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Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright 2000 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
• When using the unit with a rack or stand recom- mended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need...
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• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page when: • The AC adaptor or the power-supply cord has been damaged;...
(including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
Connecting External Devices ... 26 Procedure for Recording MIDI Phrases ... 26 Procedure for Playing Back MIDI Phrases... 27 Controlling the AR-200 from an External Device (Control Input Connectors)...28 What Is No-voltage/Make-contact? ... 28 Types of Control Input Playback ... 28 Types of Control Input Recording ...
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Operational Specifications for Terminal Rec ... 35 AR-200 Settings ... 36 To Specify Phrases with Binary Signals ... 37 Controlling Another Device with the AR-200 (Control Output Connectors) ...38 Starting Another Device (Busy Out)... 38 Controlling Another Device (Control Out) ... 39 Applications Guide Controlling the AR-200 with MIDI Signals (MIDI control) ...42...
What you record and the settings are all saved on the card, so you can change situations rapidly simply by changing cards. The AR-200 can record and play back up to a maximum of 250 phrases (using cards created on Roland’s AR-3000 allows playback of up to 1000 phrases).
With balanced output Turning On the Power The AR-200 is not equipped with a power switch. Power is turned on when electricity is supplied to the power connector (for the supplied AC adaptor), or to the control input and DC input, or control I/O connectors’ DC IN (p. 8).
Installation Attaching the Rubber Feet (Included Items) Attach these as required, such as when you’re using the AR-200 without mounting it on a rack or the like. Peel off the double-sided tape from the rubber feet and affix the rubber feet at the locations shown in the following figure.
Rack-Mounting the AR-200 By attaching a rack mount adaptor to the AR-200 (RAD-50: sold separately) you can install it in an EIA rack. One RAD-50 can accommodate up to two AR-200 units. Remove the four rubber feet from bottom of the unit.
Examples of Usage and Connection for the AR-200 You can use the AR-200 alone or in combination with other AR-200 units or other equipment to play audio in a wide variety of scenes. This section shows some examples of these. You can use these examples as a starting point for making changes to match your own usage circumstances.
Using batch MIDI control from a switch box, you can change programs on a mixer, equalizer, or the like to control the sonic field. fig.use-04 Switch Box Digital Mixer & Console Examples of Usage and Connection for the AR-200 MIDI Patcher Power Amp Power Amp Power Amp ( As a MIDI Sequencer)
* With some settings, playback doesn’t repeat even when you continuously input a make-contact signal. For information, refer to "Controlling the AR-200 from an External Device (Control Input Connectors)" (p. 30). Playing a Variety of Phrases in Succession There are several methods for doing this. Choose a playback method that matches your usage conditions.
* SmartMedia is a trademark of Toshiba Corporation. Card Storage Times and Number of Phrases A maximum of 250 phrases may be created on cards formatted on the AR-200. * The available recording time for a single card varies according to card capacity and recording settings.
* A maximum of 250 phrases may be created on cards formatted on the AR-200. * The available recording time for a single card varies according to card capacity and recording settings.
AR Series If You’re Using a Legacy Model In case the card you are using with the AR-200 has been used on one of Roland’s previous AR-2000, AR-100, or AR-1 devices; or if using an AR-200 card on one of these legacy models, the operational specifications are shown below.
MIDI data are both handled as phrases. Phrases are managed by phrase numbers. fig.rec-01 Phrase Number Connecting External Devices The AR-200 features analog input jacks (INPUT) on the rear panel.Refer to the following figure when connecting the AR-200 with external devices. fig.rec-02 Powered Speakers For monitor...
Procedure for Recording To enable recording with the AR-200 using cards formatted on the AR-2000, carry out the "Formatting a Card" (P.15) procedure. Required Settings for Recording Audio Signals (Recording Settings) In order perform recording matched to usage conditions, including the connected equipment, recording source, sound quality, time, and playback system, you make recording settings.
Select an RDAC mode that matches the circumstances of use. Procedure Turn off the power of the AR-200. Set the SW 4 and 5 REC MODE switches on the AR-200’s bottom panel. The different grade settings are shown in the following table.
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Procedure 1. Turn off the power of the AR-200. 2. Set the SW 6 REC MODE switch on the AR-200’s bottom panel. OFF : MONO ON : STEREO 3. Turn on the power of the AR-200.
Recording Audio Procedure Make the correct connections, then turn on the power switch. Insert a formatted card into one of the slots. Press the [ ] or [ ] button to select the number of the phrase to be recorded. The non-recording phrase number in display is flashed.
Information Recorded on the Card The AR-200 stores recorded audio and MIDI signals on the card. Additionally, all settings data (such as MIDI channels and other information) is stored on the card (the information is not stored in the AR unit itself).
Playback Using the Panel (Manual Playback) Here is how to playback the phrase to check the recording. The sound will be output from the Phones jack and from the output jacks. fig.man-01 Procedure Insert a card containing recorded information into a slot. Press the [ ] or [ ] button to select the number of the phrase...
