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PRESET
NAME
EFX Presets (continued)
PARAMETER 1
PARAMETER 2
9
Bright Delay
Time: 0 to 500 ms
Feedback: 0 to 99%
10
Warm Delay
Time: 0 to 500 ms
Feedback: 0 to 99%
11
Dark Delay
Time: 0 to 500 ms
Feedback: 0 to 99%
12
Ping Pong Delay
Time: 0 to 500 ms
Feedback: 0 to 99%
13
Chorus
Rate: 0.125 to 8 Hz
Depth: Best Set Full CW
14
Phaser
Rate: 0.250 to 16 Hz
Depth: Best Set Full CW
15
Flange
Rate: 0.10 to 2.5 Hz
Depth: Best Set Full CW
16
Rotary Speaker
High Speed: 0.50 to 25 Hz
Width: 0 to 100% CW
47. TIME/RATE:
In Reverb and Delay presets, it adjusts the time of the particular reverb or delay; in
Chorus, Phaser, and Flange, it adjusts the rate of each. In Rotary Speaker setting, this adjusts
the speed of the speaker rotation.
48. EFFECTS MASTER SEND:
The Effects mix output level control, which sets the Effects level
sent to the internal Digital Effects Processor. The digital effects processor has an automatic
level control in its input signal path, which helps prevent accidental overdriving of the digital
processor; however, it is not a substitute for proper set-up of the levels into and out of
the processor.
49. EFFECTS MASTER RETURN LEVEL:
Effects return output level control. Sets the Digital
Effects output level sent to the Left and Right mixing bus.
50. and 51. SEND TO MONITOR 1 and 2:
These controls are used to send the signal from the
digital effects processor to the Monitor 1 and Monitor 2 mixes, allowing the performers to hear
the effects in their monitor speakers.
52. DAMPING/FEEDBACK:
In Reverb setting, this control adjusts the high-frequency content of the
reverberated audio. It varies from allowing only 200 Hz and below at minimum, up to 14 kHz at
the maximum clockwise adjustment. In Delay it adjusts the feedback only, in Chorus and Flange
it adjusts Depth, and in the Rotary Speaker mode, it adjusts Width.
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53. MONITOR 1 and 2 PFL/CLIP:
A dual function LED that illuminates when the signal level is
nearing the overload point, or if the PFL switch is engaged. It illuminates at +16 dBV. (There is
roughly 2 dB of headroom remaining when it lights.) When the PFL switch (#54) is depressed,
it lights continuously to indicate that this Mon has been assigned to the PFL mix.
54. MONITOR 1 and 2 PFL:
Connects the selected Monitor signal (pre-master level) to the PFL mix
and switches the headphone/control room source from the L-R mix to the PFL mix. It also
connects the PFL signal to the Right meter to aid in monitoring the output level.
55. MONITOR 1 and 2 MASTER LEVEL:
Sets the overall level of the Monitor 1 and 2 signal that
is sent to the output jacks (#55). It is best set at "0" unity gain.
56. MASTER LEFT/RIGHT:
Separate faders that set the level of the left/right mix. The output level
is monitored by the left and right meters AFTER the graphic equalizers. The optimum setting for
this control is the "0" (unity gain) position.
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