to save the upscaled image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
- Page 642 Resizing JPEG/HEIF Images You can resize a JPEG or HEIF image to reduce the pixel count and save it as a new image. Resizing is available for , , or JPEGs or HEIFs (in sizes except ), including those captured in RAW+JPEG and RAW+HEIF shooting. images and RAW images or movies cannot be resized.
- Page 643 Save. Select [OK] to save the resized image. Check the destination folder and image file number, then select [OK]. To resize another image, repeat steps 2 to 4.
- Page 644 Cropping JPEG/HEIF Images You can crop a captured JPEG/HEIF image and save it as a new image. Cropping is available for JPEG or HEIF images. RAW images and frame-grab images from 4K movies cannot be cropped. Select [ : Cropping] ( Select an image.
- Page 645 Set the cropping frame. The image area within the cropping frame will be cropped. Resizing the cropping frame size Turn the < > dial to resize the cropping frame size. The smaller the cropping frame, the more magnified the cropped image will look. Changing the cropping frame aspect ratio and orientation Turn the <...
- Page 646 Save. Press < > and select [OK] to save the cropped image. To upscale images that will be cropped, so that they will be saved at a higher resolution, press the < > button, then set [ ] to [Enable] •...
- Page 647 Converting HEIF to JPEG Converting Individual Images Specifying the Range of Images to Convert You can convert HEIF images captured in HDR shooting and save them as JPEG images. Caution Some scenes may look different after conversion if the original and converted images are compared.
- Page 648 Select an image. Turn the < > dial to select an HEIF image to convert to JPEG, then press < >. To select another image to convert, repeat step 3. Press the < > button to convert to JPEG. Save. Select [OK] to save the JPEG image.
- Page 649 Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
- Page 650 Specifying the Range of Images to Convert Select [Select range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
- Page 651 Save. Select [OK] to save the JPEG image. If there are other images for conversion, select [Yes]. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
- Page 652 Slide Show You can play back the images on the card as an automatic slide show. Specify the images to be played back. To play back all the images on the card, go to step 2. If you want to specify the images to be played back in the slide show, filter the images with [ : Set image search conditions] ( Select [...
- Page 653 Set the playback as desired. Select [Set up]. Display time Repeat Set the [Display time] and [Repeat] (repeated playback) settings for the still photos. After completing the settings, press the < > button.
- Page 654 Start the slide show. Select [Start]. After [Loading image...] is displayed, the slide show will start. All movies are played first, followed by all still photos. Exit the slide show. To exit the slide show and return to the setting screen, press the <...
- Page 655 Setting Image Search Conditions Clearing the Search Conditions You can filter image display according to your search conditions. After setting the image search conditions, you can play back and display only the found images. You can also protect, rate, play a slide show, erase, and apply other operations to filtered images. Select [ : Set image search conditions] ( Set the search conditions.
- Page 656 Apply the search conditions. Read the message displayed, then select [OK]. The search condition is applied. Display the found images. Press the < > button. Only the images that match the set conditions (filtered) will be played back. When the images are filtered for display, the screen will have an outer yellow frame (2).
- Page 657 Note Search conditions may be cleared after operations involving camera power or card changes and editing, adding, or erasing images. Auto power off time may be extended while the [ : Set image search conditions] screen is displayed. Clearing the Search Conditions Access the screen in step 2, then press the <...
- Page 658 Resuming from Previous Playback Select [ : View from last seen] ( Select an option. [Enable]: Playback resumes from the last image displayed (unless you have just finished shooting). [Disable]: Playback resumes from your most recent shot whenever the camera is restarted.
- Page 659 Blur/Out-of-Focus Image Detection Configuring Blur/Out-of-Focus Image Detection Playback Applying Blur/Out-of-Focus Image Detection This feature can automatically determine how blurry or out-of focus images are, based mainly on faces in JPEG/HEIF images of people. By setting a level of blurriness or lack of focus, you can sort, protect, or rate all images at that level.
- Page 660 Caution Blur/out-of-focus detection is not performed for images captured under these conditions. • RAW images, or JPEG/HEIF images from RAW processing • Without using the electronic shutter • Using manual focus • [ : Subject to detect]: [None] • Focus bracketing •...
- Page 661 Note In DPP, you can sort and filter images based on the camera's blur/out-of-focus detection results.
- Page 662 Configuring Blur/Out-of-Focus Image Detection Select [ : Blur/Out-of-Focus image detection] ( Set the blur/out-of-focus detection items. Icon display...
- Page 663 Show detect. frame Detection level Levels of blur/out-of-focus detection are based on these criteria. Standard: ] (little blurring/lack of focus) is displayed for images that are fairly clear and in focus when viewed with the naked eye at actual size. High: ] (little blurring/lack of focus) is displayed for images that are clearer and more in focus than [Standard].
- Page 664 Playback Applying Blur/Out-of-Focus Image Detection You can configure playback so that turning the < > dial displays images determined to be only a little blurry or out of focus. Quick Control Press the < > button and set [Image jump w/ ] to [Display image with less blur/Out-of-Focus].
- Page 665 Customizing Playback Information Display Histogram You can specify screens and accompanying information displayed during image playback. Select [ : Playback information display] ( Add a checkmark [ ] next to the number of screens to display. Select numbers with the < >...
- Page 666 Histogram The histograms show signal levels across the tonal range. Brightness display (for checking the general exposure level and overall gradation) and RGB display (for checking saturation and gradation of red, green, and blue) are available. You can switch the histogram displayed by pressing the <...
- Page 667 [Brightness] display This histogram is a graph showing the distribution of the image's brightness level, with the horizontal axis indicating the brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each brightness level. The more pixels there are toward the left, the darker the image, and the more pixels there are toward the right, the brighter the image.
- Page 668 [RGB] display This histogram is a graph showing the distribution of each primary color's brightness level in the image (RGB or red, green, and blue), with the horizontal axis indicating the color's brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each color brightness level.
- Page 669 Displaying the Highlight Alert You can specify blinking display of overexposed highlights on the playback screen. To obtain more detailed gradation in the blinking areas where you want the gradation to be faithfully reproduced, set the exposure compensation to a negative amount and shoot again for a better result.
- Page 670 AF Point Display You can display the AF points that were used to focus, which will be outlined in red on the playback screen. Select [ : AF point disp.] ( Select [Enable].
- Page 671 Playback Grid You can display a grid over still photos shown in single-image display on the playback screen. This function is convenient for checking the image's vertical or horizontal tilt as well as composition. Select [ : Playback grid] ( Select an option.
- Page 672 Movie Play Count You can select how time is displayed on the movie playback screen. Select [ : Movie play count] ( Select an option. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback.
- Page 673 Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting. The [Movie play count] setting in [ : Time code] is linked to the [ : Movie play count], so that these settings always match.
- Page 674 Caution Important Note that Canon cannot be held liable for any loss or damage caused by erroneous network settings when using the camera. In addition, Canon cannot be held liable for any other loss or damage caused by use of the camera.
- Page 675 • Checking Network Settings • Wireless Communication Status • Checking the MAC Address • App Selection for USB Connections • Save/Load Communication Settings on Card • Resetting Communication Settings...
- Page 676 Network settings Network settings Airplane mode Bluetooth settings Camera name Error details MAC address Network function Transfer images to FTP server Connect to EOS Utility Upload to image.canon Sync time between cameras Connect to smartphone(tablet) Live streaming Connect to Wireless Remote...
- Page 677 Network function Camera Control API Various settings GPS settings Choose USB connection app Save/load comm. settings on card Reset communication settings Caution Some menu items cannot be configured while the camera is connected to computers or other devices via an interface cable. Network connections are terminated if you switch camera to <...
- Page 678 Uploading images to image.canon ( Link the camera to image.canon to send images directly from the camera. Syncing time between cameras ( You can set the sender camera time on up to 10 receiver cameras.
- Page 679 Using Camera Control API (CCAPI) ( Camera Control API is an HTTP-based application programming interface for controlling Canon cameras over a network. You can connect the camera to a smartphone (or tablet) or computer and control the camera from an application using CCAPI.
- Page 680 Uploading images to image.canon A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/). Separate ISP connection and access point fees may apply.
- Page 681 Linked shooting The following cameras or combinations of cameras and accessories can be used in linked shooting. EOS R1 EOS R5 Mark II EOS-1D X Mark III with Wireless File Transmitter WFT-E9 connected EOS R5 with Wireless File Transmitter WFT-R10 connected...
- Page 682 Network-Specific Preparation Wired LAN Connections Wi-Fi Connections Wired LAN Connections Connect a LAN cable to the camera's Ethernet RJ-45 terminal and the Ethernet terminal of the computer or access point. Caution Use a highly shielded Category 6A or higher STP (Shielded Twisted Pair) Gigabit LAN cable.
- Page 683 Wi-Fi Connections When using the camera in infrastructure mode, make sure the smartphone or computer you will use can connect to the access point. Caution Transferring movies Each movie file is large, and transferring large files over Wi-Fi may take some time. Referring to Wireless Communication Precautions, arrange your network...
- Page 684 Transferring Images to an FTP Server Configuring FTP Server Connection Settings Editing/Deleting Devices for Connections Reconnecting Using Connection Information Transferring Images Individually Transferring Multiple Images at Once Using the [ Image sel./transfer] Screen Adding a Caption Before Transfer Auto Retry If Transfer Fails Using the Power Saving Function Protecting Images after Transfer Viewing Transferred Images...
- Page 685 Configuring FTP Server Connection Settings For secure FTP transfer using a root certificate, import a root certificate ( Select [ Transfer images to FTP server] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable].
- Page 686 Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration. Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings.