Deleting Phrases You can delete unneeded phrases, either by deleting single phrase units or entire collections of phrases. Deleting Single Phrases Press the [ ] or [ ] button to select the number of the phrase to be deleted. Hold down the STOP button for at least 5 seconds. A flashing “dEL”...
Recording and Playing MIDI Data (MIDI Phrase) What is a MIDI Phrase? You can use the AR-200 for recording and playback of MIDI data. MIDI data recorded with the AR-200 are called “MIDI phrases.” MIDI phrases and audio phrases are treated identically as phrases.
AR- 200 begins. In such instances, start recording with the AR-200 first, then after this select and play back the song from the MIDI sequencer. • In recording MIDI with the AR-200, the recording tempo is set at 120 (tempo information is not stored).
You can use the control input and DC input screw terminals (CONT A) and the 25-pin D-sub-type control I/O connector (CONT B) on the AR-200’s rear panel to control the AR-200 from an external device. This chapter explains how to connect external devices and make the settings for the AR-200.
Procedure for Setting the Control Input Mode 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW1: OFF SW2: OFF 3.
Controlling the AR-200 from an External Device (Control Input Connectors) Playing Back Phrases Assigned to the Connectors (Direct Playback) What Is Direct Playback (Reverse Priority)?/Use and Applications By inputting control signals directly to Port Nos. 1 through 9, you can play back the phrases assigned to those numbers. Up to 9 phrases can be played back.
Procedure for Setting the Control Input Mode 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW1: ON SW2: OFF 3.
Procedure for Setting the Control Input Mode 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW1: OFF SW2: ON 3.
Procedure for Setting the Control Input Mode 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW1: ON SW2: ON 3.
Controlling the AR-200 from an External Device (Control Input Connectors) Connecting Equipment Connectors Used in Terminal Rec 1–8: Phrases are specified in binary format using combinations of 0 (Off) and 1 (On). 9, 10: Combinations of 0 (Off) and 1 (On) are used to specify record, erase, and playback.
Procedure for Setting the Control Input Mode 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW6: ON 3. Turn on the power of the AR-200.
Controlling the AR-200 from an External Device (Control Input Connectors) To Specify Phrases with Binary Signals Note that the way phrases are specified in Terminal Rec differs from that used in Binary Playback. Example: Binary specification of Phrase 112 (Phrase #: 112) Convert the phrase number to a binary signal number.
You can use the screw-type control input and DC input terminals (CONT A) and the 25-pin D-sub-type control I/O connector (CONT B) on the AR-200’s rear panel to control an external device from the AR-200. The AR-200 outputs two kinds of control signals, Busy Out and Control Out.
Controlling Another Device with the AR-200 (Control Output Connectors) Controlling Another Device (Control Out) What is the Control Out Signal?/ Connecting Devices The Control Out signal is output for a duration of one second from the CONT OUT connector after playback of audio phrases, MIDI phrases, pattern phrases, and song phrases.
Use of MMC signals requires that the other devices be capable of remote operation using MMC signals. The AR-200 can work as a remote device, starting and stopping recording and playback of audio phrases when MMC signals are received.
Program Change 1 Note Phrase A0001 C#-1 A0002 A0003 A0128 Controlling the AR-200 with MIDI Signals (MIDI control) MIDI Note Map (Phrase Assignments from Program Changes and Note Numbers) fig.midi-04 Program Change MIDI Sequencer Power Amp < Program Change1>...
“ALL”: Output is through Channel 1 * If you are using Note messages to control two or more AR-200 units, set the MIDI Note Trigger setting of the slave AR-200 units to “Trig.””Trigger” is selected when the card is formatted.
MTC SYNC OUT : MTC MTC, MMC SIGNAL AR-3000 AR-LINK MASTER MMC MODE : SLAVE MTC SYNC SOURCE : MTC AR-200 AR-200 AR-LINK SLAVE Important Notes on Making Connections and Switching the Power On and Off (p. 9) AR-LINK SLAVE...
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The AR-200 can only be set to AR-LINK slave. Settings Procedure 1. Turn off the power of the AR-200. 2. Set the MODE switches on the AR-200’s bottom panel as shown below. SW4: ON 3. Turn on the power of the AR-200.
0003 0004 0005 0006 * You cannot make settings for this parameter on the AR-200. Furthermore, it is effective only with phrases whose settings have been made on the AR-3000. For detailed information, please refer to the AR-3000 user’s manual.
Other Useful Functions During Phrase Playback Line Thru Output Specifications The following output specifications apply, depending on the Line Thru settings. fig.etc-02 During Phrase Playback AR PHRASE OUTPUT When On When On (0%) When On (50%) When On Sound input to line input (100%) LINE THRU When fade-out or fade-in settings have been made...
MIDI messages from being recorded correctly when recording with the AR-200 begins. In such instances, start recording with the AR- 200 first, then after this select and play back the song from the MIDI sequencer.
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• Are the MTC “Sync Source” and “Sync Out” set correctly? When using the AR-200 as a slave, check to make sure the settings are correctly made for the conditions. • If using MTC, are both devices set to the same MTC type? •...
PC card is malfunctioning. Use a different PC card. fig.er-4 Situation: The card is of a type which the AR-200 is not able to use. Action: Refer to the section "Reccomended PC cards" (p. 66) and use an appropriate PC card.
