Alternate Uses For The Monitor 1/2 Section: Stereo Recording During A Live Concert; Using Monitor 1/2 To Feed A Cassette Deck - Alesis Studio 32 Reference Manual

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Alternate uses for the Monitor 1/2
section: Stereo recording during a live
concert
The most popular and obvious application of the MONITOR 1/2 section to hear the
tape tracks in the control room or headphones while using the main faders for the
sources, during multitrack studio recording. But you should think of the MON 1/2
section as an independent, 16x2 mixer with an effects send, like this:
At a major concert, feeds from microphones are often "split" so they can be sent to
two different consoles: a monitor mixer on stage, and a house mixer in the audience
(and, sometimes, a third console for multitrack recording). This allows engineers to
change the controls without affecting each other. Here are some examples of why
separate mixes are needed:
the recording truck needs to have microphones in the audience to record the
applause; but it would cause feedback if these microphones were sent to the PA
system.
the PA engineer needs to raise and lower levels during the show, with different
mixes for each song. But the multitrack recording engineer tries to set levels so
that each track is at the ideal maximum recording level for that track. (The
recording's final mix levels will be set later, in a studio mixdown session.)
If you can afford several consoles and an expensive 2-way splitter box, good for you.
But if you think of the monitor section of your Studio 32 as if it were a separate
mixer being fed by the same microphone, a whole set of possibilities open up.

Using Monitor 1/2 to feed a cassette deck

Since the Studio 32 has a true stereo mixer independent of the main console, it can be
used to create a stereo reference mix of a live concert, while the main faders set the
PA mix. This technique is popular especially with artists who want to hear a tape
to evaluate each performance. If you just record the mix going to the PA, the
Studio 32 Refererence Manual
Sound Reinforcement
63

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