- Page 687 Select an option. Select [OK] to go to the next screen. For instructions on configuring communication functions, see Basic Communication Settings. Save the settings. Press < >. After you finish the communication settings, configure FTP transfer. Select an option. For secure FTP transfer using a root certificate, select [FTPS]. For secure FTP transfer over an SSH connection, select [SFTP].
- Page 688 Configure the FTP server settings. Select [Address setting] or [Port number setting], then press < > to display the setting screen. Select [OK] to go to the next screen. Configure the SSH login authentication settings. Displayed if you selected [SFTP] as the FTP mode. Select [User name] or [Password], then press <...
- Page 689 Select an option. Displayed if you selected [FTP] or [FTPS] as the FTP mode. Enable this setting in network environments protected by a firewall. Select [OK] to go to the next screen. If an Error 41 (Cannot connect to FTP server) is displayed while you are configuring the connection, setting [Passive mode] to [Enable] may resolve it.
- Page 690 Select an option. Displayed if you selected [FTP] or [FTPS] as the FTP mode. Select [OK] to go to the next screen. Note If you have selected [Login password], enter the name and password.
- Page 691 Specify a target folder. Select [Root folder] to have images saved in the root folder, as specified in FTP server settings ( Select [Select folder] to access the setting screen. Select [OK] to go to the next screen. Note When the following message appears, select [OK] to trust the target server.
- Page 692 Press < >. The FTP settings are saved. This screen is not displayed if you selected [Configure offline] as the method of configuration. Connection settings for FTP transfer are now complete. Note When images to transfer are selected, the following screen is displayed. Select [OK] to transfer the images (...
- Page 693 [ Communicating] screen Image sel./transfer Images can be transferred to an FTP server ( Transfer with caption You can add a registered caption to individual images before transfer ( FTP transfer settings You can configure settings related to FTP transfer and power saving. •...
- Page 694 Importing a root certificate for FTPS If you specified [FTPS] FTP mode when configuring connection settings, the root certificate used by the FTP server must be imported to the camera. Only the root certificate with a file name of “ROOT.CER,” “ROOT.CRT,” or “ROOT.PEM” can be imported to the camera.
- Page 695 Select [Set root certif]. Select [Load root certif from card]. Select [OK]. The root certificate is imported. Select [OK] on the confirmation screen to return to the [Set root certif] screen. Note To delete the root certificate imported to the camera, select [Delete root certificate] on the screen in step 5.
- Page 696 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the Wi-Fi connection. This section covers items not described in Configuring FTP Server Connection Settings. Select [ Transfer images to FTP server] ( Select [Edit/delete device]. Select the device.
- Page 697 Changing device nicknames You can change the nickname of devices the camera connects to. FTP server You can configure FTP server settings. Directory structure Default The server root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder.
- Page 698 Note Even if [Enable] is selected when you resend images that could not be transferred initially, existing images may not be overwritten in some cases. If this happens, the new file is saved with an extension consisting of an underscore, a letter, and a numeral, as in IMG_0003_a1.JPG.
- Page 699 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Transfer images to FTP server] ( Select the device. Select [OK].
- Page 700 Transferring Images Individually Automatic transfer after each shot Specifying sizes or types of images to transfer Transferring the current image Automatic transfer after each shot Each image can be immediately transferred to the FTP server automatically after your shot. You can continue shooting still photos as usual while images are being transferred. Before shooting, make sure a card is in the camera.
- Page 701 Select [Enable]. Take the picture. The captured image is transferred to the FTP server. Caution Images cannot be erased during image transfer. Note Captured images are also stored on the card. Any images for which transfer fails or is interrupted will be transferred automatically when the connection is recovered ( ).
- Page 702 Specifying sizes or types of images to transfer You can specify which images to transfer when recording images of different sizes to both cards, or when shooting RAW+JPEG or RAW+HEIF images. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
- Page 703 Select the type of images to transfer. Shooting RAW+JPEG Choose from [JPEG only], [RAW only] or [RAW+JPEG]. Shooting RAW+HEIF Choose from [HEIF only], [RAW only] or [RAW+HEIF]. Note [Separate JPEGs] or [Separate HEIFs] determines the image size transferred if Rec options] in [ : Record func+card/folder sel.] is selected with different image quality set for each card ( When the camera is set to record RAW images to one card and JPEGs or HEIFs to the other, specify which images to transfer in the [Shooting RAW+JPEG] or...
- Page 704 Transferring the current image Enables you to transfer the image you are viewing simply by pressing < >. You can continue shooting still photos as usual while images are being transferred. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot.
- Page 705 Transferring Multiple Images at Once After shooting, you can select multiple images and transfer them all at once, or you can transfer unsent images or images that could not be sent previously. You can continue shooting still photos as usual during transfer. Caution Transfer is paused in the following cases.
- Page 706 Using the [ Image sel./transfer] Screen Selecting ([ ]) multiple images to transfer Specifying a range of images to transfer Transferring all images in a folder Transferring all images on a card From the [ Image sel./transfer] screen, you can select multiple images and transfer them all at once.
- Page 707 Select the image to transfer. Use the < > dial to select an image to transfer, then press < >. Use the < > dial to add a checkmark [ ] in the upper left of the screen, then press < >.
- Page 708 Specifying a range of images to transfer You can transfer multiple images by specifying a range. Select [Range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
- Page 709 Select [Transfer]. Select [OK]. The selected images are transferred to the FTP server.
- Page 710 Transferring all images in a folder You can transfer all the images in a folder at once. Select [Sel.
- Page 711 Select a selection method. Select transfer failed images Selects all images in the selected folder for which transfer failed. Select images not transferred Selects all unsent images in the selected folder. Sel transfer fail img ( only) Selects all protected images in the selected folder for which transfer failed.
- Page 712 Select the folder. Select [OK]. Selected images are registered in [Images to transfer]. Select [Transfer].
- Page 713 Select [OK]. The selected images are transferred to the FTP server.
- Page 714 Transferring all images on a card You can transfer all the images on a card at once. Select [All images].
- Page 715 Select a selection method. Select transfer failed images Selects all images on the card for which transfer failed. Select images not transferred Selects all unsent images on the card. Sel transfer fail img ( only) Selects all protected images on the card for which transfer failed. Sel img not transfer.
- Page 716 Select [OK]. Selected images are registered in [Images to transfer]. Select [Transfer]. Select [OK]. The selected images are transferred to the FTP server.
- Page 717 Adding a Caption Before Transfer You can add a registered caption to each image before transfer. This is convenient if you want to inform the recipient of the printing quantity, for example. Captions are also added to images saved to the camera. You can check captions added to images by examining the Exif information, in the user comments.
- Page 718 Specify the caption. Select [Caption], and on the screen displayed, select the content of the caption. Select [Transfer]. The image is transferred with the caption. After transfer, display returns to the [Image transfer] screen. Caution Other images cannot be selected from the [Transfer with caption] screen. To select another image for transfer with a caption, view that image before following these steps.
- Page 719 Auto Retry If Transfer Fails If transfer fails, the Wi-Fi icon blinks temporarily. In this case, the following screen is displayed after you press the < > button and select [ Transfer images to FTP server]. To resolve the error displayed, see Responding to Error Messages.
- Page 720 Using the Power Saving Function When [Enable] is set and no image is transferred for a certain period, the camera will log off from the FTP server and end the Wi-Fi connection. The connection is re-established automatically when the camera is ready for image transfer again. If you prefer not to end the Wi-Fi connection, set to [Disable].
- Page 721 Protecting Images after Transfer To automatically protect images transferred via FTP, set to [Enable] ( Select [ Transfer images to FTP server] ( Select [FTP transfer settings]. Select [Protect images].
- Page 722 Viewing Transferred Images Images transferred to the FTP server are stored in the following folder as specified in the FTP server settings. Target folder of the FTP server Under the default settings of the FTP server, images are stored in [C drive] → [Inetpub] folder →...
- Page 723 Transferring Image with Content Transfer Professional Using the Content Transfer Professional smartphone app, you can transfer images from the camera to FTP servers over a mobile network connection. For information about the app, see Software/Apps.
- Page 724 Connecting to EOS Utility Operating the Camera Using EOS Utility Editing/Deleting Devices for Connections Reconnecting Using Connection Information Transferring Multiple Images at Once (Direct Transfer) Transferring RAW+JPEG or RAW+HEIF Images Creating and Registering Captions This section describes how to connect the camera to a computer and perform camera operations using EOS software or other dedicated software.
- Page 725 Select [Add a device to connect to]. Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select an option. Select [OK] to go to the next screen.
- Page 726 Save the settings. Press < >. The next screen is displayed after communication settings are complete. Select [OK]. The following message is displayed. “******” represents the last six digits of the MAC address of the camera to be connected.
- Page 727 Steps on the computer Start EOS Utility. Connect the computer to the network and start EOS Utility. In EOS Utility, click [Pairing over Wi-Fi/LAN]. If a firewall-related message is displayed, select [Yes]. Click [Connect]. Select the camera to connect to, then click [Connect].
- Page 728 Steps on the camera (2) Establish a connection. Select [OK] to go to the next screen. The [ Communicating] screen is displayed on the camera ( The camera and computer are now connected.
- Page 729 Communicating] screen Image sel./transfer You can use the camera to transfer images to a computer ( Set up direct transfer You can specify the format of images to transfer to a computer ( Confirm settings You can check setting details. Error details You can check the details of any errors that occur ( Disconnect...
- Page 730 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the connection. This section covers items not described in Operating the Camera Using EOS Utility. Select [ Connect to EOS Utility] ( Select [Edit/delete device]. Select the device. Select the device for the connection, then press <...
