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z Various ways of recording
Two ways of connection to a sound source
o f
j a c k
i n p u t
T h e
C D
a
t o
r e c o r d e r
w
n g
" R e c o r d i
s e e
r e c o r d ,
( p a g e
a w a y ! "
r i g h t
M D
a n
" R e c o r d i n g
Difference between digital and analog inputs
Difference
(connection)
s o u r c e
C o n n e c t a b l e
c o r d
e
U s a b l
c a l
o p t i
s o u r c e
t h e
f r o m
S i g n a l
n u m b e r s
t r a c k
R e c o r d e d
l e v e
s o u n d
r d e d
R e c o
N o t e
y
i n c o r r e c t l
c o p i e d
b e
m a y
m a r k s
T r a c k
p l a y e r s
C D
s o m e
f r o m
r e c o r d
y o u
• w h e n
i n
i s
s o u r c e
t h e
• w h e n
m a l
i n
s o u r c e
t h e
p l a y
c a s e ,
10
Digital input
Input
a l
o p t i c
a n
w i t h
E q u i p m e n t
j a c k
o u t p u t
t a l
d i g i
a n
h
( w i t
e
c a b l
t a l
D i g i
p l u g )
m i n i
c a l -
o p t i
a n
o r
l
t a
g i
D i
e d )
o p i
( c
k e d
M a r
l y
i c a l
m a t
a u t o
•at the same positions as the
source.
•when the recorder is
paused while recording.
s o u r c e
t h e
a s
S a m e
Analog (line) input
a n a l o g
a n
w i t h
E q u i p m e n t
j a c k
o u t p u t
n e )
( l i
p h o n o
2
( w i t h
c a b l e
L i n e
p l u g )
e o - m i n i
s t e r
a
o r
p l u g s
o g
A n a l
s o u r c e
t a l
d i g i
a
w h e n
E v e n
e d ,
c o n n e c t
i s
C D )
a
a s
( s u c h
d e r
r e c o r
t h e
t o
s e n t
l
s i g n a
t h e
o g .
a n a l
i s
d
r k e
M a
•after more than 2 seconds of
silence.
•when the recorder is
paused while recording.
s a r y
u n n e c e s
e r a s e
c a n
Y o u
g
r d i n
r e c o
e r
a f t
s
m a r k
m a r k " ,
t r a c k
a
n g
( " E r a s i
2 1 ) .
p a g e
C a n
l y .
i c a l
a u t o m a t
d
s t e
A d j u
l l y
m a n u a
e d
u s t
a d j
b e
o
a l s
d i n g
r e c o r
t h e
t i n g
( " A d j u s
1 3 ) .
p a g e
" ,
l e v e l
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