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Owner’s Manual Keep This Manual For Future Reference. Keep This Manual For Future Reference.
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XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
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Compliance with FCC regulations does * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT.
WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. SPX2000—Owner’s Manual Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “danger-...
● Manage effect data on your computer You can use the SPX2000 Editor to manage or back up your original effects and data. For example you could create a separate library for each live performance or recording project, and store effects for just that event.
This indicates the currently selected word clock source. Use “CLOCK SOURCE” (page 18) to select the word clock source. 7 [MIDI] indicator This will light when the SPX2000 receives MIDI data. 8 [kHz] indicator This indicates the currently-operating word clock fre- quency.
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You can connect an optional foot switch (such as the FC5) to this jack and the foot switch to input the tempo as an alternative to using the [TAP] button (N) (page 23). P [POWER ON/OFF] button This button turns the power of the SPX2000 on/off.
S [MIDI OUT/THRU] connector You can connect a MIDI device to this connector and use MIDI messages to send SPX2000 data to it. You can bulk-dump SPX2000 data via MIDI, or re-transmit MIDI data received at the [MIDI IN] connector (T) from this connector without change.
Operation Basic operation This section provides a simple explanation of how to input signals to the SPX2000, apply effects, and output the result. The overall steps are as follows. Make connections to external devices ↓ Turn the power on ↓...
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OUT R • kHz (8) This indicates the word clock frequency (44.1/48/88.2/96 OUT L kHz). If you are using the SPX2000’s internal clock, you can use “CLOCK SOURCE” (page 18) to select the fre- quency. OUT R Adjust the input level...
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Three banks The SPX2000 has three effect banks; PRESET, USER, and CLASSIC. These banks are organized as follows. PRESET bank This bank contains a total of 97 effects; 80 effects based on new algorithms and ranging from standard to distinctive, and 17 newly- developed reverb (REV-X) effects.
• [RECALL] button ( • [UNDO] button ( • [COMPARE] button ( Basic parameters and Fine parameters Each of the SPX2000’s effects consists of two types of parameter: Basic parameters and Fine parame- ters. Effect Basic parameter 1 Fine parameter 1...
“MIDI” as the synchronization source. • Use MIDI control changes The value specified by a MIDI Control Change message can be used to set the Tempo value. By using this method you can control the SPX2000’s Tempo value from a connected external MIDI device.
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Effects and tempo synchronization Some of the SPX2000’s effects allow you to synchronize the effect with the tempo. There are two such types of effect; delay- type effects and modulation-type effects. For delay-type effects, the delay time will change according to the tempo. For mod- ulation-type effects, the frequency of the modulation signal will change according to the tempo.
Press the [STORE] button (B) to store the effect. → The [COMPARE] LED (I) will go dark, and the [UNDO] LED (E) will light. SPX2000—Owner’s Manual Undoing the previous operation You can return settings to their prior state by “undoing”...
• Change the background color If you turn the setting OFF, protect will be defeated and you will again be able to perform Store operations, etc. l m n o USER PGM PROTECT *OFF USER PGM PROTECT *OFF SPX2000—Owner’s Manual...
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NOTE: If the display indicates “WRONG WORD CLOCK!”, the word clock signal from the external device has either been interrupted or is a frequency to which the SPX2000 cannot synchronize. Check whether there might be a problem with the connection from the device supplying the word clock, or an incorrect word clock setting.
NOTE: If the display indicates “Sync Error!” or if the DIGITAL [INPUT SOURCE] indicator blinks, the incoming digital input signal does not match the clock on which the SPX2000 is operating. Try changing the setting of the device that is supplying the word clock.
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*1 Only the Operation Lock level can be changed. *2 If the Operation Lock level is 1 or higher, Utility functions other than Operation Lock cannot be selected. SPX2000—Owner’s Manual Erasing an effect Here’s how to erase (clear) the recalled effect. You can only erase USER bank effects.
MIDI data. The [TO HOST USB] connector lets you use eight separate ports on this single connector. NOTE: In order to connect the SPX2000 to your computer via USB, you will need to install the Yamaha USB-MIDI driver on your computer.
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You can select an ID number that will identify the SPX2000 Editor. In order to allow communication with the SPX2000 Editor, you must set this to the same ID num- ber as you specified in the SPX2000 Editor. Select the “EDITOR ID” function Press the [UTILITY] button (L) several times to select “EDITOR ID.”...