- Page 731 Changing device nicknames You can change the nickname of devices the camera connects to. Communication settings You can change communication settings as needed ( Deleting connection information You can delete the connection information.
- Page 732 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Connect to EOS Utility] ( Select the device. Select [OK].
- Page 733 Transferring Multiple Images at Once (Direct Transfer) With the camera connected to a computer (via Wi-Fi or an interface cable) and the main EOS Utility window displayed, you can use the camera to transfer images to a computer. Caution If you will transfer many images, consider using a household power outlet accessory (sold separately).
- Page 734 Transferring RAW+JPEG or RAW+HEIF Images For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer. Select [ Connect to EOS Utility] ( Select [Set up direct transfer]. Select the type of images to transfer. RAW+JPEG transfer Choose from [JPEG only], [RAW only] or [RAW+JPEG]. RAW+HEIF transfer Choose from [HEIF only], [RAW only] or [RAW+HEIF].
- Page 735 Creating and Registering Captions You can create captions and register them on the camera to use them as described in Adding a Caption Before Transfer. Start EOS Utility and select [Camera settings]. Select [WFT Captions].
- Page 736 Enter the captions. Enter up to 31 characters (in ASCII format). To acquire caption data stored on the camera, select [Load settings]. Set the captions on the camera. Select [Apply to camera] to set your new captions on the camera.
- Page 737 Link the camera to image.canon to send images directly from the camera. A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/).
- Page 738 Select [Connect]. If the app has not been installed, select [Install]. Select [OK]. Use the app to scan the QR code. Select [OK] to go to the next screen.
- Page 739 Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select [OK]. For instructions on configuring communication functions, see Basic Communication Settings.
- Page 740 Complete the settings. Press < >. The setting menu is displayed on the camera screen. Note The [ ] icon changes to [ Check the app. Confirm that the camera model name is registered in the app.
- Page 741 [Upload to image.canon] screen Auto send ( You can choose whether to upload images automatically. Movie(s) to send You can select the type of movies uploaded. Still image(s) to send You can select the type of still photos uploaded. Switch network You can change the settings for network connections.
- Page 742 Uploading Images to image.canon Images are automatically uploaded to image.canon after the camera starts up (or recovers from auto power off). Images uploaded to image.canon can be downloaded to a computer or transferred to other web services. Uploading is not possible during interval timer shooting.
- Page 743 ) will be uploaded. Only proxy Only proxy movies ( ) will be uploaded. None No movies will be uploaded. Restart the camera. Note Uploaded still photos and movies are stored at image.canon for 30 days at the original size, without storage limitations.
- Page 744 Syncing Time Between Cameras Preparing for Time Syncing Syncing the Time You can set the sender camera time on up to 10 receiver cameras. Note that even after synchronization, a slight margin of error applies between sender and receiver camera time (of ±0.05 seconds, at most).
- Page 745 Preparing for Time Syncing Wired LAN connections With only one receiver camera Connect a LAN cable to the Ethernet RJ-45 terminal of the sender and receiver cameras. (A) Sender camera (B) Receiver camera (C) LAN cable With multiple receiver cameras Connect a LAN cable from the Ethernet terminal of the sender and receiver cameras to a hub.
- Page 746 Caution Use a highly shielded Category 6A or higher STP (Shielded Twisted Pair) Gigabit LAN cable.
- Page 747 Syncing the Time Preparing the sender camera First, set up the camera to use as a sender. Select [ Sync time between cameras] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable]. Select [OK].
- Page 748 Select an option. Select [OK]. Select [Sender]. Select [OK] to go to the next screen. After the screen is displayed, the camera is ready.
- Page 749 Preparing receiver cameras Set up cameras to use as receivers. Follow steps 1–4 in Preparing the sender camera. Select [Receiver]. Select [OK] to go to the next screen. Select [OK]. The following screen is displayed. To set the time on multiple receiver cameras, follow steps 1–3 on each receiver camera.
- Page 750 Syncing time between sender and receiver cameras Sync the time on the sender and receiver cameras as follows. Follow steps 1–5 in Preparing the sender camera and steps 1–3 in Preparing receiver cameras. Start time synchronization on the sender camera. Check the number of receiver cameras that are connected, then select [OK].
- Page 751 Connecting to a Smartphone or Tablet Turning on Bluetooth and Wi-Fi on a Smartphone Installing the App on a Smartphone Bluetooth Pairing and Wi-Fi Connection to Smartphones Main Functions of Camera Connect Maintaining a Wi-Fi Connection When the Camera Is Off Connecting to Smartphones without Bluetooth Pairing Editing/Deleting Devices for Connections Reconnecting Using Connection Information...
- Page 752 Turning on Bluetooth and Wi-Fi on a Smartphone Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the camera is not possible from the smartphone's Bluetooth settings screen.
- Page 753 Installing the App on a Smartphone Install the app on an Android smartphone or an iPhone. Use the latest version of the smartphone OS. The app can be installed from Google Play or App Store. Google Play or App Store can also be accessed using the QR codes that appear when the camera is paired or connected via Wi-Fi to a smartphone.
- Page 754 Bluetooth Pairing and Wi-Fi Connection to Smartphones Select [ Connect to smartphone(tablet)] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable]. Select [Camera Connect]. Select [Add a device to connect to].
- Page 755 Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. A message is displayed if the camera is already paired with another device. Select [OK] to end the current Bluetooth connection. Press < >.
- Page 756 Start pairing. Press < > to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press < > to start pairing. Start Camera Connect.
- Page 757 Establish a Bluetooth connection. When a message appears on the smartphone, use the smartphone as indicated. Press < >.
- Page 758 Complete the connection process. Press < >. The name of the connected device is displayed. Caution Bluetooth connection consumes battery power even after the camera's auto power off is activated. Therefore, the battery level may be low when you use the camera. Troubleshooting pairing Keeping pairing records for previously paired cameras on your smartphone will prevent it from pairing with this camera.
- Page 759 Confirm that the devices are connected via Wi-Fi. After a Wi-Fi connection is established, the camera screen switches to shooting standby. Selecting [ Connect to smartphone(tablet)] will display the [ Communicating] screen on the camera ( The Wi-Fi connection to a smartphone is now complete. To end the Wi-Fi connection, select [Disconnect] on the [ Communicating] screen.
- Page 760 [ Communicating] screen Send to smartphone after shot Images can be transferred to a smartphone automatically ( Confirm settings You can check setting details. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the Wi-Fi connection.
- Page 761 Main Functions of Camera Connect Images on camera Images can be browsed, deleted, or rated. Images can be saved on a smartphone. Remote live view shooting Enables remote shooting as you view a live image on the smartphone. Auto transfer Enables camera and app setting adjustment for automatic transfer of your shots ( Bluetooth remote controller Enables remote control of the camera from a smartphone paired via Bluetooth.
- Page 762 Maintaining a Wi-Fi Connection When the Camera Is Off Even when the camera power switch is set to < >, as long as it is paired to a smartphone via Bluetooth, you can use the smartphone to browse images on the camera or perform other operations.
- Page 763 Connecting to Smartphones without Bluetooth Pairing This section describes how to establish a direct Wi-Fi connection with a smartphone without Bluetooth pairing. Connecting to a smartphone or tablet Select [ : Connect to smartphone(tablet)] ( Select [OK]. This screen is not displayed if the network setting is already set to [Enable].
- Page 764 Select an option. If you have selected [Camera Connect], select [Use different connection method] on the [Camera Connect] screen. If you have selected [Content Transfer Professional], select [Add a device to connect to] on the [Content Transfer Professional] screen.
- Page 765 Install the app on a smartphone. If the app is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install the app, then press < >. Select [New settings]. Select [OK] to go to the next screen.
- Page 766 Save the settings. Press < >. After the communication settings are complete, a message on the camera requests you to connect from the smartphone. Start the app. Following the instructions in the app, select the camera. Select [OK]. The [ Communicating] screen is displayed on the camera (...
- Page 767 Editing/Deleting Devices for Connections Before editing or deleting connection settings for other devices, end the Wi-Fi connection. Select [ Connect to smartphone(tablet)] ( Select [Edit/delete device]. Select the intended device. Select an option.
- Page 768 Changing device nicknames You can change the nickname of devices the camera connects to. Communication settings Configurable settings include the wireless LAN and IP address. Selecting [Wireless LAN] enables you to change the target SSID, for example. Selecting [TCP/IPv4] enables you to configure network-related settings such as the IP address.
- Page 769 Reconnecting Using Connection Information The configured connection information can be used to connect again. Select [ Connect to smartphone(tablet)] ( Select the device. [ ]: Bluetooth pairing, [ ]: Wi-Fi connections Select [OK]. If you have selected Bluetooth pairing, the following screen is displayed, and you will use the app.
- Page 770 Automatic Image Transfer to a Smartphone as You Shoot Your shots can be automatically sent to a smartphone. Before following these steps, make sure the camera and smartphone are connected via Wi-Fi. Select [ Connect to smartphone(tablet)] ( Select [Send to smartphone after shot]. Set [Auto send] to [Enable].
- Page 771 Sending Images to a Smartphone from the Camera You can use the camera to send images to a smartphone connected via Wi-Fi. Displaying the menu screen Switch to playback. Press the < > button ( Select [Send images to smartphone]. If you perform this step while connected via Bluetooth, a message is displayed requesting you to establish a Wi-Fi connection.
- Page 772 Select an image. Turn the < > dial to select images to send, then press < >. Images can be selected by touch from index display ( Press < >. The menu is displayed.
