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CONNECTIONS AND INSTALLATION
CONNECTIONS
When using BNC connector
Monitor
Video signal
: VIDEO IN
: VIDEO OUT
Degital video recorder
or time-lapse VCR
When using Y/C OUT connector
Higher video quality can be achieved by connecting an S-Cable.
Monitor
Video signal
: VIDEO IN
: VIDEO OUT
Degital video recorder
or time-lapse VCR
CONNECTIONS
What you need
Peripheral equipment (such as monitor, digital video recorder or time-
lapse VCR)
Cables for connecting peripheral equipment and camera:
Coaxial cable, BNC connector
S-cable (coaxial cable if you need)
Monitor with a Y/C or S-VIDEO input terminal, or a digital video
recorder (a time-lapse VCR) with an S-VIDEO input terminal.
Power adapter (DC 12 V)
Supported coaxial cables
You can use any of the following coaxial cables:
RG-59U (3C-2V) Length: 250 m max.
RG-6U (5C-2V) Length: 500 m max.
RG-11U (7C-2V) Length: 600 m max.
When using an RG-59U (3C-2V) cable, do not use it on piping or air
wiring.
Select the cable according to the distance between the devices you wish
to connect.
If you use a cable other than the types above, the image or sync signal
will be attenuated and will not be transmitted correctly.
When using external sync
Connect the BNC connector to the VBS IN terminal when inputting the
synchronizing signal from a synchronizing signal device or the composite
signal from a video distributor.
Making connections
When using BNC connector
1
Connect the camera and peripheral equipment with cables.
2
Connect the power cable.
When connecting the power cable to the camera, check that the polarity is
correct.
3
Insert the plug of this power cord into a wall outlet.
The POWER indicator will light.
1
VIDEO OUT
Y/C OUT
POWER
12V DC
VBS IN
Push to
DC12V
insert the cable.
2
3
1
VIDEO OUT
Y/C OUT
POWER
12V DC
VBS IN
Push to
DC12V
insert the cable.
2
3
When using Y/C OUT connector
1
Using an S-cable, connect the Y/C OUT connector from the
camera to the S-VIDEO input terminal on the monitor, digital video
recorder or time-lapse VCR.
2
Connect the power cable.
When connecting the power cable to the camera, check that the polarity is
correct.
3
Insert the plug of this power cord into a wall outlet.
The POWER indicator will light.
Use a Mini-DIN (round type, 4-pin) plug to connect to the Y/C connector.
Never use a coaxial cable longer that 10 meters to connect the camera
to the S-VIDEO input terminal.
FLANGE BACK ADJUSTMENT
If the pick-up surface is not correctly positioned with relation to the lens
focal point, the picture will be out of focus (in particular when using auto-iris
power zoom lenses, sold separately). If that is the case, adjust the FLANGE
BACK position as described below.
1
Using a + screwdriver, loosen the
FLANGE BACK LOCK screw (M2:+).
2
Set the zoom lens to the maximum
telephoto position, and set the focus
using the focus ring on the lens.
3
Set the zoom lens to the maximum
wide angle position, and set the focus
using the FLANGE BACK ADJ. screw.
Repeat steps 2 and 3, until the image
stays in focus when changing from a
telephoto shot to a wide angle shot.
4
When the setting is complete, tighten
the FLANGE BACK LOCK screw.
ADJUSTMENT AND SETTINGS
The illustration shows the factory default settings for the switches in
the camera adjustment/setting panel.
R
B
R
B
VR302
VR303
ON
1
2
3
1
ES/EI
GAIN
1
2
3
HI
MSB
LSB
NORM
The sticker on the inside of cover.
The camera comes pre-adjusted and ready to install at time of factory
shipment, but you may want to make adjustments or settings to adapt to the
operating conditions or installation environment.
If you have trouble adjusting the camera, consult your dealer or a Sanyo
Authorized Service Center.
Iris setting and electronic shutter speed setting
(ES/EI)
1
Select iris setting when using either lens below.
AI
When using an auto-iris lens, select electronic shutter speed.
EI
When using a manual or fixed iris lens, set the
(for indoor use)
ES/EI switch 1 - 3.
* Set the lens aperture to the shortest F stop.
Electronic shutter speed settings
1/50
1/120
1/500
1
2
3
1
2
3
1
2
Using the high speed electronic shutter indoors with low lighting, will give
darker pictures. In such a case, add some lights to make sure the lighting
is sufficient.
If the lighting is very bright, pay attention to the light angle in order to
avoid or minimize the smear phenomenon effect.
If using a manual or fixed iris lens under fluorescent light, the image may
flicker.
Gain control (GAIN)
For adjusting the sensitivity of the camera. Use this setting for shooting in
dark environments.
2,3
HI
Increased sensitivity allows shots to be taken in dark
environments.
NORM
When the HI setting causes noise generation and a grainy
image.
3
1,4
ADJ.
LOCK
Outline compensation (APER:Aperture)
FLANGE BACK
SHRP
Emphasizes object outlines.
NORM
When object outlines appear too strong.
Backlight compensation (BLC)
You can set the metering area (
automatically to make the image easy to see when the object is backlit.
(Active when using an auto-iris lens.)
6
8
VR304
H
VR301
DC
4
5
6
7
8
9
10
VIDEO
A. I.
LENS
2 3
4
5 6 7
APER
BLC
WB
SC-PHASE 1
SHRP MULT CENT MANU
180
90
NORM OFF
OFF
ATW
0
0
Color compensation (WB:White balance)
MANU
ATW
External sync adjustment (SC-PHASE1)
If the signals are not synchronized
when using VBS IN terminal, change
the sub-carrier (SC-PHASE1)
switches as follows.
The type and length of the cable
which is connected to the VBS IN
connector may cause the horizontal
synchronization being out of phase.
If this happens, adjust VR304 (H:
1
2
3
horizontal sync).
1/1000
1/2000
1/4000
1/10000
The sub-carrier switches let you make broad adjustments to the sub-carrier
3
1
2
3
1
2
3
1
2
3
1
2
3
phase. If finer adjustments are required, consult your dealer.
(Unit: seconds)
Lens setting (A.I. LENS)
Set this as appropriate for the type of lens you are using.
VIDEO
DC
When using a VIDEO type auto-iris lens, turn the ALC (light control) dial on
the lens barrel fully to AV (average).
2
Lens iris dial
If the entire image is too dark or too bright when using an auto-iris lens (AI),
adjust this dial (
Counterclockwise
Clockwise
3
3 4
), to have the lens iris adjust
When
Multi-spot metering
applying
The screen is divided into 64 areas, and
backlight
each area is metered and backlight-
compensation
compensated.
to the whole of
the screen.
If the background of the object is
extremely dark, the center of the object
6
7
may be too bright. In this case, set
center-weighted metering mode.
When
Center-weighted metering
applying
Only the central portion of the screen is
backlight
metered and backlight-compensated.
compensation
to only the
central portion
of the screen.
6
7
5 5 R 5 B
Lets you fine-tune the white balance manually.
R
• R (Red) dial
: Turn clockwise to augment screen red.
• B (Blue) dial
B
: Turn clockwise to augment screen blue.
Compensation is performed automatically.
6
Phase
Setting
0° ~ +90°
9 10
+90° ~ +180°
9 10
+180° ~ +270°
9 10
+270° ~ +360°
9 10
7
VIDEO type auto-iris lens (lens with built-in amp circuits)
DC type auto-iris lens (lens without built-in amp circuits,
powered by DC power only)
8
).
8
Closes the lens iris, making the entire image darker.
Opens the lens iris, making the entire image brighter.
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