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Control Section
32. MAIN LEVEL
This knob adjusts the
main output level at the
main out XLRs [9] (and
to the RCA main outs
[11] when the live/re-
cord switch [12] is out).
(Remember, when the live
record switch is pushed in,
the RCA main outs are not
affected by the main level
control.)
33. BOOTH LEVEL
This knob adjusts the
output level at the booth
outputs [8].
34. STEREO/MONO
With this switch up, the booth outputs [8] provide a
stereo left and right output of the main mix. Push the
switch in to combine the left and right signals to mono if
you only have one booth monitor speaker.
35. FX SEND LEVEL
This knob controls the amount of signal being sent
to FX send outputs [6]. Adjust this knob to provide an
appropriate input signal level to your external effects
processor (or whatever you have connected to the FX
sends). It ranges from off to +13 dB at maximum.
Note: The FX sends are affected by the transform
switches [41], so if you mute a pgm channel with the
transform switch, the FX send for that pgm channel is
muted as well.
36. FX RETURN LEVEL
This adjusts the signal level coming from your exter-
nal effects processor via the FX return jacks [7]. Use
it to adjust the processed signal going to the main mix
bus. It ranges from off to +13 dB at maximum.
37. FIREWIRE FX RETURN
Press this in if the FX return comes from your com-
puter via FireWire. For example, a processed (wet)
audio signal to add to the main mix.
14
d.2 Pro DJ Production Console
1
MIC
PGM
SOURCE
OL
U
SIG
48V
LINE/
PHONO
OFF
+3
+50
OFF
MAX
ON
LEVEL
LEVEL
CD
EQ
U
HIGH
HIGH
-15
+15
KILL
+10
U
MID
MID
-15
+15
KILL
+10
U
LOW
LOW
-15
+15
KILL
+10
ON
FX
PAN
L
R
L
R
Leave it pressed out if the wet return signals come
1
PGM
into the FX return jacks [7] from an external processor.
38. PHONES LEVEL
TRANSFORM
(CENTER = MUTE)
This controls the volume of the phones output from
OL
off to maximum gain.
15
10
6
3
0
2
4
7
page 17.
10
20
30
39. PGM/MAIN
REVERSE
Use this switch to select the source for the head-
phones signal. When the switch is up (pgm position),
infinium
A
contact-free
the signal is tapped just after the bal control [31] on
cross-fader
the pgm channels. You can use the pgm source cross-
fader [40] to fade between pgm 1 and pgm 2.
When the switch is down (main position), the signal
is tapped from the main mix bus, just before the main
level control [32].
40. PGM SOURCE
When the pgm/main switch [39] is up (in the pgm
position), you can use this crossfader to listen to pgm 1
and pgm 2 in the headphones. When the crossfader is all
the way to the left, pgm 1 is heard in the headphones.
When the crossfader is all the way to the right, pgm 2
is heard in the headphones. When the knob is in the
center, the headphones get an even mix of pgm 1 and 2.
Note: When the pgm/main switch is down (main posi-
tion), this control has no effect on the phones output.
2
PGM
SOURCE
MAIN
U
LINE/
PHONO
OFF
MAX
CD
LEVEL
EQ
EQ
BOOTH
HIGH
STEREO
MONO
KILL
+10
FX
MID
KILL
+10
LOW
KILL
+10
PHONES
FX
BAL
BAL
1 1 1
L
R
2
PGM
TRANSFORM
(CENTER = MUTE)
MAIN
L
R
OL
OL
15
15
10
10
Turn it to off before connecting and putting
6
6
3
3
on headphones. Increase it slowly to a safe
0
0
2
2
listening level. See headphone jack [50] on
4
4
7
7
10
10
20
20
30
30
REVERSE
REVERSE
B
CONTROL
OFF
MAX
LEVEL
OFF
MAX
LEVEL
OFF
MAX
SEND
OFF
MAX
RETURN
PGM
MAIN
MAX
OFF
LEVEL
PGM SOURCE
2
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