- Page 773 Setting the size of images to send Select an option. In [Size to send], you can select the size of images to send. Note When sending multiple images, you can also change [Size to send] as needed on the confirmation screen before sending.
- Page 774 Sending the current image Select an option. In [Size to send], you can select the size of images to send. Select [Send img shown].
- Page 775 Selecting and sending images Select [Send selected]. Select images to send. Turn the < > dial to select images to send, then press < >. To switch to selecting images from 3-image display, turn the < > dial counterclockwise. To return to single-image display, turn the <...
- Page 776 Select an option. In [Size to send], you can select the size of images to send. Select [Send].
- Page 777 Sending a selected range of images Select [Send range]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
- Page 778 Select an option. In [Size to send], you can select the size of images to send. Select [Send].
- Page 779 Sending all images on a card Select [Send all card]. Select an option. In [Size to send], you can select the size of images to send. Select [Send].
- Page 780 Sending images found by searching Send all the images that match the search conditions set in [ : Set image search conditions] at once. For details on [ : Set image search conditions], see Setting Image Search Conditions. Select [Send all found]. Select an option.
- Page 781 Ending image transfer Press the < > button on the image transfer screen. To end the Wi-Fi connection, select [Disconnect] on the [ Communicating] screen. Caution During the image transfer operation, a picture cannot be taken even if the camera's shutter button is pressed.
- Page 782 Live Streaming Pairing with a Smartphone via Bluetooth Setting Up Streaming You can live-stream images from the camera. Check the streaming requirements and terms of service in advance on the streaming site. Pairing with a Smartphone via Bluetooth Prepare the smartphone ( Select [ Connect to smartphone(tablet)] ( Select [OK].
- Page 783 Select [Camera Connect]. Select [Add a device to connect to]. Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable].
- Page 784 Press < >. Start pairing. Press < > to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press < >...
- Page 785 Establish a Bluetooth connection. Press < >. Complete the connection process. Press < >. When a message appears on the smartphone, use the smartphone as indicated. The name of the connected device is displayed. Press the < > button.
- Page 786 Setting Up Streaming Switch to movie recording ( Select [ Live streaming] ( Select [New settings]. Select [OK] to go to the next screen. By selecting [Select from list] when settings are already registered on the camera, you can apply the registered settings. Select [OK].
- Page 787 Complete the streaming settings in Camera Connect. Select the streaming platform you will use, then configure the settings accordingly. You can enter a URL on the screen to select a streaming site. Set the streaming quality, based on your communication environment. Start streaming.
- Page 788 Once the camera becomes hot, ] appears on the screen as a warning. Note that Canon is in no way responsible for third-party services. No image is recorded to the card during streaming (but a card must be in the camera).
- Page 789 Connecting to a Wireless Remote Control Deleting Connection Information Reconnecting Using Connection Information This camera can also be connected to Wireless Remote Control BR-E1 (sold separately, via Bluetooth for remote control shooting. Select [ Connect to Wireless Remote] ( Select [Add a device to connect to].
- Page 790 Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. A message is displayed if the camera is already paired with another device. Select [OK] to end the current Bluetooth connection. Pair the devices. When the screen shown above appears, press and hold the <W>...
- Page 791 Set up the camera for remote shooting. For instructions after the pairing is complete, refer to the BR-E1's Instruction Manual. Caution Bluetooth connections consume battery power even after the camera's auto power off is activated. Note When you will not use Bluetooth, setting [ : Bluetooth settings] to [Disable] is recommended (...
- Page 792 Deleting Connection Information You can delete the connection information. Pairing information for any connected BR-E1 units will deleted. Select [ Connect to Wireless Remote] ( Select [Delete connection information]. Select [OK].
- Page 793 Reconnecting Using Connection Information When paired via Bluetooth with another device, the camera can use the connection information to reconnect. Select [ Connect to Wireless Remote] ( Select the device. The device to connect to changes to the selected device. Press <...
- Page 794 Before using an application or other product applying the Camera Control API (CCAPI),* prepare the camera for CCAPI control by connecting it to the smartphone, tablet, or computer you will use. * Camera Control API is an HTTP-based application programming interface for controlling Canon cameras over a network. Setting a Port Number...
- Page 795 Select an option. Port no. (HTTP) The HTTP port number can be changed as needed. Port no. (HTTPS) The HTTPS port number can be changed as needed. HTTPS Set to [Disable] when using HTTP.
- Page 796 Configuring User Authentication Select [ Camera Control API] ( Enter the camera name after the camera displays [Register a nickname to identify the camera. This nickname will be used for Wi-Fi and Bluetooth connections.]. Select [User authentic.]. Select use of user authentication. If you have selected [Enable], enter the [User name] and [Password] in [Edit account].
- Page 797 Select [Edit account]. Set the user name. Press < > to access the virtual keyboard ( ), then enter the user name. After input, select [OK]. Set the password. Press < > to access the virtual keyboard ( ), then enter the password.
- Page 798 Configuring the Connection Select [Connect]. Select [Add with wizard]. To configure connection details, select [Add manually]. Select an option. Select [OK] to go to the next screen. For instructions on configuring communication functions, see Basic Communication Settings.
- Page 799 Set the user name. Press < > to access the virtual keyboard ( ), then enter the user name. Select [OK] to go to the next screen. Set the password. Press < > to access the virtual keyboard ( ), then enter the password.
- Page 800 Establish a Wi-Fi connection. When the screen above appears on the camera, use the smartphone, computer, or other device to access the indicated URL from the application developed for camera control. Display of the screen above on the camera indicates that a connection has been established.
- Page 801 [ Communicating] screen The following operations are available from the [ Communicating] screen. Confirm settings You can check setting details. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the connection.
- Page 802 Changing Settings You can change the settings when the camera is not connected. Check/edit connections Check or edit connection settings. Select [Check/edit connections]. Select the intended device.
- Page 803 Select items to check or change. Wireless LAN (or Wired) When wireless LAN settings have been configured, you can change the SSID (network name) and details such as the connection method, security, and type of encryption. TCP/IPv4 You can change the TCP/IPv4 settings. TCP/IPv6 You can change the TCP/IPv6 settings.
- Page 804 Setting Up GPS Features GPS Settings GPS Precautions GPS features of the camera can be used to geotag images, set the time, and more. The camera can receive signals from GPS satellites (USA), GLONASS satellites (Russia), and the Quasi-Zenith Satellite System “Michibiki” (Japan). Caution Geotag information may not be recorded or inaccurate information may be recorded where GPS signal coverage is poor, such as in the following places.
- Page 805 GPS Settings Select [ : GPS settings] ( Configure GPS details.
- Page 806 Specify the GPS operating mode. In [Mode 1], the camera continues to acquire GPS signals at regular intervals with the power switch set to < > or even < >. In [Mode 2], the camera acquires GPS signals with the power switch set to < >.
- Page 807 Auto time setting Time information acquired from GPS signals can be set on the camera. The margin of error is approx. ±0.02 sec. Selecting [Auto update] will update the time when GPS signals are received while the camera is on. Caution The time cannot be automatically updated unless signals from at least five GPS satellites can be acquired.
- Page 808 GPS information display Shows acquired GPS information. The [ ] icon indicates signal conditions. When [ ] is displayed, elevation is also recorded. Note that elevation is not recorded when [ ] is displayed. You can check geotag information by displaying a shot, pressing the < >...
- Page 809 To avoid violating GPS regulations, visit the Canon website to check where use is allowed ( Note that Canon cannot be held liable for any problems arising from use of GPS functions in other countries and regions.
- Page 810 Linked Shooting Basic Linked Shooting Positioning the Cameras In linked shooting over wireless LAN, you can coordinate shooting by up to 10 receiver cameras with a sender camera that you shoot from. Note that there is a slight delay in the shutter release timing between the sender and receiver cameras.
- Page 811 Basic Linked Shooting Link the sender and receiver cameras for basic linked shooting. Preparing the sender camera First, set up the camera to use as a sender. Select [ : Network settings] ( Select [Enable]. Select [Connection settings].
- Page 812 Select [LinkedShot]. Use the < > dial to select [LinkedShot] at the bottom. Select [Create with wizard]. Select [Sender]. Select [OK].
- Page 813 Select [Auto connect]. Select [OK]. After the screen is displayed, the camera is ready. Up to nine compatible receiver cameras can be linked when you select [Manual connect].
- Page 814 Preparing receiver cameras Set up cameras to use as receivers. Follow steps 1–5 in Preparing the sender camera. Select [Receiver]. Select [OK] to go to the next screen.
- Page 815 Select [OK]. The following screen is displayed. When using multiple receiver cameras, repeat steps 1–3 on each receiver camera. More receivers cannot be added after setup is complete. In that case, you will need to configure the settings again from step 1. The number of receiver cameras detected is displayed on the sender camera screen.
- Page 816 Connecting the sender and receiver cameras Use the sender and receiver cameras to establish a connection. Follow steps 1–7 in Preparing the sender camera and steps 1–3 in Preparing receiver cameras. On the sender camera, select [OK]. Check the number of receiver cameras that are connected, then select [OK].
- Page 817 Press < > on all of the cameras. Sender camera Receiver camera Display returns to the [Network settings] screen.
- Page 818 Positioning the Cameras (A) Sender camera (B) Receiver camera Position receiver cameras where there is an unobstructed line of sight to them from the sender camera. Receiver cameras can be positioned up to approx. 50 m from the sender camera. However, the effective range for linked shooting may be shorter depending on wireless communication conditions, which are affected by factors such as camera positioning, the environment of use, and weather conditions.
