Licensing Licensing of this, or any Azden wireless equipment is the user’s responsibility. The ability to receive a license depends largely on the user’s classification, application and frequency. Contact the appropriate agency (the FCC in the USA) for further information.
Going out into the field with a single-frequency unit invites disaster since there is no way of knowing what frequencies will be used by the other crews that are covering the same story. Think of your 500UDR as your insurance policy - your assurance of getting the story.
TABLE OF CONTENTS EXPLODED VIEW of 500UDR ... i INTRODUCTION ... ii RECEIVER SETUP ... 1 Powering the receiver with batteries ... 1 Powering the receiver from the camera ... 1 Attaching the receiver to the camera with Velcro ... 1 Attaching the Antennas ...
D. Connecting the Output Cable: 1. It is necessary to connect the output (#1) of the 500UDR to the ‘MIC’ or ‘LINE’ input on the camera by means of a properly wired cable (not sup- plied). The connector on the 500UDR is wired with pin 1 as ground, pin 2...
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The 51BT body-pack transmitter has 63 user selectable UHF frequencies and is ideal for lavaliere and headset microphones. The optional MP-1H instrument cable allows the 51BT to work with electric guitars and basses. (1) Open the battery compartment lid by sliding it down and raising it. (2) Insert one fresh alkaline 9-volt battery into the compartment.
NINE (9) frequency channels (0-8). Note: position 9 does not apply. This method of group/channel selection provides 63 possible choices. ANY transmit- ter that is to be used with this 500UDR MUST be adjusted to the same group/channel combination.
797.375 798.875 5. OUTPUT (#8) - switch to the appropriate position depending on whether the 500UDR is plugged into the ‘LINE’ or ‘MIC’ input on the camera. 6. PHONE JACK (#11) - nominal 30 Ω headphone/earphone jack. Use either 3.5mm mono or stereo (mono to both ears) connector.