Longsword V4 Technical Manual
Introduction
Thank you for your purchase of the Electronic Audio Experiments Longsword!
This manual is an in-depth guide for properly using and enjoying your pedal.
But first, a little bit on the origins of the Longsword: I conceived this circuit to be a general-
purpose distortion with character – in other words, you can coax a wide variety of tones out of it
while never compromising its sonic signature. There are many distortion pedals I love, but this
one was designed to meet specific needs I had which, as it turns out, are not as unique as I
thought (and probably why you bought this pedal). When playing distorted guitar in a band
setting, my preferred style is to set a single channel amplifier on the verge of breakup and push
it a bit harder with a mix of pure clean gain and some saturation inherent to whatever pedal(s)
I'm using. The Longsword with its EQ, adjustable clipping settings, and high output volume on
tap is well suited to this purpose – but also manu others.
At its core, the Longsword is an op-amp drive with diode shunt clipping. An integrated circuit
called an operational amplifier (aka op-amp) increases the signal amplitude (loudness), and a
pair of diodes limits the peaks. Cutting the peaks off of a signal generates a bevy of extra
harmonics, producing the distorted tones we all know and love. This circuit block is found in
hundreds of pedals (including the Distortion+, Rat, OCD, even the venerable Klon Centaur/KTR)
and is, in itself, not special.
The Longsword is made special because of the way the clipping amplifier is nested in a series
of other amplifiers and filters. Many op-amp-centric overdrive pedals sound good with one
particular kind of guitar or amp, or they have only one sound that they do well. Oftentimes, ones
that sound good on their own can drop out of the mix in a band setting. By taking advantage of
the Longsword's dynamic range and powerful equalization, the player may easily defeat these
shortcomings.
-John Snyder, EAE
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