- Page 819 Note In linked shooting, pressing the AE lock or depth-of-field preview button executes focusing and metering just as pressing the shutter button halfway does. Once you have established a connection between sender and receiver cameras, the settings are retained even after changes such as replacing the batteries. If you will no longer use a receiver camera in linked shooting, set [LinkedShot] in [Connection settings] on the receiver camera to [Disconnect].
- Page 820 Basic Communication Settings Connecting via Wired LAN Connecting via WPS Connecting to Detected Networks Connecting by Entering a Network Name Connecting in Camera Access Point Mode Setting the IP Address Manually Configuring IPv6 Registering Sets of Communication Settings as Connection Settings This section describes how to configure communication settings and register them in [Comm settings].
- Page 821 In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
- Page 822 Select [NW*]. Select [Create with wizard]. Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration.
- Page 823 Select [Wired Select [OK] to go to the next screen. Select an option. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
- Page 824 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
- Page 825 Connecting via WPS Register communication settings with WPS (Wi-Fi Protected Setup) as follows. WPS connections Options for connection methods include push-button configuration (PBC) and personal identification number (PIN). When establishing a connection, check the method supported by your access point. The camera and access point can be connected simply by pressing the WPS button on the access point.
- Page 826 Select [Manual setting]. Select [Comm settings]. Select [NW*].
- Page 827 Select [Create with wizard]. Select [Configure online]. Select [OK] to go to the next screen. Select [Wi-Fi Select [OK] to go to the next screen.
- Page 828 Select [Connect with WPS]. Select an option. Select [OK] to go to the next screen. For [WPS (PBC mode)] Press the access point's WPS button. For details on where the button is and how long to press it, refer to the access point user manual. Select [OK] to initiate connection with the access point.
- Page 829 For [WPS (PIN mode)] On the access point, enter the 8-digit PIN code displayed on the camera screen. For instructions on entering PIN codes on the access point, refer to the access point's Instruction Manual. Select [OK] to go to the next screen. Connect to the access point.
- Page 830 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
- Page 831 Connecting to Detected Networks Register communication settings by choosing the network name from a list of detected access points. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
- Page 832 Select [NW*]. Select [Create with wizard]. Select [Configure online]. Select [OK] to go to the next screen.
- Page 833 Select [Wi-Fi Select [OK] to go to the next screen. Select the network name. (1) Network names (SSIDs) (2) Security icon (for access points with encryption) (3) Channel Use the < > dial to select the name of the network for the connection.
- Page 834 Enter the password. Press < > to access the virtual keyboard ( ), then enter the password. Select [OK] to initiate connection with the access point. Select [Auto setting]. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
- Page 835 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
- Page 836 Connecting by Entering a Network Name Connect to an access point by selecting its SSID (or ESS-ID) in a list of active access points nearby. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting].
- Page 837 Select [NW*]. Select [Create with wizard]. Select [Configure offline]. Select [OK] to go to the next screen.
- Page 838 Select [Wi-Fi Select [OK] to go to the next screen. Select [Infrastructure]. Select [OK] to go to the next screen. Enter the SSID (network name). Press < > to access the virtual keyboard ( ), then enter the SSID. Select [OK] to go to the next screen.
- Page 839 Select the type of security. Select [OK] to go to the next screen. The same type of security must be set on both the other device and the camera. See Authentication and data encryption methods for details on types of authentication and encryption. Enter the password.
- Page 840 Select an option. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually. Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6.
- Page 841 Press < >. The communication settings are saved.
- Page 842 Connecting in Camera Access Point Mode Register communication settings for direct connections between the camera and other devices. Adding the connection with the wizard Select [ : Network settings] ( In [Network], select [Enable]. Select [Manual setting]. Select [Comm settings].
- Page 843 Select [NW*]. Select [Create with wizard]. Select an option. Select [OK] to go to the next screen. Selecting [Configure offline] will keep the camera disconnected from the network after configuration.
- Page 844 Select [Wi-Fi Select [OK] to go to the next screen. Select [Camera access point mode]. [Configure online] options [Configure offline] options...
- Page 845 Select an option. Select [OK] to go to the next screen. If you have selected [Easy connection], a confirmation screen is displayed ( Enter the SSID (network name). Press < > to access the virtual keyboard ( ), then enter the SSID. After input, press <...
- Page 846 Select a channel setting option. To specify the settings manually, select [Manual setting], then turn the < > dial. Select [OK] to go to the next screen. Select the type of security. Select [OK] to go to the next screen. If you have selected [None], the [IP address setting (IPv4)] screen is displayed ( Available options vary depending on the [Channel setting] option you...
- Page 847 Enter the password. Press < > to access the virtual keyboard ( ), then enter the password. Select how to set the IP address. Select [OK] to go to the next screen. If you have selected [Manual setting], also see Setting the IP Address Manually.
- Page 848 Press < >. The communication settings are saved.
- Page 849 Setting the IP Address Manually Set the IP address as follows if you have selected [Manual setting] on the [IP address setting (IPv4)] screen. Select [Manual setting]. Select [OK] to go to the next screen.
- Page 850 Select an option to configure. The items displayed vary depending on the communication function. Select an option to access the screen for numerical input. To use a gateway, select [Enable], then select [Address]. To use a DNS address, select [Manual setting], then select [Address].
- Page 851 Enter the number. To set the entered numbers and return to the screen for step 2, press the < > button. Select [OK]. When you have completed setting the necessary items, select [OK]. If you are unsure what to enter, see Checking Network Settings or ask the network administrator or other person in charge of the network.
- Page 852 Select use of IPv6. Select [OK] to go to the next screen. When selecting [Enable], configure IPv6 settings after all settings are complete ( When IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled. Press < >.
- Page 853 Configuring IPv6 To use IPv6, configure the settings manually. Note If you are unsure what to enter, ask the network administrator or other person in charge of the network. Select [ : Network settings] ( Select [Manual setting]. Select [Comm settings].
- Page 854 Select the communication settings that will use IPv6. Select [Change]. Select [TCP/IPv6].
- Page 855 Select an option to configure. Use TCP/IPv6 • Select [Enable] or [Disable] for IPv6. Manual setting • To set the IP address manually, select [Enable]. [DNS server] is set to [Manual setting], and you can configure [DNS address], [Manual address], [Prefix length], and [Gateway].
- Page 856 DNS server • To set the DNS server IP address manually, select [Manual setting]. • Select [Disable] if you will not use a DNS server. • If the setting is currently [Auto assign], setting [Manual setting] to [Enable] changes it to [Manual setting]. DNS address/Manual address/Gateway •...
- Page 857 Prefix length • To set the prefix length, turn the < > dial to select a value (0– 128).
- Page 858 Registering Sets of Communication Settings as Connection Settings You can register multiple communication settings (combinations of wired LAN and Wi-Fi settings, or multiple Wi-Fi settings) as a single set of connection settings. With a combination of wired LAN and Wi-Fi settings, communication is restricted to the wired LAN when it is available but otherwise switches to the Wi-Fi connection.
- Page 859 Select [Create from list]. Select [Func settings *]. Select [Select from list].
- Page 860 Select function settings. The function settings are registered, and display returns to the [Change] screen. Select [Comm settings 1]. Select [Select from list].
- Page 861 Select communication settings. The first communication settings are registered, and display returns to the [Change] screen. You can register wired LAN or Wi-Fi settings in any order. Select [Comm settings 2]. Select [Select from list].
- Page 862 Select communication settings. Select Wi-Fi settings if wired LAN settings are already registered in [Comm settings 1], or select wired LAN settings if Wi-Fi settings are already registered in [Comm settings 1]. Note If Wi-Fi settings are already registered in [Comm settings 1], you can select Wi-Fi settings for [Comm settings 2].
- Page 863 Select [Connect]. Select [OK]. The connection is initiated.
- Page 864 Checking and Editing Network Settings Ending Connections from the [Connection settings] Screen Reconnecting from the [Connection settings] Screen Checking and Editing Connection Settings Manually Editing Connection Settings Specifying Connection Options Ending Connections from the [Connection settings] Screen Select [ : Network settings] ( Select [Connection settings].
- Page 865 Select [OK]. The devices are disconnected.
- Page 866 Reconnecting from the [Connection settings] Screen Select [ : Network settings] ( Select [Connection settings]. Select [SET*]. In the saved settings, select settings to use for the connection. Select [Connect].
- Page 867 Select [OK]. The devices are connected again. If settings were changed on the target device, restore the previous settings to enable connections by the camera.
- Page 868 Checking and Editing Connection Settings You can check, change, or delete connection settings saved on the camera. Select [ : Network settings] ( Select [Connection settings]. Select [SET*]. In the saved settings, select settings to use for the connection.
- Page 869 Check or change the settings. Change with wizard/Change from list Change connection settings ( Save/load settings on card Save connection settings to a card, or load saved connection settings from a card into the camera ( Delete settings Select to delete connection settings. Selecting [OK] deletes the settings.
- Page 870 Changing connection settings Settings originally completed using the connection wizard can be changed as follows. Change with wizard You can use the connection wizard to change connection settings saved on the camera. Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings.
- Page 871 Change from list You can use communication and function settings saved on the camera to change connection settings saved on the camera. You can also register settings names. Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings.
- Page 872 NW*/Comm settings* Select to change, add, or clear communication settings. • Selecting [Select from list] lists communication settings saved on the camera. Select the communication settings to use. To view communication setting details, select settings and press the < > button. •...
- Page 873 Saving and loading settings Connection settings can be saved on a card and applied to other cameras. Connection settings configured on other cameras can also be applied to the camera you will use. Note [ : Save/load cam settings on card] enables you to save all communication settings on the camera to a card or load all communication settings for another camera from a card.
