Peavey TKO 115 Supplementary Manual page 3

E N G L I S H
E N G L I S H
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HIGH GAIN INPUT (1)
Used for most electric basses. It is 6 dB louder than the Low Gain Input.
LOW GAIN INPUT (2)
Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the High
Gain Input. If both inputs are used simultaneously, the output levels are the same (both are High Gain).
PRE GAIN (3)
Controls the input gain of the preamplifier.
BRIGHT SWITCH (4)
Provides a preset boost (+10 dB) to treble frequencies. To activate, depress the switch to its "in" position.
CONTOUR SWITCH (5)
Defeats the preset special EQ curve when pushed in.
LOW FREQUENCY EQ (6)
An active tone control (shelving type, 15 dB) that varies the low frequency boost or cut.
OPERATION NOTE: Excessive EQ boost, especially of the low frequencies, increases the possibility of
speaker damage, and sacrifices valuable headroom.
HIGH EQ CONTROL (7)
An active tone control (shelving type, 15 dB) that varies the high frequency boost or cut.
GRAPHIC SELECT (8)
The "in" position of this switch routes the instrument signal through the 7-band equalizer. The "out" position
removes the graphic equalizer from the signal path.
GRAPHIC EQUALIZER (9)
This seven-band, one octave equalizer provides 15 dB of boost or cut at each center frequency.
MASTER VOLUME (10)
Controls the overall volume level of the amplifier. The final level adjustment should be made after the desired
sound has been achieved.
CHORUS/EFFECTS SEND (11)
High pass output above 200 Hz for supplying signals to external effects or signal processing equipment.
EFFECTS RETURN (12)
Provided for patching an effects device output back into the mixer. May also be used as an independently variable
auxiliary input.
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