Regarding Cards Card Audio Recording Time Chart The following table shows recording times available for cards formatted for the AR-3000. * Recording times listed are for mono recording. Recording times are halved when data is recorded in stereo. * These times are for when 1phrase is recorded continuously, and are provided for your reference when recording. The recording time will depend on the combination of the grade settings of each phrase recorded in each PC card.
Appendices Recorded Phrase Data When a piece of Phrase data recorded by the AR-200, the set- tings of data on the card will be as follows. If you will be using the card on the AR-3000, refer to this list.
ETC. settings Recording phrase: AR-3000 settings that can be used The following AR-3000 settings can be used by the AR-200. Refer to this list if you will be using a card created by the AR- 3000. Settings Data With the Card...
Each switch is ON when in the upward position, and OFF when in the downward position. When the AR-200 is shipped from the factory, all switches will be OFF. * Use a pointed object to change the ON/OFF settings of the MODE switches.
* Do not make any connection to NC pins, since this will cause faulty operation. DC power supply • Power can be supplied to the AR-200 from an external power supply unit (DC power supply) as well as from the AC adaptor.
Messages (7EH) and Universal Real time Messages (7FH). dd,.., ee = Data : 00H-7FH (0-127) F7H : EOX (End of Exclusive Message) The system Exclusive Messages recived by the AR-200/3000 are; Data Set (DT1). Regarding the Data Set (DT1), please refer to "exclusive Communication".
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● MIDI Time Code ❍ Full Messages * Data is received when Sync Source is set to "MTC." When the Quarter Frame message is received, operation proceeds with the start of the song synchronized to "00h00m00s00f00" with the "MTC Offset" and the "Delay Time" added. * This acts upon the currently selected audio phrase.
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In this case, AR-200/3000 is not transmitted MIDI messages which are received. 2.2 Transmitted message which are received. When THRU is set in the MIDI OUT, AR-200/3000 transmits message which are received. 2.3 Transmitted message which are produced. When OUT is set in the MIDI OUT, AR-200/3000 transmits the following produced messages.
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ID Number :an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland's manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-real time Messages (7EH) and Universal Real time Messages (7FH).
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When AR-200/3000 is in MIDI Recorder mode, MIDI Messages is not transmitted. 5. Exclusive Communication Exclusive message model IDs that can be used on the AR-200 and AR-3000 are OOH, 38H (AR-200), 00H, and 37H (AR-3000). The Device Id can be set to 00H to 1FH.
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A0001 - A0500 0:Linear B0001 - B0500 1:Mode1 * Only received packet data. 2:Mode2 * When reception of this packet is completed, the AR-200/3000 changes to the current 3:Mode3 (currently displayed) phrase number. 4:H-Linear 0:MONO ❍Exclusive Address Table Recording Settings AR-200/3000...
AUDIO RECORDER Model AR-200 Media Player Section Function ... Basic Default Channel Changed Default Mode Message Altered Note Number : True Voice Note ON Velocity Note OFF After Key's Touch Ch's Pitch Bend 0 – 119 Control Change Program Change :...
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AUDIO RECORDER Model AR-200 MIDI Recording Section Function ... Basic Default Channel Changed Default Mode Message Altered **************** Note Number : True Voice **************** Note ON Velocity Note OFF After Key's Touch Ch's Pitch Bend 0 –119 Control Change Program...
Recording media PC card (PC Card Standard (1995) compatible, TYPE1.2) Recommended PC cards Roland PC Cards PM series (PCMCIA2.0/2.1, JEDA Ver.4.1/ 4.2 Spec Standard) * In order to recording/playback of audio signal and MIDI data, you will need to purchase one of the PC cards.
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Card Protector (with screws) Owner’s Manual AC Adaptor (ACI/ACB Series) Options Roland PM Series AR-LINK Cable (RSC-15APL) * 0 dBu=0.775Vrms * In the interest of product improvement, the specifications and/ or appearance of this unit are subject to change without prior notice.
Specification Input/Output Standard fig.spec Input Standard Input Jack Line Input Jack Output Standard Output Jack Audio Output Jack Phones Jack *0 dBu = 0.775 Vrms, -10 dBV=-7.79 dBu *1: 100 ohms with both channels loaded Dimentions fig.dimensi *Dimensions are with card inserted and rubber feet (included) attached. *The power cord is not included.
Index AR-LINK ...45, 56 AR-LINK SLAVE ...46 Binary Playback ...31 Card Audio Recording Time Chart ...53 Card Compatibility ...17 Card Protector ...11 control input connectors ...28 Control Input Playback ...28 Control Out ...39 Deleting Phrases ...25 Direct Playback ...30 Direct playback ...28 Implementation ...58 Interval Playback ...34 Manual Playback ...24...
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Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. MALAYSIA AFRICA AFRICA BENTLEY MUSIC SDN BHD 140 & 142, Jalan Bukit Bintang EGYPT 55100 Kuala Lumpur, MALAYSIA...
This product complies with the requirements of European Directive 89/336/EEC. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
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