- Page 874 Select [OK]. The file name is determined automatically by the camera: WFTNPF, followed by a number (01 to 40) and the extension NIF. To rename the file as desired, press the < > button. The settings are saved to the card. The settings file is saved to an area of the card shown when the card is opened (in the root directory).
- Page 875 Loading settings Access the [Connection settings] screen. Follow steps 1–3 in Checking and Editing Connection Settings. Select [Save/load settings on card]. Select [Load settings from card]. Select a settings file. Select a settings file that matches your network environment.
- Page 876 Select [OK]. Information from the settings file is loaded into the selected settings number. Caution Even if a computer or other device is used to save 41 or more settings files on a card, only 40 are displayed on the camera's screen for loading settings. To load 41 or more settings files, load 40 from one card, then load remaining files from another card.
- Page 877 Manually Editing Connection Settings You can add, change, or delete communication and function settings saved on the camera. You can also configure settings that are not set using the connection wizard, such as a setting that determines what happens if files with the same name as existing files are sent to the FTP server.
- Page 878 Select [NW*]. Select saved settings to edit. Change, delete, or check the settings as needed. Change Select to change individual settings in sets of communication settings. • Selecting [Wireless LAN] enables you to change the target SSID, for example. • Selecting [TCP/IPv4] enables you to configure network-related settings such as the IP address.
- Page 879 Delete settings Select to delete communication settings. Selecting [OK] deletes the settings. Confirm settings Select to check communication settings.
- Page 880 Editing function settings Select [ : Network settings] ( Select [Manual setting]. Select [Function settings]. Select [MODE*]. Select saved settings to edit.
- Page 881 Change, delete, or check the settings as needed. Change • Selecting [Change mode name] enables you to use the virtual keyboard ( ) to rename the mode.
- Page 882 • Selecting [FTP server] enables you to configure settings related to the FTP server. Directory structure of the target folder Overwriting files of the same name Passive mode Trusting target servers Delete settings Select to delete function settings. Selecting [OK] deletes the settings.
- Page 883 Confirm settings Select to check function settings.
- Page 884 Directory structure of the target folder Configured in [FTP server] → [Directory structure]. With [Default], the root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder. Selecting [Camera] automatically creates a folder structure matching that of the camera's (such as A/DCIM/100EOSR1) in the server's root folder for image storage.
- Page 885 Specifying Connection Options You can configure settings used for FTP transfer. Settings are also available for authentication information used in LAN environments with 802.1X authentication. Select [ : Network settings] ( Select [Connection option settings]. Select an option to configure. FTP transfer settings EOS Utility settings Smartphone settings...
- Page 886 FTP transfer settings Selecting [FTP transfer settings] enables you to configure settings related to FTP transfer and power saving. Automatic transfer / Images to transfer / Transfer with SET / Set root certif For details, see Transferring Images to an FTP Server.
- Page 887 Smartphone settings Selecting [Send to smartphone after shot] in [Smartphone settings] enables you to set the size of images to send automatically. Auto send / Size to send For details, see Automatic Image Transfer to a Smartphone as You Shoot.
- Page 888 802.1X authentication Selecting [802.1X authentication] enables you to set, check, or delete 802.1X authentication settings, using a setup wizard. Configure these settings when connecting to networks that require 802.1X authentication. First, save the certificate for the type of 802.1X authentication used to a card in the camera. File types and names that can be loaded using this function are as follows.
- Page 889 Note that the camera supports following protocols. Protocol Supported Authentication EAP-TLS X.509, PKCS#12 EAP-TTLS MS-CHAP v2 PEAP MS-CHAP v2 Setup wizard Follow the wizard to configure the authentication settings. Confirm settings Select to check authentication settings. Delete settings Select to delete authentication settings. Selecting [OK] on the screen displayed deletes the settings.
- Page 890 Airplane Mode You can temporarily disable Wi-Fi and Bluetooth functions. Select [ : Airplane mode] ( Set to [On]. ] is displayed on the screen. Note ] may not be displayed in still photo shooting, movie recording, or playback, depending on display settings. If it is not displayed, press the < >...
- Page 891 Bluetooth Settings Select [ : Bluetooth settings] ( Select an option. Bluetooth If you will not use the Bluetooth function, select [Disable]. Bluetooth address You can check the camera's Bluetooth address. Connect to You can check the name and communication status of the paired device.
- Page 892 Renaming the Camera You can change [Camera name], which is displayed on connected devices. Select [ : Camera name] ( Enter text using the virtual keyboard ( When you finish entering characters, press the < > button. Select [OK].
- Page 893 Reference Virtual Keyboard Operations Virtual Keyboard Operations Input area, for entering text Cursor keys, for moving in the input area Current no. of characters/no. available Keyboard Switch input modes Space Delete a character in the input area Exit input Use < >...
- Page 894 Error Details You can display details of errors affecting the camera's wireless communication functions. Select [ : Error details] ( Review the error details. Details of errors that have occurred are displayed. For more information on errors, see Responding to Error Messages.
- Page 895 Responding to Error Messages Resolve any errors displayed on the camera screen by referring to these examples of corrective actions. When errors occur, the < > lamp on the camera blinks. You can also check error details by accessing [ : Network settings] →...
- Page 896 11: Connection target not found In the case of [ Connect to smartphone(tablet)], is the app running? • Establish a connection using the app ( In the case of [ Connect to EOS Utility], is EOS Utility running? • Start EOS Utility and try to connect again ( Are the camera and the access point set to use the same encryption key for authentication? •...
- Page 897 21: No address assigned by DHCP server What to check on the camera On the camera, the IP address is set to [Auto setting]. Is this the correct setting? • If no DHCP server is used, configure the setting after setting the IP address to [Manual setting] on the camera ( What to check on the DHCP server Is the power of the DHCP server on?
- Page 898 22: No response from DNS server What to check on the camera On the camera, does the DNS server's IP address setting match the server's actual address? • Configure the IP address on the camera to match the actual DNS server address What to check on the DNS server Is the power of the DNS server on? •...
- Page 899 23: Device with same IP address exists on selected network Is another device on the camera network using the same IP address as the camera? • Change the camera's IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address.
- Page 900 What to check on the FTP server Is the FTP server working correctly? • Configure the computer correctly to function as an FTP server. • If applicable, ask your network administrator for the FTP server address and port number, then set them on the camera. Is the power of the FTP server on? •...
- Page 901 What to check on the network as a whole Does your network include a router or similar device that serves as a gateway? • If applicable, ask your network administrator for the network gateway address and set it on the camera ( •...
- Page 902 44: Cannot disconnect FTP server. Error code received from server. This error occurs from a failure to disconnect from the FTP server for some reason. • Restart the FTP server and camera. 45: Cannot login to FTP server. Error code received from server. What to check on the camera On the camera, is the [Login name] set correctly? •...
- Page 903 46: For the data session, error code received from FTP server What to check on the FTP server The connection was terminated by the FTP server. • Restart the FTP server. Do the user rights for the FTP server allow reading, writing, and log access? •...
- Page 904 61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? • Move the antenna of the access point to a position clearly visible from the point of view of the camera.
- Page 905 A problem other than error code number 121 to 126 occurred while the camera is connected to the Web service. • Try again to establish the Wi-Fi connection to image.canon. 130: The server is currently busy Please wait a moment and try again The image.canon site is busy at the moment.
- Page 906 131: Try again An error occurred when connecting to image.canon over Wi-Fi. • Try again to establish the Wi-Fi connection to image.canon. 132: Error detected on server Try again later The image.canon site is currently offline for maintenance. • Try accessing image.canon over Wi-Fi again later.
- Page 907 137: The QR code shown on the camera has expired. Try camera web link setup again. The QR code displayed has expired. • Reconfigure camera web link settings and scan the QR code displayed again on the camera. 161: An error has occurred A streaming error has occurred.
- Page 908 Troubleshooting Guide Troubleshoot camera issues by checking the camera and connected devices as described in this section. If troubleshooting does not resolve the problem, contact a Canon Service Center for product information and advice on product handling. Cannot transfer images to an FTP server.
- Page 909 Wireless Communication Precautions Distance Between the Camera and the Smartphone Installation Location of Access Point Antenna Nearby Electronic Devices Precautions for Using Multiple Cameras If the transmission rate drops, the connection is lost, or other problems occur when using the wireless communication functions, try the following corrective actions.
- Page 910 Distance Between the Camera and the Smartphone If the camera is too far from the smartphone, a Wi-Fi connection may not be established even when Bluetooth connection is possible. In this case, bring the camera and the smartphone closer together, then establish a Wi-Fi connection. Installation Location of Access Point Antenna When using indoors, install the device in the room where you are using the camera.
- Page 911 Security If security settings have not been properly set, the following problems may occur. Transmission monitoring Third parties with malicious intent may monitor wireless LAN transmissions and attempt to acquire the data you are sending. Unauthorized network access Third parties with malicious intent may gain unauthorized access to the network you are using to steal, modify, or destroy information.
- Page 912 Checking Network Settings Windows Open the Windows [Command Prompt], then enter ipconfig/all and press the <Enter> key. In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS server information are also displayed. macOS In macOS, open the [Terminal] application, enter ifconfig -a, and press the <Return> key. The IP address assigned to the computer is indicated in the [enX] item (X: number) next to [inet], in the format “***.***.***.***”.
- Page 913 Wireless Communication Status Wireless communication status can be checked on the screen. Quick Control screen Information display screen during playback (1) Wi-Fi function (2) Wireless signal strength (3) Bluetooth function...
