Effect Type List; Effect Parameter List - Yamaha CS2x Data List

Effect Type List

Reverb Types
Following are descriptions of the Reverb types.
No. MSB
LSB Effect Type
0 00H 00H NO EFFECT Effect is off
1 01H 00H HALL 1 Reverb simulating the reverberance of a hall
2 01H 01H HALL 2 Reverb simulating the reverberance of a hall
3 02H 00H ROOM 1 Reverb simulating the reverberance of a room
4 02H 01H ROOM 2 Reverb simulating the reverberance of a room
5 02H 02H ROOM 3 Reverb simulating the reverberance of a room
6 03H 00H STAGE 1 Reverb suitable for solo instruments
7 03H 01H STAGE 2 Reverb simulating the reverberance of a room
8 04H 00H PLATE Reverb simulating a metal plate reverb device
9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay
10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right
11 12H 00H CANYON Simulation of an imaginary sound space extending without limits
12 13H 00H BASEMENT Reverb with unique resonance after a slight initial delay
Chorus Types
Following are descriptions of the Chorus types.
No. MSB LSB Effect Type
0 00H 00H NO EFFECT Effect is off
1 41H 00H
CHORUS 1 Standard chorus effect. Gives the sound a natural spaciousness.
2 41H 01H CHORUS 2 Standard chorus effect. Gives the sound a natural spaciousness.
3 41H 02H CHORUS 3 Standard chorus effect. Gives the sound a natural spaciousness.
4 41H 08H CHORUS 4 Standard chorus effect. Gives the sound a natural spaciousness.
5 42H 00H CELESTE 1 This effect uses a three-phase LFO to create modulation and spaciousness
6 42H 01H CELESTE 2 This effect uses a three-phase LFO to create modulation and spaciousness
7 42H 02H CELESTE 3 This effect uses a three-phase LFO to create modulation and spaciousness
8 42H 08H CELESTE 4 This effect uses a three-phase LFO to create modulation and spaciousness
9 43H
00H FLANGER 1 An effect reminiscent of a jet airplane
10 43H 01H FLANGER 2 An effect reminiscent of a jet airplane
11 43H 08H FLANGER 3 An effect reminiscent of a jet airplane
12 44H 00H SYMPHONIC Additional stages are added to the modulation of CELESTE
13 57H 00H ENSEMBLE DETUNE A chorus effect without modulation created by adding a slightly pitch-shifted sound
14 48H 00H PHASER 1 Adds modulation by cyclically changing the phase
Variation Types
n When the effect type is set to Effect OFF while the Insertion effect is
used, no sound is output. If you don't want to use the Variation effect,
select Thru to pass the signal through the Variation effect without applying
any effect.
Following are descriptions of the Variation types.
No. MSB LSB Effect Type
0 00H 00H NO EFFECT Effect is off
1 0H1 00H HALL 1 Reverb simulating the reverberance of a hall
2 01H 01H HALL 2 Reverb simulating the reverberance of a hall
3 Reverb simulating the reverberance of a room
02H 00H ROOM 1
4 02H 01H ROOM 2 Reverb simulating the reverberance of a room
5 02H 02H Reverb simulating the reverberance of a room
ROOM 3
6 03H 00H STAGE 1 Reverb suitable for solo instruments
7 03H 01H STAGE 2 Reverb suitable for solo instruments
8 04H 00H PLATE Reverb simulating a metal plate reverb unit
9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay
10 11H Simulation of a cylindrical space extending to left and right
00H TUNNNEL
11 12H 00H CANYON Simulation of an imaginary sound space extending without limits
12 13H 00H BASEMENT Reverb with unique resonance after a slight initial delay
13 05H 00H DELAY L,C,R An effect which generates three delays: L, R and C (center)
14 06H 00H DELAY L,R An effect which generates two delays, L and R, and provides two feedback delays
15 Two delays (L and R) and independent feedback for L and R
07H 00H ECHO
16 08H 00H CROSS DELAY This effect crosses the feedback of two delays
17 09H 00H An effect which produces only the early reflections of reverb
ER 1
18 09H 01H ER 2 An effect which produces only the early reflections of reverb
19 0AH 00H GATE REVERB Simulation of gated reverb
20 0BH 00H REVERSE GATE Simulation of gated reverb played backward
21 14H 00H KARAOKE 1 Echo for karaoke
22 14H Echo for karaoke
01H KARAOKE 2
23 14H 02H KARAOKE 3 Echo for karaoke
24 41H 00H CHORUS 1 Standard chorus effect. Adds natural spaciousness.