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Transmitting SPX2000 data to another device You can transmit the SPX2000’s system settings, MIDI program change tables, and effect data to another device. This data will be transmitted from the port specified by the “MIDI PORT GENERAL” setting (page 21).
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Initializing the SPX2000 Here’s how to return the SPX2000 to its factory-set condi- tion. The following procedure will erase all effects in the USER bank. If necessary, use the “BULK OUT (ALL)” function to back up your data before you proceed.
The SPX2000 also provides gated reverbs. These effects pass the signal through a gate so that reverb is added only while the gate is open. One way to use these effects is to add only reverb that exceeds a specified level, and close the gate to cut the slowly decaying reverberation.
100% REV-X SLAP ROOM 100% SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output; at a setting of 100% only the effect sound will be output. Output level after the original sound and effect sound have been mixed. Decrease this value if you want to lower the output.
100% DRUM MACH. AMB S 100% SPX2000—Owner’s Manual The pattern of reverb; this determines the basic character of the effect. The characteristics of the reverberation will depend on the type you select here. Reverb time. This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB.
48 kHz: 5 ms—42.3 s DECAY 88.2 kHz: 3 ms—23.0 s 96 kHz: 3 ms—21.1 s *a. The range of this parameter depends on the sampling frequency at which the SPX2000 is operating. Level Original sound Explanation Reverb time. This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB.
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STONE ROOM DRUM MACH. AMB L *a. The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating. The value shown in the table is for fs = 96 kHz. SPX2000—Owner’s Manual HI.RATIO LO.RATIO INI.DLY...
REVERB & GATE OUT LVL 100% *a. The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating. The value shown in the table is for fs = 96 kHz. Explanation Reverb time. This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB.
What is a Gate? A “gate” is a device or circuit that passes or blocks a signal. Gates are provided on the SPX2000’s Reverb (PRE- SET bank) and Reverb & Gate (CLASSIC bank) effects, and can be used to control the reverberation.
Amount of feedback for the high-frequency portion of the reflections. This is specified as a propor- tion of FB.GAIN. If this value is 0.1, the feedback amount will be 1/10th of FB.GAIN; if this value is 1.0, the feedback amount will be the same as FB.GAIN. Explanation Time INI.DLY SPX2000—Owner’s Manual...
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REFLECTIONS 100% CONCRETE ROOM 100% REVERSE PURPLE 100% FULL METAL GATE 100% REVERSE GATE 100% ELECT.SNR PLATE 100% SPX2000—Owner’s Manual ROOMSIZE LIVENESS INI.DLY DIFF. 10.6 ms 10.0 ms 11.8 ms 5.0 ms 62.5 ms 33.7 ms 10.0 ms 8.7 ms OUT LVL ER NUM.
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100% only the effect sound will be output. ROOMSIZE LIVENESS DELAY 3.5 ms 9.0 kHz 3.5 ms 8.0 kHz 15.0 ms 3.2 kHz 0.0 ms 5.6 kHz Original sound Time DELAY OUT LVL MIX BAL. 100% 100% 100% 100% SPX2000—Owner’s Manual...
Output level: Parameter details ■Basic parameters Parameter name Range DELAY 0.0—2730.0 ms FB.GAIN –99%—+99% HI.RATIO 0.1—1.0 SPX2000—Owner’s Manual Number of delay Modulate the Feedback delay sounds delay 2 (L, R) 3 (L, C, R) 2 (L, R) OUT L DELAY BAL.
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This parameter is used for tempo synchronization. If SYNC is ON, the DELAY value will be set according to this value and NOTE. If SYNC is OFF, this value is ignored. FB.GAIN HI.RATIO +42% +32% OUT LVL SYNC Thru 12.5 kHz Thru 12.5 kHz NOTE TEMPO — — SPX2000—Owner’s Manual...
50.0 Hz—16.0 kHz, Thru SYNC ON, OFF NOTE L NOTE R TEMPO 25—300 SPX2000—Owner’s Manual OUT L DELAY L BAL. DELAY R OUT R Delay relative to the original sound. DELAY L indicates the L channel delay, and DELAY R indi- cates the R channel delay.
Depth of modulation. Increasing this value will make the modulation deeper. Waveform of the modulation signal. This will affect the character of the modulation. You can choose Sine (sine wave) or Tri (triangle wave). NOTE L NOTE R TEMPO — SPX2000—Owner’s Manual...
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100% SILKY SWEEP 100% SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output; at a setting of 100% only the effect sound will be output. Output level after the original sound and effect sound have been mixed. Decrease this value if you want to lower the output.