- Page 914 Wi-Fi function indicator Appearance on the Screen Communication Status Wi-Fi Function Wireless Signal Strength When set to [Network: Disable] Not connected Not displayed When set to [Network: Enable] Connecting (blinking) Connected Sending data Connection error (blinking) Bluetooth function indicator Connection Status Appearance on the Screen When set to [Bluetooth: Disable] Not displayed...
- Page 915 Checking the MAC Address You can check the camera's MAC address. Select [ : MAC address] ( Check the MAC address. A QR code with the [Wi-Fi] and [Wired] MAC addresses, product name, serial number, and file name is displayed.
- Page 916 Canon app(s) for iPhone Select if you will use an iOS app. For details on the cables required to connect the camera to smartphones, visit the Canon website ( Caution For [Video calls/streaming], consider using an optional household power outlet...
- Page 917 Save/Load Communication Settings on Card Settings on the wireless features tab can be saved on a card and applied to other cameras. Settings configured on the wireless features tab on other cameras can also be applied to the camera you will use. Note [ : Save/load cam settings on card] enables you to save all communication settings on the camera to a card or load all communication settings for another...
- Page 918 Select [OK]. The file name is set automatically by the camera. To rename the file as desired, press the < > button. The settings are saved to the card. The settings file is saved to an area of the card shown when the card is opened (in the root directory).
- Page 919 Loading settings Select [ : Save/load comm. settings on card] ( Select [Load from card]. Select a settings file. Select [OK]. Information from the settings file is loaded.
- Page 920 Caution Even if a computer or other device is used to save more than 10 settings files on a card, only 10 are displayed on the camera's screen for loading settings. When you have more than 10 settings files, divide them among multiple cards so that each card has no more than 10.
- Page 921 Resetting Communication Settings All settings of network features can be cleared. This can prevent the information from being leaked if you lend the camera or transfer ownership. Select [ : Reset communication settings] ( Select [OK]. Caution If you have paired the camera with a smartphone, on the smartphone's Wi-Fi settings screen, remove the Wi-Fi connection information of the camera for which you restored default wireless communication settings.
- Page 922 Set-up This chapter describes menu settings on the set-up [ ] tab. • Tab Menus: Set-up • Selecting Cards for Recording/Playback • Folder Settings • Still Photo File Numbering • Movie Clip Numbering • File Naming • Card Formatting • Auto Rotate •...
- Page 923 Tab Menus: Set-up File/card setting (1) Record func+card/folder sel. • Selecting Cards for Recording/Playback • Folder Settings File numbering Clip Number File name Format card Auto rotate rotate info...
- Page 924 Country/Area/Guidance/Audio settings Date/Time/Zone Language System frequency Help text size Beep Volume Audio monitor Customize display Screen brightness Viewfinder brightness Screen/viewfinder color tone Fine-tune VF color tone Screen/viewfinder display UI magnification HDMI resolution...
- Page 925 Various settings Shutter at shutdown Sensor cleaning Power saving Reset/All settings Reset camera Custom shooting mode (C1-C3) Save/load cam settings on card...
- Page 926 Various settings Battery info. Copyright information System status display Manual/software URL Certification Logo Display Firmware...
- Page 927 Selecting Cards for Recording/Playback Recording Method with Two Cards Inserted Recording/Playback Selection with Two Cards Inserted Recording is possible when card is in the camera (except under some conditions). With only one card inserted, there is no need to follow these steps. With two cards inserted, you can select the recording method and card to use for recording and playback as follows.
- Page 928 Set the recording method. separate Select [Enable] for automatic configuration of the recording method for still photos and movies. Still photos are recorded to card and movies to card Caution Specifying [Enable] will make [ Rec options], [ options], [ Record/play], and [ Record/play] unavailable.
- Page 929 Rec options Set the recording method for still photos. • Standard Records still photos to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but additionally, the camera switches to the other card when one card becomes full. When the camera switches cards, a new folder is created.
- Page 930 Note Rec. separately/Rec. to multiple Images are recorded with the same file number to card The number of shots available shown in the viewfinder and top LCD panel is the quantity on the card with less available space. [Card* full] is displayed when one of the cards becomes full, and shooting is no longer possible.
- Page 931 • Main Proxy Main movies are recorded to card and proxy movies to card with the same file name (but with _Proxy appended to proxy movies). You can set the file name in the [Movies] setting in [ : File name]. •...
- Page 932 Note Main Proxy When recording stops for a main movie, recording also stops for the proxy movie. Main movie recording continues even if proxy movie recording stops. Recording is possible even with only one card loaded. The same angle of view and frame rate is used for proxy movies as for main movies.
- Page 933 Recording/Playback Selection with Two Cards Inserted With [ Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select the card for recording and playback. With [ Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ options] set to [ Main Proxy] or [Rec.
- Page 934 Note With [Priority: ] set, the camera switches to the priority card when cards are inserted or removed.
- Page 935 Folder Settings Creating a Folder Renaming Folders Selecting a Folder You can create or select the folder for saving still photos. You can also rename folders. Note Movie files are saved in the following folder (with **** indicating the reel number). •...
- Page 936 Select [Create folder]. Select [OK]. To rename the folder, select [Change folder name].
- Page 937 Renaming Folders Enter letters and numbers of your choice. You can enter five characters. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < > button. Use the < >...
- Page 938 Selecting a Folder (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select a folder on the folder selection screen. Captured images are stored in your selected folder. Note Folders Folders are named as in “100EOSR1,” with a three-digit folder number followed by five letters or numbers.
- Page 939 Still Photo File Numbering Continuous Auto Reset Manual Reset Captured still photos saved in a folder are assigned a file number from 0001 to 9999. You can change how the image files are numbered. (Example) (1) File number Select [ : File numbering] (...
- Page 940 Set the item. Select [Numbering]. Select [Continuous] or [Auto reset]. If you want to reset the file numbering, select [Manual reset] ( Select [OK] to create a new folder, and the file number will start with 0001. Caution If the file number in folder 999 reaches 9999, shooting will not be possible even if the card still has free space.
- Page 941 Continuous For continuous file numbering regardless of switching cards or creating folders File numbering is continuous up to 9999, even if you replace a card, create a folder, or switch the target card (as in → ). This is useful when you want to save images numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one folder on a computer.
- Page 942 Auto Reset For restarting file numbering from 0001 after switching cards or creating folders File numbering is reset to 0001 if you replace a card, create a folder, or switch the target card (as in → ). This is useful if you want to organize images by cards or folders. Note that file numbering may continue from any existing images in cards or folders that you switch to.
- Page 943 Manual Reset For resetting file numbering to 0001 or starting from 0001 in new folders When you reset the file numbering manually, a new folder is created automatically and the file numbering of images saved to that folder starts from 0001. This is useful, for example, if you want to use different folders for the images taken yesterday and the ones taken today.
- Page 944 Movie Clip Numbering Continuous Auto Reset Recorded movies saved in a folder are assigned a clip number from 001 to 999. You can change how clips are numbered. (Example) (1) Clip number Select [ : Clip Number] ( Set the item. Select [Continuous] or [Auto reset].
- Page 945 Continuous For continuous file numbering regardless of switching cards Clip numbering is continuous up to 999, even if you replace a card or switch the target card (as in → ). This is useful when movies numbered between 001 to 999 on multiple cards will be saved in a single folder on a computer, for example.
- Page 946 Auto Reset For restarting clip numbering from 001 after switching cards Clip numbering is reset to 001 if you replace a card or switch the target card (as in → ). This is useful if you want to organize movies by cards. Note that numbering may continue after the number of any existing movies on cards that you switch to.
- Page 947 File Naming Registering/Changing Still Photo File Names Movie File Name Settings Registering/Changing Still Photo File Names File names consist of four alphanumeric characters followed by a four-digit file number ( and file extension. You can change the first four alphanumeric characters, which by default are unique for each camera and set when the camera is shipped.
- Page 948 Enter letters and numbers of your choice. Enter four characters for User setting 1 or three for User setting 2. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the < >...
- Page 949 Select a registered file name. Select [File name], then choose a registered file name. Caution An underscore (“_”) cannot be used as the first character. Note Notes on [User setting2] Shooting after you have selected “*** + image size” (as registered to User setting 2) will add a character representing the current image size to your file name as the fourth character.
- Page 950 Random component (movie file). User-defined field Five characters, from A to Z and 0 to 9. Default: CANON. Proxy identifier _Proxy is automatically appended to proxy movie files. File names for main and proxy movies is identical except for _Proxy, as described in (9).
- Page 951 Configuring movie file names Select [ : File name] ( Select [Movies]. Configure movie file name settings. Camera index Enter two characters of your choice. Set defaults for [Reel Number] and [Clip Number] as needed.
- Page 952 User defined Enter letters or numbers of your choice. • You can enter five characters. • By selecting [ ], you can change the input mode. • To delete single characters, select [ ] or press the < > button. •...
- Page 953 Card Formatting If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera. Caution When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep.
- Page 954 Format the card. Select [OK]. For low-level formatting, press the < > button to add a checkmark < > to [Low level format], then select [OK].
- Page 955 Conditions requiring card formatting The card is new. The card was formatted by a different camera or a computer. The card is full of images or data. A card-related error is displayed ( Low-level formatting Perform low-level formatting if the card's writing or reading speed seems slow or if you want to totally erase the data on the card.
- Page 956 Auto Rotate You can change the auto rotation setting that straightens images shot in vertical orientation when they are displayed. Select [ : Auto rotate] ( Select an option. Automatically rotates images for display on both the camera and computers. Automatically rotates images only for display on computers.
- Page 957 Caution Images captured with auto rotation set to [Off] will not rotate during playback even if you later set auto rotation to [On]. Note If a picture is taken while the camera is aimed up or down, automatic rotation to the proper orientation for viewing may not be performed correctly.