25 41H 01H CHORUS 2 Standard chorus effect. Adds natural spaciousness.
26 41H 02H CHORUS 3 Standard chorus effect. Adds natural spaciousness.
27 Standard chorus effect. Adds natural spaciousness.
41H 08H CHORUS 4
28 42H 00H CELESTE 1 An effect which uses a 3-phase LFO to add modulation and spaciousness
29 42H 01H An effect which uses a 3-phase LFO to add modulation and spaciousness
CELESTE 2
30 42H 02H CELESTE 3 An effect which uses a 3-phase LFO to add modulation and spaciousness
31 42H 08H CELESTE 4 An effect which uses a 3-phase LFO to add modulation and spaciousness
32 43H 00H FLANGER 1 An effect reminiscent of a jet airplane
33 43H 01H FLANGER 2 An effect reminiscent of a jet airplane
34 43H An effect reminiscent of a jet airplane
08H FLANGER 3
35 44H 00H SYMPHONIC Additional stages are added to the modulation of CELESTE
36 57H 00H ENSEMBLE DETUNE A chorus effect without modulation created by adding a slightly pitch-shifted sound
37 58H 00H AMBIENCE An effect that blurs the location of the sound to add spatial width
38 45H 00H ROTARY SPEAKER Simulation of a rotary speaker
39 2WAY ROTARY SPEAKER Simulation of a rotary speaker
56H 00H
40 46H 00H TREMOLO An effect which cyclically modulates the volume
41 47H 00H AUTO PAN An effect which cyclically moves the sound left/right and front/back
42 48H 00H PHASER 1 Cyclically changes the phase to add modulation
43 48H 08H PHASER 2 Cyclically changes the phase to add modulation
DISTORTION
44 49H 00H Adds a hard-edged distortion
45 49H 01H COMP+DISTORTION Since a compressor is provided in the initial stage, even distortion is produced regardless of the input level
46 4AH OVER DRIVE Adds mild distortion
00H
47 4BH 00H AMP SIMULATOR Simulates a guitar amp
48 4CH 00H 3BAND EQ(MONO) Mono EQ with low, mid and high equalization
49 4DH 00H 2BAND EQ(STEREO) Stereo EQ with low and high equalization. Ideal for the drum part.
50 4EH 00H AUTO WAH(LFO) Cyclically changes the center frequency of a wah filter
51 AUTO WAH+DIST The output of AUTO WAH is distorted by DISTORTION
4EH 01H
52 4EH 02H AUTO WAH+ODRV The output of AUTO WAH is distorted by OVERDRIVE
53 52H 00H TOUCH WAH 1 The level of the input will modify the center frequency of the wah filter
54 52H 01H TOUCH WAH 2 The level of the input will modify the center frequency of the wah filter
55 52H 02H TOUCH WAH+DIST The output of TOUCH WAH is distorted by DISTORTION
TOUCH WAH+ODRV
56 52H 08H The output of TOUCH WAH is distorted by OVERDRIVE
57 50H 00H PITCH CHANGE 1 This effect changes the pitch of the input signal
58 50H PITCH CHANGE 2 This effect changes the pitch of the input signal
01H
59 51H 00H HARMONIC ENHANCER This effect adds new overtones to the input signal to make it stand out
60 53H 00H COMPRESSOR Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound.
61 54H 00H NOISE GATE Gates the input when the input signal falls below a specified level.
62 55H 00H VOICE CANCEL Attenuates the vocal part of a recording on CD etc.
63 THRU Bypass without applying an effec
40H 00H

Effect Parameter List

n The parameter depth marked with a
Features
Features
Features
21
Sound Control Knob or Foot Controller when properly assigned.