NOTE value and the TEMPO. If SYNC is OFF, this value is ignored. This parameter is used for tempo synchronization. If SYNC is ON, the DELAY value will be set according to this value and NOTE. If SYNC is OFF, this value is ignored. SPX2000—Owner’s Manual...
–99%—+99% HI.RATIO 0.1—1.0 NOTE: If the FB.G L, FB.G R, L->R FBG, or R->L FBG values are raised excessively, oscillation will occur, and the signal will not decay. Please use caution. SPX2000—Owner’s Manual DELAY C DELAY R FB.DLY LEVEL L 428.5 ms...
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1000.0 ms 200.0 ms 200.0 ms 200.0 ms +66% OUT LVL Thru Thru 100% 180 Hz 2.50 kHz NOTE L NOTE R NOTE FBL NOTE FBR FB.G R L->R FBG R->L FBG HI.RATIO +30% +75% +66% TEMPO — — SPX2000—Owner’s Manual...
100.0 ms STEREO ECHO 170.0 ms SPX2000—Owner’s Manual Delay relative to the original sound. Lch DLY indicates the L channel delay, and Rch DLY indicates the R channel delay. Amount of feedback for the delay sounds. This indicates the ratio by which the level is reduced when repeating the effect.
“swooshing” or “twisting” sounds (flanger, phaser) or cyclic changes in volume (tremolo) or position (auto pan). The SPX2000 can use the signal of an oscillator as the modulator to apply cyclic change, or use the input signal itself or MIDI messages to apply change.
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100% UP DOWN FLANGE SYNC SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output; at a setting of 100% only the effect sound will be output. Output level after the original sound and effect sound have been mixed.
NOTE. This value is ignored if SYNC is OFF. DEPTH FB.GAIN OFFSET PHASE +70% 0.00 dg OUT LVL LSH G LSH F HSH G 100% 0.0 dB 125 Hz 0.0 dB STAGE HSH F SYNC NOTE TEMPO 10.0 kHz — SPX2000—Owner’s Manual...
STEREO FLANGE B 0.5 Hz STEREO PHASING 1.1 Hz SPX2000—Owner’s Manual Level Speed of modulation. Increasing this value will make the modulation repeat at a shorter interval. Modulation depth. Increasing this value will make the modulation deeper. Delay of the effect sound relative to the original sound. The delay time will change around this value.
This parameter is used for tempo synchronization. If SYNC is ON, the FREQ. value will be set according to this value and NOTE. This value is ignored if SYNC is OFF. MOD. WAVE DEPTH DEPTH 4.7 ms Sine 4.4 ms Sine Original sound AM DEPTH Time MOD.DLY SPX2000—Owner’s Manual...
Effect list The following tables show the default parameter values for the effect belonging to the Symphonic type (PRESET bank). ■Basic parameters Effect name FREQ. SYMPHONIC 0.50 Hz SPX2000—Owner’s Manual OUT LVL LSH G LSH F EQ G 100% –2.0 dB 212 Hz 0.0 dB...
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This parameter is used for tempo synchronization. If SYNC is ON, the FREQ. value will be set according to this value and NOTE. This value is ignored if SYNC is OFF. DEPTH WAVE Sine EQ F EQ Q HSH G HSH F 1.00 kHz 0.0 dB 10.0 kHz SPX2000—Owner’s Manual...
0—100% Effect list The following table shows the default parameter values for the effect belonging to the Symphonic type (CLASSIC bank). Effect name MOD.FRQ SYMPHONIC 0.7 Hz SPX2000—Owner’s Manual OUT LVL LSH G LSH F EQ G 100% 0.0 dB 125 Hz 0.0 dB...
WAVE DIR. 100% Sine L<->R OUT LVL LSH G LSH F EQ G 100% 0.0 dB 125 Hz 0.0 dB 1.00 kHz NOTE TEMPO — EQ F EQ Q HSH G HSH F 10.0 0.0 dB 10.0 kHz SPX2000—Owner’s Manual...
NOTE TEMPO 25—300 SPX2000—Owner’s Manual Speed of modulation (panning movement). Increasing this value will make the panning move more quickly. Direction of panning movement. You can specify that the panning move back and forth between LR, or from L to R and then jump back to L (or vice versa).