- Page 958 Adding Orientation Information to Movies For movies recorded with the camera held vertically, orientation information indicating which side is up can be added automatically to enable playback in the same orientation on smartphones or other devices. Select [ : Add rotate info] ( Select an option.
- Page 959 Date/Time/Zone When you turn on the power for the first time or if the date/time/zone have been reset, follow these steps to set the time zone first. By setting the time zone first, you can simply adjust this setting as needed in the future and the date/time will be updated to match it.
- Page 960 Turn the < > dial to select the time zone, then press < >. If your time zone is not listed, press the < > button, then set the difference from UTC in [Time difference]. Turn the < > dial to select a [Time difference] option (+ / − / hour / minute), then press <...
- Page 961 Set daylight saving time. Set it as necessary. Turn the < > dial to select [ ], then press < >. Turn the < > dial to select [ ], then press < >. When the daylight saving time is set to [ ], the time set in step 3 will advance by 1 hour.
- Page 962 Note Auto power off time may be extended while the [ : Date/Time/Zone] screen is displayed.
- Page 963 Language Select [ : Language Set the desired language.
- Page 964 System Frequency Set the video system of any television used for display. This setting determines the frame rates available when you record movies. Select [ : System frequency] ( Select an option. 59.94Hz:NTSC For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.).
- Page 965 Help Changing the Help Text Size When [ Help] is displayed, you can display a description of the feature by pressing the < > button. Press it again to exit Help display. To scroll the screen when a scrollbar (1) appears on the right, turn the <...
- Page 966 Example: [Multi function lock] < >...
- Page 967 Changing the Help Text Size Select [ : Help text size] ( Select an option.
- Page 968 Beeps Select [ : Beep] ( Select an option. Enable The camera beeps after focusing and in response to touch operations. Disable Disables beeping for focusing, self-timer, shutter, and touch operations. Note By default, beeping volume for touch operations is set to [0] (...
- Page 969 Volume The volume of camera sounds is adjustable. Select [ : Volume] ( Select an option. Adjust the volume. Turn the < > dial to adjust the volume, then press < >. Note The camera always beeps, regardless of [ : Shutter mode] settings, with [Always play at release] selected in [Shutter volume] settings.
- Page 970 Audio Monitor Headphones HDMI Headphones Adjusting the volume Select [ : Audio monitor] ( Select [Headphones]. Select [Volume].
- Page 971 Adjust the volume. Turn the < > dial to adjust the volume, then press < >. Note You can use headphones to check sound from the built-in microphone or an external microphone when [ : Sound recording] is set to [On] and [High Frame Rate] is set to [Disable].
- Page 972 Select [Shoot. monitor CH] or [Playback monitor CH]. Select the combination of channels for audio output (L/R). Shoot. monitor CH Playback monitor CH CH1+2 indicates that the signal is a combination of channels 1 and 2. The same applies to CH1+3, CH3+4, and so on. Caution There is no sound from channels 3 and 4 for [Playback monitor CH] when you shoot with [...
- Page 973 Note The audio recording level indicator ( ) on the movie recording screen shows channels selected in [Shoot. monitor CH]. Items that include channels 3 or 4 are not available in [Shoot. monitor CH] with : Audio format] ( ) set to [AAC/16bit/2CH].
- Page 974 HDMI Selecting output channels for the HDMI output terminal You can select the combination of channels for output from the HDMI output terminal during shooting or playback. Select [ : Audio monitor] ( Select [HDMI]. Select [Shoot. monitor CH] or [Playback monitor CH].
- Page 975 Select [CH1/CH2] or [CH3/CH4]. Shoot. monitor CH Playback monitor CH Caution No sound is produced when you play a movie recording with [ : Audio format] ) set to [AAC/16bit/2CH] and [Playback monitor CH] set to [CH3/CH4].
- Page 976 Screen Brightness Select [ : Screen brightness] ( Make the adjustment. Referring to the gray image, turn the < > dial to adjust brightness, then press < >. Check the effect on the screen. Note To check the image's exposure, referring to the histogram is recommended (...
- Page 977 Viewfinder Brightness Select [ : Viewfinder brightness] ( Turn the < > dial and select either [Auto] or [Manual]. Auto Press < >. Check the effect in the viewfinder while shooting. Manual Turn the < > dial to adjust viewfinder brightness, then press < >.
- Page 978 Screen and Viewfinder Color Tone Select [ : Screen/viewfinder color tone] ( Make the adjustment. Turn the < > dial to select an option, then press < >.
- Page 979 Fine-Tuning Viewfinder Color Tone Select [ : Fine-tune VF color tone] ( Make the adjustment. Referring to the gray image, use < > for adjustment, then press < >. Check the effect in the viewfinder.
- Page 980 Screen and Viewfinder Display You can specify to use the screen or viewfinder for display, to avoid accidentally activating the viewfinder sensor when the screen is open. Select [ : Screen/viewfinder display] ( Select an option. AUTO1: Auto 1 ( : only screen) Always use the screen for display when it is open.
- Page 981 UI Magnification You can magnify menu screens by double-tapping with two fingers. Double-tap again to restore the original display size. Select [ : UI magnification] ( Select [Enable]. Caution Use camera controls when configuring menu functions with the display magnified. Touch-screen operations are not supported.
- Page 982 HDMI Resolution Set the image output resolution used when the camera is connected to a television or external recording device with an HDMI cable. Select [ : HDMI resolution] ( Select an option. Auto The images will automatically be displayed at the optimum resolution matching the connected television.
- Page 983 Shutter at Shutdown You can set whether to leave the shutter open or close it when the camera's power switch is set to < >. Select [ : Shutter at shutdown] ( Select an option. : Closed Closes the shutter. Normally set to closed, to prevent dust from adhering to the sensor when you switch lenses.
- Page 984 Sensor Cleaning Cleaning Now Cleaning Automatically Cleaning Manually The camera's sensor cleaning feature cleans the front of the image sensor. Note For best results, clean with the camera in a stable position on a desk or other flat surface. Cleaning Now Select [ : Sensor cleaning] ( Select [Clean now Select [OK] on the confirmation screen.
- Page 985 Cleaning Automatically Select [Auto cleaning Select an option. Turn the < > dial to select an option, then press < >. Note When set to [At pwr off] or [Enable], the sensor is cleaned when the screen goes off, including when it has been turned off automatically.
- Page 986 Always use a fully charged battery. The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. Select [Clean manually]. Select [OK].
- Page 987 If the battery level becomes low while cleaning the sensor, the beeper will sound as a warning. Stop cleaning the sensor. If a smudge that cannot be removed with a blower remains, having the sensor cleaned by a Canon Service Center is recommended.
- Page 988 Power Saving You can adjust the timing of when the screen dims and then turns off, when the camera turns off, and when the viewfinder turns off after the camera is left idle (Screen dimmer, Screen off, Auto power off, and Viewfinder off). Select [ : Power saving] ( Select an option.
- Page 989 Resetting the Camera The camera's settings for shooting functions and menu functions can be restored to their defaults. Select [ : Reset camera] ( Select an option. Reset individual settings Settings for individual selected options can be reset. Factory reset Resets all settings to defaults.
- Page 990 Custom Shooting Mode (C1–C3) Automatic Update of Registered Settings Canceling Registered Custom Shooting Modes You can register current camera settings such as shooting, menu, and Custom Function settings as Custom shooting modes assigned to [C1] to [C3] modes. You can register different functions to use when shooting still photos or movies.
- Page 991 Register the desired items. Select the Custom shooting mode to register, then select [OK] on the [Register settings] screen. The current camera settings are registered to Custom shooting mode In still photo shooting, the registered shooting mode is indicated in the Custom shooting mode icon (as in [ ], [ ], [...
- Page 992 Canceling Registered Custom Shooting Modes If you select [Clear settings] in step 2, the settings of each mode can be restored to default settings, as they were before registration. Note You can also change shooting and menu settings in Custom shooting modes.
- Page 993 By loading a camera settings file, you can apply the state of the settings as saved. This enables you to save and apply optimal settings for specific shooting situations, or load settings files on other EOS R1 cameras to use the cameras with the same settings.
- Page 994 Naming. The steps are the same. Caution Camera settings files saved by a camera other than an EOS R1 cannot be loaded on this camera. It may not be possible to load camera settings files that were saved by a camera with a different firmware version.
- Page 995 Loading Camera Settings In step 2 of Saving Camera Settings, select [Load from card] to display up to ten camera settings files on the card. Select a file, and the camera will load it and apply the state of the settings as saved.
- Page 996 (Green): Battery recharge performance is slightly degraded. (Red): Purchasing a new battery is recommended. Caution Using a genuine Canon Battery Pack LP-E19 is recommended. Use of non- genuine batteries may prevent the camera from operating at full performance and may lead to malfunction.
- Page 997 Note The shutter count is the number of still photos taken (not including movie recording). If a battery communication error message is displayed, follow the instructions in the message.
- Page 998 Copyright Information Checking the Copyright Information Deleting the Copyright Information When you set the copyright information, it will be recorded to the image as Exif information. Caution If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when you select [Display copyright info.].
- Page 999 Enter text. Use the < > or < > dial or < > to select a character, then press < > to enter it. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the <...
- Page 1000 Deleting the Copyright Information When you select [Delete copyright information] in step 2, you can delete the [Author] and [Copyright] information. 1000...
- Page 1001 You can also check the status log for past errors. Checking camera status with this feature and requesting any required maintenance at a Canon Service Center can reduce camera problems. Checking the Error Log You can check a record of past errors, as well as lens, flash, and battery usage at the time of occurrence.
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