Yamaha DOM-30 Owner's Manual page 18

5, MIDI CONTROL
EX] RECEIVE MODE
Settings: On, Off, Multi
RCV.. Mode on Default: On
The "On" setting (OMNI ON) turns the OMNI receive mode on,
allowing MIDI voice messages received on any MIDI channel (1
through 16) to be recorded on any track of the DOM-30. When the
data is played back, it is transmitted on the corresponding track
number (e.g. data recorded on track 3 is transmitted on MIDI
channel 3).
The "Off" setting (OMNI OFF) turns the OMNI receive mode off
so that only MIDI voice messages received on the MIDI channel
specified by the RECEIVE CHANNEL function (described below)
can be recorded. The received data can be recorded to any DOM-30
record track. When the data is played back, it is transmitted on the
corresponding track number (e.g. data recorded on track 3 is
transmitted on MIDI channel 3).
When the "Multi" setting is selected, only MIDI voice messages
received on the MIDI channel number corresponding to the current
DOM-30 record track number (1 through 10, or 15) will be record-
ed, regardless of the setting of the RECEIVE CHANNEL function
(below). For example, in the Multi receive mode if record track 5
is selected, only MIDI voice messages received on MIDI channel 5
will be recorded.
RECEIVE CHANNEL
Receive__CH 1
This function sets the DOM-30 MIDI receive channel to any chan-
nel between 1 and 16. The RECEIVE CHANNEL setting is only
effective when the OMNI OFF (**Off"") RECEIVE MODE (see the
RECEIVE MODE function, above) is selected.
Settings: 1 — 16
Default: 1
RHYTHM KEY NUMBER
RHY.key_No. HIGH
This function re-assigns the DOM-30 rhythm (percussion) voices to
a lower area of the keyboard so that the percussion voices can be
played from 76-key keyboards. The following chart shows the
percussion voice assignments in the HIGH and LOW modes:
Settings: HIGH, LOW
Default: HIGH
17
Percussion
Note (MIDI
Voice Assignments
LOW -:
Note (MIDI
Instrument
Note No.) Note No.)
F#2 (54) BRUSH ROLL Ffo (30)
G#2 (56) HI-HAT CLOSED HEAVY Gto (32)
At2 (58) CRASH CYMBAL LIGHT Ato (34)
B2 (59) BASS DRUM LIGHT Bo (35)
C3 (60) | SNARE DRUM" RIM HEAVY | Ci (36)
C#3 (61) RIDE CYMBAL CUP Ch (37)
D3 (62) | SNARE DRUM+RIM LIGHT Di (38)
F3 (65) BASS DRUM Fi (41)
F#3 (66) RIM SHOT Fé (42)
G3 (67) SNARE DRUM HEAVY Gi (43)
GH (68) BRUSH SHOT Gh (44) |
A3 (69) SNARE DRUM LIGHT Al (45)
| At: (70) HI-HAT PEDAL Af (46)
| B (71) SNARE DRUM ECHO Bi (47)
Ca (72) TOM 4 C2 (48)
C#4 (73) HI-HAT CLOSED C#2 (49)
D4 (74) TOM 3 D2 (50)
D#4 (75) HI-HAT OPEN D#2 (51)
F4 (76) TOM 2 E2 (52)
F4 (77) TOM 1 F2 (53)
Ff4 (78) RIDE CYMBAL Fé (54)
Ga (79) ELECTRONIC TOM 3 G2 (55)
G#4 (80) CRASH CYMBAL Gt (56)
A4 (81) ELECTRONIC TOM 2 A2 (57)
Ata (82) CRASH CYMBAL A#2 (58)
B4 (83) ELECTRONIC TOM 1 B2 (59)
Cs (84) CONGA LOW C3 (60)
C#s (85) CABASA C#3 (61)
Ds (86) CONGA HIGH Di (62) |
D#s (87) METRONOME D#3 (63)
Es (88) BONGO E3 (64)
Fs (89) TIMBALE LOW F3 (65)
F#s (90) CLAVES F#3 (66)
Gs (91) TIMBALE HIGH G3 (67)
Gs (92) CASTANETS G#3 (68)
As (93) CUICA LOW A3 (69)
Abs (94) COWBELL AR3 (70)
Bs (95) CUICA HIGH B3 (71)
C6 (96) HAND CLAPS Ca (72)
C#6 (97) AGOGO LOW Cha (73)
D#6 (99) AGOGO HIGH D#4 (75)
Es (100) BONGO LOW Es (76)
Fe (101) ELECTRONIC TOM 2 Fa (77)
| Ffs (102) TAMBOURINE F#4 (78)
Gs (103) CRASH CYMBAL G4 (79)
G#6 (104) TRIANGLE CLOSED Gt (80) |
A6 (105) BRUSH ROLL A4 (81)
Ate (106) TRIANGLE OPEN Ata (82)