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SATURATION
Many important mixing engineers use analog consoles for comfort and also for
the capacity to saturate the console summing bus. When we speak about
creating a mix with ''punch'', ''glue'' or ''impact, we are speaking largely about
the effects of the console analog saturation. So, exactly the same occurs with
the Epsilon II. When we saturate the Epsilon II summing bus the same effects
appear as when using an analog console.
In the following diagram we have showed an example of a ''clean'' non-
saturated mix:
24 outputs
stereo mix
Epsilon II Master Fader (Post-bus)
at 0dB
In a ''clean'' mix the DAW output levels are normal or ''low''. Inside our
summing bus the signal levels are will be closet o 0VU=+4dBu and the Epsilon
II master fader doesn't require attenuation, it´s positionated at 0dB.
Remember: the master fader is post-summing bus.
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