This parameter is used for tempo synchronization. If SYNC is ON, the FM FREQ. value will be set according to this value and NOTE FM. This value is ignored if SYNC is OFF. OSC FRQ FM FREQ. FM DEPTH 880.0 Hz 1.30 Hz OUT LVL SYNC NOTE FM TEMPO 100% — RESO. SPX2000—Owner’s Manual...
88.2 kHz: 3 ms—23.0 s 96 kHz: 3 ms—21.1 s *a. The range of this parameter depends on the sampling frequency at which the SPX2000 is operating. Effect list The following tables show the default parameter values for the effect belonging to the Dynamic Filter type (PRESET bank).
HSH G 0.0 dB *a. The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating. The value shown in the table is for fs = 96 kHz. Explanation Source of the modulating signal. If you select INPUT, the effect sound will change according to the input signal.
MIX BAL. DYNA PHASER 100% *a. The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating. The value shown in the table is for fs = 96 kHz. SPX2000—Owner’s Manual Source of the modulating signal. If you select INPUT, the effect sound will change according to the input signal.
TEMPO value. This value is ignored if SYNC is OFF. This parameter is used for tempo synchronization. If SYNC is ON, the DELAY value will be set according to this value and NOTE. This value is ignored if SYNC is OFF. Control pitch via MIDI Page SPX2000—Owner’s Manual...
MIX BAL. 0—100% MODE 1—10 SYNC ON, OFF NOTE 1 NOTE 2 TEMPO 25—300 SPX2000—Owner’s Manual FINE DELAY FB.GAIN 0.0 ms OUT LVL MODE SYNC NOTE Amount of pitch change, adjusted in semitone steps. Positive (+) settings make the pitch higher than the original sound, and negative (–) settings make it lower.
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+79% +90% 25.1 ms +58% +100% –2 7.0 ms +100% –9 0.0 ms +100% MODE SYNC NOTE 1 NOTE 2 PAN 1 CENTER CENTER PAN 2 CENTER CENTER TEMPO — — — — — — — — — SPX2000—Owner’s Manual...
PITCH PITCH CHANGE A PITCH CHANGE D SPX2000—Owner’s Manual Amount of pitch change, set in semitone steps. Positive (+) settings make the pitch higher than the original sound, and negative (–) settings make it lower. Amount of pitch change, set in cents (1/100th of a semitone). Positive (+) settings make the pitch higher than the original sound, and negative (–) settings make it lower.
100% only the effect sound will be output. L FINE L DLY R PITCH R FINE 0.1 ms –8 2 DLY OUT LVL MIX BAL. 20.0 ms 100% 100% R DLY OUT LVL MIX BAL. 0.1 ms 100% 100% SPX2000—Owner’s Manual...
FB.GAIN –99%—+99% HI.RATIO 0.1—1.0 FREQ. 0.05—40.00 Hz DEPTH 0—100% SPX2000—Owner’s Manual No. of Bank INs/OUTs PRESET 1 IN/2 OUT DELAY, FB.GAIN, HI.RATIO, DLY.BAL Explanation Type of distortion; this determines the basic character of the effect. The character of the distortion will depend on the type you select.
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MOD.NOTE and TEMPO values. If SYNC is OFF, this value is ignored. DRIVE TONE DELAY FB.GAIN 0.6 ms –78% 250.0 ms –52% N.GATE MASTER DLY.BAL SYNC 100% HI.RATIO FREQ. DEPTH 0.35 Hz 2.65 Hz DLY.NOTE MOD.NOTE TEMPO — — SPX2000—Owner’s Manual...
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SYNC ON, OFF NOTE TEMPO 25—300 SPX2000—Owner’s Manual Explanation Speed of modulation (AM, PM). Increasing this value will make the modulation repeat at a shorter interval. Amplitude modulation (AM) depth. Increasing this value will produce greater volume change. Pitch modulation (PM) depth. Increasing this value will produce greater pitch change.
Density of the reverberation. Increasing this value will make the reverberation smoother. You can create unique effects by lowering this value. REV TIME HI.RATIO INI.DLY DIFF. 2.4 s 10.0 ms 2.1 s 17.0 ms REV.BAL SYNC NOTE TEMPO — — SPX2000—Owner’s Manual...
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REVERB FLANGE REV+FLANGE 100% SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output; at a setting of 100% only the effect sound will be output. Output level after the original sound and effect sound have been mixed.
NOTE. If SYNC is OFF, this value is ignored. DEPTH MOD.DLY WAVE REV TIME 3.2 ms Sine 0.6 s 14.0 ms Sine 1.6 s HI.RATIO INI.DLY DIFF. DENSITY 40.0 ms 100% 7.0 ms SPX2000—Owner’s Manual...