The parameter numbers at far left correspond to the parameter suffix
numbers in MIDI Data Table <1-4> (MIDI Data Format) in the "Data List"
book.
HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE
(reverb, variation block)
NO. Parameter Display
1 Reverb Time 0.3~30.0s
2 Diffusion 0~10
3 Initial Delay 0.1~99.3ms
4 HPF Cutoff Thru~8.0kHz
5 LPF Cutoff 1.0k~Thru
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63
11 Rev Delay 0~63
12 Density 0~4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63
14 High Damp 0.1~1.0
15 Feedback Level -63~+63
16
WHITE ROOM ,TUNNEL, CANYON
BASEMENT (reverb, variation block)
NO. Parameter Display
1 Reverb Time 0.3~30.0s
2 Diffusion 0~10
3 Initial Delay 0.1~99.3ms
4 HPF Cutoff Thru~8.0kHz
5 LPF Cutoff 1.0k~Thru
6 Width 0.5~10.2m
7 Heigt 0.5~20.2m
8 Depth 0.5~30.2m
9 Wall Vary 0~30
10 Dry/Wet D63>W ~ D=W ~ D<W63
11 Rev Delay 0~63
12 Density 0~4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63
14 High Damp 0.1~1.0
15 Feedback Level -63~+63
16
DELAY L,C,R (variation block)
NO. Parameter Display
1 Lch Delay 0.1~1486.0ms
2 Rch Delay 0.1~1486.0ms
3 Cch Delay 0.1~1486.0ms
4 Feedback Delay 0.1~1486.0ms
5 Feedback Level -63~+63
6 Cch Level 0~127
7 High Damp 0.1~1.0
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63
11
12
13 EQ Low Frequency 32Hz~2.0kHz
14 EQ Low Gain -12~+12dB
15 EQ High Frequency 500Hz~16.0kHz
16 EQ High Gain -12~+12dB
DELAY L,R (variation block)
NO. Parameter Display
1 Lch Delay 0.1~1486.0ms
2 Rch Delay 0.1~1486.0ms
3 Feedback Delay 1 0.1~1486.0ms
4 Feedback Delay 2 0.1~1486.0ms
5 Feedback Level -63~+63
6 High Damp 0.1~1.0
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63
11
12
13 EQ Low Frequency 32Hz~2.0kHz
14 EQ Low Gain -12~+12dB
15 EQ High Frequency 500Hz~16.0kHz
16 EQ High Gain -12~+12dB
ECHO (variation block)
NO. Parameter Display
1 Lch Delay1 0.1~743.0ms
2 Lch Feedback Level -63~+63
3 Rch Delay1 0.1~743.0ms
4 Rch Feedback Level -63~+63
5 High Damp 0.1~1.0
6 Lch Delay2 0.1~743.0ms
7 Rch Delay2 0.1~743.0ms
8 Delay2 Level 0~127
9
10 Dry/Wet D63>W ~ D=W ~ D<W63
11
12
13 EQ Low Frequency 32Hz~2.0kHz
14 EQ Low Gain -12~+12dB
15 EQ High Frequency 500Hz~16.0kHz
16 EQ High Gain -12~+12dB
can be controlled by the ASSIGN 1
Value See Table Control
0-69 table#4
0-10
0-63 table#5
0-52 table#3
34-60 table#3
1-127
0-63 table#5
0-4
1-127
1-10
1-127
Value See Table Control
0-69 table#4
0-10
0-63 table#5
0-52 table#3
34-60 table#3
0-37 table#11
0-73 table#11
0-104 table#11
0-30
1-127
0-63 table#5
0-4
1-127
1-10
1-127
Value See Table Control
1-14860
1-14860
1-14860
1-14860
1-127
0-127
1-10
1-127
4-40 table#3
52-76
28-58 table#3
52-76
Value See Table Control
1-14860
1-14860
1-14860
1-14860
1-127
1-10
1-127
4-40 table#3
52-76
28-58 table#3
52-76
Value See Table Control
1-7430
1-127
1-7430
1-127
1-10
1-7430
1-7430
0-127
1-127
4-40 table#3
52-76
28-58 table#3
52-76