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In the following diagram we have showed an example of a ''saturated'' mix:
24 outputs
stereo mix
Epsilon II Master Fader (Post Bus)
at -4dB or -7dB
In a ''saturated'' mix the DAW output levels are ''high''. Inside our summing
bus the signal levels are will be off the scale and the Epsilon II master fader
requires attenuation. This is the same situation when using an analog console
the master vumeters are off scale. The Epsilon II requires that the master fader
attenuate the output levels to send the mix to DAW or other analog gear.
Note: To saturate Epsilon II with a higher dBu level we recommend 3 options
available to the user:
1-Calibrate the D/A converters to produce a higher level=change the dBFs/dBu
relation.
2-Force the digital levels inside the DAW.
3-In the 1-8 inserts, insert analog gear which provides more volume.
Conclusion: Use the ''saturation mode'' that sounds best in your opinion...
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