Thru, 21.2 Hz—8.00 kHz 50.0 Hz—16.0 kHz, Thru REV.BAL 0—100% SYNC ON, OFF NOTE TEMPO 25—300 SPX2000—Owner’s Manual OUT LVL REV/SYM 100% Thru Thru 100% Thru Thru Speed of modulation (panning movement). Increasing this value will make the modulation repeat at a shorter interval.
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FB.GAIN. If this value is 0.1, the feedback amount will be 1/10th of FB.GAIN; if this value is 1.0, the feedback amount will be the same as FB.GAIN. HI.RATIO INI.DLY DIFF. DENSITY 18.8 ms SYNC NOTE TEMPO — SPX2000—Owner’s Manual...
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DELAY+ER 2 DELAY->ER 1 DELAY->ER 2 SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output; at a setting of 100% only the effect sound will be output.
NOTE value and TEMPO. If SYNC is OFF, this value is ignored. This parameter is used for tempo synchronization. If SYNC is ON, the various DELAY values will be set according to this value and the corresponding NOTE values. If SYNC is OFF, this value is ignored. SPX2000—Owner’s Manual...
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■Fine parameters Effect name MIX BAL. DELAY+REV 100% DELAY->REV 100% RESO DRONE 100% Effect name SYNC DELAY+REV DELAY->REV RESO DRONE SPX2000—Owner’s Manual REV HI INI.DLY DIFF. DENSITY 75.2 ms 100% 25.0 ms 100% 0.0 ms 100% OUT LVL DLY/REV 100% Thru 3.15 kHz...
If this is ALL, any note-on message of C1 or higher will trigger playback. The level that will trigger recording/playback. If REC MODE is AUTO and the SPX2000 is in record-ready mode, recording of the input signal will begin when the input signal exceeds this level.
*a. At 44.1 kHz or 88.2 kHz, this will be 0.0—2970.5 ms. At 48 kHz or 96 kHz, this will be 0.0—2729.2 ms. SPX2000—Owner’s Manual Balance between the original sound and effect sound. At a setting of 0% only the original sound will be output;...
100% only the effect sound will be output. TRG. DLY RECORD PLAY PITCH –50 ms — — START OUT LVL MIX BAL. 0.0 ms 100% 100% FINE BASE KEY OUT LVL MIX BAL. 100% 100% SPX2000—Owner’s Manual...
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• Press the [INPUT MODE] button • Press the [RECALL] button If the SPX2000 is the clock slave, the sampled data will also be erased if the supplied word clock frequency changes. You can use either AUTO or MANUAL recording modes.
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By setting PITCH and FINE you can change the play- back pitch of the sampling data (Freeze (PRESET bank)). By using a MIDI note-on message to trigger the sam- pling data, you can control the playback start time and the pitch (Freeze B (CLASSIC bank)). SPX2000—Owner’s Manual...
Other effects The SPX2000 also provides an effect that lets you apply three different filters simultaneously, an effect that combines a com- pressor, expander, and limiter to make your sound tighter and more finished, and guitar-type effects such as distortion and amp simulator.
44.1 kHz: 6 ms—46.0 s 48 kHz: 5 ms—42.3 s LIM.REL 88.2 kHz: 3 ms—23.0 s 96 kHz: 3 ms—21.1 s *a. The range of this parameter depends on the sampling frequency at which the SPX2000 is operating. LIMITER EXPANDER LEVEL LOOK UP...
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–54.0 dB FILTERED VOICE –54.0 dB *a. The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating. The value shown in the table is for fs = 96 kHz. ■Fine parameters Effect name MIX BAL.
This parameter simulates this phenomenon. Low-frequency output level. Raising this value will boost the low-frequency range. High-frequency output level. Raising this value will boost the high-frequency range. SPEED SLOW FAST DRIVE SLOW 0.35 Hz 3.50 Hz ACCEL HIGH SPX2000—Owner’s Manual...
DISTORTION DST2 ■Fine parameters Effect name MIX BAL. DISTORTION 100% SPX2000—Owner’s Manual OUT L TONE GATE BAL. OUT R Type of distortion; this determines the basic character of the effect. The character of the distortion will depend on the type you select.
Output level. Decrease this value if you want to lower the output of the effect sound; only the orig- inal sound will be heard. BASS MIDDLE TREBLE DST TYPE DST1 CAB DEP EQ G EQ F EQ Q +1.5 dB 750 Hz OUT L SPEAKER CABINET SIMULATOR BAL. OUT R DRIVE N.GATE MASTER SPX2000—Owner’s Manual...
MIDI You can use MIDI to remotely control the SPX2000. This chapter explains how to make preparations for using MIDI, what you can do using MIDI, and the MIDI data format. Preparations for using MIDI In order to use the SPX2000’s MIDI functionality, you must make the following preparations.
2.3 CONTROL CHANGE (Bn) function When the SPX2000 receives this message, it will operate in one of two ways. The operation will depend on the content of the first two bytes of data. If the data begins with a value of 01h-1Fh, the parameter specified by the control change parameter list will be controlled.
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2.8 SYSTEM EXCLUSIVE MESSAGE (F0) ■ 2.8.1 BULK DUMP/BULK DUMP REQUEST Bulk Dump messages are used to bulk dump SPX2000 data to a con- nected MIDI device (see page 23) , or to receive data from a connected MIDI device to overwrite internal settings of the SPX2000.
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97:CLASSIC1 – 121:CLASSIC25 122:USER1 – 220:USER99 256:EDIT BUFFER For reception by the SPX2000, only USER 1-99 or EDIT BUFFER are valid. (120-220, 256) ■ 2.8.1.4 Effect Program Bulk Dump request Format The second and third byte of DATA NAME specify the program number.
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fied effect, and will then use this message to transmit the state following the change. At this time, the device number will be the MIDI channel of the SPX2000. If the MIDI channel is OMNI, the device number will be 1. • Format...
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At this time, the device number will be the MIDI channel of the SPX2000. If the MIDI channel is OMNI, the device number will be 1. • Format...
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The device number used when transmitting meter data will be the MIDI channel of the SPX2000. If the MIDI channel is OMNI, the device num- ber will be 1. When the SPX2000 receives a Request message with an Address UL = 0x7F, transmission of all meter data will be halted immediately.
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1 DLY F.B.GAIN 2 PITCH BASE KEY 2 FINE OUT LVL 2 DLY OUT LVL MIX BAL. MIX BAL. SPX2000—Owner’s Manual Reverb + Symphonic Reverb → Flanger Reverb → Symphonic DELAY L DELAY L INI.DLY DELAY R DELAY R REV TIME FB.DLY...
MIDI data that is transmitted, or take other measures to prevent a large amount of MIDI data from being transmitted at once. The word clock signal from an external device has been interrupted, or is a frequency to which the SPX2000 cannot WRONG WORD CLOCK! synchronize.
Troubleshooting If the SPX2000 does not function as you expect, or if you suspect a problem, please check the following points. Power does not turn on The input sound is not sent from the outputs Noise is heard in the output...
*2 dither: word length 16 - 24-bit *3 XLR-3-32 type connector is balanced. (1=GND, 2=HOT, 3=COLD) Control I/O Characteristics Terminals TO HOST MIDI OUT/THRU WORD CLOCK SPX2000—Owner’s Manual Actual For Use With Load Nominal Sensitivity Impedance 600 Ω 10 k Ω...
INPUT to OUTPUT Conditions Rs=600 Ω, INPUT LEVEL VR: max 600 Ω INPUT LEVEL SW: +4 /OUTPUT LEVEL SW: +4 Units –3.0 +1.0 Units +2.0 +4.0 +6.0 –12.0 –10.0 –8.0 Units 0.05 0.05 Units –80 Units Units –80 Units SPX2000—Owner’s Manual...
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Frequency Range External Clock Jitter of PLL Frequency Internal Clock accuracy jitter Signal Delay SPX2000—Owner’s Manual CONDITIONS Normal Rate Double Rate DIGITAL IN Fs=44.1 kHz, Jitter DIGITAL IN Fs=48 kHz, Jitter DIGITAL IN Fs=39.69-50.88 kHz, Jitter DIGITAL IN Fs=88.2 kHz, Jitter DIGITAL IN Fs=96 kHz, Jitter DIGITAL IN Fs=79.38-101.76 kHz, Jitter...
Dimensions * Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
YAMAHA [PROFESSIONAL MULTI-EFFECT PROCESSOR] Model: SPX2000 Function... Basic Default Channel Changed Default Mode Messages Altered Note True Voice Number Note On Velocity Note Off Key’s After Ch’s Pitch Bend Control 0-32 Change Program Change :True# System Exclusive :Song Pos. Common :Song Sel.
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